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Volume 25 Issue 4 - December 2019 / January 2020

Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!

Welcome to our December/January issue as we turn the annual calendar page, halfway through our season for the 25th time, juggling as always, secular stuff, the spirit of the season, new year resolve and winter journeys! Why is Mozart's Handel's Messiah's trumpet a trombone? Why when Laurie Anderson offers to fly you to the moon you should take her up on the invitation. Why messing with Winterreisse can (sometimes) be a very good thing! And a bumper crop of record reviews for your reading (and sometimes listening) pleasure. Available in flipthrough here right now, and on stands commencing Thursday Nov 28. See you on the other side!

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of productivity. Not for all, and not for very long, but the prospect<br />

remains one of Christmas’ central myths: to “dream by the fire” with<br />

a loved one is to return, however briefly, to the carefree days of youth,<br />

to enjoy a holiday from the outside world, to finally, at the end of the<br />

calendar year, have some time – a few days, a week, maybe, between<br />

<strong>December</strong> 24 and <strong>January</strong> 2 – to focus on ourselves, to be present, to<br />

enjoy the company of an intimate few. This is the promise of so much<br />

secular holiday music: chestnuts roast on an open fire as we enjoy the<br />

play of being exposed to the elements from the comfort of a comfortable<br />

middle-class home. We have ourselves a merry little Christmas<br />

and imagine that our troubles are miles away, out of sight; we come<br />

home for Christmas, if only in our dreams. The core component of<br />

any secular Christmas celebration, we are told, is a collective, wistful<br />

imagination of Christmas.<br />

Christmas music plays a key part in the yearning for contentment<br />

that fuels our holiday daydreams, but its ubiquity, from November 1<br />

onwards, can corrupt its intended effect. In the hands of retailers eager<br />

to drive the holiday sales that have become essential to their survival,<br />

Christmas music becomes one of the tools with which nostalgia is<br />

weaponized as a sales tactic. Come mid-<strong>December</strong>, at the time when<br />

the holidays are actually in sight, we’ve spent six weeks of mental<br />

energy fending it all off: Mariah Carey at the grocery store, Michael<br />

Bublé in the mall, the insipid, twee, ukulele-and-sleigh-bell chime of<br />

every YouTube advertisement for poorly made clothing. To be consistently<br />

bombarded by Christmas music in so many areas of our lives<br />

is to be forced to inoculate ourselves to these songs’ nostalgic effects,<br />

and to the genuine joy that they are capable of producing in the<br />

appropriate doses (if a listener is inclined to find joy in such music).<br />

Participation in the very capitalist structures that make the secular<br />

experience of a collective Christmas break so necessary also ruins one<br />

of the holiday’s chief joys: the experience of nostalgia through music,<br />

and the precious comfort that nostalgia is capable of providing.<br />

There is, however, something to be done, if you find yourself<br />

yearning to yearn again, to recapture the joy of music that seems to<br />

have been rubbed clean of the lustre it once possessed: go listen to<br />

some musicians play Christmas music, and listen to how the songs<br />

you know are transformed, revivified, re-presented in ways that<br />

break the cynical purgatorial cycle of streaming-platform playlists,<br />

emerging, finally, alive again. Some holiday gigs are good, some bad.<br />

But in the fortuitous times when they are very good, they deliver on<br />

the basic promise of secular Christmas music: to daydream, to create<br />

the sensation of presence, to provide the listener with an opportunity<br />

to indulge in the imagination of their own history. Ultimately,<br />

the nostalgic core of this music is more involved than simply thinking<br />

fondly on the past: it is about taking a moment to reflect on our<br />

previous experiences, so that we might more happily celebrate the<br />

present moment, and move confidently forward, facing, unafraid, the<br />

plans that we’ve made for the future. This may not be true, of course.<br />

But it’s nice to think that it could be.<br />

MAINLY CLUBS, MOSTLY JAZZ QUICK PICKS<br />

!!<br />

DEC 11, 8:30PM: Jazzcast n’ Joy, Hugh’s Room. Drew Jurecka, Alex Pangman,<br />

Jeremy Ledbetter, and more, play at Hugh’s Room for Jazzcast’s <strong>December</strong><br />

