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CAD User<br />
NOVEMBER/DECEMBER 2019<br />
VOL 32 NO 06<br />
WWW.CADUSER.COM<br />
Lighting up the stage<br />
Gray Matter uses Vision 2019 for<br />
stage design previsualisations<br />
What makes a Smart City?<br />
Exploring Bentley's OpenCities Planner<br />
Landscaping with BIM<br />
Ares Landscape Architects utilise<br />
Vectorworks Landmark's BIM capabilities<br />
Unreal designs<br />
Epic Games' Unreal Engine powers<br />
real-time rendering in Twinmotion<br />
INDUSTRY NEWS • CASE STUDIES • HARDWARE & SOFTWARE FOCUS • PRODUCT REVIEWS • FEATURES
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CONTENTS<br />
NOVEMBER/DECEMBER 2019<br />
CONTENTS<br />
FUTUREPROOFING INFORMATION 14<br />
Andy Hudson, Director of global architects<br />
Chapman Taylor, explains to David Chadwick<br />
why the company is transitioning to Atvero's<br />
SharePoint-based PIM solution<br />
WHAT MAKES A CITY SMART? 16<br />
Bentley Systems has introduced OpenCities<br />
Planner to promote the development and<br />
planning of Smart Cities, while appointing<br />
Hakan Engman as their Business<br />
Development Director for Smart Cities<br />
SOLIBRI ANYWHERE 20<br />
Solibri, the construction industry's model<br />
checker of choice, is now available for a wider<br />
range of users. Solibri Managing Director<br />
Andrew Bellerby outlines its capabilities and<br />
where it fits into the market<br />
LIGHTING UP THE STAGE 30<br />
New York based Gray Matter Visual used<br />
Vectorworks Vision 2019 for the spectacular<br />
light show at Telemundo 2019, the annual<br />
celebratory event for the advertising industry<br />
and their clients<br />
NEWS................................................INDUSTRY NEWS....................................................................................................6<br />
• IDEATE STYLEMANAGER FOR REVIT RELEASED • EQUE2 ACQUIRES CLIPIT SOLUTIONS<br />
CASE STUDY....................................LANDSCAPING WITH BIM.....................................................................................10<br />
• ARES LANDSCAPE ARCHITECTS USE VECTORWORKS LANDMARK FOR THE NOTTINGHAM COLLEGE CITY HUB<br />
SOFTWARE FOCUS.........................UNREAL DESIGNS...............................................................................................18<br />
• EPIC GAMES' UNREAL ENGINE GIVES TWINMOTION ITS ABILITY TO HANDLE RENDERING ON THE FLY<br />
INDUSTRY FOCUS...........................TRADITION OR TRANSITION?...........................................................................22<br />
• EXCITECH'S DARYN FITZ SPEAKS TO DAVID CHADWICK ABOUT THE INDUSTRY'S MOVE FROM CAD TO BIM<br />
AWARDS...........................................BUILDING ON SUCCESS AT THE HAMMERS 2019.........................................24<br />
• THE WINNERS OF THE 2019 CONSTRUCTION COMPUTING AWARDS HAVE ARRIVED!<br />
CASE STUDY....................................KEEPING THE TRAFFIC FLOWING....................................................................26<br />
• HIGHWAY TRAFFIC MANAGEMENT IS DRIVING ITS DIGITAL TRANSFORMATION FORWARD WITH RE-FLOW<br />
INDUSTRY COMMENT.....................MAKING AN ASSET OF IOT..............................................................................28<br />
• HOW LEVERAGING IOT CAN UNLOCK THE NEXT GENERATION OF ASSET TRACKING IN CONSTRUCTION<br />
CASE STUDY....................................LASER SCANNING FOR FACILITIES MANAGEMENT.......................................29<br />
• CONVERTING POINT CLOUD DATA INTO USABLE 3D MODELS FOR ASSET MANAGEMENT WITH SIMPLEBIM<br />
TRAINING MAP.................................AUTODESK TRAINING.......................................................................................32<br />
• YOUR GUIDE TO AUTODESK TRAINING<br />
MASTERCLASS................................Q & As WITH EASYBUILD..................................................................................34<br />
• EASYBUILD'S CONSTRUCTION SOFTWARE PLATFORM FORMS THE BASIS OF OUR Q & A SERIES<br />
November/December 2019 3
COMMENT<br />
Editor:<br />
David Chadwick<br />
(cad.user@btc.co.uk)<br />
News Editor:<br />
Mark Lyward<br />
(mark.lyward@btc.co.uk)<br />
Advertising Sales:<br />
Josh Boulton<br />
(josh.boulton@btc.co.uk)<br />
Production Manager:<br />
Abby Penn<br />
(abby.penn@btc.co.uk)<br />
Design/Layout:<br />
Ian Collis<br />
ian.collis@btc.co.uk<br />
Circulation/Subscriptions:<br />
Christina Willis<br />
(christina.willis@btc.co.uk)<br />
Publisher:<br />
John Jageurs<br />
john.jageurs@btc.co.uk<br />
Published by Barrow &<br />
Thompkins Connexion Ltd.<br />
35 Station Square, Petts Wood,<br />
Kent BR5 1LZ<br />
Tel: +44 (0) 1689 616 000<br />
Fax: +44 (0) 1689 82 66 22<br />
SUBSCRIPTIONS:<br />
UK £35/year, £60/two years,<br />
£80/three years;<br />
Europe:<br />
£48/year, £85 two years,<br />
£127/three years;<br />
R.O.W. £62/year<br />
£115/two years, £168/three years.<br />
Single copies can be bought for £8.50<br />
(includes postage & packaging).<br />
Published 6 times a year.<br />
© 2019 Barrow & Thompkins<br />
Connexion Ltd.<br />
All rights reserved.<br />
No part of the magazine may be<br />
reproduced, without prior consent<br />
in writing, from the publisher<br />
For more magazines from BTC, please visit:<br />
www.btc.co.uk<br />
Articles published reflect the opinions of<br />
the authors and are not necessarily those<br />
of the publisher or his employees. While<br />
every reasonable effort is made to ensure<br />
that the contents of editorial and advertising<br />
are accurate, no responsibility can be<br />
accepted by the publisher for errors, misrepresentations<br />
or any resulting effects<br />
Comment<br />
Smart thinking?<br />
by David Chadwick<br />
What's the key ingredient in making a<br />
smart city? Getting the public<br />
involved in the process, of course.<br />
It's a touching notion at least, especially if<br />
you have been paying attention to the results<br />
of the last public referendum, which has<br />
irrevocably split the country and pitted<br />
Leavers against Remainers, with all shades<br />
of opinion in between. Three years down the<br />
line we are still in the same time warp and no<br />
nearer to a solution.<br />
This is not a sideswipe against Brexit again<br />
though, as everything possible has been<br />
said about that umpteen times. It is, instead,<br />
a focus on a key ingredient of any urban<br />
planning process - the involvement of the<br />
public. In fact, when you look at the latest<br />
architectural design tools, reality models, 3D<br />
booths and so on, after explaining their<br />
capabilities when it comes to checking the<br />
results of building progress compared to the<br />
BIM model, the use of snagging tools, and<br />
all of the myriad features that expedite the<br />
building process, the tame phrase 'keeping<br />
the public informed' gets added on almost<br />
as an afterthought.<br />
We have the most wonderful tools to allow<br />
us to be 'kept up to date', from virtual<br />
walkthroughs to being able to slice through a<br />
building to view its innards, or to plough<br />
through added vegetation and witness how<br />
the building will look, day or night, and<br />
through the seasons. But the public are<br />
mainly onlookers in the process, with scant<br />
opportunity to present our own opinions<br />
except in closed planning sessions that<br />
require some fortitude to prepare a case for<br />
or against and a wealth of legal rigmarole to<br />
make your voice heard.<br />
So, how wonderful then to see the way in<br />
which the inhabitants of one Swedish city are<br />
able to put forward their opinions and<br />
thoughts about any aspect of city planning<br />
using Bentley Systems OpenCities Planner<br />
software. One wonders whether the concept<br />
is conducted with an appropriate amount of<br />
maturity and respect for other people's<br />
opinions and whether the ensuing debates<br />
about particular proposals are resolved<br />
without rancour - and whether the same<br />
degree of maturity could be expected in this<br />
country. Read the case study in this issue of<br />
the magazine for more.<br />
It's early days though, and given the<br />
freedom to share ideas and opinions that the<br />
web gives us, we should be able to devise a<br />
way that fosters them. The alternative is to<br />
leave the process as it is today, where<br />
planning committees are peopled by<br />
ordinary folk who usually have less expertise<br />
about any particular subjects than their<br />
constituents, but who have legal precedents<br />
and authority to make substantial and costly<br />
decision in their armoury - and no legal<br />
recompense when the projects go awry.<br />
I'm probably treading on any number of<br />
toes here, as all projects must go through a<br />
compulsory planning process, and<br />
sometimes the most sensible of projects<br />
meet with ferocious protests from those<br />
members of the public who perceive a<br />
detrimental effect on them and their own<br />
properties or interests. But the promise of<br />
more enlightened involvement and a<br />
greater chance to discuss the issues<br />
mitigates against the perceived amateurism<br />
of local planning committees - and<br />
politicians, who for better or worse are one<br />
of the most influential members of the city<br />
planning classes.<br />
There is an example local to me of a small<br />
project that has failed utterly because of the<br />
lack of expertise of the local council, which<br />
had insufficient insight to engage experts<br />
and engineering companies with the<br />
appropriate expertise. At this late stage, a full<br />
20 years after the start of the project, they<br />
are refusing to allow local inhabitants to<br />
engage with them about the measures they<br />
need to take to rescue the project. No<br />
names, though, as I want to finish this on a<br />
positive note, and to say that I am looking<br />
forward to seeing how the 'public<br />
participation' project evolves.<br />
4 November/December 2019
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INDUSTRY news<br />
SHARING 3D MEASUREMENTS ONLINE<br />
Leica Geosystems, part of<br />
Hexagon, has announced<br />
BLK3D Web, an online collaboration<br />
workflow that extends the<br />
Leica BLK3D Imager by<br />
enabling users to share 3D<br />
measurable images with anyone,<br />
anywhere online. The<br />
BLK3D device allows users to<br />
take precise, 3D measurements<br />
directly in the images it<br />
creates. Now, with a BLK3D<br />
Publisher license, those 3D<br />
image files can be easily and<br />
securely uploaded to the cloud.<br />
Once published, the 3D image<br />
files can be viewed and measured<br />
with BLK3D Web via a<br />
shared link, a simple and powerful<br />
tool used across major<br />
collaboration platforms today.<br />
"BLK3D Web in-picture measurements<br />
make communication<br />
clearer when explaining<br />
issues to project teams. The<br />
ability to measure on the fly<br />
without having to revisit a jobsite<br />
is very valuable," said<br />
Megan Levick, virtual construction<br />
engineer, PC Construction.<br />
"BLK3D Web is a<br />
great tool for architects and<br />
those who draft or model<br />
existing conditions often, or to<br />
anyone who frequently does<br />
renovation projects."<br />
BLK3D Web runs on all major<br />
desktop web browsers including<br />
Safari, Chrome, Firefox<br />
and Explorer. Owners, subcontractors<br />
and other project<br />
stakeholders with access to<br />
the shared link can measure<br />
and mark-up the image files<br />
without requiring additional<br />
software or licenses.<br />
"With the launch of the<br />
BLK3D, construction professionals<br />
across a variety of<br />
industries experienced the<br />
benefit of images containing<br />
3D measurement data," said<br />
Tobias Heller, senior product<br />
manager, BLK3D. "BLK3D<br />
Web greatly expands access<br />
to measurable images, driving<br />
more informed collaboration<br />
across project teams through<br />
a simple URL."<br />
Shown at Autodesk University<br />
2019, the Leica BLK3D integration<br />
with Autodesk BIM 360<br />
Docs enables BIM 360 users<br />
to utilise BLK3D measurable<br />
images (.CMI files) in the issue<br />
creation and resolution workflow.<br />
Adding 3D images to<br />
issues provides richer context<br />
for team members collaborating<br />
in BIM 360, and helps<br />
accelerate decision making by<br />
bringing site conditions from<br />
the field into the office.<br />
The BLK3D Publish license<br />
and BLK3D Web measuring<br />
platform will be available in<br />
Decembe. Integration of the<br />
BLK3D with Autodesk BIM 360<br />
will be available in early 2020.<br />
www.hexagon.com<br />
ANYTIME, ANYWHERE CLOUD COLLABORATION<br />
Autodesk has expanded<br />
Autodesk BIM 360 Design,<br />
their fastest-growing cloud<br />
solution, to include Autodesk<br />
Civil 3D. Collaboration for Civil<br />
3D, now included with a BIM<br />
360 Design subscription,<br />
allows subscribers of BIM 360<br />
Design and Civil 3D to work<br />
collaboratively with project<br />
partners at anytime and from<br />
anywhere, regardless of team<br />
locations and disciplines,<br />
including architects, engineers,<br />
and contractors.<br />
FINDING THE PLOT WITH ASSETINO<br />
T-MAPY, the company behind<br />
the award winning cloud<br />
based Assetino asset management<br />
suite, has launched an<br />
international version of its<br />
Cemetery Management Module.<br />
Designed to assist with the<br />
complex task of cemetery<br />
administration, Assetino Cemetery<br />
applies proven geospatial<br />
asset management technology<br />
allowing operators and visitors<br />
to identify and locate the final<br />
resting place of an individual,<br />
manage capacity and maintenance<br />
of a facility and aid with<br />
ancestry studies.<br />
Assetino Cemetery provides a<br />
range of tools intended to help<br />
private and public sector<br />
organisations effectively and<br />
sympathetically manage the<br />
administration of cemeteries,<br />
With the existing Revit Cloud<br />
Worksharing capabilities and<br />
the addition of Collaboration for<br />
Civil 3D to the same platform,<br />
designing airports, rail stations,<br />
and other complex projects<br />
with vertical and horizontal<br />
structures is simpler and more<br />
efficient. User can collaborate<br />
using streamlined workflows on<br />
a unified platform while also<br />
performing their day-to-day<br />
data management activities in<br />
the same place.<br />
www.autodesk.com<br />
graveyards and other internment<br />
facilities. From simple<br />
searches of burial records to<br />
automated management of<br />
contracts and fees, Assetino<br />
Cemetery is available as an<br />
online solution complete with<br />
integrated smart mapping.<br />
"Assetino Cemetery builds on<br />
more than 27 years' experience<br />
working to develop advanced<br />
technical solutions for a range<br />
of asset management applications,"<br />
commented Milan Novotny,<br />
CEO of Czech based T-<br />
MAPY. "It is already helping a<br />
large number of municipalities<br />
reduce the administrative tasks<br />
of the day to day operation of<br />
facilities and improve the service<br />
they provide to the relatives<br />
