BU2020_Catalogue_ForEvan_April28_Pages

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CHARLES SUGGSI leave erasure marks and detritus as an homageto the erased histories that I study. My goal isto personalize this style so that it combines myown learning experience with the discovery ofhidden narratives.My work is about aspects of history buried away by the power dynamics that werethreatened by them. I find examples of this through various forms, usually a storywritten about a different subject entirely, yet a side story within it will capture myattention. I revisit these erased moments, and compare how they are related tocontemporary events. These different timelines interact with one another, withthe ghost of the past haunting the actions of the present.I explore this by using various media compiled for output through video. This processallows me to show multiple forms of information gathering and research thatgo into the overall product. I use graphite, oil paint and film, combined with photographsand other non-animated videos, to obtain various effects and perspectivesfor the finished piece.Caution, frames from "Shadrach," 2020. Pencil drawings, video.80Painting
Montreal, frame from the video "Shadrach," 2020. Procreate drawings, video.Ripples, frame from "Shubuta," 2019. Animation.
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DIRECTOR'S MESSAGEThis catalogue, t
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