extravaganza.<br />

!!<br />

DEC 15, 4PM: The Woodhouse featuring<br />

Barbra Lica. The Jazz Room. The<br />

Woodhouse, an instrumental collective<br />

that has been playing holiday shows for<br />

over ten years, brings Juno-nominated<br />

singer, Barbra Lica, to Waterloo for an<br />

afternoon show of Christmas classics.<br />

!!<br />

DEC 21, 8PM: Dave Barrett, Hirut Cafe.<br />

Dave Barrett plays solo guitar arrangements<br />

of holiday favourites in the intimate<br />

setting of Hirut Cafe.<br />

!!<br />

DEC 21, 9PM: Robi Botos and Hilario<br />

Duran, Jazz Bistro. Now an annual event,<br />

two of Toronto’s leading jazz pianists play<br />

Christmas music, jazz standards, and<br />

music that reflects each player’s unique<br />

roots.<br />

Colin Story is a jazz guitarist,<br />

Dave Barrett<br />

writer and teacher based in<br />

Toronto. He can be reached at<br />

www.colinstory.com, on Instagram and on Twitter.<br />

D. In the Clubs (Mostly Jazz)<br />

8pm John Fraser Findlay. Dec 13 8:30pm<br />

Don Naduriak: Jazz of the Americas. Dec 15<br />

5pm Holiday Spirit Cabaret. Dec 17 8pm Finger<br />

Style Guitar Association Open Stage.<br />

Dec 18 8pm The BTBs. Dec 19 8pm John Fraser<br />

Findlay. Dec 20 8pm Steve Koven Trio.<br />

Dec 21 8pm Dave Barrett Christmas Solo Guitar<br />

Show. Dec 22 8pm Clara Engel Winter<br />

Solstice Show. Dec 26 8pm Blues Jam. Dec 27<br />

9pm Hirut Hoot Comedy Night. Dec 28 8pm<br />

Donne Roberts Duo. Dec 31 Hirut New Year’s<br />

Eve Extravaganza.<br />

Home Smith Bar – See The Old Mill<br />

Hugh’s Room Live<br />

2261 Dundas St. W 416 533 5483<br />

hughsroomlive.com<br />

All shows at 8:30pm unless otherwise noted.<br />

See website for individual show prices.<br />

Dec 1 Oh Susanna and Friends. Dec 4 8pm<br />

Patricia O’Callaghan. Dec 5 Luke McMaster:<br />

The Christmas Show. Dec 6 Ensemble<br />

Vivant. Dec 7 Carlos del Junco. Dec 8 10am<br />

Broadway Arts Recital, 8:30pm Quartette.<br />

Dec 11 Jazzcast n’ Joy. Dec 12 Dr.<br />

Draw. Dec 13 Craig Cardiff. Dec 14 Jack<br />

de Keyzer. Dec 15 2pm The Ault Sisters,<br />

8:30pm Boreal Songs for the Snowy Season.<br />

Dec 16 Broadsway. Dec 17 9am Ravel,<br />

8:30pm Bluesin’ Toronto Presents: Another<br />

Blues Christmas. Dec 18 The Mistletones.<br />

Dec 19 The Arrogant Worms. Dec 20 Kellylee<br />

Evans: Winter Song. Dec 22 Anthony<br />

Gomes. Dec 27 Suzie Vinnick. Dec 28 Don<br />

Ross. Dec 30 Wintergarten Orchestra.<br />

Dec 31 9:30pm New Year’s Eve <strong>2020</strong> w/<br />

Oakland Stroke. Jan 4 Luke and the Apostles.<br />

Jan 8 Connie Kaldor and Garnet Rogers.<br />

Jan 10 Homeward Bound: The Music of<br />

Simon and Garfunkel. Jan 11 8pm A Birthday<br />

Tribute to Elvis feat. The Lustre Kings.<br />

Jan 13 Sammy Miller and the Congregation.<br />

Jan 14 Eric Andersen and Scarlet Rivera.<br />

Jan 17 Matt Weidinger: A Tribute to Van Morrison.<br />

Jan 18 Sweet Baby James: A Tribute to<br />

James Taylor. Jan 19 2pm Ken Whiteley Gospel<br />

Brunch. Jan <strong>25</strong> Celebrating the Music<br />