and friends of the deceased."<br />
www.tmapy.com<br />
6<br />
November/December 2019
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INDUSTRY news<br />
EQUE2 ACQUIRES CLIPIT SOLUTIONS<br />
NBS CHORUS INTEGRATES WITH ARCHICAD<br />
NBS and Graphisoft have<br />
partnered to develop an<br />
add-on for Graphisoft ARCHI-<br />
CAD to enable direct linkage<br />
with NBS Chorus. NBS Chorus<br />
is a cloud-based specification<br />
platform, allowing architects,<br />
designers and engineers to create<br />
specifications for projects.<br />
This direct link with ARCHICAD<br />
will enable users to build a project<br />
model and specification<br />
together in the ARCHICAD environment,<br />
compatible with<br />
macOS for the first time.<br />
The add-on reduces the risk<br />
of product information becoming<br />
incorrect or out of date<br />
Eque2 has acquired CLiPIT<br />
Solutions, the Yeovil-based<br />
company that specialises in<br />
fully-integrated construction<br />
accounting and job costing software<br />
solutions. Established in<br />
2002, CLiPIT provides construction<br />
accounting software which<br />
manages a construction company's<br />
job costing, CIS, applications,<br />
accounts, retentions and<br />
payroll. The acquisition of CLiP-<br />
IT brings together two strong<br />
companies and further strengthens<br />
Eque2's status as the leading<br />
provider of construction<br />
accounting and job costing software<br />
solutions, taking its customer<br />
count up to 2,300.<br />
Justin Moule, Managing Diretor,<br />
Commercial at Eque2, said:<br />
"The acquisition of CLiPIT has<br />
provided an excellent opportunity<br />
to acquire the skills, knowledge<br />
and technology of a company<br />
that shares the same aspirations<br />
as Eque2."<br />
Peter Davidson Managing<br />
Director, Operations at Eque2<br />
added: "CLiPIT customers can<br />
expect business as usual in<br />
terms of talking to the same<br />
support team, but can also<br />
look forward to the benefits of<br />
being part of Eque2, and the<br />
additional resources, knowledge<br />
and investment in product<br />
development they will now<br />
be exposed to."<br />
www.eque2.co.uk<br />
from users developing the<br />
specification and drawing on<br />
separate documents. It also<br />
improves productivity by linking<br />
the information modelled<br />
within ARCHICAD to the information<br />
contained in NBS’<br />
specification software.<br />
Nick Greenwood of architectural<br />
practice Maber, said "The<br />
integration of our NBS specifications<br />
into the ARCHICAD<br />
model environment on a Mac<br />
is something that, as a company,<br />
has been missing from<br />
our digital tool kit for a number<br />
of years."<br />
www.thenbs.com<br />
IDEATE STYLEMANAGER FOR REVIT<br />
Ideate Software, a veteran<br />
Autodesk Developer Network<br />
member and provider of<br />
applications for Autodesk<br />
Revit software, has reported<br />
that its newest Revit productivity<br />
solution, Ideate StyleManager,<br />
has proved to be an<br />
instant success.<br />
"We started getting positive<br />
comments almost immediately<br />
after launching Ideate<br />
StyleManager this past June,"<br />
said Glynnis Patterson, Director<br />
of Software Development at<br />
Ideate Software. "Many customers<br />
had provided input as<br />
beta testers during its development,<br />
and they had high<br />
expectations. I congratulate the<br />
entire software development<br />
team for meeting and even<br />
exceeding those expectations."<br />
Ideate StyleManager addresses<br />
problems that occur when<br />
styles associated with content<br />
Treeconomics, a specialist in<br />
the use of trees to improve<br />
urban spaces, is taking advantage<br />
of a digital record of over<br />
300 million trees created by<br />
aerial mapping company<br />
Bluesky. In a landmark project<br />
for the London Borough of<br />
Islington, Treeconomics completed<br />
a study to measure and<br />
assess tree canopy cover and<br />
understand its impact on the<br />
urban environment.<br />
The Bluesky National Tree<br />
Map was used in conjunction<br />
with a variety of open datasets<br />
including health and socio-economic<br />
data from organisations<br />
such as the Office of National<br />
Statistics and Public Health<br />
England. Following advanced<br />
geospatial analysis, Treeconomics<br />
were able to identify a<br />
link between higher canopy<br />
cover and increased life<br />
load into a model along with<br />
the content, or when users create<br />
non-standard styles. Managing<br />
those unwanted styles in<br />
Revit can be time consuming<br />
and risky but ignoring them<br />
can cause publishing errors<br />
and end-user confusion. Ideate<br />
StyleManager fixes the problems<br />
by making it easy to:<br />
• Delete styles that can't be<br />
deleted in Revit software<br />
• Merge non-standard styles<br />
into standard styles<br />
• Analyse the usage of all<br />
styles to understand the true<br />
scope of a deletion<br />
• Clean up Object Styles,<br />
Line Styles, Line Patterns, Fill<br />
Patterns, Materials, Material<br />
Appearance Assets, View Filters,<br />
Templates and Scope<br />
Boxes<br />
• Understand which views are<br />
using which View Filters.<br />
www.ideatesoftware.com<br />
BLUESKY MAPS TREE CANOPY COVER<br />
expectancy, lower crime rates<br />
and higher house prices.<br />
Treeconomics also produced<br />
a tree plant strategy for Islington<br />
Council and concluded the<br />
inner London Borough could<br />
reasonably aspire to increase<br />
canopy cover in alignment with<br />
London's target to achieve 30%<br />
tree cover by 2050.<br />
Using the Tree Map data,<br />
overall canopy cover for the<br />
borough of Islington was estimated<br />
at 25 percent. This<br />
favourably compares to a<br />
national average estimated in<br />
320 towns and cities of 17 percent<br />
and a London-wide estimate<br />
of 21%. Treeconomics<br />
also suggested that Islington<br />
could aspire to a canopy cover<br />
of 30%, identified areas of low<br />
canopy cover and potential<br />
'plantable' spaces.<br />
www.bluesky-world.com<br />
8<br />
November/December 2019
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TRANSFORMING THE WAY THE WORLD WORKS
CASEstudy<br />
Landscaping with BIM<br />
Ares Landscape Architects have used Vectorworks Landmark's BIM capabilities on the Nottingham<br />
College City Hub project<br />
Ares Landscape Architects Ltd<br />
mandates quality in all areas of<br />
their practice, starting with the<br />
quality of their employees. Led by<br />
Directors Ricardo and Ania Ares, the<br />
firm is comprised of 20+ members<br />
who, at a minimum, hold a<br />
postgraduate qualification in<br />
Landscape Architecture. Ares' qualified<br />
team members offer consultancy<br />
services in all areas of landscape<br />
architecture throughout the UK;<br />
leading and facilitating landscape<br />
design, feasibility studies, landscape<br />
and visual impact assessments, site<br />
planning, contract administration,<br />
modelling, and community project<br />
consultation.<br />
In 2016, the UK government<br />
mandated the adoption of BIM Level 2<br />
framework on all public projects; this<br />
requirement had a direct impact on the<br />
firm's work in the public realm,<br />
particularly on the education sector.<br />
Since they serve clients in the public<br />
sector, Ares Landscape Architects<br />
knew they needed a software program<br />
that creates models with associated<br />
data - easily shareable in a 3D<br />
environment and with other<br />
construction disciplines.<br />
The opportunity to experiment with a<br />
new workflow to meet these<br />
requirements presented itself when<br />
they were appointed to work on a<br />
number of different projects such as<br />
the Nottingham College City Hub, a<br />
new educational facility in Nottingham<br />
City Centre. "We were loading<br />
drawings with intelligent and<br />
quantifiable information. It was really<br />
useful," said Sam Bailey, Senior<br />
Landscape Architect at Ares.<br />
MERGING PAST AND FUTURE<br />
Nottingham College is the result of<br />
joining two pre-existing colleges - New<br />
College Nottingham and Central<br />
College Nottingham - and was<br />
developed as part of the Nottingham<br />
City Centre regeneration efforts.<br />
Envisioned for both college students<br />
and the community to enjoy, the newly<br />
proposed City Hub is in close proximity<br />
to Nottingham's public transport<br />
system, rail network, and the wider<br />
city's green infrastructure. However,<br />
the constrained site needed to account<br />
for existing buildings and transport<br />
infrastructure, along with the proposed<br />
surrounding regeneration projects.<br />
They also encountered problems<br />
related to the landscape over structure<br />
as well as site conditions overall.<br />
Additionally, as part of their BIM<br />
requirements, the firm needed to<br />
collaborate with the wider design team<br />
efficiently and effectively.<br />
In order to achieve BIM Level 2<br />
10<br />
November/December 2019
CASEstudy<br />
requirements (and to reach their target<br />
completion date of May 2020), Ares<br />
used Vectorworks Landmark to<br />
facilitate the delivery of the project's<br />
BIM execution plan (BEP). According<br />
to Sam Bailey, Senior Landscape<br />
Architect and BIM coordinator at Ares,<br />
using Landmark helped "speed up the<br />
time involved in project drafting and<br />
data reporting since the two processes<br />
are integrated, while providing useful<br />
information for other parties involved."<br />
Although they were interfacing with<br />
collaborators using different software<br />
programs, Bailey stated that "IFC<br />
became the common denominator" and<br />
by defining BIM requirements out of the<br />
gate, the firm could clearly state<br />
expectations tied to the IFC models. "We<br />
were loading drawings with intelligent<br />
and quantifiable information," said Bailey.<br />
"It was really useful."<br />
Another useful time-saving step was<br />
setting classes in the model file during<br />
the early stages of the project. "It<br />
speeds up the drafting process and<br />
takes a lot of the thinking out of it,"<br />
Bailey explained. In fact, Ares is<br />
currently developing templates that are<br />
available across their different office<br />
locations as a training tool for junior<br />
employees who may be new to working<br />
in BIM.<br />
FROM 2D TO 3D<br />
For the Nottingham City Hub, Ares fully<br />
embraced the 2D to 3D functionality of<br />
Vectorworks. Using features such as<br />
the Hardscape Tool, the 3D Polygon<br />
Tool, and the Plant Tool, Bailey could<br />
easily draw, adjust, edit, and replace<br />
elements of the model as needed. He<br />
could also edit the look of the<br />
graphical representation by a simple<br />
click of a button, which automatically<br />
changes the information attached.<br />
"All of the information is embedded in<br />
the object," Bailey said. "If something<br />
should change, such as a plant<br />
species, it can be replaced easily."<br />
That same information can then be<br />
seamlessly transferred to a worksheet,<br />
which Bailey has used for things such<br />
as plant schedules, clearly laid out in<br />
a table that immediately updates as<br />
needed.<br />
And for landscape architects who<br />
would rather input plant information<br />
manually, that option is also available<br />
in Landscape. Bailey and his<br />
colleagues can attach data such as<br />
the plant's Latin name, common name,<br />
and anything else that the designer or<br />
the contractor may need.<br />
IMPORT/EXPORT MADE EASY<br />
In their plans for a roof terrace, Bailey<br />
was able to easily change elevations<br />
through design layers - and export it<br />
just as easily as one model with those<br />
proper elevations left intact. When<br />
working with the project architects, the<br />
ability to specify stories in this nature<br />
is invaluable.<br />
In a different phase of the project,<br />
Ares needed an export option to send<br />
files that could be read by other<br />
software programs. Nottingham<br />
College required COBie data and a<br />
Federated Model for their records; the<br />
firm was able to submit this<br />
information. By using the Object<br />
Information Palette (OIP) in<br />
Vectorworks, Ares can edit IFC data to<br />
ensure it matches the COBie<br />
information as required by multiple<br />
parties, including information<br />
managers across the site, the<br />
architects on the project, and the<br />
firm's own landscape architects.<br />
FORERUNNERS IN THE BIM<br />
ARENA<br />
Ares Landscape Architects was able to<br />
meet a government requirement while<br />
simultaneously becoming a pioneer in<br />
the growing arena of BIM for<br />
landscape architecture. Through<br />
several helpful toolsets from<br />
Vectorworks Landmark, Ares<br />
significantly streamlined their workflow<br />
with a singular, all-in-one solution.<br />
As demonstrated through their work<br />
with conceptualising and planning<br />
Nottingham City Hub, Ares proved that<br />
integrating BIM is not only possible to<br />
achieve expected results, but also has<br />
the potential to make a lasting impact<br />
on the field - thanks to Vectorworks<br />
Landmark.<br />
www.vectorworks.co.uk<br />
12<br />
November/December 2019
CASE study<br />
Caspian Waterfront, Baku<br />
Futureproofing information<br />
Andy Hudson, Director of global architects Chapman Taylor, explains to David Chadwick why the<br />
company is transitioning to Atvero's SharePoint-based PIM solution<br />
Because everybody can now access<br />
data, there is no longer a need to<br />
share it," says Chapman Taylor<br />
Director Andy Hudson. This striking<br />
statement encapsulates the reasoning<br />
behind Chapman Taylor's recent decision<br />
to adopt Atvero's Project Information<br />
Management solution to more closely<br />
align to its worldwide network of studios.<br />
I spoke to Andy, who is based at<br />
Chapman Taylor's London head studio,<br />
about the company's decision to use<br />
Atvero's application, which uses<br />
Microsoft's SharePoint Online to manage<br />
the information flow between its global<br />
studios. Andy gave me some background<br />
about the company first, to put its needs<br />
in perspective.<br />
Chapman Taylor is a global practice of<br />
award-winning architects and<br />
masterplanners specialising in residential,<br />
retail, leisure, hospitality and office<br />
design, and the combination of these into<br />
sustainable, mixed-use environments.<br />
Their experienced teams provide a range<br />
of services across all these sectors,<br />
including interior design, architecture,<br />
delivery, graphics, BIM and sustainability.<br />
Established in 1959, the company has<br />
expanded from its London headquarters<br />
to operate from 16 design studios across<br />
Asia, Europe and the Middle East,<br />
successfully delivering over 2,000<br />
projects across five continents. Their<br />
global team speaks 35 languages and<br />
includes over 45 nationalities. The mix of<br />
projects is fascinating, from theme-based<br />
shopping centres and large-scale<br />
masterplans in China and the Middle East<br />
