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E-<strong>ZINE</strong> # <strong>05</strong><br />
m o r e s k a , m o r e r e g g a e , m o r e m u s i c ! r o c k i n g s t e a d y !<br />
www.rockingsteady.com<br />
Issue #5<br />
YOUR E-<strong>ZINE</strong> &<br />
DOWNLOAD STORE<br />
July/August 2011<br />
FreeZine &<br />
Download Store<br />
The new free e-zine for ska & reggae from Europe!!!<br />
Jamaican Originators<br />
Ziggy Marley<br />
in the interview<br />
from page 04<br />
SKA | Reggae<br />
Masterclass<br />
Desorden Publico<br />
in the interview<br />
from page 06<br />
Ska & Design<br />
Vol. 4 - CHema Skndl!<br />
from page 08<br />
The World of Ska!!!<br />
Worldwide great ska from<br />
The Valkyrians, Babylove &<br />
The Van Dangos, The Magic<br />
Touch among others!<br />
from page 14<br />
Labels A Go Go<br />
Walt Jabsco Recordings |<br />
from page 28<br />
Festivality & Politrix;<br />
Folkestone Skarbour, Taubertal<br />
Open Air and more<br />
from page 30
Issue Nr. 5!<br />
eDitoriAl the oFFbeAtbomb<br />
www.rockingsteady.com<br />
We met Ziggy Marley, the oldest son of Bob<br />
Marley, at one of his rare shows in germany<br />
and talked with him about his career which is<br />
definitely strong related with the aim to keep<br />
alive the heritage of his father. What should<br />
I say. He`s an impressiing person for sure<br />
and also the way he is handling the creation,<br />
creativity and plans of his father, was a big<br />
pleasure for us. HIs actual album is just one<br />
of the lots of his musical productions and<br />
hard to understand on the first sight. It gets<br />
clearer, if you met him once. Especially as he<br />
is doing HIS thing, whatever the medias are<br />
writing about him. For some musicians this<br />
would just be a great luxury, but for Ziggy<br />
every step of his work is a pure passion.<br />
That`s what we feel when we hear his music.<br />
Less rare in germany, but still very much<br />
requested is Desorden Publico, our Ska-<br />
Masterclass-band of this issue. They are the<br />
most succesful ska band of Venezuela, maybe<br />
of South America. But the musicians are still<br />
down to earth, really personable guys. So<br />
be pArt<br />
Jul/Aug<br />
2011<br />
our talk about their develoüpment was pure<br />
fun, just outclassed by the great concert<br />
afterwards.<br />
Our series Ska & Design in its fourth part<br />
presents the great designer „CHema Skndl!“,<br />
who is well requested as artist and designer<br />
at the moment, so that we are really glad, he<br />
took his time for an interview.<br />
The world of ska is moving on and on.<br />
We`ve got there some of the best european<br />
bands: The Valkyrians (Finland), The Magic<br />
Touch (Germany) and Babylove & The Van<br />
Dangos (Denmark). Also in this issue: Ellwood<br />
(Sideproject of some Mad Caddies members)<br />
and Hog Hoggidy Hog, the south african<br />
skapunks. Both are touring europe.<br />
Fine new records are out from Ce`Cile, a<br />
Mighty Sparrow-Anthology, Dreadnut Inc.,<br />
Skaprifischer, Drewvis, 65 Mines Street, The<br />
Pepper Pots, The Broliers and many more like<br />
New Town Kings, The Valkyrians and Pinatubo<br />
Bay. Bands from all over the globe send us<br />
their new recordings. And most of them are<br />
worth a closer listen.<br />
Once again we portrait a label. This time it is<br />
one from England. WIth it, the skascene has<br />
got its new avantgarde. Walt Jabsco Recordings<br />
is the good chosen name behind a<br />
promising concept and has don really nice<br />
first few releases. Read yourself.<br />
Last but not least, we`ve got some festival<br />
topics for you. We wish that lots of more<br />
festivals would have the strength to invite<br />
skabands on their bigger stages. And we<br />
want to mention at least those who do!!!<br />
Yours O.W.<br />
check the community<br />
www.rockingsteady.com
<strong>Rocking</strong> <strong>Steady</strong> Booking<br />
