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Handmade in India

Handmade in India represents the sum of the special knowledge from India's united family and it captures vividly the intellectual property which has created wealth for generations and which will continue creating it and multiplying it in the times to come.

Handmade in India represents the sum of the special knowledge from India's united family and it captures vividly the intellectual property which has created wealth for generations and which will continue creating it and multiplying it in the times to come.

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TELIA RUMAL-YARN-RESIST-DYED TEXTILE

Production clusters

Prakasam district:

Chirala

Nalgonda district:

Puttapaka

Koyalagudem

Choutupal

Products

Double and single

squared rumaal

Sari-draped cloth

Dupatta-veils

Tools

Maggam-loom

Achhu-healds

Panni-reed

Aasu-warping frame

Chitkipita-weft ikat

frame

Kami-throw shuttle

Nadi-fly shuttle

Raatnam-yarm

winder

THE TELIA RUMAL,chowka,square,Asia rumaal,indicate

the cloth with patterns created by an exacting process of

tying and dyeing the threads prior to weaving.Telia is

derived from the use of tel,oil,that is used to soften the yarn

in preparation for dyeing,and rumaal means a

handkerchief.The cotton cloths measuring 44X44 inches

were exported to Myanmar,west Asia and east Africa.The

fishermen in Mumbai and Andhra used then as lungi

(loincloth),turban or shoulder cloths.The telia rumaal has a

square format enclosed by red broad borders.Within this

concentric structure,are featured geometric and figurative

designs in single and double ikat techniques in black,red

and white.The wrap and weftd yarns were dyed in natural

madder that was later replace with alizarin dye.After

dyeing,the yarns were treated in oil to give them a deeper

shade of red thus imparting an oily texture and smell.Telia

rumal are woven in pairs.The rectangular telia dupatta was

used as a veil by Muslim women and as a multipurpose

cloth by men.Telia rumal has been the mainstay of ikat in

Andhra.Having originated in Chirala,the skills spread to

Nalgonda district where ikat weaving is more vibrant than

in Chirala.The festival of India exhibitions and design

interventions restored the artisty of telia rumaal and

enlarged the vocabulary of ikat weaving in the region.

1. A modern interpretation of telia

rumal developed for a sari.The sari

is predominantly white with

coloured borders and a pallu or

cross border with squares based on

the delta rumal traditions.

2. Telia rumal with a geometrical

pattern woven with ikat or tieresist-dyed

warp and weft.

3. Telia rumal with a chaupad or dice

game design woven with double

ikat and single ikat used in the

field.

4. The inner square of the telia rumal

with contemporary motifs such as

clocks,birds and flowers.

5. Telia rumal,44x44" in size,with a

pattern formed by tie-resist-dyed

warp and weft stripes.

6. Rumal with motifs of mathikai,a

local fruit,and mallipu or jasmine.

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