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C<br />
M<br />
Y<br />
K<br />
26—Vanguard, THURSDAY, SEPTEMBER 12, 2019<br />
japhdave@yahoo.com<br />
08066625505<br />
Onuzulike’s double unlocks the mystery of seed<br />
yams<br />
By Japhet Davidson<br />
*Some of the works exhibited during the three day show<br />
AS the Igbo and other eth<br />
nic groups that value<br />
yam, celebrate the new yam<br />
festivals, ceramics artist, poet<br />
and art historian, Ozioma<br />
Onuzulike is set to metaphorically<br />
explore the vicissitudes<br />
surrounding the edible<br />
food in what can be described<br />
as a monumental exhibition<br />
tagged Seed Yams of<br />
Our Land .<br />
Coming from the heels of<br />
one of the celebrated artist<br />
and lecturer, the exhibition<br />
which will open with a formal<br />
presentation of the artist’s<br />
published collection of<br />
poems of the same title, Seed<br />
Yams of Our Land is scheduled<br />
to start by 4.00pm on<br />
14th September, 2019 at the<br />
Centre for Contemporary Art,<br />
Lagos and will run till 25th<br />
October 2019.<br />
According to the curator,<br />
Iheanyi Onwuegbuchulam,<br />
“the artist will metaphorically<br />
explore yam (Dioscorea spp.)<br />
and the yam barn – emblems<br />
of economic and political<br />
power among the Igbos of<br />
southern Nigeria – in ways<br />
that examine the unequal<br />
relations within individuals<br />
and groups in Africa, as well<br />
as Africa’s precarious relations<br />
with first world countries<br />
and their imperial powers.<br />
“In doing this, the artist reflects<br />
on the nature of his basic<br />
material (clay) as a mineral<br />
that is symbolic of life and<br />
explores the violent ceramics<br />
studio processes (pounding,<br />
cutting, crushing, firing …) as<br />
fitting metaphors for the human<br />
conditions in Africa today.<br />
These include the horrific<br />
implications of “reckless politics”,<br />
hunger, unemployment,<br />
banditry and armed conflicts<br />
on Africa and her people, especially<br />
the youth - representative<br />
of Africa’s future<br />
and values, which the artist<br />
symbolically uses as “seed<br />
yams” to draw attention to<br />
Nollywood star set for<br />
London recognition, award<br />
ON Saturday, 9th<br />
November, 2019,<br />
the Crik Banqueting<br />
Hall in London,<br />
United Kingdom,<br />
where this year’s edition<br />
of the prestigious<br />
Edo Festival and<br />
Awards organised by<br />
JJ Barry Entertainment<br />
Limited will be held<br />
would be set agog as<br />
personalities, artistes<br />
and showbiz entrepreneurs<br />
would congregate<br />
to witness the epoch<br />
event.<br />
Aisosa Okoro, a<br />
Benin based historian<br />
cum movie costumer, is<br />
elated as she gets set for the<br />
showstopper event where she<br />
has been slated as one of the<br />
recipients of the prestigious<br />
award of recognition for her<br />
untiring effort to promote the<br />
rich culture of the Benin<br />
Kingdom spiced with her dexterity<br />
in folklore recitations.<br />
In her acceptance of the invitation<br />
for the award, the<br />
elated Aisosa stated: “I am<br />
elated at the recognition that<br />
JJ Barry Entertainment Limited<br />
has given me by nomi-<br />
*One of the works to be exhibited<br />
*Aisosa<br />
Okoro<br />
nating me for the award of<br />
recognition as an active artiste<br />
and a historian of note<br />
in the Nollywood Movie<br />
world.<br />
“While doing my bit contributing<br />
to the promotion of<br />
the rich culture of my people,<br />
the Benins I never thought<br />
that a day like this will come<br />
when I will be given recognition<br />
for what I am doing.<br />
“I really appreciate this<br />
honour and I am certain that<br />
it can only be the starting<br />
point and not the limit of the<br />
their desecration by vicious<br />
forces from within and outside<br />
Africa.”<br />
The exhibition will open<br />
with a formal presentation of<br />
the artist’s published collection<br />
of poems of the same title,<br />
Seed Yams of Our Land<br />
published by the Centre for<br />
Contemporary Art, Lagos.<br />
In his artists statement, the<br />
University of Nigeria, Nsukka<br />
trained scholar who has remained<br />
committed to his studio,<br />
producing a large body<br />
of work in utilitarian ceramics<br />
and in mixed media sculptures<br />
and installations said,<br />
good tidings<br />
that would<br />