eDitoriAl on the roAD AgAin<br />
After a few month and those lots of contacts<br />
we found with the e-zine, it was just a small<br />
next step. And now it is born. The new<br />
department of <strong>Rocking</strong> <strong>Steady</strong>. We are now<br />
also doing bookings for some chosen, international<br />
artists. Yes, also a few big names like<br />
Vin Gordon, Kevin Batchelor, but also some<br />
european bands who play big venues in their<br />
countries, but are not on the same level in<br />
germany yet (PASO). Also established bands<br />
of the scene like The Blaster Master, The One<br />
Droppers and The Valkyrians and also few<br />
great newbies doing Ska, Reggae, Soul and<br />
Jazz (The Branlarians, Leo & The Lineup a.o.).<br />
Here are the first tourdates of our first few<br />
bands. Let`s meet over there!<br />
The Blaster Master (FI)<br />
04.09.11 GB-Folkestone/Skarbour Festival<br />
Freddy Loco & His Gordos Ska Band (BE)<br />
03.09.11 GB-Folkestone/Skarbour Festival<br />
22.12.11 DE-Rostock, Zwischenbau<br />
23.12.11 DE-Erfurt, Ilvers<br />
Jim Murple Memorial (FR)<br />
01.10.11 DE-Frankfurt, Das Bett<br />
02.10.11 DE-Bamberg, Morph Club<br />
imprint <strong>Rocking</strong> <strong>Steady</strong>! eZine & download store<br />
Publisher: <strong>Rocking</strong> <strong>Steady</strong>! GbR<br />
Ludwig Märthesheimer & Oliver Will<br />
Gundelsheimer Straße 22<br />
D-96<strong>05</strong>2 Bamberg<br />
Fon: +49. 951. 70<strong>05</strong>620<br />
Fax: +49. 951. 70<strong>05</strong>619<br />
projekt@rockingsteady.de<br />
Leo & The Lineup (DK)<br />
09.11.11 DE-Weimar, C-Keller<br />
10.11.11. DE-Bamberg, Morph Club<br />
11.11.11 DE-Erfurt, Ilvers<br />
12.11.11 DE-Schwäbisch Gmünd, Esperanza<br />
13.11.11 DE-tba<br />
14.11.11 DE-Kassel, K19<br />
Les Skalopes (FR)<br />
03.09.11 GB-Folkestone/Skarbour Festival<br />
The Loveboats (DE)<br />
17.11.11 DE-Schweinfurt, Tapas Bar<br />
18.11.11 DE-Dresden, Ost-Pol<br />
19.11.11 DE-Bamberg, Morph Club<br />
The One Droppers (IT)<br />
09.09.11 DE-Bamberg, Morph Club<br />
10.09.11 AT-Wien, Ost Klub<br />
21.10.11 DE-Stuttgart, KJH Hallschlag<br />
16.12.11 DE-Schwäbisch Gmünd, Esperanza<br />
The Spankers (CZ)<br />
03.09.11 DE-Erfurt, Ilvers<br />
08.09.11 DE-Bamberg, Morph Club<br />
09.09.11 DE-Chemnitz, Subway To Peter<br />
in Vorbereitung: Deutschlandtour von<br />
The Blaster Master (FI) | 02.-11.03.2012<br />
03<br />
editioral office: Oliver Will (V.i.S.d.P.); Frank Keil, Issa Aryanpure, Lars Kranenkamp,<br />
Tim-Niklas Kubach, Florian Surek<br />
credits/pics: CHema Skdnl!, <strong>Rocking</strong> <strong>Steady</strong>, Daniel Neumann, K-A. Groeger<br />
layout: Michael Seibold | 2mcon Bamberg (www.2mcon.de);<br />
publication frequency: every second month<br />
press dates: 15the each month before publication<br />
adverts: Ludwig Märthesheimer | + 49 0951 - 700 56 20 |<br />
lm@rockingsteady.de<br />
www.rockingsteady.de | www.rockingsteady.eu | www.rockingsteady.com
Jamaican Originators<br />
titleStory the mArley Spirit<br />
Ziggy Marley<br />
Reggae-icon and five-fold winner Ziggy Marley,<br />
who is the oldest son of Rita and Bob Marley,<br />
released his fourth solo album ‘Wild And Free’<br />
in the middle of June. Born in 1968 in Kingston,<br />
the singer, songwriter, and guitar player started<br />
his successful career with three of his brothers<br />
and sisters as ‘Ziggy Marley & The Melody<br />
Makers’ in 1985 and finally published his first<br />
solo album in 2003. ‘<strong>Rocking</strong> <strong>Steady</strong>’ met him<br />
for an interview at his performance at the<br />
‘Merck-Sommerperlen’ in the ‘Centralstation’<br />
of Darmstadt. After the great opening from<br />
support act ‘Ease Up Ltd.’, Ziggy Marley won<br />
Jul/Aug<br />
2011<br />
Jul/Aug<br />
interview bob mArleyS heritAge 2011<br />
www.ziggymarley.com<br />
favor with the audience from the first until the<br />
