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C<br />

M<br />

Y<br />

K<br />

26—Vanguard, THURSDAY, SEPTEMBER 12, 2019<br />

japhdave@yahoo.com<br />

08066625505<br />

Onuzulike’s double unlocks the mystery of seed<br />

yams<br />

By Japhet Davidson<br />

*Some of the works exhibited during the three day show<br />

AS the Igbo and other eth<br />

nic groups that value<br />

yam, celebrate the new yam<br />

festivals, ceramics artist, poet<br />

and art historian, Ozioma<br />

Onuzulike is set to metaphorically<br />

explore the vicissitudes<br />

surrounding the edible<br />

food in what can be described<br />

as a monumental exhibition<br />

tagged Seed Yams of<br />

Our Land .<br />

Coming from the heels of<br />

one of the celebrated artist<br />

and lecturer, the exhibition<br />

which will open with a formal<br />

presentation of the artist’s<br />

published collection of<br />

poems of the same title, Seed<br />

Yams of Our Land is scheduled<br />

to start by 4.00pm on<br />

14th September, 2019 at the<br />

Centre for Contemporary Art,<br />

Lagos and will run till 25th<br />

October 2019.<br />

According to the curator,<br />

Iheanyi Onwuegbuchulam,<br />

“the artist will metaphorically<br />

explore yam (Dioscorea spp.)<br />

and the yam barn – emblems<br />

of economic and political<br />

power among the Igbos of<br />

southern Nigeria – in ways<br />

that examine the unequal<br />

relations within individuals<br />

and groups in Africa, as well<br />

as Africa’s precarious relations<br />

with first world countries<br />

and their imperial powers.<br />

“In doing this, the artist reflects<br />

on the nature of his basic<br />

material (clay) as a mineral<br />

that is symbolic of life and<br />

explores the violent ceramics<br />

studio processes (pounding,<br />

cutting, crushing, firing …) as<br />

fitting metaphors for the human<br />

conditions in Africa today.<br />

These include the horrific<br />

implications of “reckless politics”,<br />

hunger, unemployment,<br />

banditry and armed conflicts<br />

on Africa and her people, especially<br />

the youth - representative<br />

of Africa’s future<br />

and values, which the artist<br />

symbolically uses as “seed<br />

yams” to draw attention to<br />

Nollywood star set for<br />

London recognition, award<br />

ON Saturday, 9th<br />

November, 2019,<br />

the Crik Banqueting<br />

Hall in London,<br />

United Kingdom,<br />

where this year’s edition<br />

of the prestigious<br />

Edo Festival and<br />

Awards organised by<br />

JJ Barry Entertainment<br />

Limited will be held<br />

would be set agog as<br />

personalities, artistes<br />

and showbiz entrepreneurs<br />

would congregate<br />

to witness the epoch<br />

event.<br />

Aisosa Okoro, a<br />

Benin based historian<br />

cum movie costumer, is<br />

elated as she gets set for the<br />

showstopper event where she<br />

has been slated as one of the<br />

recipients of the prestigious<br />

award of recognition for her<br />

untiring effort to promote the<br />

rich culture of the Benin<br />

Kingdom spiced with her dexterity<br />

in folklore recitations.<br />

In her acceptance of the invitation<br />

for the award, the<br />

elated Aisosa stated: “I am<br />

elated at the recognition that<br />

JJ Barry Entertainment Limited<br />

has given me by nomi-<br />

*One of the works to be exhibited<br />

*Aisosa<br />

Okoro<br />

nating me for the award of<br />

recognition as an active artiste<br />

and a historian of note<br />

in the Nollywood Movie<br />

world.<br />

“While doing my bit contributing<br />

to the promotion of<br />

the rich culture of my people,<br />

the Benins I never thought<br />

that a day like this will come<br />

when I will be given recognition<br />

for what I am doing.<br />

“I really appreciate this<br />

honour and I am certain that<br />

it can only be the starting<br />

point and not the limit of the<br />

their desecration by vicious<br />

forces from within and outside<br />

Africa.”<br />

The exhibition will open<br />

with a formal presentation of<br />

the artist’s published collection<br />

of poems of the same title,<br />

Seed Yams of Our Land<br />

published by the Centre for<br />

Contemporary Art, Lagos.<br />

In his artists statement, the<br />

University of Nigeria, Nsukka<br />

trained scholar who has remained<br />

committed to his studio,<br />

producing a large body<br />

of work in utilitarian ceramics<br />

and in mixed media sculptures<br />

and installations said,<br />

good tidings<br />

that would<br />

come my<br />

way in no<br />

