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The Breeeze Janruary 2020

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Nonetheless, here is a cheat sheet showing the extremes<br />

of wines:<br />

-- Clarity: Cloudy/dull vs. brilliant<br />

-- Depth of color: Watery vs. deep<br />

-- Color (Whites) green tinge vs. pale/deep yellow<br />

-- Color (Reds) Purple vs. red brown<br />

-- Viscosity: water vs. oil<br />

<strong>The</strong>se extremes are associated with both good and<br />

mediocre wine, but don’t take them too literally because<br />

major exceptions do exist. For example, a chardonnay aged<br />

in oak (particularly if made “ sur lie”) will take on a golden<br />

hue, while the same varietal aged in steel vats will look<br />

pale in comparison. Both methods, however, can deliver<br />

excellent wine.<br />

To observe any of these attributes, tilt the glass and pay<br />

close attention to the top ½ inch of wine, particularly near<br />

the rim, and finally, if you really want to check the color of<br />

a red wine dip the corner of a paper napkin into the wine.<br />

Finally, the legs (or tears) in wine are attributable to<br />

either high sugar and/or alcohol, and are not necessarily<br />

indicators of quality.<br />

Quality Checks<br />

Although I could argue that the globalization of wine<br />

amounts to making wine generic, it has also brought a<br />

huge benefit called quality control. Wine making today is<br />

a hygienic, honed science and it is very rare to encounter<br />

a “bad” bottle.<br />

But it’s good to double check.<br />

When you have just ordered a<br />

$40 bottle of wine, you may take<br />

these simple steps to ensure that<br />

the wine has not been damaged:<br />

<strong>The</strong> cork must come out<br />

smoothly, and the wine stains<br />

up the sides of the cork should<br />

not be more than a 1/4-inch<br />

long. (crystals on the bottom<br />

of the cork are ok). If the wine<br />

is less than 10 years old, and<br />

the cork crumbles, send it back.<br />

Don’t bother smelling the cork<br />

because it will offer no further<br />

clues. Instead, have the waiter<br />

pour a small amount, but do<br />

NOT swirl the glass or sip the<br />

wine. Use your nose to detect<br />

something which is quickly<br />

obnoxious, such as vinegar, glue,<br />

mold or a damp basement. <strong>The</strong><br />

quicker you smell something<br />

truly odd, the more likely the wine has gone bad. <strong>The</strong><br />

moment you swirl the glass to oxidize the wine and release<br />

the fruit (even bad wine has residual fruit and alcohol), your<br />

chances of identifying the obnoxious smell will become<br />

much harder…..an old French sommelier trick. On the<br />

other hand, if you have just ordered a wine by the glass,<br />

your biggest enemy will be oxygen. Unless the bottle was<br />

vacuum sealed, the wine will have become flat with hints<br />

of vinegar.<br />

Practice Makes Perfect<br />

<strong>The</strong> moral of the story is that as you become more confident<br />

with wine, and particularly with the style or varietal you<br />

prefer, you can use your knowledge to your advantage.<br />

<strong>The</strong> next time you buy a wine which you know you enjoyed<br />

in the past, take the time to go through the steps above.<br />

Ninety-nine percent of the time the wine will not be<br />

damaged, but the process will teach you the look and smell<br />

of the wine as it comes out of the bottle (remember not to<br />

swirl at first!).<br />

Assuming all systems are a go, swirl with abandon and<br />

then try to commit to memory the “nose” of the wine you<br />

like because I’m convinced our noses are hard-wired to the<br />

brain, and won’t forget what pleases us. <strong>The</strong> last step is to<br />

knock it down with a good mouthful, but this time, please<br />

don’t continue with abandon!<br />

Cheers.<br />

Fifty Shades of White? Yes there are more than you can imagine -- and it can be<br />

argued there is no such thing as “white” wine! Here are five to illustrate the point: <strong>The</strong><br />

deep yellow-gold hue of a moscato. A softer gold from California chardonnay. <strong>The</strong><br />

pale flinty color of New Zealand sauvignon blanc. <strong>The</strong> greenish glow of chenin blanc.<br />

And the stronger green that gives Portuguese “vinho verde” its name. All modestly<br />

priced, found at Kroger and Big Jim’s. Enjoy.<br />

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