last minute. The “Best-Of” mix of older songs like<br />
‘Love Is My Religion’, songs from the new album,<br />
and chosen cover versions of his dad’s songs<br />
came out perfectly as Ziggy was accompanied<br />
on stage by experienced musicians (including<br />
guitar-player Takeshi Akimoto).<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Your musical education<br />
started early. With guitar, drums, singing and<br />
dancing. You were always into your dad’s records<br />
and live songs with the Wailers since 1976.<br />
Which influences were significant?<br />
your opinion about <strong>Rocking</strong>steady!<br />
BE PART<br />
of our online community!<br />
www.rockingsteady.com<br />
Ziggy Marley: Primarily, reggae. With the<br />
Melody Makers, with my brothers and sisters<br />
(Cedella, Sharon, and Stephen), blues, R & B, and<br />
hip hop were added. Our debut ‘Play The Game<br />
Right’ came out in 1985, and other albums followed.<br />
With ‘Conscious Part’ we got our first<br />
Grammy in 1988.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Internationally known and<br />
extremely popular in the US, it was time to start<br />
a solo-career with ‘Dragonfly’ in 2003. In 2006<br />
you followed it up with ‘Love Is My Religion’, and<br />
in 2009, ‘Family Time’. It was awarded a Grammy<br />
for the category ‘Best Musical Album For Children’.<br />
As a five-time father, one would imagine<br />
you are very happy about that.<br />
Ziggy Marley: With the solo-career, I further<br />
developed myself once again. Although my love<br />
belongs to reggae, I expanded from there<br />
stylistically into other areas. And, if the work is<br />
awarded a prize, it is always something very<br />
special. In the case of ‘Family Time’, it’s essential:<br />
music is very important for the development of<br />
children and adolescents.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: ‘Wild And Free’ was recorded<br />
along with Don Was (producer of The Rolling<br />
Stones) in L.A. and Kingston, a team player<br />
with whom you worked together successfully<br />
many times. The mix was provided by Bob Clearmountain.<br />
Actor Woody Harrelson, co-worker
Heavy D and two of your sons were presented<br />
as guests in the 12 new hits. Are such guest<br />
appearances planned well in advance?<br />
Ziggy Marley: Not necessarily. I’m friends with<br />
Woody, and in terms of content it had to do<br />
with the legalization of marijuana (California’s<br />
Proposition 19). Heavy D. has a daughter who<br />
attends the same school as my daughter, so we<br />
see each other often and talk to each other. So,<br />
cooperation comes into play casually, it definitely<br />
doesn’t have anything to do with marketing.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: From ‘Wild And Free‘ to ‘Elizabeth‘,<br />
arose a varied singer/songwriter album<br />
on the basis of reggae which presents you as a<br />
ripe, accomplished artist. The subjects are<br />
personal, political and also religious. The lyrics<br />
question life, love and friendship. With that said,<br />
what is your take on your album?<br />
Ziggy Marley: I always want to hold up<br />
the values which were put across by my/our<br />
parents. For example, my mum does work with<br />
the Rita Marley Foundation as I do with URGE,<br />
a non-profit organization which tends to social<br />
projects in less developed countries. I want to<br />
inspire and motivate people. It’s all about<br />
creating positive vibes. I’m a musician, not a<br />
politician, but songs of remonstrations still<br />
have their authority. ‘Get Out Of Town’ or ‘Elizabeth’<br />
are good examples of that.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: The actual CD is released<br />
on the label Tuff Gong Worldwide. Is the label<br />
still alive and has it been continued?<br />
Ziggy Marley: It was founded as Tuff Gong<br />
International by my father to promote his music<br />
independently with his own label. He developed<br />
