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Hostile Terrain 94

Hostile Terrain 94 is a participatory art project sponsored and organized by the Undocumented Migration Project. The installation is composed of more than 3,200 hand-written toe tags filled out by the community, each representing a migrant who has died trying to cross the US-Mexico border at the Sonoran Desert of Arizona between the mid-1990s and 2019. The exhibition is installed on the first floor and the accompanying publication was written by both graduate and undergraduate students at Stanford University.

Hostile Terrain 94 is a participatory art project sponsored and organized by the Undocumented Migration Project. The installation is composed of more than 3,200 hand-written toe tags filled out by the community, each representing a migrant who has died trying to cross the US-Mexico border at the Sonoran Desert of Arizona between the mid-1990s and 2019. The exhibition is installed on the first floor and the accompanying publication was written by both graduate and undergraduate students at Stanford University.

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BRINGING HOSTILE TERRAIN <strong>94</strong> TO THE<br />

STANFORD COMMUNITY<br />

KOJI LAU-OZAWA<br />

When I first saw the <strong>Hostile</strong> <strong>Terrain</strong> <strong>94</strong> installation in a photograph, I did<br />

not understand what I was looking at. As one of my advisors outlined<br />

the meaning behind the mass of orange and tan tags, it dawned on me<br />

that each of those tags represented a life lost as the result of US border<br />

policies. Each signified a life that was filled with triumphs and sorrows,<br />

passions and fears, hopes and disappointments. I was overwhelmed by<br />

the immensity of the loss.<br />

<strong>Hostile</strong> <strong>Terrain</strong> <strong>94</strong> is a production of the Undocumented Migration Project<br />

(UMP). Led by scholar Jason De León, the UMP is an anthropological<br />

study of clandestine movement between Latin America and the<br />

United States. Drawing on a range of disciplines, from archaeology and<br />

forensic sciences to ethnography and visual anthropology, the UMP<br />

strives not only to understand the processes of migration and the lives<br />

of migrants but also to educate the public through multiple mediums.<br />

Earlier exhibitions by the UMP—such as State of Exception / Estado<br />

de Excepción, which featured hundreds of backpacks and ephemera<br />

left behind by migrants crossing the US-Mexico border—have been<br />

presented across the United States. While powerful, such traveling<br />

exhibitions are cost prohibitive for many institutions to host, limiting the<br />

public’s exposure to these visual statements.<br />

In response to this challenge, the UMP team developed <strong>Hostile</strong> <strong>Terrain</strong><br />

<strong>94</strong> as a multimedia exhibit that relies on community participation<br />

for completion and is much more affordable to host. It consists of<br />

more than 3,200 toe tags hung across a wall map of the US-Mexico<br />

border; each tag is pinned to the map according to coordinates for<br />

Toe tags, <strong>Hostile</strong> <strong>Terrain</strong> <strong>94</strong>, 2020<br />

4 HOSTILE TERRAIN <strong>94</strong> | ANDERSON COLLECTION AT STANFORD UNIVERSITY HOSTILE TERRAIN <strong>94</strong> | ANDERSON COLLECTION AT STANFORD UNIVERSITY 5

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