to a 3,000m2 covered ski slope and<br />
winter sports destination in the mountains<br />
of Norway.<br />
With three studios in the UK and the rest<br />
spread across the globe, the tendency<br />
was to base project members within their<br />
country of operation, with all information<br />
pertaining to projects localised,<br />
independent and held in separate silos on<br />
local servers. The growing need to share<br />
expertise learned on different projects,<br />
however, brought about an increase in<br />
collaboration between the international<br />
studios, most of which was conducted<br />
through the extensive use of emails.<br />
CLOUD-BASED COLLABORATION<br />
The rise of cloud services is changing all<br />
of that. Chapman Taylor felt it was time to<br />
move to a cloud-based application that<br />
would accommodate the project<br />
information, an accompanying image<br />
library and an electronic document<br />
management solution. With such a system<br />
in place, staff would be able to collaborate<br />
across studios, with each project member<br />
working from the same, single information<br />
source. This would remove duplication of<br />
data when information was previously<br />
shared between separate offices.<br />
Chapman Taylor was already using<br />
Microsoft's Office 365 suite together with<br />
OneDrive, an undervalued piece of<br />
software that provides a comprehensive<br />
suite of tools to help people share data<br />
and collaborate. The company is now in<br />
the process of transitioning local<br />
information to its Chapman Taylor<br />
SharePoint tenancy with Atvero, bringing<br />
separate silos of information into one<br />
place, beginning with the UK business<br />
before rolling it out across the<br />
international network.<br />
14<br />
November/December 2019
CASEstudy<br />
Salford Quays, Manchester<br />
Exporting sheets from Revit in Atvero<br />
SHAREPOINT AND ATVERO<br />
SharePoint is one of the most widely used<br />
of Microsoft's collaboration tools, allowing<br />
organisations to set up team sites where<br />
files, data, news and resources can be<br />
shared. With assistance from Atvero,<br />
Chapman Taylor intends to start uploading<br />
data to SharePoint from its on-premises<br />
document management system in the<br />
spring of next year, including information on<br />
current projects and around five million<br />
pieces of archived data.<br />
This is where the expertise of Atvero will<br />
be most useful. Instead of transferring files<br />
and folders in a multitude of formats and<br />
with a variety of identifiers, Atvero will be<br />
'tagging' the information as it is extracted<br />
and stored as metadata. This metadata<br />
can then be retrieved in whatever format is<br />
needed to link projects to every scrap of<br />
information related to it, extract lists of<br />
components or gather all emails relating to<br />
a particular project. With no hierarchical<br />
structure to struggle with, users will have<br />
the ability to select any of the information<br />
stored in the server and to present it in<br />
whatever format they require.<br />
That information can range from Revit and<br />
Autodesk drawings and building models to<br />
Word documents, PDF files, or Excel<br />
spreadsheets. Atvero will help to configure<br />
output files above and beyond the library of<br />
prerecorded templates, but, as the<br />
application and Chapman Taylor's expertise<br />
with the software develops, this process will<br />
move in-house.<br />
Anyone can dive into the metadata and<br />
set up a filter to find the information they<br />
need - with the obvious permissions and<br />
exceptions, of course (financial and<br />
personal/sensitive will remain secure) -<br />
and present it in whatever format is most<br />
appropriate.<br />
There is another benefit. Separate silos of<br />
information were created to accommodate<br />
the old software's limitations and the<br />
specific requirements of different<br />
companies working on particular projects.<br />
The data being held is therefore hostage to<br />
the future development of the software, and<br />
to the fortunes of the principal contractors<br />
managing it. Access to vitally important<br />
information about a project could be lost if<br />
it exists solely on the server of a minor<br />
subcontractor which ceases trading.<br />
"Atvero's task", says Andy Hudson, "is to<br />
provide a non-folder-based system which<br />
can store 'tagged' data, reallocating it to<br />
make it more accessible. SharePoint<br />
provides a means of storing the<br />
information, but it is not a document<br />
management system. It is Atvero which<br />
provides the means of accessing that<br />
information."<br />
THE ATVERO DASHBOARD<br />
The new system accommodates an old<br />
technique of Chapman Taylor's - allowing<br />
project or team members to log in to<br />
individual projects using separate emails<br />
for each project they are working on - and<br />
all projects are easily accessible, via<br />
thumbnails, on the homepage of the<br />
company's website.<br />
One very valuable feature is the<br />
MyProjects page, which shows, in one<br />
location, an overview of what is<br />
happening on a project, reminders,<br />
calendars, pending emails and news from<br />
each of the studios.<br />
Chapman Taylor has always had an<br />
intranet to provide this information, but<br />
SharePoint is a more modern and<br />
accessible format. According to Andy<br />
Hudson, "It's so much easier to carry out<br />
diverse tasks with the new system, from<br />
setting up new projects to booking<br />
personal leave."<br />
A REVIT SOLUTION<br />
Chapman Taylor uses Autodesk Revit as its<br />
major design software, assisted by various<br />
other Autodesk applications. Atvero is also<br />
focused primarily on Revit because of its<br />
prime position in the market, making it<br />
easier for Atvero to 'tag' data elements,<br />
create automatic naming systems and<br />
handle dates, revision and links between<br />
data elements. Templates for companyspecific<br />
documents and reports and output<br />
requirements are being developed, with<br />
both Atvero and Chapman Taylor working<br />
on the 'mapping information' required.<br />
The final output is usually in PDF format,<br />
although other formats, such as InDesign<br />
templates, can be used to assist users in<br />
transitioning to the new system. For issuing<br />
approvals and transmittals to clients,<br />
sometimes many columns' worth, Atvero<br />
can be used to filter and compress the data<br />
into manageable chunks.<br />
The final words belong to Andy: "Atvero is<br />
allowing us to futureproof our data!"<br />
www.atvero.com<br />
November/December 2019 15
SOFTWARE focus<br />
What makes a city smart?<br />
Bentley Systems introduces OpenCities Planner to promote the development of Smart Cities<br />
Increasing urbanisation, environmental<br />
concerns and the evolution of<br />
infrastructure to accommodate new<br />
transport technologies are forcing<br />
governments and local authorities to<br />
upgrade their planning needs and<br />
ambitions. Simply put, they need to<br />
squeeze more people into finite space,<br />
improve or retain their access to services<br />
and transport facilities, and save money in<br />
the process.<br />
Hence the evolution of Smart Cities - the<br />
utilisation of Digital Twinning to create<br />
digital representations of reality in order to<br />
plan their development and integrate all<br />
sources of information, including terrain<br />
mapping and other GIS data, building and<br />
infrastructure models, utilities and services<br />
and operating statistics. The federated<br />
data, presented within a single model, uses<br />
all of the latest tricks of the trade to share<br />
the resources available to planners, city<br />
clients, contractors and, most importantly<br />
to the people involved, the inhabitants.<br />
Because Bentley Systems already<br />
operates within ecosystems that provide<br />
the tools to develop different aspects of<br />
infrastructure development - OpenRoads,<br />
OpenRail, Conceptstation - and supports<br />
these with reality modelling tools like<br />
Contextcapture, another vital part of<br />
infrastructure development that allows<br />
models of existing structures to be<br />
modelled to facilitate further development,<br />
It has been able to utilise their capabilities<br />
to present OpenCities Planner.<br />
It comes at just the right time too, as IDC<br />
has forecast significant growth in Smart<br />
City planning, rising worldwide from $80<br />
billion currently to $135 billion in 2021,<br />
outlining the demand for higher<br />
productivity, efficiency and cost reduction<br />
and to assign more planning resources.<br />
HAKAN ENGMAN AND AGENCY 9<br />
Bentley Systems has facilitated the<br />
development of Smart City planning by<br />
appointing Hakan Engman as Business<br />
Development Director for Smart Cities.<br />
Hakan was CEO of the Swedish company<br />
Agency 9, which was recently acquired by<br />
Bentley. The company's web-based 3D<br />
tools provided huge, integrated maps and<br />
3D models for project communication and<br />
citizen dialogue - now an integral part of<br />
OpenCities Planner.<br />
Recently, assisted by Johan Goransson,<br />
Director of Product Management, Hakan<br />
presented OpenCities Planner at Bentley<br />
conferences and symposiums in London,<br />
to explain the concept behind the new<br />
initiative. The basis of their presentation<br />
was to show how OpenCity Planner met<br />
the goals of planning authorities by<br />
providing more apartments, improved<br />
transportation and infrastructure, energy<br />
savings, better services for inhabitants, and<br />
a happier populace. They referenced a<br />
United Nations statement which said that<br />
'Smart infrastructure provides the<br />
foundation for all of the key themes related<br />
to a Smart City'.<br />
PLANNING A SMART CITY<br />
An intelligent infrastructure is therefore<br />
crucial, and Bentley see it developing in<br />
four stages: from mere bricks and steel to<br />
an automated structure, the addition of<br />
intelligence, and a final state where a fully<br />
integrated, intelligent entity is achieved.<br />
Smart Cities have to incorporate a<br />
strategy that allows elements to be built up<br />
in stages, starting as a map that includes<br />
roads, rail and buildings, street furniture<br />
and infrastructural elements, power, water<br />
and transportation, and to update these in<br />
real time as the city evolves.<br />
A Digital Twin of the city is used as the<br />
background to visualise its operational<br />
status, but also to be used for analysis and<br />
simulation purposes and to provide the<br />
information from a multiplicity of sources to<br />
create unified workflows. Bentley already<br />
operates ecosystems to plan, design, build<br />
and operate infrastructure, and that is now<br />
enhanced with analytical design,<br />
geoinformation management and the<br />
management of assets.<br />
OPENCITIES PLANNER<br />
Going digital can only be achieved in a<br />
connected data environment, which allows<br />
16<br />
November/December 2019
SOFTWAREfocus<br />
a seamless exchange of data from many<br />
sources, including satellite imagery, LIDAR,<br />
drones, handheld mobiles and sensors.<br />
This has to be made available using webbased<br />
tools to relay it to every home, office<br />
and meeting room - and even semantic city<br />
models using CityGML, KMZ and<br />
COLLADA. The key needs are to share the<br />
information and engage planners and<br />
politicians alike - as well as the people who<br />
actually live in the cities.<br />
It is envisaged that, whilst Smart City<br />
planning will start small, with a couple of<br />
bold statements from local politicians and<br />
bright ideas emanating from initial planning<br />
meetings, the scope will widen quickly and<br />
dramatically. Given the means to participate<br />
in the development process the opportunity<br />
will be enthusiastically grasped - as seen<br />
with a number of projects in Sweden.<br />
Public planning develops along<br />
recognisable paths, starting from laying out<br />
a policy or working brief, master planning,<br />
zoning, design and permits, with the<br />
populace being involved as early as the<br />
master planning phase. Contractors come<br />
in at an early stage to plan, design, build<br />
and operate the future development. The<br />
two parallel processes are able to interact<br />
and exchange data throughout.<br />
Everybody becomes involved, using the<br />
3D model to prepare, sketch, compare,<br />
analyse and survey opinions using a<br />
common dialogue to publish, modify and<br />
promote views and opinions.<br />
OpenCities Planner's streaming<br />
technology can encompass entire cities<br />
and countries within its huge data<br />
models. The cloud-based service has a<br />
powerful 3D rendering engine that can<br />
stream massive Digital Twins online. It is<br />
scalable for all organisation types, from<br />
individual planners, architects, and GIS<br />
engineers to city governments and larger<br />
organisations, enabling the visualisation<br />
of 2D, 3D, and GIS data on a city-scale,<br />
and can handle detail down to individual<br />
buildings and trees.<br />
PUBLIC PARTICIPATION<br />
Quite aside from the zoning developments<br />
in the major cities and the development of<br />
road infrastructure, two of the cases that<br />
Hakam outlined are particularly vivid. The<br />
first enabled the public to submit ideas<br />
about the future development of their city<br />
using a 3D reality model on which they<br />
could place their marker and promote their<br />
idea. This was immediately made available<br />
to everybody else using the model,<br />
promoting further discussion and<br />
development of their ideas.<br />
The second provided users with access to<br />
a 5-mile tunnel to be built under<br />
Gothenburg. The real-time and interactive<br />
capabilities of the 3D model allowed the<br />
public to use a slider bar to reveal the<br />
different levels of the tunnel, from any<br />
surface modification to a full underground<br />
view. This particular model received 10,000<br />
views within the first 24 hours of its release.<br />
Additional examples used Bentley's<br />
OpenFlow FLOOD software to show the<br />
impact of possible flooding in a major<br />
Swedish port, and the movement of large<br />
groups of people in a popular area of<br />
Stockholm using Bentley's LEGION crowd<br />
simulation software.<br />
In Dubai, a particularly interesting<br />
demonstration showed how the amount of<br />
data that has to be stored with the city<br />
model can be reduced by providing 2D<br />
floorplans with apartment blocks which can<br />
be extruded to 3D when accessed. The<br />
city's reality model showed apartment<br />
blocks in 360 degree views at street level<br />
which, crucially, allowed users to attach<br />
dimensions and attributes to all of the<br />
individual elements of a model to facilitate<br />
demographic studies and surveys.<br />
OPENCITIES PLANNER IN USE<br />
OpenCities Planner is designed to be<br />
both user friendly and intuitive to use, and<br />
as an open solution can be viewed on all<br />
