Alan Bullard Wondrous Cross
for SATB choir and organ or piano, with optional soloists, congregation, and strings (string orchestra, string quintet, or string quartet) Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages, 3 well-known hymns, and settings of 4 well-known sacred texts, including 'Drop, drop, slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir, and strings (quartet, quintet, or ensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically, the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience.
for SATB choir and organ or piano, with optional soloists, congregation, and strings (string orchestra, string quintet, or string quartet)
Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages, 3 well-known hymns, and settings of 4 well-known sacred texts, including 'Drop, drop, slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir, and strings (quartet, quintet, or ensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically, the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
38<br />
16. Hymn: When I survey the <strong>Wondrous</strong> <strong>Cross</strong><br />
Isaac Watts (1674–1748)<br />
Edward Miller (1735–1807)<br />
accompaniment and descant <strong>Alan</strong> <strong>Bullard</strong><br />
<br />
<br />
<br />
Moderato q = c.96<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
S.<br />
A.<br />
614<br />
<br />
<br />
mf<br />
<br />
<br />
+ CONGREGATION in unison<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
T.<br />
B.<br />
<br />
<br />
<br />
<br />
1. When<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
I sur - vey the Won - drous <strong>Cross</strong>, On which the Prince of glo - ry died, My<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
rich<br />
-<br />
est<br />
624<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
gain I count but<br />
<br />
<br />
<br />
<br />
loss, And pour con<br />
<br />
<br />
<br />
<br />
<br />
- tempt on all my pride. 2. For<br />
<br />
<br />
p<br />
- bid it, Lord, that
Change language