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Exhibition Catalog | Jacob Lawrence

Explore a gift of drawings, prints, and paintings by African American modernist Jacob Lawrence addressing Black history and civil rights, public life, faith, and creativity.

Explore a gift of drawings, prints, and paintings by African American modernist Jacob Lawrence addressing Black history and civil rights, public life, faith, and creativity.

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CAT. 10<br />

Gwendolyn Knight <strong>Lawrence</strong><br />

(U.S.A., b. Barbados, 1913–2005)<br />

Augusta Savage<br />

1967<br />

Oil on canvas<br />

24 × 18 in.<br />

2013.91<br />

This powerful work exhibits signs of<br />

the experimental approach that Knight<br />

<strong>Lawrence</strong> developed while studying painting at The<br />

New School in New York in the mid-1960s. The brushstrokes<br />

are vigorous and expressive, and she explores<br />

the work’s materiality by exposing the white ground<br />

that coats the canvas. This portrait was completed five<br />

years after the death of its subject, sculptor Augusta<br />

Savage, whom Knight <strong>Lawrence</strong> would later describe<br />

as having been “a second mother to me,” adding,<br />

“her studio was a second home.”¹⁴ Before she met<br />

Savage, Knight <strong>Lawrence</strong> had taken painting classes<br />

for two years at Howard University with the Bostonborn<br />

artist Lois Mailou Jones. In 1933 financial need<br />

obliged Knight <strong>Lawrence</strong> to rejoin her family in<br />

Harlem. She worked under Savage for the next four<br />

years, and continued to paint after she married <strong>Jacob</strong><br />

<strong>Lawrence</strong> in 1941.<br />

14. Barbara Earl Thomas,<br />

“Never Late for Heaven,” in<br />

Never Late for Heaven: The<br />

Art of Gwen Knight (Seattle:<br />

University of Washington<br />

Press, 2003), 23.<br />

77

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