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Southeast Messenger - March 8th, 2020

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www.columbusmessenger.com<br />

<strong>March</strong> 8, <strong>2020</strong> - SOUTHEAST MESSENGER - PAGE 7<br />

entertainment<br />

Moss elevates material in “e Invisible Man”<br />

As Marvel began its takeover at the box<br />

office, competing studios decided they too<br />

wanted in on that sweet cash flow with<br />

their own expanded universe.<br />

The goal, besides raking in that sweet<br />

cash, was to re-introduce the audience to<br />

their famed properties via stand-alone<br />

films and then tie those threads into a larger<br />

feature with all of its popular creations.<br />

The problem with this, they would soon<br />

learn, is that not all of those creations were<br />

as popular as Marvel superheroes.<br />

One such studio that tried its hand at<br />

replicating Marvel Studios’ success was<br />

Universal Pictures. In 2014, the Dark<br />

Universe was launched with “Dracula<br />

Untold” and then “The Mummy” with Tom<br />

Cruise followed three years later. In<br />

between came an announcement that<br />

Russell Crowe was in talks to portray “Dr.<br />

Jekyll and Mr. Hyde” while Johnny Depp<br />

was set for “The Invisible Man.” Then all of<br />

those plans came to a screeching halt when<br />

the studios realized that the audience<br />

hated those two films and weren’t all that<br />

excited about the potential of the latter<br />

ones either.<br />

In 2018, the studio was forced to<br />

announce the death of the Dark Universe<br />

but one could make a strong case that it<br />

The Reel Deal<br />

really started with the<br />

uninspired “Dracula<br />

Untold.” That was a<br />

true stinker of a film<br />

and those who have not<br />

seen it should consider<br />

themselves fortunate.<br />

But, much like its<br />

famed vampire, the<br />

plans did not stay<br />

dead and a rebirth of<br />

sorts was announced<br />

via a partnership<br />

Dedra<br />

Cordle<br />

with Blumhouse Productions. Together,<br />

their first step was the launch of “The<br />

Invisible Man” sans Depp.<br />

In a somewhat inspired move, writer<br />

and director Leigh Whannell transformed<br />

this H.G. Wells creation by turning him<br />

into a true 21st century nightmare — the<br />

tech bro who hates privacy.<br />

In the film, Elisabeth Moss plays Cecila<br />

Kass, the long-suffering girlfriend of tech<br />

genius Adrian Griffin (Oliver Jackson-<br />

Cohen). After years of emotional, mental<br />

and physical abuse, she decides to spring<br />

herself free of him with the help of her sister<br />

Emily (Harriett Dyer).<br />

While hiding out in the home of a childhood<br />

friend, Cecila learns that Adrian has<br />

killed himself. Just as she is trying to wrap<br />

her head around these events, she learns<br />

via his equally slimy brother Tom (Michael<br />

Dorman) that he has left her $5 million in<br />

his will with the odd stipulation that she<br />

not “commit any crimes.”<br />

As Cecila makes progress in her recovery,<br />

she begins to experience strange occurrences<br />

such as misplaced items, bed sheets<br />

that roll off the body without any thrashing<br />

and the feeling of eyes all over her body.<br />

After she sees footprints on the floor one<br />

night, she begins to suspect that Adrian is<br />

still alive and has used his vast knowledge<br />

in the field of optics to render himself invisible.<br />

When no one believes her theory, she<br />

decides to takes steps to try to rid him of<br />

her life once and for all.<br />

A positive in this film is the acting from<br />

Moss, who elevates the material from the<br />

occasional clunky dialogue and the unfortunate<br />

unraveling of the latter half. This is<br />

not a movie that holds up well upon deeper<br />

thought but her acting saves the film from<br />

its lesser parts.<br />

Another positive is the use of lingering<br />

shots of inconspicuous furniture and doorways<br />

to ratchet up the tension in lieu of a<br />

physical being. That aspect of the film<br />

works, which makes the unveiling of the<br />

invisibility all the more confusing.<br />

A negative of this film is with the computer<br />

graphic imagery, which ranges from<br />

bad to laughable at points throughout. The<br />

director made a great decision with the use<br />

of angles but not so great ones as it pertained<br />

to the unveiling of the invisibility<br />

cloak. “The Invisible Man” is not funny, but<br />

one cannot help but laugh at some of the<br />

CGI.<br />

All in all, “The Invisible Man” is a<br />

decent thriller that surprisingly manages<br />

to take the trauma of domestic abuse survivors<br />

seriously. With a deft hand by Moss,<br />

it’s a compassionate film that is elevated by<br />

her performance despite iffy dialogue and<br />

several gaping plot holes. I’m not sure<br />

where they plan to go with this property<br />

next, but if she’s there leading the way, I<br />

think I would be too.<br />

Grade: B-<br />

Dedra Cordle is a <strong>Messenger</strong> staff writer<br />

and columnist.<br />

Dine Originals Week<br />

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Monday - Sunday, <strong>March</strong> 23 - 29, <strong>2020</strong><br />

1st Course<br />

Orzo Salad<br />

orzo, spinach, tomato, roasted yellow pepper,<br />

sundried tomato vinaigrette<br />

Lobster Bisque<br />

crème fraiche<br />

Sausage Stuffed Mushrooms<br />

lemon shallot butter<br />

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The Menu<br />

2nd Course<br />

Lemon and Rosemary Roasted Chicken<br />

wilted spinach, roasted fingerling potatoes<br />

Vegetable Primavera<br />

sautéed fresh vegetables, fettuccine,<br />

garlic basil oil<br />

Gorgonzola Crusted Sirloin<br />

6 oz sirloin, demi-glace,<br />

garlic mashed potatoes, vegetable of the day<br />

3rd Course<br />

Caramel Apple Tart<br />

Thin Mint Cheesecake<br />

Chocolate Mousse with Berries

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