hampshire_1365-OBJ (3)
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Chapter 1:
Representations of Dominican Identity through Music
Palo’s significance in reflecting the Dominican identity can be seen by the current
perceptions of Dominican identity, as well as the promotion of other musics within the country.
Popular musics have gained most academic attention for representing the complex, syncretic
identity of the Dominican people. Ethnomusicologists have referred to merengue as a music
promoted from topdown; from the government to the people. Bachata, on the other hand, has
been referenced as the epitome of bottomup music; a genre that has been promoted from the
lowest classes of the country, eventually giving it significance and reaching the elite. Palo,
although largely unexplored, represents a part of Dominican identity that merengue and bachata
leave out. Palo represents the persecuted, and often disregarded, historical past of the Dominican
Republic and its people. This chapter gives a brief history of the Dominican Republic to
highlight current perceptions of Dominican identity. Furthermore, I introduce discussions
surrounding merengue and bachata to explore the contrast between these popular forms of music,
often depicted as Dominican emblems, and a traditional, AfroDominican music, often ignored
or persecuted as unpatriotic.
Identity in the Dominican Republic
Dominican identity can be described differently by each different person in each different
region of the Dominican Republic. It is neither static, definitive, nor clear. Nevertheless, an
understanding of Dominican history clarifies certain aspects of Dominican identity that are
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