a master plan which I want to continue: to be<br />
free and to offer classic talents. Not only reggae<br />
acts either. Last time, we dedicated it with<br />
the compilation ‘Dancehall Orginators’ in another<br />
genre. (Check it out: www.tuffgongworldwide.com.)<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Keyword: all-rounder talent<br />
- Ziggy Marley. Songs were used as soundtracks<br />
in some movies, in some series you also had<br />
guest appearances. When you aren’t traveling<br />
between L.A., Miami or Kingston, you have another<br />
talent, as an author of comics. What’s the<br />
story about the ‘Marijuanaman’?<br />
Ziggy Marley: It’s a successful try to be<br />
creative on another level. Like every child, I liked<br />
to read comics, especially with American superheroes.<br />
I kept this idea for this ‘graphic novel’ in<br />
mind for ages and could realize it perfectly with<br />
Joe Casey and Jim Mahfood. ‘Marijuanaman’<br />
represents the hope for a future where we could<br />
use our abilities to save the earth. (Check it out<br />
here: www.marijunamancomic.com)<br />
<strong>Rocking</strong> <strong>Steady</strong>!: As a ten year old, you recorded<br />
the song ‘Children Playing In The Streets’<br />
written by your dad, and now you have 12<br />
albums under your belt! We wish you all the best<br />
for the future and a lot creativity and success,<br />
whatever you do!<br />
Frank Keil<br />
<strong>05</strong>
Desorden Publico<br />
veneZuelAn SkA pioneerS<br />
interview<br />
www.desordenpublico.net<br />
Jul/Aug<br />
2011<br />
Recently, Desorden Publico ended a successful<br />
month-long tour through Europe, promoting<br />
their most recent album, ‘Los Contrarios’.<br />
The octet from the capital of Caracas is still<br />
undoubtedly the number one ska band out of<br />
Latin America and still enjoys great popularity<br />
with fans and media, especially in Germany.<br />
After seeing the band at the beginning of the<br />
tour in Berlin and at a festival in Mainz, we met<br />
them once again in Erlangen at the end of<br />
the tour. Before and after the concert at the<br />
‘E-werk’, we took a detailed look behind the<br />
scenes of the musicians from Venezuela in an<br />
interview with the founding members Horacio<br />
Blanco and Caplis.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Please introduce yourself<br />
briefly and tell us something about the start of<br />
Desorden Publico which included a lot of<br />
restructuring. What’s the meaning of the<br />
name?<br />
Horacio/Caplis: We are Horacio Blanco, singer<br />
and guitarist and José Luis ‘Caplis’ Chacín,<br />
the bassist. We are both founding members,<br />
we brought the band into being in 1985 after<br />
I got to know Horacio through his sister. Early<br />
punk rock, new wave and 2-tone ska were<br />
also his most important musical roots. Caplis<br />
also had a sound system as a DJ from which<br />
the band emerged. The cars of the national<br />
guard in Caracas had the inscription: ‘Orden<br />
Publico’ and this contrast seemed very suitable<br />
for the band. At first, we recorded tapes and<br />
organized their sale across Caracas. Bit by bit,<br />
we played everywhere in Venezuela and the<br />
project became a real band. Today, we have<br />
four constant members, both of us plus the<br />
drummer Sarmiento and the percussion player<br />
Alcaino, but we also have other musicians who<br />
fill-in and accompany sometimes.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: From the beginning, you<br />
sang in Spanish, especially in Spain. So, everyone<br />
in your home country could understand<br />
you, and here it’s one of the big pluses of Latin<br />
ska. How has your music developed since<br />
Desorden Publico’s LP via CBS in 1988?<br />
Desorden Publico at E-Werk Erlangen
Horacio/Caplis: We wanted our fans to be<br />
able to understand our lyrics; we wanted to be<br />
close to reality. Almost all bands in the community<br />
