Southeast Messenger - March 8th, 2020
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www.columbusmessenger.com<br />
<strong>March</strong> 8, <strong>2020</strong> - SOUTHEAST MESSENGER - PAGE 7<br />
entertainment<br />
Moss elevates material in “e Invisible Man”<br />
As Marvel began its takeover at the box<br />
office, competing studios decided they too<br />
wanted in on that sweet cash flow with<br />
their own expanded universe.<br />
The goal, besides raking in that sweet<br />
cash, was to re-introduce the audience to<br />
their famed properties via stand-alone<br />
films and then tie those threads into a larger<br />
feature with all of its popular creations.<br />
The problem with this, they would soon<br />
learn, is that not all of those creations were<br />
as popular as Marvel superheroes.<br />
One such studio that tried its hand at<br />
replicating Marvel Studios’ success was<br />
Universal Pictures. In 2014, the Dark<br />
Universe was launched with “Dracula<br />
Untold” and then “The Mummy” with Tom<br />
Cruise followed three years later. In<br />
between came an announcement that<br />
Russell Crowe was in talks to portray “Dr.<br />
Jekyll and Mr. Hyde” while Johnny Depp<br />
was set for “The Invisible Man.” Then all of<br />
those plans came to a screeching halt when<br />
the studios realized that the audience<br />
hated those two films and weren’t all that<br />
excited about the potential of the latter<br />
ones either.<br />
In 2018, the studio was forced to<br />
announce the death of the Dark Universe<br />
but one could make a strong case that it<br />
The Reel Deal<br />
really started with the<br />
uninspired “Dracula<br />
Untold.” That was a<br />
true stinker of a film<br />
and those who have not<br />
seen it should consider<br />
themselves fortunate.<br />
But, much like its<br />
famed vampire, the<br />
plans did not stay<br />
dead and a rebirth of<br />
sorts was announced<br />
via a partnership<br />
Dedra<br />
Cordle<br />
with Blumhouse Productions. Together,<br />
their first step was the launch of “The<br />
Invisible Man” sans Depp.<br />
In a somewhat inspired move, writer<br />
and director Leigh Whannell transformed<br />
this H.G. Wells creation by turning him<br />
into a true 21st century nightmare — the<br />
tech bro who hates privacy.<br />
In the film, Elisabeth Moss plays Cecila<br />
Kass, the long-suffering girlfriend of tech<br />
genius Adrian Griffin (Oliver Jackson-<br />
Cohen). After years of emotional, mental<br />
and physical abuse, she decides to spring<br />
herself free of him with the help of her sister<br />
Emily (Harriett Dyer).<br />
While hiding out in the home of a childhood<br />
friend, Cecila learns that Adrian has<br />
killed himself. Just as she is trying to wrap<br />
her head around these events, she learns<br />
via his equally slimy brother Tom (Michael<br />
Dorman) that he has left her $5 million in<br />
his will with the odd stipulation that she<br />
not “commit any crimes.”<br />
As Cecila makes progress in her recovery,<br />
she begins to experience strange occurrences<br />
such as misplaced items, bed sheets<br />
that roll off the body without any thrashing<br />
and the feeling of eyes all over her body.<br />
After she sees footprints on the floor one<br />
night, she begins to suspect that Adrian is<br />
still alive and has used his vast knowledge<br />
in the field of optics to render himself invisible.<br />
When no one believes her theory, she<br />
decides to takes steps to try to rid him of<br />
her life once and for all.<br />
A positive in this film is the acting from<br />
Moss, who elevates the material from the<br />
occasional clunky dialogue and the unfortunate<br />
unraveling of the latter half. This is<br />
not a movie that holds up well upon deeper<br />
thought but her acting saves the film from<br />
its lesser parts.<br />
Another positive is the use of lingering<br />
shots of inconspicuous furniture and doorways<br />
to ratchet up the tension in lieu of a<br />
physical being. That aspect of the film<br />
works, which makes the unveiling of the<br />
invisibility all the more confusing.<br />
A negative of this film is with the computer<br />
graphic imagery, which ranges from<br />
bad to laughable at points throughout. The<br />
director made a great decision with the use<br />
of angles but not so great ones as it pertained<br />
to the unveiling of the invisibility<br />
cloak. “The Invisible Man” is not funny, but<br />
one cannot help but laugh at some of the<br />
CGI.<br />
All in all, “The Invisible Man” is a<br />
decent thriller that surprisingly manages<br />
to take the trauma of domestic abuse survivors<br />
seriously. With a deft hand by Moss,<br />
it’s a compassionate film that is elevated by<br />
her performance despite iffy dialogue and<br />
several gaping plot holes. I’m not sure<br />
where they plan to go with this property<br />
next, but if she’s there leading the way, I<br />
think I would be too.<br />
Grade: B-<br />
Dedra Cordle is a <strong>Messenger</strong> staff writer<br />
and columnist.<br />
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3rd Course<br />
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