Equations: Dialectic Form (2021)
This 2021 edition of Equations, by Adam Fieled, features the dialectic form introduced in the second print edition of Equations in 2018, and three new pieces added in 2021.
This 2021 edition of Equations, by Adam Fieled, features the dialectic form introduced in the second print edition of Equations in 2018, and three new pieces added in 2021.
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#7
Mindy, like Marie, wants my streams. The difference is that this has
nothing to do with eventual parturition. Mindy loves thrill seeking and
joyrides; she wants to experience things fully; she has the temperament of
an artist. So that our sex is never quite perfect; I pull out, thinking prudent
thoughts. Mindy is left serviced but undernourished. There are strange
gaps in her mind; it doesn’t occur to Mindy what the disasters of
unwanted pregnancies amount to. I know (I am thirty, she is nineteen)
that a stream from me will undo our successful narrative. The narrative
maintains an edge of longing based on calculations I do that she will not.
And the spaces between our major encounters are filled with text
messages, because cell phones are now part of everyone’s relationship
equations. Cell phones are a flush; they break up narratives into crumbs.
Fortunately, both Mindy and I know how to employ cell phones and text
messages in successful ways. They are a sauce on an entrée. But as
successful as our narrative is, Mindy is left hankering after an innocence
that I don’t have. She wants the wild looseness I have left behind to make
my way in the world. I have high art consonance and a stern disposition;
my publishing life is serious and on the up and up; the bar crawls, bashes,
and orgies of my past have been left behind. Our time together is, must
be, short: I hunger too much for things she doesn’t understand yet, she
hungers for behaviors I’ve abandoned.
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