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Alice Vol. 5 No. 1

Published by UA Student Media in Fall 2019.

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Courage,<br />

Comedians,<br />

and Cancel Culture<br />

By Lindsey Wilkinson<br />

Turning controversy into comedy can cause an<br />

uproar, but one thing is for sure: Comedians will not be<br />

silenced. Comedy is looked at by many as a safe place,<br />

because everyone can be turned into a punchline.<br />

Comedy isn’t exclusively about the laughs; it’s about<br />

the struggles, misfortunes, and every day bumps in the<br />

road.<br />

While comedy is always around to make us laugh,<br />

there seems to be a recent renewal with the help of<br />

streaming services like Hulu, Netflix, and YouTube that<br />

allow comics to expand their audience.<br />

UA alumna and comedian Hannah Widener said<br />

that the increase in streaming services has decreased<br />

the cutthroat, competitive nature of the business.<br />

“More opportunities are available for comedians,”<br />

Widener said. “Twenty or thirty years ago your success<br />

would be judged by if you landed on a sitcom or<br />

landed a late night spot. These limited spots created a<br />

competition and heightened animosity between comics<br />

[...]There are just so many more avenues, and there is a<br />

spot for everyone. Comedians can see that I can create<br />

my own path and my own way in this industry, and it<br />

doesn’t mean that your success is my loss.”<br />

While the services broaden the horizons for<br />

comedians, there are still some drawbacks. Most of<br />

these services promote content based on what has been<br />

previously watched. In this aspect, these services can<br />

still be limiting.<br />

“If a comedian does a special on Hulu, you might<br />

not see it. So people — in particular Iliza Shlesinger<br />

— had a Netflix special when Netflix was just getting<br />

started. At that time when you researched female<br />

comedians on the platform you might see three or four<br />

women. Whereas today, while Iliza Shlesinger is super<br />

famous now, I don’t know if you would see her on the<br />

platform because there are just so many people.”<br />

Another obstacle for all comedians is the recent<br />

explosion of cancel culture. The definition of cancel<br />

culture, according to Merriam-Webster dictionary is<br />

that it “refers to the removal of public support of public<br />

figures on the basis of their objectionable opinions or<br />

actions.” Most comedians follow the golden rule to<br />

never apologize for a joke, but that doesn’t mean they<br />

don’t catch backlash for their content. Kathy Griffin<br />

shared a photo a few years back that resulted in her<br />

unemployment. Agents wouldn’t keep her, networks<br />

wouldn’t greenlight her shows, but that didn’t stop her.<br />

Using her own funds, she booked venues and toured,<br />

promoting the concept that free speech could not be<br />

silenced.<br />

“Kathy Griffin has been a huge inspiration in<br />

the past few years in terms of fighting for speech and<br />

fighting for the right to say what you want to on stage,”<br />

Widener said. “She is a huge example of being knocked<br />

down and rising from the ashes.”<br />

Widener went on to explain cancel culture’s role in<br />

the industry, explaining its possible negative effects on<br />

free speech.<br />

“Silencing comedians will do no one any good,”<br />

she said. “At the end of the day, we are here to create<br />

entertainment. You may not like it, you may not<br />

agree with it, but you can learn from it. You can’t just<br />

shut people up. If you silence that person, you aren’t<br />

learning from them. You are casting them off. They will<br />

not disappear because you blocked them on Twitter.<br />

Cancel culture perpetuates silence, and we have to<br />

stop.”<br />

Cancel culture can be a daunting obstacle for<br />

comedians, especially in regards to speaking on<br />

difficult topics. When asked about navigating these<br />

treacherous waters, Widener described her experience.<br />

“I’ve talked about my sexual assault, and it is very<br />

difficult to talk about that on stage,” Widener said.<br />

“There is a line. The intention of a comic is never to<br />

be malicious, so when you are talking about a topic<br />

like sexual assault, you tread lightly. You want them<br />

to root for you, and you want them to laugh with you.<br />

You want to take some of their pain away. That is all<br />

you can do at the end of the day — is laugh. Laugh,<br />

especially at some of the horrible things that happen<br />

in the world, because that is the only way you will get<br />

through them.”<br />

40 <strong>Alice</strong> Winter 2020<br />

<strong>Alice</strong> Winter 2020 41

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