smart devices. It can even offer lower<br />
bandwidth imagery to enable lower<br />
specced devices to access the city<br />
modes, and to allow users to navigate<br />
and interact with them.<br />
Professional users have access to the<br />
database and, with permissions, can edit<br />
those features they are concerned with.<br />
They can view, edit, create screens, remove<br />
data and facilitate its sharing. There is even<br />
a tool within the 3D library that allows users<br />
to create scenes using basic volume<br />
creation and shadow management, and to<br />
integrate elements of vegetation - simple<br />
massing tools to put ideas across. Once<br />
created, the views are available to all.<br />
THE FUTURE?<br />
The future is already here. Never before has<br />
such a facility been available to the general<br />
public, who are typically faced with<br />
unfathomable planning decisions being<br />
made behind closed doors and an<br />
impenetrable jungle of procedures and<br />
deadlines to overcome should they wish to<br />
raise an objection. OpenCities Planner,<br />
when properly used as Agency 9's tools are<br />
being utilised in Sweden, will enable<br />
postive consultations and the full<br />
involvement of the public.<br />
www.bentleysystems.com<br />
November/December 2019 17
SOFTWARE focus<br />
Unreal designs<br />
Epic Games' Unreal Engine gives Twinmotion its ability to handle rendering on the fly<br />
Instead of berating your children about<br />
the amount of time they spend playing<br />
Fortnite and other games with<br />
awesome animations and rendering,<br />
consider how much the software used to<br />
create them is transforming our own<br />
industry. It's no coincidence either, as this<br />
summer Twinmotion became part of Epic<br />
Games, well known as the developer of<br />
both Fortnite and the real-time creation<br />
tool Unreal Engine. Twinmotion is already<br />
powered by Unreal Engine and was the<br />
subject of a recent Epic Games webinar<br />
called Fast architectural visualisation.<br />
Real-time rendering allows architects to<br />
create their designs and view them<br />
instantly fully rendered, and then to edit<br />
the design and see the changes updated<br />
in real-time. It also enables animations<br />
and panoramas to be created in minutes<br />
instead of days, and plays a crucial role<br />
in creating virtual reality immersive<br />
experiences. Twinmotion is already<br />
regarded as one the better visualisation<br />
and rendering tools for architects and<br />
designers because of its simplicity of<br />
use, which doesn't compromise on its<br />
quality of output. It runs on both PCs and<br />
Macs and allows users to create stills,<br />
animations and immersive media<br />
experiences from CAD models.<br />
Once you have created your design -<br />
either in ARCHICAD, Revit, SketchUp<br />
Pro, or RIKCAD - you can import it and<br />
synchronise it with Twinmotion, which<br />
enables any changes made to the<br />
original model to be instantly updated in<br />
your visualisations. Twinmotion comes<br />
with a large library of materials and other<br />
assets. Selecting one of the PBR<br />
(physically based rendering) materials or<br />
lights and dragging and dropping them<br />
into the model, together with their<br />
attributes - for example, the reflective<br />
characteristics of different materials or<br />
the luminescence of a light - adds<br />
veracity to the model. The Twinmotion<br />
library includes animated characters and<br />
vehicles, enabling you to populate<br />
scenes with moving characters, or to<br />
describe a path for a vehicle to follow in<br />
an animated scene.<br />
Once the date and time of the original<br />
scene is set, you can change the<br />
seasons, and go from daytime to<br />
nighttime using a slider bar. Additional<br />
slider bars give you control over the<br />
weather, wind and precipitation, including<br />
leaf fall in the autumn and snow in winter.<br />
Pinning the model's location and<br />
orientation will also provide an accurate<br />
representation of shadows throughout<br />
the day.<br />
The main advantage of Twinmotion,<br />
though, is the speed of Unreal Engine; its<br />
powerful processing capabilities lie<br />
behind its ability to produce rendering in<br />
real-time, and not just for the<br />
photorealistic rendering of preset scenes,<br />
but also its ability to provide immersive<br />
experiences, where users are able to<br />
navigate through buildings using<br />
Twinmotion, or the virtual reality<br />
capabilities in BIMmotion, which give<br />
users the ability to run Twinmotion<br />
visualisations without having to install it<br />
on their system, and to create 360<br />
degree videos and panoramas.<br />
In fact, the speed of Unreal Engine<br />
enables users to achieve great results in<br />
timescales that would simply not be<br />
possible using other tools. This includes<br />
adding animated people to a scene in<br />
just a couple of clicks or populating an<br />
entire forest of different tree species,<br />
randomly positioned using painting and<br />
sculpting tools.<br />
18<br />
November/December 2019
SOFTWARE focus<br />
THE LEARNING CURVE<br />
In the same way that rendering used to be<br />
left to dedicated and powerful<br />
workstations, some architects used to<br />
specialise in the technology using complex<br />
software which both tested their skills and<br />
took time to learn. Twinmotion on the other<br />
hand is extremely easy to use, with<br />
architects claiming they are able to start<br />
producing professional results within a few<br />
days of practice with the software. This<br />
means that instead of using it merely to<br />
create renderings of the finished product, it<br />
can become part of the creative process.<br />
Even at the earliest stages of a project<br />
Twinmotion can be used to stimulate<br />
ideas, switching from the very first flush of<br />
a 3D architectural concept to a rendered<br />
model with a few clicks, regardless of the<br />
size and complexity of the project, the<br />
materials, the user's IT knowledge or their<br />
preferred BIM modeler. Direct<br />
synchronisation with ARCHICAD allows<br />
users to move from the BIM model to a VR<br />
experience in just three clicks.<br />
Its ease of use has no doubt help it gain<br />
an enthusiastic community of users, which<br />
has developed into some helpful YouTube<br />
training series-context-appropriate videos<br />
that show you how to develop<br />
visualisations without having to pore<br />
through lengthy user manuals.<br />
GRAPHISOFT AND TWINMOTION<br />
Graphisoft has had a long association with<br />
Twinmotion, with the result that its prime<br />
architectural application, ARCHICAD,<br />
works seamlessly with the software. To<br />
celebrate the acquisition of Twinmotion by<br />
Epic Games, Graphisoft is providing users<br />
of the latest release of the software,<br />
ARCHICAD 23, with free access to<br />
Twinmotion and its state of the art<br />
rendering technology.<br />
As part of the agreement all qualifying<br />
ARCHICAD 23 license holders, having<br />
purchased their licenses anew or<br />
upgraded from earlier versions of<br />
ARCHICAD, are entitled to a matching<br />
number of fully functional licenses of<br />
Twinmotion free of charge. The offer<br />
coincides with the first release of Epic's<br />
upgraded software (due out round about<br />
now) and runs until the end of ARCHICAD<br />
23's release cycle. Existing ARCHICAD<br />
customers are able to experiment with the<br />
currently free version of Twinmotion at<br />
www.unrealengine.com/twinmotion.<br />
For users of other AEC applications, Epic<br />
Games has released another free update<br />
for Twinmotion which includes the new<br />
direct link with SketchUp Pro, together<br />
with an expanded pack of grass and<br />
flower assets.<br />
FROM ARCHICAD TO REAL-TIME<br />
VISUALISATION IN SECONDS<br />
Architectural Designer David Rieser at<br />
Scenario Architecture, who are ARCHICAD<br />
users and now also committed users of<br />
Twinmotion, says that "Being able to give<br />
the client a sense earlier on how the<br />
finished project will look has made a huge<br />
difference when it comes to getting the<br />
green light on designs. The fact that you're<br />
able to walk around a 3D environment that<br />
has all the materials and all the lighting<br />
effects means that sign off for the client is<br />
a lot easier.<br />
"It's a very useful tool," he added, "even<br />
very early on when we just show<br />
everything in white. When you're just<br />
looking at the light and spatial quality,<br />
when no materials are in play, it's still a<br />
very useful."<br />
The decision to adopt Twinmotion for<br />
visualisation is also having an effect on the<br />
number of clients coming through<br />
Scenario's doors. "It's hard to quantify<br />
because it's such an integral, organic part<br />
of our process, but we can say that it helps<br />
us bring in more clients with better<br />
projects," says Ran Ankory, Founder and<br />
Managing Director at Scenario. "We can<br />
no longer imagine working without it."<br />
Cementing the new relationship between<br />
Epic Games and Twinmotion, Marc Petit,<br />
General Manager, Unreal Engine, Epic<br />
Games, said "The same Unreal Engine<br />
that powers the world's most popular<br />
video game, Fortnite, has been part of<br />
Twinmotion for years. We are now very<br />
excited to work with Graphisoft to promote<br />
the use of real-time visualisation solutions<br />
to help architects and designers visually<br />
communicate. The simplicity of the<br />
Twinmotion user interface and the power of<br />
Unreal Engine to deliver real-time effects is<br />
unmatched in the industry."<br />
This was endorsed by Huw Roberts,<br />
Graphisoft's CEO: "Real-time rendering is<br />
indeed the next big thing in photorealistic<br />
visualisation. To bring this cutting-edge<br />
technology to the AEC space, we couldn't<br />
find a better partner than Epic Games!<br />
ARCHICAD 23 customers will benefit from<br />
an unparalleled immersive experience<br />
when creating and sharing their<br />
architectural designs."<br />
www.unrealengine.com<br />
November/December 2019 19
CASE study<br />
Solibri Anywhere<br />
Solibri, the construction industry's model checker of choice, is now available for a wider range of<br />
users. Here, Solibri MD Andrew Bellerby outlines its capabilities and where it fits into the market<br />
For more than a decade Solibri's<br />
software solutions, developed in<br />
the BIM hotbed of Finland, have<br />
established themselves as some of the<br />
construction industry's favourite tools.<br />
Their Model Viewing software over that<br />
period became the de facto standard IFC<br />
viewing tool, with even other software<br />
developers checking their output in IFC<br />
for correctness.<br />
Solibri Model Checker was a solution<br />
developed way ahead of its time, with the<br />
usage of BIM and IFC being very limited<br />
in the early days, but it grew from a<br />
software solution that was developed for<br />
quantity take-off from IFC. Very quickly<br />
there was a realisation that the quantities<br />
were of very little use if they weren't<br />
correct, something that is also very<br />
relevant today. On the back of that Solibri<br />
developed their Model Checker to<br />
overcome the issues in the model, with<br />
the quantity take-off tools still very much<br />
a part of the solution. Solibri Model<br />
Checker became the tool of choice within<br />
most of the major contractors - as well as<br />
architectural and engineering offices,<br />
among others - for guaranteeing quality<br />
of geometry and data as well as<br />
compliance with standards, be those<br />
industry, company or project related.<br />
If there was one complaint about<br />
Solibri's offering over the years it was that<br />
it wasn't readily accessible to smaller<br />
companies, who might consider the price<br />
prohibitive, and the fact that you needed<br />
to purchase the full Model Checker<br />
software even if you just needed a<br />
portion of the functionality. Larger<br />
companies also wanted models and<br />
information available to other people in<br />
the company and on projects.<br />
THE NEW PRODUCT FAMILY<br />
Earlier this year Solibri introduced their<br />
new product family with added<br />
functionality and new purchasing<br />
options, which plugged the gap between<br />
the free Viewer software and the full<br />
blown Office version. Many customers<br />
over the years had asked for something<br />
to fill that void, and after discussions<br />
about and feature requests for the<br />
intermediate version, followed by a pilot<br />
program, the new product family was<br />
launched. The names of the new product<br />
family relate to likely location usage and<br />
new icons were created to complete the<br />
revamped look. The price is also no<br />
longer prohibitive, offering another<br />
incentive to get involved in a quality<br />
controlled workflow.<br />
Solibri Enterprise targets large<br />
companies that have adopted Solibri's<br />
solution throughout their organisation in<br />
a quality controlled design and/or<br />
construction process built around Solibri.<br />
The license type becomes a user based<br />
license (UBL) with a per person/per<br />
month cost and thus allows more<br />
flexibility for usage peaks on projects.<br />
Included in the Enterprise agreement<br />
are two of Solibri's other options for<br />
automating and controlling the workflow.<br />
AutoRun is a script that automates the<br />
opening of multiple models, running<br />
selected rulesets and the generation of<br />
any issues found into a report, saving<br />
many hours of work. Extensions is an<br />
add-on that allows the management and<br />
easy distribution to third parties of any<br />
customisations that you may have<br />
applied to the software on a project. This<br />
means that only those with certain<br />
permissions are able to edit rules,<br />
classifications etc. and everybody is<br />
working on the same level playing field.<br />
USAGE AND WORKFLOWS<br />
Solibri Site was introduced into the<br />
product portfolio to serve the needs of<br />
those that require access to validated<br />
data and therefore can make decisions<br />
knowing they have the correct<br />
information. Solibri Office is typically<br />
used by designers checking the quality<br />
of their work before issuing it to others.<br />
Models from designers are then<br />
typically federated and coordinated by<br />
20<br />
November/December 2019
CASEstudy<br />
the main contractor and/or their BIM<br />
Coordinator who will also perform other<br />
compliance checks. BIM coordinators<br />
typically act in an Information<br />
Management role, having to generate<br />
COBie outputs from the validated data.<br />
Solibri Anywhere makes the information<br />
in the model available to all, and also<br />
allows feedback and creation of visual<br />
issues using the BCF files.<br />
As mentioned, the validated information<br />
in the model is hugely useful to quantity<br />
surveyors, estimators and cost<br />
consultants, as well as the team on the<br />
construction site. Bonava, a Finnish<br />
