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BeatRoute Magazine AB Edition - October 2019

BeatRoute Magazine is a music monthly and website that also covers: fashion, film, travel, liquor and cannabis all through the lens of a music fan. Distributed in British Columbia and Alberta, Ontario edition coming Thursday, October 4, 2019. BeatRoute’s Alberta edition is distributed in Calgary, Edmonton, Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a music monthly and website that also covers: fashion, film, travel, liquor and cannabis all through the lens of a music fan. Distributed in British Columbia and Alberta, Ontario edition coming Thursday, October 4, 2019. BeatRoute’s Alberta edition is distributed in Calgary, Edmonton, Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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EDMONTON INDIE FOLK<br />

ST. ARNAUD, RISE FROM<br />

THE ASHES OF GRIEF WITH<br />

EMOTIONAL DEBUT LP,<br />

THE COST OF LIVING By TORY ROSSO<br />

E<br />

dmonton folk musician Ian St.<br />

Arnauds’ life changed suddenly<br />

when his North Of Here bandmate,<br />

Luke Janzen, tragically<br />

passed away following a collision<br />

with a train in the fall of 2017.<br />

Rising from the ashes of grief alongside<br />

his friend and other bandmate, Will<br />

Holowaychuk, the pair united to form St.<br />

Arnaud and are now poised to release their<br />

cathartic full-length, The Cost of Living.<br />

“When I first started piecing ideas<br />

together, this was just going to be<br />

my small way of navigating<br />

young adulthood: trials<br />

and tribulations of<br />

evolving relationships,<br />

first heartbreak,<br />

loneliness, all as<br />

prices we pay to<br />

go along,” says<br />

Arnaud. “However,<br />

Luke passed away<br />

suddenly in 2017 just<br />

as we were beginning<br />

to record demos, and<br />

the focus shifted while<br />

its scope deepened. It<br />

quickly went from our<br />

‘first stab at a record and<br />

having something to say’ to<br />

something we had to finish<br />

and use to move forward.”<br />

The record is an amalgamation<br />

of tracks that<br />

were previously written<br />

for North Of Here, as<br />

well as more recently<br />

produced numbers.<br />

Building on their folk<br />

music roots, St. Arnaud have<br />

adapted a charming indie-darling<br />

quality to their ever-evolving sound at the<br />

hand of memorable hooks and anthemic<br />

chants. Both heartwarming and pensive,<br />

the record is St. Arnaud’s greatest and<br />

most emotional accomplishment to date.<br />

“We released an EP (Morning, Buddy) in<br />

<strong>October</strong> 2018, but this last year has been<br />

important to the growth of something<br />

new from something that was broken and<br />

gone,” explains Arnaud. “This collection<br />

of songs counts back to days from before<br />

Luke’s death, through mourning, and then<br />

on to new corners of life that I never could<br />

have expected, both great and<br />

terrible.”<br />

The record was produced<br />

by and recorded at Wembley<br />

Studios, the home of<br />

Graham Lessard (Barr<br />

Brothers, Basia Bulat,<br />

36?) and released<br />

with the help<br />

of St. Arnaud’s<br />

label, Soaring Eagle<br />

Records. The<br />

label was founded<br />

by former Cowpuncher<br />

members<br />

Matt Olah and Ryan<br />

Kelly as a collective to<br />

support musicians and offer<br />

guidance with no strings<br />

attached.<br />

“The most important aspect<br />

for me through this whole<br />

process has just been<br />

having support. It’s lots of<br />

little things, sometimes big<br />

things, but when somebody<br />

puts themselves on the line<br />

for you and defends your<br />

craft/art/work/whatever, that’s<br />

what keeps me going.”<br />

The Cost of Living will be released <strong>October</strong><br />

4. St. Arnaud perform with Shred Kelly at<br />

the King Eddy on <strong>October</strong> 19.<br />

The real, unfiltered,<br />

raw and gritty sound<br />

of Bebe Buckskin<br />

By JODI BRAK<br />

F<br />

rom her earliest memories of<br />

childhood in the Paddle Prairie<br />

Metis Settlement, amongst<br />

the dense, sprawling forests<br />

of Northern Alberta, music has<br />

always run through Bebe Buckskin’s veins.<br />

Danielle Ghostkeeper found her love<br />

for music years before adopting her stage<br />

name, being raised by music lovers, including<br />

her mother, a touring musician who<br />

introduced her to the guitar.<br />

“That is exactly how I got my start:<br />

from my family, and just always being so<br />

fascinated by what my mom was doing.<br />

She started teaching me how to play guitar<br />

and I learned how to harmonize by listening<br />

to her harmonize,” Ghostkeeper says. “I<br />

won my first talent show for singing when I<br />

was three... and I remember that moment, I<br />

remember thinking to myself at the age of<br />

three: this is amazing this is what I want to<br />

do for the rest of my life.”<br />

Now an adult with years of experience<br />

in music under her belt, Ghostkeeper has<br />

been bringing her own variety of roots-andblues-infused<br />

rock and roll onto the scene.<br />

With one EP under her belt, a five-song<br />

release titled Flight that showcases a<br />

raw, earthy brand of rock anchored in the<br />

somber overtones of the blues, a follow-up<br />

release titled Asiskiy is just on the horizon.<br />

“The title of the album means ‘Earth’ in<br />

Cree,” She says. “I chose the name for a<br />

lot of reasons. It’s a more authentic representation<br />

of who I am as an artist, and I feel<br />

like it is definitely anchored in a gritty feel<br />

in terms of the lyrics and the sound. There<br />

is a lot of talk of my Indigenous roots, and<br />

also a lot of talk about my own personal<br />

journey. It’s just real, unfiltered, raw and<br />

gritty.”<br />

Among the five songs on Asiskiy is the<br />

single Stockin’ Wood, released Sept. 26, a<br />

heartfelt tribute to the Woodstock Festival,<br />

five decades after the fact.<br />

“I would always daydream about being at<br />

Woodstock. That was kind of my daydream,<br />

away from the reality I was living<br />

at the time,” Ghostkeeper says. “It is kind<br />

of an ode to the festival, but also to it as<br />

being my safe place to go to in my mind,<br />

that place I feel empowered and safe and<br />

inspired.”<br />

Bebe Buckskin will be releasing Asiskiy<br />

Oct. 25, kicking it off with an album release<br />

show at the King Edward in Calgary. The<br />

show features renowned slide guitarist<br />

Ellen Mcllwaine, who also has a guest spot<br />

on the record.<br />

OCTOBER <strong>2019</strong> BEATROUTE 43

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