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Volume 25 Issue 4 - December 2019 / January 2020

Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!

Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!

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all-the-more appealing with the addition of Mozart’s<br />

most melodious and heartfelt symphony, No.40, K550.<br />

On <strong>January</strong> 31 and February 1, TSO principal cellist,<br />

Joseph Johnson, brings his consummate skill set to<br />

Dvořák’s Cello Concerto, with its contagious passion<br />

trumped only by its lyricism. Rising star – the TSO calls<br />

him “electrifying” – 31-year-old Uzbekistani conductor<br />

Aziz Shokhakimov leads the orchestra in Smetana’s<br />

indelible The Moldau from Ma Vlast and Mendelssohn’s<br />

Symphony No.3 “Scottish,” written 13 years after<br />

the composer’s extensive tour of Scotland when he<br />

was 20, and the last of his five symphonies despite its<br />

designation.The remarkable Shokhakimov, making<br />

his second appearance with the TSO, is currently<br />

the Kapellmeister at Deutsche Oper am Rhein, principal<br />

guest conductor at La Verdi Orchestra, Milan and<br />

artistic director of Tekfen Philharmonic Orchestra.<br />

Music Toronto’s appealing lineup<br />

Now in its 26th year, the much-loved Gryphon Trio has<br />

had a continuous relationship with Music Toronto since<br />

1995, including ten years as their ensemble-in-residence<br />

from 1998. In what has become a regular lateautumn<br />

visit, the Gryphons this time (<strong>December</strong> 5)<br />

will be joined by Toronto-born international operatic bass, Robert<br />

Pomakov for a performance of Mussorgsky’s Songs and Dances of<br />

Death (arranged by Gary Kulesha). Beethoven’s delightful Kakadu<br />

Variations Op.121 opens the program which ends with Dvořák’s<br />

opulent Piano Trio No.3 in F Minor, Op.65.<br />

With a long list of critically acclaimed, award-winning performances<br />

and recordings to his name, yet another distinguished Hyperion<br />

Records artist, 60-year-old Brit, Jonathan Plowright, has been<br />

described as “one of the finest living pianists” by Gramophone magazine.<br />

For his Toronto recital debut on <strong>December</strong> 17, Plowright has<br />

chosen an appealing program comprised of Brahms’ early Ballades,<br />

Op.10, Schumann’s ever-popular Kinderszenen, Op.15, Mozart’s<br />

delightful Variations on “Ah! VOus dirai-je, Maman,” K265 and<br />

Paderewski’s rarely heard excerpts from Humoresques de Concert,<br />

Book I Op.14. Once upon a time, the first-movement Menuet was<br />

world famous; it’s still instantly recognizable today. Plowright will<br />

also give a masterclass (free and open to the public) on <strong>December</strong> 18 at<br />

11am in Walter Hall.<br />

For their fourth concert with Music Toronto since 2001, on<br />

<strong>January</strong> 9, the Miró Quartet (winners of the Banff International String<br />

Quartet Competition in 1998) will perform a replica of the program<br />

the Kneisel Quartet performed on <strong>January</strong> 28, 1910 at the Schubert<br />

The Miró Quartet at Weill Hall performing their Kneisal Quartet program<br />

Club in St. Paul, MN. It’s part of the Miró’s Archive Project to evoke the<br />

flavour of a bygone time – the Kneisel Quartet was active from 1885<br />

to 1917; Dvořák was a friend. Unlike concerts today, in which multimovement<br />

works are typically performed in full, the Kneisel Quartet<br />

often programmed individual movements of new and recent works.<br />

This is reflected in the 1910 program, which features selections from<br />

string quartets by their contemporaries César Franck and Reinhold<br />

Glière. Also unlike today, the quartet often devoted a portion of their<br />

programs to the cello repertoire, as evident here in Adrien-François<br />

Servais’ Fantaisie sur deux Airs Russe for cello and piano. When<br />

touring works that required additional players, the quartet was joined<br />

by local musicians. In keeping with this spirit, the Miró collaborates<br />

with a local pianist wherever they perform this program, in this case<br />

with Lydia Wong, head of U of T’s piano department. Two pillars of<br />

the repertoire fill out the bill: Mozart’s Quartet in B-flat Major, K458<br />

“The Hunt” opens the program; Schubert’s Quartet in D Minor, D810<br />

“Death and the Maiden” brings it to a close.<br />

To celebrate their 30th anniversary season, the scintillating<br />

St. Lawrence Quartet (founded in Toronto in 1989) has planned a<br />

special program on <strong>January</strong> 30 with each piece signifying an aspect<br />

of their musical life. For their love of Haydn, his Quartet Op.20 No.4<br />

in D Major; for their fierce commitment to living composers, R.<br />

SPIRIT IN<br />

THE CITY<br />

Sunday Dec. 8, 1:30pm<br />

DECK THE HALLS! CAROL SING<br />

with The Metropolitan Silver Band<br />

Sunday Dec. 15, 11:00am<br />

THE CHRISTMAS PAGEANT<br />

Sunday Dec. 22, 7:00pm<br />

CANDELIGHT LESSONS & CAROLS<br />

a Toronto favourite<br />

Dec. 24, Christmas Eve<br />

5:00PM - A COMMUNITY CHRISTMAS<br />

11:00PM - CANDELIGHT CHRISTMAS EVE<br />

with The Metropolitan Choir<br />

The downtown church<br />

for a diverse city<br />

56 Queen St. E. (at Church) | www.metunited.ca<br />

thewholenote.com <strong>December</strong> <strong>2019</strong> – <strong>January</strong> <strong>2020</strong> | 37

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