Coming To (Preview)
by Christos Hatzis | Violin and Piano
by Christos Hatzis | Violin and Piano
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<strong>Coming</strong> <strong>To</strong> (2010)<br />
<strong>Coming</strong> <strong>To</strong> (2010), for violin and piano, is an encore piece commissioned by American violin<br />
virtuoso Hilary Hahn as part of her In 27 Pieces: the Hilary Hahn Encores project. Accordingly,<br />
this short work incorporates the expressivity, dynamism and dexterity typical of Hatzis’s<br />
writing for string instruments, and provides violinists with an opportunity to demonstrate<br />
that their musicianship is of the highest calibre. <strong>Coming</strong> <strong>To</strong> is an enjoyable journey from<br />
subdued microtonal meanderings to dramatic lyricism, with frequent intermingling of the<br />
two states. The violin’s woozy surges, full of quarter-tones and fine timbral detailing, steadily<br />
transform into expressive passages that demand quick hands in swapping between arco and<br />
pizzicato techniques. The accompanying piano supports the story of the piece throughout,<br />
emerging from delicate, harmonic padding to provide polyrhythmic background figures and,<br />
finally, punchy rhythmic support as the work nears its manic climax.<br />
The composer writes:<br />
The task of composing a work under five minutes in duration presented me with the<br />
challenge of developing a complete musical idea in a short period of time. <strong>To</strong> overcome<br />
this challenge I looked for ideas in the structuring of music videos – a story is told within<br />
the given time constraints but it unfolds at a leisurely pace, belying its actual clock time.<br />
This is an exceptional composition for me, as I do not usually dabble in programmatic<br />
music. In <strong>Coming</strong> <strong>To</strong>, the story goes something like this:<br />
A young man, a ballet dancer, lies mortally ill in a hospital bed. In a hallucinatory state he sees<br />
a beautiful woman next to his bed, playing a violin. Music initially emerges from the beeping<br />
monitors the man is connected to. As the music gradually comes into focus the man rises from<br />
his bed and performs a slow dance with the violinist. The dance becomes increasingly frantic<br />
and exhausting. At its climax the man performs a virtuosic pirouette and collapses to the floor.<br />
<strong>Coming</strong> <strong>To</strong> was commissioned and premiered by Hilary Hahn. It was sponsored by Chen Zhao<br />
and Carri Abrahms, in honour of daughter Mila. It received its premiere performance by<br />
PE119 – v