Southern Indiana Living - Jan / Feb 2021
January / February 2021 issue
January / February 2021 issue
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Painters of SoIN<br />
“Cock of Walk”<br />
The Creative Heart of Susie Byerley<br />
Oil painter and grandmother<br />
Standing at the top of a small hill<br />
within the town of Hardinsburg<br />
in Washington County,<br />
the home of Susie and Wayne<br />
Byerley is surrounded by 7 acres<br />
of woods. Here, in this green world<br />
where diverse species of birds come<br />
to feed, goats saunter and fish swim<br />
in the pond, Susie Byerley is often<br />
thinking about how to translate these<br />
refreshing scenes and myriad inflections<br />
of color onto canvas.<br />
“I am always painting and mixing<br />
colors in my head,” Byerley said.<br />
“I am always evaluating what process<br />
to use so others can enjoy seeing<br />
what I am seeing.”<br />
Wildlife and domestic animals<br />
are some of her favorite subjects to<br />
paint. “Animals have always been<br />
a part of my life,” she said. “As a<br />
young girl, I loved horses and spent<br />
hours drawing their fine details. I<br />
later worked for a veterinarian for almost<br />
30 years. It is not surprising that<br />
when I began to paint seriously, in<br />
my mid-40s, I would paint animals.”<br />
A female cardinal perched in the<br />
snow is the subject of Byerley’s painting<br />
titled “Proud Lady.”<br />
18 • <strong>Jan</strong>/<strong>Feb</strong> <strong>2021</strong> • <strong>Southern</strong> <strong>Indiana</strong> <strong>Living</strong><br />
“There are actually hints of blue<br />
and green in her tan feathers,” Byerley<br />
said, explaining the title of the<br />
piece. “Her confident demeanor suggests<br />
that she knows she is as beautiful<br />
as the more brilliant red male.”<br />
“Proud Lady” is a fairly recent<br />
painting that Byerley compared to<br />
one of her earlier works done when<br />
she was aiming at something closer<br />
to photorealism. “Allie With Fish,”<br />
the earlier work, is characterized by<br />
painstaking detail and precision,<br />
looking almost photographic.<br />
Byerley explained the shift: “As<br />
I grew as a painter, I wanted to capture<br />
more movement rather than the<br />
stillness of a photograph. In ‘Proud<br />
Lady,’ I softened the edges and<br />
blurred some details to create more<br />
vitality and also to leave something<br />
to the viewer’s imagination.”<br />
In a painting titled “Lambright’s<br />
Barn,” Byerley captures the mellow<br />
and peaceful attitude of a group of<br />
cows lazing inside a barn where light<br />
breaks through the stall gate and a<br />
small window.<br />
“I have a lot of fun representing<br />
the personalities of animals,” Byerley<br />
Story by Judy Cato<br />
Photos by Lorraine Hughes<br />
said of this painting.<br />
In a painting titled “Cock of the<br />
Walk,” a strutting rooster with a bright<br />
red cockscomb and grand arching tail<br />
feathers stands his ground over his<br />
hens and a piece of watermelon.<br />
Byerley is also well known for<br />
her still-lifes and exquisite portraits<br />
that often incorporate nature. Her<br />
response to the COVID-19 pandemic<br />
was to get to work painting portraits<br />
of her three granddaughters. “If I got<br />
the virus, I wanted them to have these<br />
portraits,” she said.<br />
When doing portraits, Byerley’s<br />
preference is to paint from live models,<br />
but her granddaughters’portraits<br />
were painted from photographs.<br />
“From models, I learn real skin tone,<br />
the anatomy of the face and where exactly<br />
light hits the face,” Byerley said.<br />
“With COVID, this had to shut down.<br />
Also, I would not ask my granddaughters<br />
to sit still for me. That<br />
would be torture. But they do like to<br />
get dressed up for photographs.”<br />
In her portrait of Macie holding<br />
a bunny, the frame is filled with<br />
the thrill of a moment. The little girl,<br />
oblivious to her strap falling down or