come my<br />
way in no<br />
distant time.<br />
“ T h i s<br />
award is going<br />
to be a<br />
stepping<br />
stone as I am<br />
certain that<br />
more would<br />
soon follow<br />
suit.”<br />
And she<br />
has a word of<br />
encouragement<br />
to JJ<br />
Barry Entertainment<br />
Limited:<br />
“Keep it up.<br />
The world is<br />
watching all<br />
you have<br />
been doing to<br />
promote<br />
achievers<br />
and highlight<br />
their achievements.<br />
The<br />
reward will<br />
come in torrents<br />
in time<br />
to come.”<br />
“My current project attempts<br />
to extend my previous work<br />
around issues of man’s inhumanity<br />
to man and the horrific<br />
implications of conflicts<br />
and wars on human beings<br />
and on the natural environment.<br />
The yam with its physical<br />
and conceptual attributes<br />
offers me fitting metaphors<br />
with which to engage the human<br />
condition of my own people,<br />
a condition (a “barn”)<br />
that has largely been shaped<br />
by our unequal relations with<br />
countries of the “first world”<br />
and their imperial powers.<br />
“Although increasingly<br />
eroded by the influx of alternative<br />
food items, the yam remains<br />
a prestigious crop and<br />
an important natural resource<br />
within my Igbo native soil in<br />
Nigeria. The yam barn used<br />
to be a site of political and<br />
economic power, a space in<br />
which a man asserted his supremacy<br />
over his wives and<br />
children, and the “capital” or<br />
“currency” with which he negotiated<br />
his political status in<br />
society.<br />
In my Yam Bodies project, I<br />
think of seed yams as our children,<br />
our youth, our future;<br />
and the family, school and<br />
society at large as the farm in<br />
which they are planted and<br />
nurtured. We harvest what we<br />
grow. Our harvests remain a<br />
function of the quality of our<br />
inputs and the conditions under<br />
which we grow them.<br />
Given the digital age in which<br />
we currently live and work,<br />
our farms’ borders have grown<br />
increasingly porous and vulnerable”.<br />
His works have been shown<br />
in numerous group exhibitions<br />
and in nine solo shows<br />
between 1995 and 2018 in<br />
Nigeria, Italy and the USA.<br />
Onuzulike who is a notable<br />
scholar of African ceramics art<br />
history presently lectures as<br />
professor of art and art history<br />
in University of Nigeria,<br />
Nsukka . He has exhibited<br />
in numerous group exhibitions<br />
and in nine solo shows<br />
between 1995 and 2018 in<br />
Nigeria, Italy and the USA<br />
and his work has received<br />
endorsement through awards<br />
and prizes from many institutions/bodies.<br />
Issele Uku’s Inne festival kicks off<br />
in grand style<br />
T<br />
H E<br />
third edition<br />
of the<br />
Annual<br />
Inne Festival<br />
of Issele<br />
Uku has<br />
b e e n<br />
scheduled<br />
to hold<br />
from 14 to<br />
19 September<br />
2019.<br />
This is the<br />
third outing<br />
of the<br />
King of<br />
I s s e l e<br />
O l i g b o<br />
kingdom,<br />
HRM Obi<br />
Agbogidi<br />
N d u k a<br />
(Mnse).<br />
The Inne<br />
festival is<br />
an occasion<br />
where all<br />
the titled<br />
chiefs of<br />
the town<br />
dress in the<br />
best of<br />
their regalia<br />
and<br />
*HRM, Obi Agbogidi Nduka during one of his recent outings<br />
dance to the king’s palace<br />
to pay their annual<br />
homage.<br />
This year’s festival will<br />
be an improvement of the<br />
previous years’ because it<br />
will hold for 5 days and<br />
feature activities like inter-village<br />
traditional<br />
dance competitions among<br />
the 9 villages of Issele<br />
Uku. A cash reward of<br />
N300, 000, N200, 000 and<br />
N100, 000 also await winners<br />
of the 1st, 2nd and<br />
3rd positions respectively.<br />
Other activities lined up<br />
for the festival include<br />
traditional fashion show<br />
and raffle draws in which<br />
the winners will go home<br />
with a motorcycle and a<br />
sewing machine respectively.<br />
According to HRM Obi<br />
Agbogidi Nduka, culture<br />
is the people’s way of life<br />
and a people without culture<br />
are like a tree without<br />
roots. This year’s action-filled<br />
festival promises<br />
to be a turning point<br />
where elegance, culture<br />
and tradition will combine<br />
with opulence and royalty<br />
to produce a festival all<br />
stakeholders will be<br />
proud of.