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I and A Mag Jan20

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Back to Black<br />

Sophisticated, intense <strong>and</strong> eye-catching – use black in your interior to create drama,<br />

interest <strong>and</strong> on-trend style.<br />

Image : Balfour designer sofa, £965, Sweetpea & Willow:<br />

0345 257 2627; www.sweetpea<strong>and</strong>willow.com<br />

To make an impact when designing a room,<br />

sometimes it pays to go against convention. This is<br />

why the use of black in an interior is so surprising<br />

<strong>and</strong>, when employed with thoughtfulness <strong>and</strong><br />

flair, so successful. What could be more different<br />

to the typical room with all-white walls than one<br />

that uses a significant amount of black?<br />

This timeless colour is bold, luxurious <strong>and</strong> actually more versatile<br />

than you might think. For a start, just as there is a huge variety<br />

of shades of white, so there are many different shades of black,<br />

ranging from cool, blueish blacks to warm, red-blacks. Looking<br />

carefully at paint swatches <strong>and</strong> then testing the paints out on<br />

your walls (examining them at different times of day <strong>and</strong> under<br />

various lights) will demonstrate their<br />

underlying tones <strong>and</strong> help you determine<br />

what works best for your room.<br />

Secondly, bear in mind that although<br />

black itself is dark, the room in which<br />

it is used doesn’t have to be. Yes, in a<br />

small room, such as a snug, WC or study,<br />

black can be used to emphasise a feeling<br />

of cosiness, but in a larger space it can<br />

help improve the sense of proportion <strong>and</strong><br />

create a feeling of intimacy. To avoid a<br />

sense of gloom, ensure that any room in<br />

which you plan to use significant amounts<br />

of black has both large windows <strong>and</strong><br />

plenty of reflective surfaces (glass, mirror<br />

<strong>and</strong> gloss paint) to provide daytime<br />

illumination, <strong>and</strong> include a good variety<br />

of artificial lighting – ceiling <strong>and</strong> wall<br />

lamps, floor <strong>and</strong> table lamps – to create<br />

gorgeous pools of warm, welcoming<br />

light at night.<br />

Image : Haddon kitchen in charcoal <strong>and</strong><br />

burnished bronze, from £15,000; Burbidge<br />

Kitchen Makers: 024 7667 1600;<br />

www.burbidgekitchenmakers.co.uk<br />

If all-over black is a step too far, employing black as a strong<br />

accent within a room is an excellent compromise. This could<br />

mean covering a wall or two in black to provide a strong<br />

contrast to your furnishings, or perhaps painting around the<br />

room below the dado rail, creating a comfortable sense of<br />

grounding. Black can work exceptionally well for wall-to-wall<br />

bookshelves or as a run of kitchen cabinets. Or you might<br />

prefer simply to choose a selection of smaller accessories in<br />

black – picture frames, table lamps or a side table, for example<br />

– to give a crisp, graphic look.<br />

However you decide to use black, it will always need to be<br />

combined with other colours. Just as a little black dress looks<br />

great with a bold necklace, black walls team brilliantly with, for<br />

example, a brightly coloured sofa, vivid paintings, a jewel-bright<br />

headboard or a colourful rug. It’s a contrast that really catches<br />

the eye, <strong>and</strong> a dark backdrop harmonises wonderfully with<br />

intense colours such as crimson, orange, lime, fuchsia, yellow,<br />

emerald <strong>and</strong> mustard (though not so well with darker colours<br />

such as purple, navy or chocolate). The strongest contrast of<br />

all, of course, is black with white. This combination can be<br />

fresh, crisp <strong>and</strong> contemporary, though pure black <strong>and</strong> white<br />

may end up being a little simplistic, <strong>and</strong> best tempered with<br />

some greys (if you wish to stick with the monochromatic look)<br />

or other colours, <strong>and</strong> definitely with a variety of patterns in<br />

differing scales, <strong>and</strong> with textural detailing. Black with neutrals<br />

<strong>and</strong> naturals also works well – adding timber, stone, hessian,<br />

linen, sisal, wicker <strong>and</strong> wool, for example, in their natural range<br />

of beiges, browns, creams <strong>and</strong> greys, is softening <strong>and</strong> beautiful.<br />

As interiors experts say, even just a touch of black is vital in<br />

every room, enhancing the colours, patterns <strong>and</strong> shapes that<br />

surround it.<br />

What is black, <strong>and</strong> how black is it?<br />

Colour, in a scientific sense, is the range of visible light seen<br />

by humans. Black, being an absence or complete absorption<br />

of light, is therefore not considered to be a colour. If, on the<br />

other h<strong>and</strong>, you consider colour in terms<br />

of pigment, then black is actually a mix<br />

of yellow, red <strong>and</strong> blue, the three primary<br />

colours. Rather than not being a colour,<br />

it’s actually all the colours! Pure black, in<br />

scientific terms, can only be found in a black<br />

hole, <strong>and</strong> until recently the blackest black<br />

on earth was a pigment called ‘Vantablack’<br />

that absorbs 99.96% of all light, developed<br />

by British company NanoSystems for<br />

military <strong>and</strong> astronomical use – <strong>and</strong> now<br />

reserved exclusively (<strong>and</strong> somewhat<br />

controversially) by the artist Anish Kapoor.<br />

In September last year, however, scientists<br />

at prestigious American research<br />

university the Massachusetts Institute of<br />

Technology developed (by accident) an<br />

even blacker coating that absorbs at least<br />

99.995% of incoming light. The search for<br />

a completely black black continues…<br />

by Kathrine Sorrell<br />

64

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