contractor, was involved in the<br />
development and piloting of the Solibri<br />
Site license. Bonava Finland has about<br />
60 licensed Solibri users in design,<br />
planning and management, BIM<br />
coordination as well as procurement and<br />
quantity calculations. In addition, the free<br />
viewer version is used by a variety of<br />
people including the on-site foremen and<br />
engineers, who are now keen on<br />
adopting Solibri Site instead.<br />
The full workflow support is important,<br />
however. Salmenranta remarks: "The<br />
models that are delivered to the site must<br />
be of a good quality. They must have been<br />
checked and validated beforehand so that<br />
once they get on-site, there is no longer a<br />
need for checking them out there."<br />
Bonava Finland took the Solibri Site pilot<br />
version to use in the Vermonniitty project,<br />
which is a part of a larger residential area<br />
development in the city of Espoo,<br />
Finland. Once done, the area will provide<br />
housing for 6000 residents. In<br />
Vermonniitty, Bonava has the task of<br />
building new blocks of residential flats<br />
and a separate parking garage. Two<br />
blocks of flats and the garage have<br />
already been delivered.<br />
Before starting the Solibri pilot, Bonava<br />
organised training for the site manager<br />
and foremen. The team has so far<br />
received the new tool with enthusiasm.<br />
Tom Helenius, Site Manager at Bonava,<br />
explains: "There are great benefits for the<br />
site team both in terms of construction<br />
and service coordination, especially<br />
when we have to perform information<br />
takeoff. Traditionally, we've only been able<br />
to get the quantities in parts and<br />
information on which service is in<br />
question - for example, getting exact<br />
calculations for pipe lengths has been<br />
laborious or imprecise. With Solibri,<br />
estimating all of this is considerably<br />
easier, faster and more accurate."<br />
The site team agrees that the benefits<br />
are best seen when working with more<br />
complex structures. "Solibri would have<br />
been of great use when casting the<br />
foundation for the garage in this project,"<br />
Tom Ekroos, Foreman at Bonava points<br />
out. The garage was built before the onsite<br />
version of Solibri, and the manifold<br />
structure consisted of various heights<br />
and levels.<br />
Matti Rusanen, Foreman at Bonava,<br />
explains: "In complex spots like that, even<br />
seeing it in 3D early on would help<br />
tremendously," and Ekroos echoes this,<br />
saying "From the model, it would have<br />
been very easy for us to see straight<br />
away that it was in so many heights that<br />
it's difficult to build. The idea to use less<br />
concrete there was nice but for us it<br />
meant triple the amount of work."<br />
Helenius agrees with the foremen: "We<br />
did receive the plans in papers but from<br />
there it's not so easy to see, for example,<br />
the reasonable order of progression on<br />
the build. In complicated structures like<br />
this it helps massively."<br />
As the pilot project approached<br />
completion, Bonava Finland were eager<br />
to expand the use of BIM in other teams<br />
and projects as well. "We are discovering<br />
more and more benefits," says<br />
Salmenranta, "and in future projects, the<br />
aim is to use BIM models from the very<br />
beginning of each project, giving site<br />
teams time to become familiar with the<br />
software and the model before the actual<br />
building starts."<br />
In Bonava's VDC (Virtual Design and<br />
Construction) workflow, the BIM models<br />
integrate directly to cost and quantity<br />
calculation, schedules and more, which<br />
makes the quality of the models crucial<br />
both in terms of geometry and data. "The<br />
models are simply useless if the data in<br />
them is incorrect, so their quality is<br />
becoming more and more important,"<br />
Salmenranta added. He concludes: "The<br />
models must be checked in the design<br />
phase and when going on-site, but also<br />
the site team should be closely involved<br />
in reviewing the decisions made by the<br />
designers and communicating with<br />
them, and for that, getting the correct<br />
data and information takeoff are of<br />
utmost importance."<br />
www.solibri.com<br />
November/December 2019 21
INDUSTRY focus<br />
Tradition or transition?<br />
Excitech's Daryn Fitz continues his conversation with David Chadwick on the industry's move from<br />
CAD to BIM<br />
David Chadwick: Is the migration<br />
from CAD to BIM the same as the<br />
industry's move from drawing<br />
boards to CAD?<br />
Daryn Fitz: No, it is different and more<br />
complex. The Construction Sector made<br />
the transition from drawing boards to<br />
Computer-aided Design (CAD) back in<br />
the early 1980's and I remember well the<br />
resistance from many traditional<br />
draughtsmen and women at the time.<br />
The emergence of the office-based<br />
personal computer and a drive for more<br />
efficient workflows was a perfect catalyst<br />
for CAD to emerge and it quickly<br />
replaced many traditional drawing<br />
production workflows. My recollection<br />
from that time was that although you<br />
could produce an initial drafted design<br />
equally quickly via CAD or a drawing<br />
board, when it came to changes, and<br />
understanding design is an iterative<br />
process, CAD was significantly quicker<br />
and more efficient. CAD also allowed<br />
people to type text rather than use an ink<br />
pen and a stencil.<br />
Today's transition to Building Information<br />
Modelling (BIM) however is very different<br />
to CAD and is not solely focused on<br />
changing a single production process<br />
such as the generation of drawings. BIM<br />
is far more encompassing than that; the<br />
focus is now on sharable data and digital<br />
information, which has the potential to<br />
provide a positive impact on the entire<br />
project team and its delivery. To make a<br />
successful transition it has to be carefully<br />
managed, and as a technology provider,<br />
the strategy for implementation is an<br />
important part because BIM workflows<br />
are very different to CAD, even down to<br />
the way a designer may wish to<br />
commercialise the services they provide.<br />
DC: What are the main advantages of<br />
BIM for designers?<br />
DF: The first advantage of BIM for<br />
designers is the use of BIM Authoring<br />
technologies such as Autodesk's Revit.<br />
Revit is one of the most popular BIM<br />
authoring solutions globally. Errors that<br />
were commonplace via CAD, such as<br />
architectural doors appearing in different<br />
locations or being of different types<br />
across a set of drawings, are replaced by<br />
a workflow in Revit where any change<br />
made to an object in a 3D model is<br />
reflected and updated automatically<br />
across all drawing outputs, resulting in<br />
coordinated rather than disconnected<br />
information. This also means that 3D<br />
visualisations from the model are always<br />
available to aid communications across<br />
the project team and with clients to<br />
provide a faster and more interactive<br />
method for evaluating design intent.<br />
If higher quality computer generated<br />
imagery or animations are required, addons<br />
to Revit such as Enscape provide<br />
real-time, fast and efficient outputs that<br />
keep in step with the design process.<br />
There is no longer a need to employ thirdparty<br />
external visualisation companies<br />
and receive outputs that are three weeks<br />
behind the current design. Software such<br />
as Enscape can output to virtual and<br />
augmented reality systems, providing<br />
ever-increasingly immersive experiences.<br />
Tedious tasks such as generating door,<br />
window, component or area schedules<br />
are now automated and this capability<br />
22<br />
November/December 2019
INDUSTRY focus<br />
extends to semi-automated<br />
section and elevation drawings.<br />
The advantages can go on<br />
and on, and include links to<br />
specifications, design analysis<br />
systems and automation to<br />
document management<br />
systems such as Excitech<br />
DOCS that ensure compliant,<br />
complete and auditable<br />
information leaves the<br />
organisation and is received by<br />
others. Of course, if all<br />
designers on the project work<br />
to BIM processes, the advantages extend<br />
even further to allow all design<br />
consultants to share and federate models<br />
to once again improve communication<br />
and understanding, but also allow for<br />
design coordination supporting<br />
processes such as Clash Detection.<br />
Software such as Autodesk's<br />
Navisworks or Glue find the elements that<br />
clash within a design using rules set by<br />
the designer. BIM is also promoting<br />
consistency through industry standards<br />
and specifications, encouraging<br />
increased collaboration and sharing of<br />
data and digital information. In summary<br />
BIM saves designers money, time, effort,<br />
drives better outputs and is becoming a<br />
standard project requirement and the<br />
preferred industry workflow.<br />
DC: You mentioned BIM adoption can be<br />
challenging and complex, can you<br />
expand on this?<br />
DF: This is a different way of working<br />
when compared to CAD, and any change<br />
from the daily norm can be concerning to<br />
employees and management alike. There<br />
will also be a reduction in productivity as<br />
individuals learn the new systems which<br />
has to be managed whilst still ensuring<br />
delivery of projects on time and to budget.<br />
There are new internal and project<br />
standards and workflows to understand<br />
and embed, new information<br />
management roles and responsibilities,<br />
and a need to include information<br />
placeholders within model objects for<br />
others to complete at latter project stages.<br />
This list could expand and be detailed a<br />
lot further, but the simple solution is to<br />
employ expertise who can provide<br />
education, training, a clear plan and<br />
support the transition. BIM is a huge<br />
subject area and extends from design<br />
into manufacturing, construction and<br />
facilities management, and within<br />
Excitech we have different subject matter<br />
experts to provide holistic support.<br />
DC: In your opinion are all design<br />
companies moving to BIM?<br />
DF: No, this is a process and just like the<br />
move from drawing boards to CAD, there<br />
will always be the early adopters at the<br />
start and laggards who will resist change<br />
at the end. However, I am confident that<br />
we are now transitioning to a<br />
Construction Sector in the UK where BIM<br />
is becoming the norm and not an<br />
exception. BIM as a concept has been<br />
around for a long time - there were BIM<br />
projects being delivered in the 1990's<br />
within the UK, but adoption over the last<br />
seven years has accelerated rapidly.<br />
However, I still have personally seen<br />
projects where two out of three designers<br />
are working in BIM, whilst the third is still<br />
using CAD. Some design specialists such<br />
as landscape architects need the<br />
technologies for their discipline to evolve,<br />
and for some small and medium-sized<br />
enterprises (SMEs), the initial financial<br />
investment, especially in the current<br />
political climate, may delay their transition<br />
until it becomes business critical -<br />
meaning work is not secured as they lack<br />
the capability that their employers require.<br />
DC: If BIM is now, what is next?<br />
DF: That is a leading but good question,<br />
and although I don't have a crystal ball to<br />
tell me the future, I think we are starting to<br />
see the possibilities and future<br />
direction now. For designers I<br />
would suggest an exciting but<br />
maybe different working<br />
environment in the future. I am<br />
sure we will see more remote,<br />
dispersed and global design<br />
teams on projects, and although<br />
today we reference improved<br />
collaboration and using<br />
common data environments<br />
(CDE's) such as Autodesk's BIM<br />
360 platform, these will be<br />
extended to real-time cloud<br />
based ecospheres and, I am sure, will<br />
also be supported with holographic<br />
meetings.<br />
Generative design, which is a design<br />
exploration process, is also of great<br />
interest. Designers or engineers input<br />
design goals into the generative design<br />
software, along with parameters such as<br />
performance or spatial requirements,<br />
materials, manufacturing methods, and<br />
cost constraints. The software explores all<br />
the possible permutations of a solution,<br />
quickly generating design alternatives. It<br />
tests and learns from each iteration what<br />
works and what doesn't. The concepts of<br />
Digital Twins and Smart Cities are already<br />
widely discussed both academically and<br />
within industry, and even future smart<br />
contracts using blockchain as a secure<br />
method are being explored.<br />
Designs that consider off-site fabrication<br />
opportunity and carbon neutral design<br />
analysis can only increase. But all the<br />
above will need data and digital<br />
information, and BIM provides the<br />
foundation for an exciting and<br />
increasingly digitally led world, far<br />
removed from drawing on parchment,<br />
paper, velio (plastic) sheets with pencil or<br />
ink. When compared with CAD working<br />
and designing, using BIM is fun, and<br />
much more engaging and rewarding as<br />
you develop a 3D data rich representation<br />
of your design rather than simply flat 2D<br />
lines, arcs and circles.<br />
You can learn more about the future of<br />
BIM and Generative Design on the<br />
Excitech webiste, below.<br />
www.excitech.co.uk/Campaign/<br />
Generative-Design<br />
November/December 2019 23
2019 awards<br />
Sponsored by:<br />
@CCMagAndAwards<br />
Champagne Reception Sponsors:<br />
Building on success at The Hammers 2019<br />
The Grand Connaught Rooms in London's Covent<br />
Garden was the venue for the 2019 Construction<br />
Computing Awards this November, where our nominees<br />
and guests gathered to celebrate a year of industry success<br />
stories - and to discover who would be taking home the<br />
coveted Hammers trophies, of course.<br />
The evening began with a champagne reception sponsored<br />
by Asite, followed by short talks from Steven Eglinton,<br />
Director, GeoEnable and Principal Tutor in BIM at the<br />
Institution of Civil Engineers, and Bill Hill, chairman of The<br />
Hammers' chosen charity for the night, Lighthouse Club. Bill<br />
spoke on the importance of mental health and wellbeing in<br />
the construction industry, and we’re delighted to announce<br />
that the evening's silent auction raised just under £12,000 for<br />
this worthy cause. Many thanks to everyone who contributed.<br />
Soon it was on to the evening's main event, the awards<br />
ceremony itself. You’ll find a full round-up of the 2019<br />
winners below, and they include Solibri with Evolve<br />
Consultancy and Tideway for Constructing Excellence,<br />
winners of the BIM Project of the Year award as chosen by<br />
our panel of judges. We also saw a new winner in the<br />
