Tuatara
by Gareth Farr | Percussion and Piano
by Gareth Farr | Percussion and Piano
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- percussion
- piano
- farr
- gareth-farr
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<strong>Tuatara</strong> (1998)<br />
As part of the 1998 Sunday Concert series presented by the Wellington Chamber Music<br />
Society, Gareth Farr and pianist Dan Poynton gave a concert of music for percussion and<br />
piano which had the idea of the New Zealand forest as a unifying theme. The concert hall<br />
was decked out with potted plants and giant fern fronds for the occasion, and the eclectic<br />
programme included a new arrangement of Poynton’s Moa and a work composed especially<br />
as a companion-piece, <strong>Tuatara</strong>. Each were named after a creature unique to New Zealand’s<br />
native fauna – the moa was a giant, flightless and now extinct bird, and tuatara is a<br />
remarkable reptile, thought to be a species which has existed since the time of the dinosaurs.<br />
<strong>Tuatara</strong> is based on two musical ideas which are heard concurrently at the beginning. A<br />
jaunty, angular, syncopated theme in the piano part is set against the marimba’s running<br />
semiquavers. The musical argument of the work is entirely derived from these two ideas,<br />
which are exchanged between the instruments and subjected to development by variation.<br />
The percussion part is enhanced through the addition of tom toms and cymbals as the work<br />
proceeds.<br />
The first performance of <strong>Tuatara</strong> took place at the Ilott Chamber, Wellington, New Zealand,<br />
on 21 June 1998.<br />
Performance notes<br />
Percussion<br />
• A marimba with a 4 1/3-octave range (A 2 -C 7 ) is required<br />
• The un-pitched percussion should be set up in front of the marimba<br />
• The pitch of the gong is non-specific<br />
• Choice of mallets is left to the discretion of the performer<br />
PE037 – v