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Design Yearbook 2017

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On Repetition: Photograhpy in/as Architectural Criticism - Working

through the Archives of Mies van der Rohe and Lilly Reich’s German

Pavilion and the North American Concrete Grain Elevators

Catalina Mejia-Moreno

www.travesiafoundation.org

‘Many of us, maybe all of us, look at some images repeatedly, but it seems that we do

not write about that repetition, or think it, once written, worth reading by others’.

T.J.Clark. The Sight of Death. An experiment in Art Writing. (New Haven and

London: Yale University Press, 2006) pp. 9.

In the photo-archives of two of the most recognised British architectural

historians of the late twentieth century - Robin Evans and Reyner Banham -

two iconic buildings come across repeatedly, almost compulsively. In Evans’, the

Barcelona Pavilion (1929- reconstructed 1986) and in Banham’s, the Buffalo

Grain Elevators (late nineteenth Century). While these slide sets can be

understood as the result of the empiricist English tradition and the relevance

of direct experience for the buildings’ histories and criticisms, they are also

evidence of a wider phenomenon in architectural history: the drive to re-visit,

the compulsion to re-photograph and the instinct to repeat. In this context,

my PhD project questions photography as the inherent means of repetition

in architectural history, while arguing that the photograph as material object

and object of representation also performs as the criticism itself. By studying

two important moments in time for the photographic dissemination of the

two aforementioned buildings, and by understanding the material history of

photographs as commodities and objects of transaction, I critically examine

the relationship between architectural history, architectural criticism, and

photographic and ideological techniques of (re)production.

Looking Towards Retirement: Alternative Design Approaches to Third-

Ager Housing

Sam Clark

UK society was first categorised ‘aged’ during the 1970s, and is currently

heading towards ‘super-aged’ status, whereby 20 per cent of the population

will be aged sixty-five and over by the year 2025. Indeed scientific evidence

indicates linear increases in life expectancy since 1840, such that UK

population ‘pyramids’ are now looking more like ‘columns’, with fewer

younger people at the base and increasing numbers and proportions of older

people at the top. There are 10,000 centenarians living in the UK today, with

demographers anticipating a five-fold increase by 2030. Half of all babies born

this year can expect to live one hundred years.

Housing plays a significant role in sustaining a good quality of life, and there

is growing opinion that moving to specialist or more age-appropriate housing

has a positive impact on the wellbeing of older people, as well as potential

benefits to the property market as a whole. Recent design research includes a

competition commissioned by McCarthy & Stone to ‘re-imagine ageing’, and

an RIBA report illustrating future scenarios in which ‘Active Third-Agers’ have

made a huge impact on UK towns and cities. Both initiatives were predicated

on the idea that today’s older population (colloquially known as the ‘babyboomers’)

have alternative and more demanding lifestyle expectations that are

likely to drive a step-change in housing choice for older people.

Sam is working in collaboration with national house builder, Churchill

Retirement Living, to further explore the needs and aspirations of those

entering retirement. In this instance a PhD by Creative Practice is being used

as a vehicle for applied design research that will contribute to contemporary

visions for retirement living.

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