distant time.<br />

“ T h i s<br />

award is going<br />

to be a<br />

stepping<br />

stone as I am<br />

certain that<br />

more would<br />

soon follow<br />

suit.”<br />

And she<br />

has a word of<br />

encouragement<br />

to JJ<br />

Barry Entertainment<br />

Limited:<br />

“Keep it up.<br />

The world is<br />

watching all<br />

you have<br />

been doing to<br />

promote<br />

achievers<br />

and highlight<br />

their achievements.<br />

The<br />

reward will<br />

come in torrents<br />

in time<br />

to come.”<br />

“My current project attempts<br />

to extend my previous work<br />

around issues of man’s inhumanity<br />

to man and the horrific<br />

implications of conflicts<br />

and wars on human beings<br />

and on the natural environment.<br />

The yam with its physical<br />

and conceptual attributes<br />

offers me fitting metaphors<br />

with which to engage the human<br />

condition of my own people,<br />

a condition (a “barn”)<br />

that has largely been shaped<br />

by our unequal relations with<br />

countries of the “first world”<br />

and their imperial powers.<br />

“Although increasingly<br />

eroded by the influx of alternative<br />

food items, the yam remains<br />

a prestigious crop and<br />

an important natural resource<br />

within my Igbo native soil in<br />

Nigeria. The yam barn used<br />

to be a site of political and<br />

economic power, a space in<br />

which a man asserted his supremacy<br />

over his wives and<br />

children, and the “capital” or<br />

“currency” with which he negotiated<br />

his political status in<br />

society.<br />

In my Yam Bodies project, I<br />

think of seed yams as our children,<br />

our youth, our future;<br />

and the family, school and<br />

society at large as the farm in<br />

which they are planted and<br />

nurtured. We harvest what we<br />

grow. Our harvests remain a<br />

function of the quality of our<br />

inputs and the conditions under<br />

which we grow them.<br />

Given the digital age in which<br />

we currently live and work,<br />

our farms’ borders have grown<br />

increasingly porous and vulnerable”.<br />

His works have been shown<br />

in numerous group exhibitions<br />

and in nine solo shows<br />

between 1995 and 2018 in<br />

Nigeria, Italy and the USA.<br />

Onuzulike who is a notable<br />

scholar of African ceramics art<br />

history presently lectures as<br />

professor of art and art history<br />

in University of Nigeria,<br />

Nsukka . He has exhibited<br />

in numerous group exhibitions<br />

and in nine solo shows<br />

between 1995 and 2018 in<br />

Nigeria, Italy and the USA<br />

and his work has received<br />

endorsement through awards<br />

and prizes from many institutions/bodies.<br />

Issele Uku’s Inne festival kicks off<br />

in grand style<br />

T<br />

H E<br />

third edition<br />

of the<br />

Annual<br />

Inne Festival<br />

of Issele<br />

Uku has<br />

b e e n<br />

scheduled<br />

to hold<br />

from 14 to<br />

19 September<br />

2019.<br />

This is the<br />

third outing<br />

of the<br />

King of<br />

I s s e l e<br />

O l i g b o<br />

kingdom,<br />

HRM Obi<br />

Agbogidi<br />

N d u k a<br />

(Mnse).<br />

The Inne<br />

festival is<br />

an occasion<br />

where all<br />

the titled<br />

chiefs of<br />

the town<br />

dress in the<br />

best of<br />

their regalia<br />

and<br />

*HRM, Obi Agbogidi Nduka during one of his recent outings<br />

dance to the king’s palace<br />

to pay their annual<br />

homage.<br />

This year’s festival will<br />

be an improvement of the<br />

previous years’ because it<br />

will hold for 5 days and<br />

feature activities like inter-village<br />

traditional<br />

dance competitions among<br />

the 9 villages of Issele<br />

Uku. A cash reward of<br />

N300, 000, N200, 000 and<br />

N100, 000 also await winners<br />

of the 1st, 2nd and<br />

3rd positions respectively.<br />

Other activities lined up<br />

for the festival include<br />

traditional fashion show<br />

and raffle draws in which<br />

the winners will go home<br />

with a motorcycle and a<br />

sewing machine respectively.<br />

According to HRM Obi<br />

Agbogidi Nduka, culture<br />

is the people’s way of life<br />

and a people without culture<br />

are like a tree without<br />

roots. This year’s action-filled<br />

festival promises<br />

to be a turning point<br />

where elegance, culture<br />

and tradition will combine<br />

with opulence and royalty<br />

to produce a festival all<br />

stakeholders will be<br />

proud of.

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