07.12.2021 Views

Equations: Dialectic Form (2021)

This 2021 edition of Equations, by Adam Fieled, features the dialectic form introduced in the second print edition of Equations in 2018, and three new pieces added in 2021.

This 2021 edition of Equations, by Adam Fieled, features the dialectic form introduced in the second print edition of Equations in 2018, and three new pieces added in 2021.

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#7

Mindy, like Marie, wants my streams. The difference is that this has

nothing to do with eventual parturition. Mindy loves thrill seeking and

joyrides; she wants to experience things fully; she has the temperament of

an artist. So that our sex is never quite perfect; I pull out, thinking prudent

thoughts. Mindy is left serviced but undernourished. There are strange

gaps in her mind; it doesn’t occur to Mindy what the disasters of

unwanted pregnancies amount to. I know (I am thirty, she is nineteen)

that a stream from me will undo our successful narrative. The narrative

maintains an edge of longing based on calculations I do that she will not.

And the spaces between our major encounters are filled with text

messages, because cell phones are now part of everyone’s relationship

equations. Cell phones are a flush; they break up narratives into crumbs.

Fortunately, both Mindy and I know how to employ cell phones and text

messages in successful ways. They are a sauce on an entrée. But as

successful as our narrative is, Mindy is left hankering after an innocence

that I don’t have. She wants the wild looseness I have left behind to make

my way in the world. I have high art consonance and a stern disposition;

my publishing life is serious and on the up and up; the bar crawls, bashes,

and orgies of my past have been left behind. Our time together is, must

be, short: I hunger too much for things she doesn’t understand yet, she

hungers for behaviors I’ve abandoned.

14

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