BU2020_Catalogue_ForEvan_April28_Pages

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FUniverse_Within Time, 2019.WENQING WANG2009, 07, 05. The whole city is in grief, but we arestrong—for this story I will create a design visuallanguage to convey two sides of perspective: froman insider to the media.38 Graphic Design
One Invisible Wall: why are we alone, Urumqi.The Xinjiang government blocked our internet for a whole year, severing ourconnection to the outer world, and every province in China. We couldn't text eachother, we couldn’t go far away or have fun with our friends like we usually did.The indignation, the sadness—it’s still there after so many years. So many peoplesaw their friends and family die in an instant. There are people still suffering fromthe trauma, still holding it back.What’s the insight? Why am I scared, why am I angry, why do I still feel scaredtoday, why do I feel abandoned by my own country?My thesis uses graphic design as a vehicle exposing this political cover up, to tellmy side of the truth. My work is critical of the media and arguing my side of belief:I ask "Why is the media trying to cover the news, why are they hiding?"I illustrate responses from a first-hand account, hoping the resulting narrativeprovides a source of comfort and healing to my community. I illustrate this topicfrom a more individual perspective, as an insider who has been through it. Weare healing from trauma, we are united and we are strong.Extreme Scale_Cycle of Subconscious, 2019.Illustration, 2019. Silkscreen.
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Page 8 and 9: DIRECTOR'S MESSAGEThis catalogue, t
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