Estimation & Valuation Product of the Year category, with<br />
Exactal taking the top spot for CostX. And the final trophy of<br />
the night, the sought after Company of the Year award, was<br />
won by Bentley Systems.<br />
We'd like to once again congratulate all of this year's<br />
winners and runners-up, and thank both our awards<br />
sponsors and everyone who took the time to vote online. We<br />
hope to see you all again in 2020!<br />
www.constructioncomputingawards.co.uk<br />
INNOVATION OF THE YEAR<br />
Winner: VisiLean for BIM & Project Planning Solution<br />
ONE TO WATCH COMPANY<br />
Winner: Atvero<br />
BEST USE OF IT IN A CONSTRUCTION PROJECT 2019<br />
Winner: Asite with Adoddle for Ballymore, Goodluck Hope Project<br />
BEST USE OF IT IN AN INFRASTRUCTURE PROJECT 2019<br />
Winner: Specialist Project Integration with 3drepo.io for Kings Cross Track Remodelling<br />
BIM PROJECT OF THE YEAR<br />
Winner: Solibri UK Ltd with Evolve Consultancy and Tideway for Constructing Excellence<br />
24<br />
November/December 2019
2019awards<br />
COLLABORATION PROJECT OF THE YEAR<br />
Winner: Dalux with Dalux Field and Box for Southern Regional College (Felix O'Hare)<br />
CLOUD TECHNOLOGY OF THE YEAR<br />
Winner: Asite for the Adoddle Platform<br />
HEALTH AND SAFETY/TRAINING SOLUTION OF THE YEAR<br />
Winner: Biosite with Mosaic Asset Manager for Thames Tideway East<br />
BIM PRODUCT OF THE YEAR<br />
Winner: Graphisoft for ARCHICAD 23<br />
ARCHITECTURAL DESIGN PRODUCT OF THE YEAR<br />
Winner: Autodesk for AEC Collection<br />
STRUCTURAL DESIGN PRODUCT OF THE YEAR<br />
Winner: Trimble for Tekla Structural Designer<br />
COLLABORATION PRODUCT OF THE YEAR<br />
Winner: Viewpoint for Viewpoint for Projects<br />
DOCUMENT AND CONTENT PRODUCT OF THE YEAR<br />
Winner: Newforma for Newforma Project Center<br />
ENTERPRISE RESOURCE PLANNING (ERP) SOFTWARE OF THE YEAR<br />
Winner: EasyBuild (Construction Software) Ltd for EasyBuild<br />
PROJECT MANAGEMENT SOFTWARE OF THE YEAR<br />
Winner: Elecosoft for Powerproject<br />
ESTIMATION & VALUATION PRODUCT OF THE YEAR<br />
Winner: Exactal for CostX<br />
CONSTRUCTION ACCOUNTING PRODUCT OF THE YEAR<br />
Winner: Integrity Software for Evolution M<br />
CONSTRUCTION FINANCIALS SUITE OF THE YEAR<br />
Winner: RedSky for Summit<br />
PROJECT LIFECYCLE MANAGEMENT PRODUCT OF THE YEAR<br />
Winner: IFS for IFS Applications<br />
ASSET MANAGEMENT PRODUCT OF THE YEAR<br />
Winner: Glider Technology Ltd for GliderBIM<br />
MOBILE TECHNOLOGY OF THE YEAR<br />
Winner: Graphisoft for BIMx<br />
CHANNEL PARTNER OF THE YEAR<br />
Winner: Excitech<br />
EDITOR'S CHOICE OF 2019<br />
Winner: Vectorworks<br />
PRODUCT OF THE YEAR<br />
Winner: Viewpoint for Viewpoint for Projects<br />
COMPANY OF THE YEAR<br />
Winner: Bentley Systems<br />
November/December 2019 25
CASE study<br />
Keeping the traffic flowing<br />
Highway Traffic Management is driving its digital transformation forward by rolling out Re-flow<br />
Highway Traffic Management,<br />
based in the West Midlands, is a<br />
temporary traffic management<br />
company specialising in high-speed<br />
roads, 12C mobile works and 12D Street<br />
works. They have around 100 operatives<br />
with 80% of them working remotely on<br />
sites around the country.<br />
Greg Baldwin is the Business Director at<br />
Highway Traffic Management and<br />
oversees strategy and direction, which<br />
includes goal setting, objective monitoring<br />
and also the day-to-day operations and<br />
health and safety. Speaking from their<br />
offices under the famous Spaghetti<br />
Junction, they reflect on their recent<br />
transition to Re-flow, a digital mobile<br />
workforce management solution.<br />
Highway Traffic Management had<br />
already undertaken a digital<br />
transformation four years ago, so paper<br />
was already on the way out - but not all<br />
software is created equally… The existing<br />
system restricted them from making quick<br />
changes or updating their forms easily.<br />
Furthermore, they were also dealing with a<br />
lag of a couple of seconds when moving<br />
through the app, which, over the course<br />
of a day, equated to a great deal of<br />
wasted time and frustration among the<br />
users. The decision was made to find<br />
something that not only looked good but<br />
had the back-end system to support it.<br />
Re-flow was chosen because it gave<br />
them the flexibility to change their<br />
processes, revisit what was necessary<br />
and cut out a lot of the areas that weren't<br />
efficient or adding value to the company<br />
and their clients. They were looking for a<br />
solution that didn't have the price tag of a<br />
bespoke system but that still gave them<br />
the sort of flexibility that you don't tend to<br />
find in a lot of off-the-shelf systems.<br />
Greg commented, "What made Re-flow<br />
stand out for us was that it had both style<br />
and functionality. The aesthetics of it was<br />
excellent, which makes the user<br />
experience easy to run through, and the<br />
system is clear on where you find things<br />
and how you navigate through it, so for<br />
our users it was perfect."<br />
According to the Commercial Director at<br />
Highway Traffic Management, Marcus<br />
Casey "One of the main reasons we went<br />
26<br />
November/December 2019
CASEstudy<br />
to Re-flow was not just how the system<br />
worked, but also the cost. Some of the<br />
systems out there are very expensive for<br />
something that we would have to adapt as<br />
a company to use, instead of having a<br />
system that adapts to how we work as a<br />
company such as Re-flow."<br />
Having had previous experience with<br />
rolling out a new technology to staff,<br />
Highway Traffic Management conducted a<br />
phased rollout, contract by contract. They<br />
found it relatively easy by calling in their<br />
change champions from the previous<br />
rollout, making the actual implementation<br />
a lot quicker than they'd planned for.<br />
From the initial sales meeting, they felt<br />
there was complete transparency, so they<br />
knew what the system could and couldn't<br />
do, which they found to be a refreshing<br />
approach. The actual implementation was<br />
clearly planned out and made life a lot<br />
easier for the team. Now they're actually<br />
using the system it still feels "seamless".<br />
Greg commented, "The reason we've<br />
been able to implement this so easily is<br />
obviously with the support of Re-flow, but<br />
also the team we've got here and the lack<br />
of red tape. If we want to get something<br />
through or we've got an idea, it can be<br />
conceived very quickly. We can get on and<br />
get it done".<br />
FEELING THE BENEFITS<br />
Both time and money has been saved<br />
using Re-flow. Time savings include the<br />
operations team being able to produce<br />
the job packs and reports much quicker,<br />
which in turn releases them to do other<br />
tasks, enabling them to fit more into their<br />
day. Financially, aside from the efficiency<br />
savings, Re-flow is simply cheaper than<br />
the previous system they were using, so<br />
the cost benefits were immediate.<br />
A critical part of any company is being<br />
able to get invoices out and money in, and<br />
Marcus is acutely aware of his<br />
responsibility in making this happen.<br />
"Part of my role is looking after the money<br />
coming back into the business through<br />
the invoicing process. To ensure this<br />
happens efficiently, the paperwork from<br />
the job has the be right first time when it's<br />
sent over to our clients, so they have a<br />
clear understanding of what's been done<br />
for them in advance of an invoice being<br />
sent. Then, when they receive a request<br />
for payment, it makes my life easier<br />
because that client has the correct<br />
paperwork that we're invoicing for, so<br />
they're going to pay a lot quicker."<br />
In the field, app user Sean Langley shared<br />
his thoughts on using Re-flow to assist his<br />
job. "Day to day, traffic management<br />
operatives are assisting construction<br />
companies carrying out roadworks,<br />
installation or repairs to street furniture by<br />
setting up traffic management systems<br />
prior to work taking place and then<br />
dismantling it once the work is complete.<br />
On site we use the Re-flow app on our<br />
phones to see what the brief for the<br />
current job is and the required tasks and<br />
then to keep a log of all the work<br />
completed, including the required returns<br />
of forms and site photographs to confirm<br />
what's been completed.<br />
Having everything on an app makes our<br />
jobs much easier. Because we have so<br />
many jobs to complete throughout the<br />
day, having a simple series of boxes to<br />
complete to log everything keeps it<br />
simpler. It's also a way to do our bit for the<br />
environment by doing away with paper<br />
and it keeps everything safe from the<br />
weather, where paper can easily get<br />
damaged or destroyed."<br />
Communication has improved tenfold<br />
because, according to Greg, "Our<br />
operational managers can see what step<br />
our operatives are on within the job and<br />
they have feedback for the client instantly<br />
on the dashboard."<br />
Highway Traffic Management have also<br />
started to use Re-flow for their internal<br />
auditing system, to eliminate time<br />
consuming paper processes and the risk<br />
of losing physical paperwork. Now they<br />
say that everything's in one place and fully<br />
searchable to speed up the internal audit<br />
process. According to Greg "In terms of<br />
compliance we've had a big improvement<br />
because what we've been able to do is put<br />
a lot of our management system forms on<br />
there as well, so our internal audit<br />
programs, evaluation of compliance and<br />
non-conformance records are all now<br />
generated through Re-flow, which allows<br />
that audit process to be a lot quicker and<br />
more efficient."<br />
In conclusion Marcus says "We'd<br />
definitely recommend Re-flow to anybody<br />
and we'd welcome anyone that wants any<br />
advice or questions to come to us and ask<br />
us how we got on with the implementation<br />
and building of forms. We've only got<br />
good things to say about Re-flow."<br />
www.re-flow.co.uk<br />
November/December 2019 27
INDUSTRY comment<br />
Making an asset of IoT<br />
Derek Bryan, VP EMEA, Verizon Connect, explains how leveraging<br />
IoT can unlock the next generation of asset tracking in construction<br />
There is a thin line between asset<br />
tracking and the Internet of Things<br />
(IoT). From simply keeping track of<br />
equipment in a spreadsheet to using RFID<br />
or GPS to log equipment usage and<br />
location electronically, most construction<br />
businesses will typically have some form of<br />
asset tracking system already in place.<br />
However, new developments in numbercrunching<br />
power and advances in all-in-one<br />
software platforms, are helping<br />
construction businesses enhance their<br />
asset tracking capabilities by embracing<br />
IoT, arguably the next evolutionary step in<br />
the development of asset tracking.<br />
IoT makes asset tracking data actionable<br />
by adding context. In other words,<br />
identifying not just where equipment is<br />
being used, but how it is being used and by<br />
whom. The industry has evolved to the<br />
point where any tool or asset can be<br />
inexpensively connected via IoT sensors<br />
and data relating to its usage and/or<br />
condition can be captured, interpreted and<br />
acted upon.<br />
With this information in hand, managers<br />
can make better informed decisions<br />
regarding whether it's necessary to rent<br />
additional equipment or simply retrieve<br />
underutilised, owned equipment from<br />
another job site and deploy it elsewhere.<br />
Here we look at some of the ways in which<br />
construction managers can get the most<br />
value from IoT.<br />
Keep your most important assets healthy<br />
with maintenance management<br />
Upgrading your asset tracking to the level<br />
of IoT means more than just developing an<br />
understanding of where your assets are.<br />
Sensors can be used to send status<br />
updates on a range of events, including<br />
temperature change, excessive vibration or<br />
door movement. This helps track<br />
mechanical wear and tear and schedule<br />
necessary maintenance (based on usage<br />
metrics, such as engine hours) or create<br />
alerts for parts when they need replacing.<br />
It's easy to take your business' assets for<br />
granted until they go missing or break<br />
down. Using a digital solution to track and<br />
regulate equipment maintenance can<br />
therefore help protect the lifeblood of<br />
businesses and prevent costly downtime.<br />
For powered equipment that requires<br />
preventative maintenance or routine fixes, a<br />
consolidated asset tracking solution can<br />
provide a holistic view of maintenance<br />
alerts, regardless of manufacturer.<br />
Moreover, paperless inspections can help<br />
automate the monitoring of equipment<br />
condition, which improves on-the-job safety,<br />
productivity and overall job efficiency.<br />
Get the most out of your assets with<br />
utilisation reports<br />
Are assets giving a good return on<br />
investment (ROI), or are they sitting idle<br />
most of the day? Asset utilisation reports<br />
can help identify equipment with low ROI,<br />
providing managers with the numbers they<br />
need to identify equipment that can be sold<br />
off or repurposed somewhere else in the<br />
business, or to review how often and for<br />
how long a piece of equipment is used on<br />
a particular day or during certain periods of<br />
time. That data can be matched against<br />
the progress of work accomplished to<br />
identify discrepancies or inefficiencies.<br />
Monitoring asset information, such as<br />
time of use, idle time, employee usage and<br />
maintenance dates, also helps<br />
construction firms to reduce or eliminate<br />
unnecessary fuel and labour costs that can<br />
eat away at profit margins.<br />
Combat the high cost of theft and<br />
unauthorised asset use<br />
Given the cost of purchase and the risk of<br />
theft, it's no surprise that a company that<br />
leases or owns construction equipment<br />
would want to keep a close eye on its<br />
assets. With an intelligent asset tracking<br />
solution in place, construction firms can<br />
receive notifications when a piece of<br />
equipment is operated during an<br />
unauthorised time period or even if a piece<br />
of equipment is being moved out of hours<br />
or outside an approved area. This feature is<br />
particularly critical for smaller construction<br />
firms that may lack extensive job site<br />
security resources or security technology.<br />
'Geofences' allow construction managers<br />
to easily draw up virtual perimeters around<br />
the area in which equipment is authorised<br />
to be used. If assets leave that perimeter,<br />
they can be instantly notified either via SMS<br />
alerts or via their asset tracking software<br />
platform's mobile application. These instant<br />
alerts allow managers or their security<br />
teams to notify law enforcement<br />
immediately, if required, potentially reducing<br />