of Tina Turner. Jan 26 7:30pm Lynn Harrison.<br />

Jan 29 Albert Lee. Jan 30 Albert Lee.<br />

Jan 31 Midge Ure.<br />

The Jazz Bistro<br />

<strong>25</strong>1 Victoria St. 416-363-5299<br />

jazzbistro.ca (full schedule)<br />

Dec 1 6pm Opimian Wine Club de Vin – Champagne<br />

& Jazz. Dec 4 9pm Irwin Hall. Dec 5<br />

9pm Irwin Hall. Dec 8 7pm Sam Broverman’s<br />

Jewish Boy’s Christmas. Dec 10 8pm Lauren<br />

Ferraro’s Christmas. Dec 11 8pm David<br />

Rubel’s <strong>25</strong>1 Jazz Jam Session. Dec 12 9pm<br />

Mike Murley Quartet. Dec 13 9pm Genevieve<br />

Marentette: The Music of Don Franks. Dec 14<br />

9pm Stu Mac’s Christmas Show. Dec 15 7pm<br />

Stacey MacIntyre Sings Christmas. Dec 16<br />

8pm Christopher Wilson’s Cocktails and<br />

Candy Canes. Dec 17 8pm Christopher Wilson’s<br />

Cocktails and Candy Cane. Dec 18 8pm<br />

David Rubel’s <strong>25</strong>1 Jazz Jam Session. Dec 19<br />

8:30pm 106 Collective Quartet. Dec 20 9pm<br />

The Freeman Brothers Band. Dec 21 9pm<br />

Robi Botos and Hilario Duran Piano Duo.<br />

Dec 22 7pm Robert Scott: A Charlie Brown<br />

Christmas. Dec 27 9pm Galen Weston Band.<br />

Dec 28 9pm Gabi Epstein’s LaPepstein<br />

Hanukkah Party. Dec 31 9pm New Year’s w/<br />

Coldjack.<br />

The Jazz Room<br />

Located in the Huether Hotel, 59 King St. N.,<br />

Waterloo. 226-476-1565<br />

kwjazzroom.com (full schedule)<br />

Attendees must be 19+. Cover charge varies<br />

(generally $12-$<strong>25</strong>)<br />

Dec 6 8:30pm Andriy Tykhonov Quintet.<br />

Dec 7 8:30pm Brian Dickinson Trio. Dec 13<br />

8:30pm Mary-Catherine Quartet. Dec 14<br />

3pm Saturday Afternoon Jazz Jam, 8:30pm<br />

Ted Quinlan Group. Dec 15 4pm The Woodhouse<br />

feat. Barbra Lica. Dec 20 8:30pm Tom<br />

Nagy Christmas. Dec 21 8:30pm Jason White<br />

Trio. Dec 27 8:30pm Carlos Morgan Quartet.<br />

Dec 28 8:30pm Adrean Farrugia’s Playdate.<br />

Dec 31 7pm New Year’s Eve at The Jazz Room<br />

w/ Jason White and The Jitterbugs.<br />

Lula Lounge<br />

1585 Dundas St. W. 416-588-0307<br />

lula.ca (full schedule)<br />

Every Fri 7:30pm Afterwork Global Party<br />

Series free before 8pm; Every Fri 8:30pm<br />

Havana Club Fridays $15; Every Sat 10:30pm<br />

Salsa Saturdays $15.<br />

Dec 1 6:30pm Gregg Stafford – New Orleans<br />

Stomp!. Dec 8 2pm Terreiro do Samba.<br />

Dec 10 6pm TEA Green City Celebration: Holiday<br />

Party <strong>2019</strong> & Ecobunk Awards. Dec 11<br />

7pm The Double Cuts Western Swing Band:<br />

Let Us Be Frank. Dec 12 6pm Ori Dagan: The<br />

Rat Pack Songbook Show. Dec 12 9pm Badge<br />

Époque Ensemble & André Ethier: Double<br />

Album Release Party. Dec 22 6pm Dang<br />

Show: Winter SOULstice <strong>2019</strong>. Dec 29 12pm<br />

Drag Brunch.<br />

Manhattans Pizza Bistro & Music Club<br />

951 Gordon St., Guelph 519-767-2440<br />

manhattans.ca (full schedule)<br />

72 | <strong>December</strong> <strong>2019</strong> – <strong>January</strong> <strong>2020</strong> thewholenote.com

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