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PAINTING
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DIRECTOR'S MESSAGEThis catalogue, t
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06INTRODUCTION30ASHWINI ASHOK PATIL
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This catalogue presents each studen
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Footsteps (Tiles Book ), 2019. Publ
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"One voice gets lost in the multitu
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I love paper.I love publications.I
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Identity Poster, 2018. Paper, tape.
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Biography Poster, 2018. Paper. 64
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Juxtaposition, 2020. Poster. 4 × 4
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The Enlightenment, 2019. Catalogue.
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Rotifer, 2019. 3D Printing.SIGGRAPH
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Be strong but not hard. Be soft but
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Look Mom I Can Fly, 2019. Silkscree
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Design Taxonomy: How A Collection O
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Gender equality dominates our socia
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Moments in Movement, 2018. Digital
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What does it mean to let go? Throug
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Memories, 2018. Poster. 23.4 × 33.
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One Invisible Wall: why are we alon
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Personal Data, 2018. Poster and ani
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We are alive in a world and time wh
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XWX, 2019. Publication. 7 × 7 in.T
- Page 53 and 54: Obedience Experiment, 2019. Publica
- Page 55 and 56: The parallel universe theory is a s
- Page 57: What If We Have Parallel Worlds, 20
- Page 60 and 61: INTRODUCTIONThe class of 2020 inclu
- Page 62 and 63: JANA BENITEZStay, 2019. Oil on canv
- Page 64 and 65: All Dogs Go To Heaven: Geography Ch
- Page 66 and 67: LIZA CLEMENTThe cyclical nature of
- Page 68 and 69: HANA YILMA GODINESpaces Within Spac
- Page 70 and 71: Light, Moon, 2019. Aquatint etching
- Page 72 and 73: KELLEY HARWOODIs it possible to dra
- Page 74 and 75: MAGGIE KINGGarden Party, 2019. Mixe
- Page 76 and 77: Tablet (Cursive), 2019. Styrofoam,
- Page 78 and 79: MARJANEH M.Untitled , 2019. Photogr
- Page 80 and 81: JOSH RICHARDSInfluenced by movement
- Page 82 and 83: MACK SIKORA76Painting
- Page 84 and 85: Valence, 2019. Oil on canvas. 79 ×
- Page 86 and 87: CHARLES SUGGSI leave erasure marks
- Page 88 and 89: MADISON VANDER ARKMy paintings and
- Page 90 and 91: DIANA LAURENCE WALSHI work collabor
- Page 93 and 94: 88909294INTRODUCTIONANIA GARCIA LLO
- Page 95 and 96: An old, local adage (no doubt inspi
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- Page 99 and 100: Beehive, 2018. 10 television monito
- Page 101 and 102: Chang Wu's work attempts to explore