damage and accelerating recovery.<br />
Consolidate all your construction<br />
equipment data in one place<br />
Construction companies own and operate<br />
thousands of powered and non-powered<br />
assets of various makes, models and<br />
manufacturers. These various systems are<br />
independent, meaning construction site or<br />
equipment managers must access several<br />
different sources to pull the asset data they<br />
need. Any investment in IoT, therefore, must<br />
be matched with investment in a single,<br />
complete asset-tracking software system.<br />
In so doing, construction firms can make<br />
sure all the data from their powered and<br />
non-powered assets is consolidated and<br />
centralised, regardless of make, model or<br />
manufacturer. With this holistic approach in<br />
mind, companies can gain an enhanced<br />
level of visibility of assets and deliver<br />
positive returns on their investment in IoT.<br />
www.verizonconnect.com<br />
28<br />
November/December 2019
CASE study<br />
Laser Scanning for Facilities Management<br />
Pointfuse automatically converts point cloud data into usable 3D models for asset management,<br />
using their SimpleBIM (sBIM) solution<br />
Reality capture for space and facilities<br />
management is a rapidly growing<br />
opportunity. It is often the case that<br />
any existing floorplans are old and out of<br />
date and not a fair representation of real<br />
estate, and therefore certainly not a sound<br />
basis for good decision making.<br />
Government, academic, leisure and health<br />
amenities as well as retail outlets and<br />
manufacturing facilities, are all sectors that<br />
need up to date information about their real<br />
estate. Space optimisation and optimal<br />
layout are strong business drivers that can<br />
lead to the large-scale capture of data<br />
about a space. However, this information<br />
needs to be quick and easy to generate in<br />
order to be an effective business tool of use<br />
within an organisation. Something as<br />
simple as having up to date information on<br />
total square footage by actual use is<br />
essential in ensuring that the appropriate<br />
insurance is in place, for example.<br />
This requirement has seen the trend for<br />
recording existing infrastructure and<br />
ongoing developments through laser<br />
scanning or photogrammetry within the<br />
AEC sector making the move indoors. A<br />
new breed of mobile mapping systems,<br />
specifically designed for urban and inside<br />
use where the GPS signal may be lost, is<br />
coming into mainstream use. Utilising SLAM<br />
(Simultaneous Localisation and Mapping),<br />
with its root in robotics, these use a variety<br />
of complex algorithms to create a map of<br />
their location and correctly orient<br />
themselves within the map, all in real time.<br />
A number of systems are available offering<br />
compact and handheld designs which<br />
allow a much greater degree of mobility, as<br />
well as access to spaces and objects that<br />
may have been difficult or impossible to<br />
scan before, such as complex interiors.<br />
Systems are simple to operate with<br />
automatic registration of data and onebutton<br />
operation making them an option for<br />
professional and casual users alike.<br />
However, one lesson already learnt and<br />
therefore transferable between in use<br />
applications is that, in order to derive real<br />
value from data capture technologies,<br />
recorded measurements need to usable<br />
and compatible with existing workflows and<br />
software. Many advancements have<br />
already been made to achieve this ease of<br />
use including software to reduce the large<br />
data volumes usually associated with point<br />
clouds, such as Pointfuse.<br />
Pointfuse is a powerful modeling engine<br />
that delivers an automatic, precise and<br />
flexible way of converting the vast point<br />
cloud datasets generated by laser scanners<br />
or photogrammetry into usable 3D models.<br />
Auto classification features automatically<br />
detect both horizontal and vertical planar<br />
surfaces, separating them into layers. This<br />
automatic segmentation of the mesh model<br />
into discrete, selectable surfaces makes the<br />
ongoing classification of objects easier and<br />
faster, reducing potential bottlenecks in the<br />
modelling process, further speeding<br />
workflows and producing repeatable,<br />
consistent results.<br />
Pointfuse can also significantly reduce the<br />
file size of 3D models created from point<br />
clouds. In simple terms, the data density<br />
within each surface is reduced whilst still<br />
maintaining the fidelity of the model. This<br />
results in a significant reduction in model<br />
size making ongoing use of the model<br />
easier, faster and more efficient.<br />
Pointfuse has now launched a solution<br />
that automates the identification and<br />
classification of objects for space and<br />
facilities management applications using<br />
data from mobile mapping systems like the<br />
new Leica BLK2GO. Pointfuse 'Simple BIM'<br />
(sBIM) leverages the core functionality of<br />
Pointfuse - the segmented mesh model;<br />
automatically converting classified mesh<br />
models into 'family' groups, such as walls,<br />
floors, doors, windows, etc. for use with<br />
popular downstream BIM and FM software.<br />
Data can then be exported as IFC<br />
(Industry Foundation Class) parametrised<br />
objects and 2D floors plans and space<br />
management reports easily derived.<br />
Pointfuse sBIM also automatically calculates<br />
quantities, areas and dimensions,<br />
producing an easy to read PDF report.<br />
sBIM was developed in response to a<br />
large scale client opportunity that saw the<br />
scanning of millions of square feet of<br />
facilities with the final deployment of data in<br />
Archibus facilities management software,<br />
using Autodesk Revit as a bridge. Early<br />
testing identified that 3D was as quick to<br />
create as traditional 2D workflows and<br />
exported data was in the region of<br />
hundreds of Kbs compared to the Gb<br />
volumes of the original point cloud.<br />
Taking the process one step further,<br />
Pointfuse provides an accurate record of<br />
the as-built scene by allowing users to<br />
create Hybrid meshes combining Pointfuse<br />
models with the sBIM IFC container.<br />
Pointfuse sBIM, in combination with the<br />
new breed of mobile mapping systems that<br />
are specifically designed for indoor<br />
mapping, will enable the rapid creation of<br />
space management BIM models that can<br />
be repurposed within software, such as<br />
Archibus. In fact, the benefits of 3D data<br />
representation of space develop additional<br />
ROI beyond simple 2D, and are no more<br />
expensive or difficult to capture and<br />
process with this optimised workflow.<br />
"This ability to convert classified objects<br />
into family placeholders has a huge impact<br />
on how as-built data is used within a<br />
Scan2BIM workflow with the potential for a<br />
real return on investment for facilities and<br />
space management applications," said<br />
Mark Senior, Regional Sales Director at<br />
Pointfuse. "The combination of ease and<br />
speed of data capture, as offered by<br />
modern handheld indoor mapping systems<br />
like the newly launched Leica BLK2GO, with<br />
the automation of Pointfuse processing will,<br />
it is hoped, release the potential of laser<br />
scanning across this sector."<br />
www.pointfuse.com<br />
November/December 2019 29
CASEstudy<br />
Lighting up the stage<br />
New York based Gray Matter Visual used Vectorworks Vision 2019 for the spectacular light show at<br />
Telemundo 2019, the annual celebratory event for the advertising industry and their clients<br />
Stage presentations, product<br />
launches, musical extravaganzas<br />
and basically anything else that<br />
requires a visually spectacular effect, are<br />
increasingly reliant on dazzlingly<br />
choreographed lighting displays. In spite<br />
of the fact that they are, essentially,<br />
transient events, they rely on sophisticated<br />
planning, using the latest CAD software,<br />
to lay out the design of the lighting rigs<br />
being used, set up a lighting schedule to<br />
sequence the different lighting effects and<br />
to previsualise the result.<br />
One of the leading lighting and<br />
production design firms in America is<br />
Brooklyn, NY-based Gray Matter Visual<br />
Inc. (GMV) who recently used Vision 2019<br />
software as a previsualisation solution for<br />
Lighting Designer Rob Cangemi of<br />
Cangemi Design. The software was used<br />
for the 2019 Telemundo Celebration event<br />
at Hammerstein Ballroom in New York City<br />
for advertising clients and business<br />
partners. Vision, created by global design<br />
and BIM software provider Vectorworks,<br />
Inc., allowed GMV to properly previsualise,<br />
program and cue the show, which was<br />
produced by Ray Bloch Productions. With<br />
a complex brief for the show, and limited<br />
time on site, Cangemi asked GMV to<br />
provide an in-studio previsualisation. GMV<br />
combined the lighting plot and scenic<br />
drawings in Vectorworks Spotlight to build<br />
the combined 3D model before exporting<br />
to Vision.<br />
GMV was also able to take advantage of<br />
the My Virtual Rig (MVR) implemented in<br />
Vision 2019. MVR is part of the General<br />
Device Type Format (GDTF) initiative that<br />
seeks to create a unified definition for the<br />
exchange of data for the operation of<br />
intelligent luminaires. According to GMV<br />
Staff Associate Charlie Winter: "We used<br />
MVR for the initial import of the lighting rig<br />
into Vision, as well as to manage<br />
subsequent plot and channeling updates.<br />
The support for unique fixture IDs helped<br />
make this process smooth."<br />
Lighting Designer Rob Cangemi and<br />
Lighting Programmer Hillary Knox spent<br />
two days at the GMV studio in the<br />
DUMBO area of Brooklyn, working with<br />
the in-house grandMA2 onPC system<br />
connected to Vision. From this system,<br />
Cangemi and Knox were able to build the<br />
show file and work on cueing, including<br />
showing how the production would look to<br />
their clients.<br />
"The GMV team allowed us the time and<br />
space to develop our ideas with our<br />
clients before the chaos of our intensely<br />
tight onsite schedule hit us," said<br />
Cangemi. "We came in so prepared and<br />
our long-time clients saw the difference.<br />
We knew it would be a plus having the<br />
previs time at the GMV studio, but what<br />
we didn't anticipate was just how<br />
invaluable it became, such that we never<br />
want to do this show again without it! The<br />
transition from previs to onsite was<br />
remarkably smooth thanks to the quality<br />
time that Charlie and the GMV staff took to<br />
set everything up, carefully adding our<br />
needed elements and filtering out the nonessentials."<br />
Cangemi and Knox were also able to<br />
utilise GMV's mobile Vision system to<br />
continue cueing while on-site and keeping<br />
an eye on the load-in and any last-minute<br />
updates to the show. "We use<br />
previsualisation solutions on many of our<br />
design projects," said GMV Founder and<br />
Principal Designer Brendan Gray, who<br />
describes his involvement in the industry<br />
30<br />
November/December 2019
CASEstudy<br />
in his entertainment online blog. Brendan<br />
spoke recently about his work with<br />
Telemundo and how his company set<br />
about developing a project with<br />
collaborators. He explained, first of all,<br />
how it used to work. "Sheets and sheets of<br />
drawings, depending on the complexity of<br />
the project, an environment where speed<br />
was of the essence with lots of meetings,<br />
lots of emails, and usually just a week to<br />
rehearse once the format was agreed." He<br />
added, "It's also a very collaborative<br />
environment where creative people had to<br />
work hand in hand with both artistic and<br />
technical programmers to make it work."<br />
"One of the biggest problems we had to<br />
deal with," he explained, "is that the typical<br />
venue is a busy place with limited time<br />
available on-site to plan things and<br />
program the event, and a widely diverse<br />
group of people who need to get involved<br />
in the process - it's time consuming and<br />
expensive. Being able to produce a<br />
previsualisation of the event off-site is<br />
therefore invaluable. We give clients the<br />
ability to see how an event will run within a<br />
real-time graphics environment, enabling<br />
them to add their comments, make<br />
suggestions and get fully involved in the<br />
process," he explained.<br />
"We have no time constraints other than<br />
the date of the event, and can make<br />
alterations and adjustments at any stage<br />
according to a client's needs, or to modify<br />
a stage design to run a similar experience<br />
in different locations."<br />
BRACEWORKS RIGGING ANALYSIS<br />
Vision is not the only design module that<br />
they use. Braceworks rigging analysis<br />
software is used to set up and define the<br />
lighting gantries - where structural<br />
members needed to be placed and the<br />
positioning of hoists, and to extract the<br />
weight of the various structural elements<br />
that enable structural engineers to certify<br />
the structures. "Not a trivial requirement,"<br />
Brendan commented, "as the last<br />
Eurovision Song Contest used 240 tons of<br />
steel for their ceiling."<br />
Spotlight, the industry standard lighting<br />
design tool, also features seating layout<br />
tools - an essential part of any stage<br />
production - allowing designers to check<br />
what the audience can see from any given<br />
seat. And if you are going to pack large<br />
and excitable crowds into any given venue,<br />
you must also provide a means of rapid<br />
evacuation in emergencies. GMV also uses<br />
SimTread, a simulation software provided<br />
by Vectorworks for such a purpose.<br />
GRAY MATTER VISUAL<br />
Gray Matter Visual provides a<br />
comprehensive support solution for event<br />
organisers, from design to programming,<br />
working as creators, specialists,<br />
collaborators, solution providers,<br />
supporters and partners. Their core<br />
specialty though is lighting design. It is the<br />
lens through which the company works,<br />
aiming to show their clients in the best<br />
possible light, either for dynamic<br />
performances, immersive environments or<br />
powerful presentations.<br />
From corporate theatre to concerts,<br />
experiential marketing to television, GMV's<br />
wide range of experience allows them to<br />
leverage their expertise and promote a<br />
cross-pollination of ideas and techniques<br />
to produce the best solutions for any given<br />
project. "But," Brendan said, "We work here<br />
because of theatre, and New York is still<br />
the top spot in the country, if not the world,<br />
for theatre. Its variety keeps it interesting<br />
for us - and Vectorworks allows us to<br />
support that variety.<br />
"We use Vectorworks on every project. I<br />
even use it for things that it's not supposed<br />
to do - as a page layout piece of software<br />
for example - because I've just been using<br />
