SandScript 2021
Art & Literature Magazine
Art & Literature Magazine
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“Your father? About what?”<br />
“He said she didn’t do it.”<br />
“Do what? Where did all of the<br />
blood come from, Benji?”<br />
“I don’t know.”<br />
“Benji, you have to know.” I lifted<br />
his shirt to look for the source of blood.<br />
There were so many wounds, slices and<br />
scars, thick, pink, angry lines betraying the<br />
secrets of Benjamin’s life. But there was<br />
nothing new. Fear paddled my insides.<br />
“Benji, did you hurt someone?”<br />
“No, but she did.”<br />
“Who, Benji? Your mom?”<br />
“Velma. She killed the baby.”<br />
I didn’t understand. I knew his<br />
youngest sister was five. There were no<br />
babies left.<br />
“What baby?”<br />
“Baby Finn. He kept crying and<br />
crying. So she put him in the hamper to<br />
make him stop. Or so that she didn’t have<br />
to hear him anymore.”<br />
I took a breath. But there was not<br />
a drop of air left in all the world to draw<br />
from.<br />
***<br />
Benjamin always asked me, which<br />
was less forgivable — to be beaten by<br />
someone crazy or by someone perfectly<br />
sane?<br />
I could never comprehend that.<br />
How was either forgivable? How was<br />
one better? But to Benjamin, it was a<br />
rhetorical question. He had already<br />
charged, sentenced and convicted<br />
the guilty — his father. No matter what<br />
Benjamin’s mother did to him, she was not<br />
responsible. His father, on the other hand,<br />
was a monster with a brain and a will, able<br />
to spoon out punishments far worse than<br />
anything physical — incessant, calculated<br />
beatings that butchered Benjamin’s<br />
being.<br />
His mother had charged,<br />
sentenced and convicted herself. After<br />
realizing what she had done to baby<br />
Finn that day, she locked herself in the<br />
bathroom. Benjamin broke in the door,<br />
only to find his mother lifeless, lying in a<br />
demise of razors to wrists.<br />
***<br />
I see him on the streets at times,<br />
a resident to the concrete and abyss,<br />
homeless and incoherent, often talking<br />
to the silhouette of himself, an erasure of<br />
existence that everyone else walks right<br />
by. For all the years Benjamin endured<br />
horrid, severe scrutiny and attention as a<br />
child, he was paid back with invisibility in<br />
adulthood.<br />
“Hi Benji,” I stop him and try to<br />
remind him who I am, of our friendship,<br />
but his eyes are always void of any<br />
recognition of me. Of us. Of him.<br />
“You have to do the laundry,” he<br />
says to me the first time I see him. He<br />
says it again, the second time, the third. I<br />
wonder if maybe he does recognize me.<br />
If I remind him of that day we switched<br />
clothes. Or the day he told me of baby<br />
Finn.<br />
I give him some money and offer a<br />
hug. He always accepts the former, never<br />
the latter. I wave good-bye and turn<br />
away from my friend, that young boy who<br />
had no fault in life except to be born, who<br />
suffered far too much, whose then only<br />
choice was to fade into the watercolor of<br />
oblivion.<br />
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