it for so long. I know the tools. Whether<br />
we're in a ballroom, an arena, theatre, or a<br />
complete raw space, we use the same tool<br />
no matter what. I'd say that Vectorworks as<br />
a platform adapts to all of those<br />
environments for us.<br />
"When we go outside the box, I am happy<br />
to see if the tools we use actually hold up<br />
to the rigours of real-world usage, which<br />
can be unforgiving. You don't want things<br />
to not work when you need them to. I think<br />
the continued ease of access to<br />
previsualisation and the convergence of<br />
being able to look at full designs and<br />
incorporate video in advance is something<br />
I'm really excited about. We use some<br />
MVR in Vision, and have worked with<br />
GDTF in Spotlight. We're excited about<br />
what that means in the future in terms of<br />
helping us streamline some of the<br />
processes, both with the previsualisation<br />
and the programming of increasingly<br />
complex shows.<br />
"A lot has happened in the last several<br />
years as automated lighting matures as a<br />
segment in the industry. The things that<br />
are happening with video technologies<br />
and integration, both on the display side<br />
and the control side, are really fascinating.<br />
We're seeing a lot more mixing of elements<br />
between the real and the virtual. Anybody<br />
who thinks they can tell you what's going<br />
to happen in ten years is mistaken. Just<br />
five years ago, I don't think you could<br />
predict what is happening right now. We're<br />
currently just exploring the possibilities."<br />
www.vectorworks.net<br />
November/December 2019 31
YOUR GUIDE TO<br />
4<br />
5<br />
8<br />
6/10 9 7 1<br />
14<br />
15<br />
16<br />
17 11/13 18 20<br />
33<br />
2/12<br />
35/41<br />
40 32<br />
23/42<br />
21<br />
25 26/19<br />
30<br />
3<br />
42<br />
31<br />
22<br />
29<br />
24/27<br />
28<br />
*Location guide<br />
not 100% accurate<br />
SCOTLAND<br />
GLASGOW 6<br />
CADASSIST<br />
Contact:<br />
Gordon McGlathery<br />
Tel: 0141 354 8993<br />
Fax: 0141 353 9315<br />
training@cadassist.co.uk<br />
www.cadassist.co.uk<br />
ACDEGHIJKLMNOPQTX<br />
FIFE 7<br />
GlenCo Development<br />
Solutions<br />
Contact: Jack Meldrum<br />
Tel: 01592 223330<br />
Fax: 01592 223301<br />
jackm@glenco.org<br />
www.glenco.org<br />
ACMK<br />
ABERDEENSHIRE 8<br />
symetri<br />
Contact: Craig Snell<br />
Tel: 01467 629900<br />
training@symetri.co.uk<br />
www.symetri.co.uk<br />
ABDHIJKMNOPSX<br />
ABERDEEN 1<br />
TMS CADcentre<br />
Contact: Craig Hamilton<br />
Tel: 01224 223321<br />
info@thom-micro.com<br />
www.tmscadcentre.com<br />
ACELHO<br />
LARBERT 9<br />
TMS CADcentre<br />
Contact: Craig Hamilton<br />
Tel: 01324-550760<br />
info@thom-micro.com<br />
www.tmscadcentre.com<br />
ACELHO<br />
GLASGOW 10<br />
Excitech Ltd<br />
Contact: Alan Skipp<br />
Tel: 01992 807500<br />
Fax: 01922 807574<br />
info@excitech.co.uk<br />
www.excitech.co.uk/cut2015<br />
ABCDEHKLMNQSX<br />
IRELAND<br />
DUBLIN 4<br />
Paradigm Technology Ltd<br />
Contact: Des McGrane<br />
Tel: +353-1-2960155<br />
Fax: +353-1-2960080<br />
dmcgrane@paradigm.ie<br />
www.paradign.it<br />
ACMGKL<br />
SOUTHWEST<br />
BRISTOL 2<br />
Excitech Ltd<br />
Contact: Alan Skipp<br />
Tel: 01992 807500<br />
Fax: 01992 807574<br />
info@excitech.co.uk<br />
www.excitech.co.uk/cut2015<br />
A B C D E H K L M N Q S X<br />
NEWBURY 3<br />
RWTC Ltd<br />
Contact: Richard Willis<br />
Tel: 01488 689005<br />
Fax: 01635 32718<br />
richard@rwtc.co.uk<br />
www.rwtc.co.uk<br />
A M<br />
BRISTOL 12<br />
Micro Concepts Ltd<br />
Contact: Peter Hurst<br />
Tel: +44 (0) 8432 898162<br />
training@microconcepts.co.uk<br />
www.microconcepts.co.uk<br />
A B D I J K M N O P S T X<br />
N.I<br />
BELFAST 5<br />
Pentagon Solutions Ltd<br />
Contact: Tony Dalton - Training<br />
Services Manager<br />
Tel: +44 (0) 2890 455 355<br />
Fax: +44 (0) 2890 456 355<br />
tony@pentagonsolutions.com<br />
www.pentagonsolutions.com<br />
ACDEGKL<br />
TRAINING COURSES OFFERED KEY:<br />
AUTOCAD AND LT:<br />
AUTOCAD P&ID TRAINING:<br />
AEC/BUILDING SOLUTIONS:<br />
3D MODELLING $ ANIMATION<br />
AUTOCAD ARCHITECTURE:<br />
FM DESKTOP:<br />
GIS/MAPPING:<br />
REVIT:<br />
VAULT FUNDAMENTALS<br />
AUTODESK VAULT FOR INVENTOR USERS<br />
A<br />
B<br />
C<br />
D<br />
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F<br />
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J<br />
VISUALISATION:<br />
AUTIDESK CIVIL:<br />
INVENTOR SERIES/MECHANICAL:<br />
NAVISWORKS TRAINING:<br />
PRODUCT UPDATE COURSES:<br />
INVENTOR PUBLISHER:<br />
GOOGLE SKETCHUP:<br />
CHARACTER ANIMATION:<br />
AUTODESK SIMULATION:<br />
FACTORY DESIGN SUITE:<br />
AUTOCAD ELECTRICAL:<br />
K<br />
L<br />
M<br />
N<br />
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P<br />
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S<br />
T<br />
X<br />
For further information about authorised CAD training or to advertise on these pages please contact:<br />
Josh Boulton on 01689 616 000 or email: josh.boulton@btc.co.uk
SOUTH/EAST<br />
GUILDFORD 22<br />
Blue Graphics Ltd<br />
Contact: Matt Allen<br />
Tel: 01483 467 200<br />
Fax: 01483 467 201<br />
matta@bluegfx.com<br />
www.bluegfx.com<br />
ADRK<br />
HERTFORDSHIRE 23<br />
Computer Aided<br />
Business Systems Ltd<br />
Contact: Gillian Haynes<br />
Tel: 01707 258 338<br />
Fax: 01707 258 339<br />
training@cabs-cad.com<br />
A C D E K H<br />
BUCKINGHAMSHIRE 42<br />
Causeway<br />
Technologies Ltd<br />
Contact: Sue Farnfield<br />
Tel: +44 (0)1628 552134<br />
Sue.Farnfield@causeway.com<br />
www.causeway.com<br />
A C D E K<br />
LONDON 24<br />
CADASSIST<br />
Contact: Gordon McGlathery<br />
Tel: +44 (0)208 622 3027<br />
Fax: +44 (0)208 622 3200<br />
training@cadassist.co.uk<br />
www.cadassist.co.uk<br />
ACDEGHIJKLMNOPQTX<br />
BERKSHIRE 26<br />
Cadpoint<br />
Contact: Clare Keston<br />
Tel: 01344 751300<br />
Fax: 01344 779700<br />
sales@cadpoint.co.uk<br />
www.cadpoint.co.uk<br />
A C D E K<br />
CENTRAL LONDON 27<br />
Excitech Ltd<br />
Contact: Alan Skipp<br />
Tel: 01992 807500<br />
Fax: 01992 807574<br />
info@excitech.co.uk<br />
www.excitech.co.uk/cut2015<br />
A B C D E H K L M N Q S X<br />
TRAINING<br />
NORTH LONDON 28<br />
Excitech Ltd<br />
Contact: Alan Skipp<br />
Tel: 01992 807500<br />
Fax: 01922 807574<br />
info@excitech.co.uk<br />
www.excitech.co.uk/cut2015<br />
ABCDEHKLMNQSX<br />
OXFORDSHIRE 25<br />
Man and Machine<br />
Contact: Robert Kenny<br />
Tel: 01844 263700<br />
Fax: 01844 216761<br />
training@manandmachine.co.uk<br />
www.manandmachine.co.uk<br />
A D I J M N O P Q X<br />
BERKSHIRE 30<br />
Mass Systems Ltd<br />
Contact: Luke Bolt<br />
Tel: 01344 304 000<br />
Fax: 01344 304 010<br />
info@mass-plc.com<br />
www.mass-plc.com<br />
A E F<br />
HAMPSHIRE 31<br />
Universal CAD Ltd<br />
Contact: Nick Lambden<br />
Tel: [44] 01256 352700<br />
Fax: [44] 01256 352927<br />
sales@universalcad.co.uk<br />
www.universalcad.co.uk<br />
A C M E K H<br />
MILTON KEYNES 21<br />
Graitec - Milton Keynes<br />
Contact: David Huke<br />
Tel: 01908 410026<br />
david.huke@graitec.co.uk<br />
www.graitec.co.uk<br />
ABCDEGHIJKLMNOPQSTX<br />
HIGH WYCOMBE 19<br />
Micro Concepts Ltd<br />
Contact: Kerrie Braybrook<br />
Tel: +44 (0) 8432 898162<br />
training@microconcepts.co.uk<br />
www.microconcepts.co.uk<br />
A B D I J K M N O P S T X<br />
THE NORTH<br />
MIDLANDS<br />
MANCHESTER 11<br />
CADASSIST<br />
Contact:<br />
Gordon McGlathery<br />
Tel: 0161 440 8122<br />
Fax: 0161 439 9635<br />
training@cadassist.co.uk<br />
www.cadassist.co.uk<br />
ACDEGHIJKLMNOPQTX<br />
MANCHESTER 13<br />
Excitech Ltd<br />
Contact: Alan Skipp<br />
Tel: 01992 807500<br />
Fax: 01922 807574<br />
info@excitech.co.uk<br />
www.excitech.co.uk/cut2015<br />
ABCDEHKLMNQSX<br />
NORTH EAST 14<br />
symetri<br />
Contact: Craig Snell<br />
Tel: 0191 213 5555<br />
training@symetri.co.uk<br />
www.symetri.co.uk<br />
ABDHIJKMNOPSX<br />
YORKSHIRE 15<br />
Graitec Bradford<br />
Contact: Isobel Gillon<br />
Tel: 01274 532919<br />
training@graitec.co.uk<br />
www.graitec.co.uk<br />
ABCDEGHIJKLMNOPQSTX<br />
NOTTINGHAM 33<br />
MicroCAD - Nottingham<br />
Contact: Isobel Gillon<br />
Tel: 0115 969 1114<br />
training@graitec.co.uk<br />
www.graitec.co.uk<br />
ABCDEGHIJKLMNOPQSTX<br />
NORTHAMPTONSHIRE 32<br />
AIT Spatial Ltd<br />
Contact: Philip Madeley<br />
Tel: 01933 303034<br />
Fax: 01933 303001<br />
training@aitspatial.co.uk<br />
www.aitspatial.co.uk<br />
A C D E F G K L<br />
BIRMINGHAM 35<br />
NORTH EAST 16<br />
Graitec - Durham<br />
Contact: Isobel Gillon<br />
Tel: 0191 374 2020<br />
training@graitec.co.uk<br />
www.graitec.co.uk<br />
ABCDEGHIJKLMNOPQSTX<br />
LANCASHIRE 17<br />
QUADRA SOLUTIONS<br />
Contact: Simon Dobson<br />
Tel: 01254 301 888<br />
Fax: 01254 301 323<br />
training@quadrasol.co.uk<br />
www.quadrasol.co.uk<br />
A C M K<br />
YORKSHIRE 18<br />
symetri<br />
Contact: Craig Snell<br />
Tel: 01924 266 262<br />
training@symetri.co.uk<br />
www.symetri.co.uk<br />
ABDHIJKMNOPSX<br />
SOUTH YORKSHIRE 20<br />
THE JUICE GROUP LTD<br />
Contact: Sarah Thorpe<br />
Tel: 0800 018 1501<br />
Fax: 0114 275 5888<br />
training@thejuice.co.uk<br />
www.thejuicetraining.com<br />
A C D E K R<br />
CHESHIRE 41<br />
Excelat CAD Ltd<br />
Contact: Vaughn Markey<br />
Tel: 0161 926 3609<br />
Fax: 0870 051 1537<br />
Vaughn.markey@ExcelatCAD.com<br />
www.ExcelatCAD.com<br />
B N<br />
CHESHIRE 41<br />
Excitech Ltd<br />
Contact: Alan Skipp<br />
Tel: 01992 807500<br />
Fax: 01992 807574<br />
info@excitech.co.uk<br />
www.excitech.co.uk/cut2015<br />
A B C D E H K L M N Q S X<br />
SOUTHHAMPTON 42<br />
CAMBRIDGE 29<br />
Riverside House, Brunel Road<br />
Southampton, Hants. SO40 3WX<br />
Contact: Isobel Gillon<br />
Tel: 02380 868 947<br />
training@graitec.co.uk<br />
www.graitec.co.uk<br />
ABCDEGHIJKLMNOPQSTX<br />
Micro Concepts Ltd<br />
Contact: Emily Howe<br />
Tel: +44 (0) 1223 716200<br />
training@microconcepts.co.uk<br />
www.microconcepts.co.uk<br />
A B D I J K M N O P S T X<br />
Armada Autodesk<br />
Training Centre<br />
Contact: Steven Smith<br />
Tel: 01527 834783<br />
Fax: 01527 834785<br />
training@armadaonline.co.uk<br />
www.armadaonline.co.uk<br />
A D E M K H
MASTERclass<br />
In association with:<br />
EasyBuild Q & A<br />
Properly utilised, EasyBuild gives users the ability to look beyond the daily working processes,<br />
allowing them to refine the information and use it to improve ROI<br />
The reason we get out of bed<br />
every morning is, I suppose, to<br />
earn a decent crust. In an<br />
industry where margins are tight, costs<br />
heavy, supplies variable and a<br />
workforce only half-trained - or so we<br />
are led to believe - we must either love<br />
the profession utterly, or have an<br />
unshakeable faith that, if we run our<br />
enterprises more efficiently, we shall<br />
reap the proper rewards. The focus of<br />
this issues Q and A, therefore, is how<br />
we can leverage our Project<br />
information Management system to<br />
make us more efficient and improve<br />
our profits. The first question puts it in<br />
a nutshell.<br />
Q. We know, to the minute, what<br />
costs we are building up on a project,<br />
how we are doing against our budget<br />
and what income is expected and<br />
when. How do we use that information<br />
to increase our ROI?<br />
EasyBuild allows companies to work in<br />
a productive, efficient, non-reactive<br />
manner where they can manage their<br />
cashflow better. This gives them the<br />
leverage they require to improve<br />
payment terms with their supply chain<br />
and provides them with the information<br />
they need to provide more competitive<br />
and fully budgeted future tenders.<br />
Q. Running a number of separate<br />
projects on different sites means that<br />
we have to allocate resources and<br />
expertise to several of these. How do<br />
we accomplish this in EasyBuild, and<br />
both charge each project, yet retain the<br />
costs against each resource?<br />
EasyBuild allows individual skill rates to<br />
be applied to resources. This is then<br />
charged to the contract and billed to<br />
the client each month. EasyBuild<br />
Rostering goes to the next level in<br />
terms of the appropriate skills and<br />
competences to carry out the work,<br />
with a roster compiled in advance to<br />
ensure that availability is identified well<br />
in advance.<br />
Q. Can we produce an analysis of<br />
costs on a specific part of a project and<br />
compare it against a similar piece of<br />
work on another, with a view to<br />
establishing and using the most efficient<br />
production methods on all sites?<br />
EasyBuild's structure allows a business<br />
to "Compare cost across projects".<br />
Standard cost head structure allows<br />
this to take place within the application.<br />
Introducing Activity/WBS codes also<br />
allows you to compare like for like work<br />
streams across similar project types.<br />
Q. A quick and easy question. What is<br />
the most effective way of presenting<br />
information to a client - a simplified<br />
dashboard, a series of graphs or<br />
spreadsheets, or a two-page PDF<br />
highlighting in bold type the expected<br />
profit or loss - before their eyes glaze<br />
over? What are the benefits or<br />
drawbacks of each?<br />
As a contract it is always important to<br />
provide your client with the right level<br />
of detail to substantiate the<br />
performance of the project. It is also<br />
important for the ability to drill down to<br />
the level of details such as supplier,<br />
order etc.<br />
EasyBuild has over 800 standard<br />
reporting types, but also allows a<br />
contract to design cost reports to suite<br />
their client's requirement. Here's a<br />
comparison between reporting types:<br />
Simplified dashboards - this is<br />
appropriate for C levels so that they<br />
can see a visual representation of the<br />
performance /KPI for projects and the<br />
business<br />
PDF - this is a locked down<br />
report, used for submission purposes<br />
only - but the devil is in the detail, and<br />
it would need more information to<br />
substantiate the numbers<br />
Spreadsheets - every accountant<br />
and commercial team's favourite, but<br />
they are prone to errors and don't offer<br />
the ability to drill down to core data.<br />
Q. How frequently does EasyBuild<br />
update its application or introduce<br />
revisions in response to changes in<br />
government policies? How does it<br />
inform customers of impending<br />
changes that will affect the<br />
construction industry?<br />
EasyBuild provides legislative changes<br />
as required by government policies.<br />
This is part of the annual subscription<br />
which is paid by our customers. If we<br />
are to support the construction industry<br />
we have to be fully compliant on behalf<br />
of our customers.<br />
www.easybuilduk.com<br />
34<br />
November/December 2019
DATE FOR YOUR DIARY<br />
12TH NOVEMBER 2020<br />
THE GRAND CONNAUGHT ROOMS, COVENT GARDEN, LONDON<br />
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University Library Freiburg, Germany, DEGELO ARCHITEKTEN, www.degelo.net, Photo © Barbara Bühler<br />
Irina Viner-Usmanova Rhythmic Gymnastics Center in the Luzhniki Complex, Moscow, Russia - CPU PRIDE www.prideproject.pro