in Venezuela sing more or less successfully<br />
in English. We were different. Until today, we had<br />
a kind of infotainment type of view; the content<br />
reflects the experiences of our life - should bring<br />
fun, but also make listeners think by their selves.<br />
There was a consequent development over the<br />
years, in addition to the roots, we added Latin<br />
styles like salsa, merengue or cumbia, but also<br />
rocksteady, reggae and soul.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: When did your career start<br />
to get international recognition? When were<br />
you touring in Europe for the first time?<br />
Horacio/Caplis: In Latin America, ‘En Descomposicion’<br />
had its breakthrough in 1990,<br />
the tours followed through the USA in 1993<br />
and Mexico in 1994. Since that time, the band<br />
has become a fulltime business. We travel to<br />
Europe at regular intervals since 1996, which<br />
started with an invitation from David Byrne of<br />
The Talking Heads to play a festival in Barcelona.<br />
In September 2011, we will play in Australia<br />
for the first time.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: An energetic and exciting<br />
sound forms your shows; band and audience<br />
melt into a euphoric unity. How have you<br />
developed the relation between studio and<br />
live-performance over the years?<br />
Horacio/Caplis: Of course, we improved<br />
ourselves in the studio; we extended our<br />
knowledge as musicians and also technically.<br />
The aim is to be at the same level as at the live<br />
performances. Of course, our love still belongs<br />
to the stage. There is nothing better than the<br />
direct contact with our audience, the common<br />
party inside and outside.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: ‘Los Contrarios‘ is the new<br />
album, containing 15 songs. This is on your own<br />
label and the published production is captivating,<br />
with the original compositions and guest<br />
collaborations.<br />
Horacio/Caplis: We think ‘Los Contrarios‘ was<br />
a success in every respect. The songs came into<br />
being in our rehearsal room which we have<br />
had for 16 years. With the pre-production,<br />
we went to the studio where our keyboarder<br />
works as an audio engineer. The result: the al-<br />
bum sounds catchy, multilayered and features<br />
many special guests. Ruben Albarran supported<br />
us in ‘El Poder Emborracha’, Kanikazu Tanaka<br />
in ‘Los Dados De La Muerte’ and then we won<br />
over a very special singer for the Clash cover<br />
from ‘City Of The Dead’: Campino (Die Toten<br />
Hosen). He has supported us before and we are<br />
also friends after playing many shows together<br />
in Venezuela. Also, The Busters benefited from<br />
the hospitality and came to support us in<br />
Caracas over Spring. And in that way, the cycle<br />
is complete with the cover of ‘It Must Be Love’<br />
(Madness), and in doing so, we have returned<br />
to our roots once again.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: You also deserve big praise<br />
for the commendable presentation of the band<br />
on the internet. Desorden Publico’s website,<br />
Myspace, Facebook, and so on – You are absolutely<br />
‘up-to-date’.<br />
Horacio/Caplis: Part of being successful is<br />
keeping up with modern times. We use every<br />
possibility to present ourselves, it doesn’t matter<br />
if it is on TV, radio, the internet, with CDs, or<br />
on the stage. So, we still could set the course<br />
for success.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: At the end, there is another<br />
question in relation to the political actions in<br />
Venezuela. Hugo Chavez has been the president<br />
for 12 years. He has formed the left wingers<br />
of Latin America, although it’s disputed.<br />
In spite of his cancer and his surgery/chemotherapy<br />
in Cuba, he aims for the reelection of<br />
2012. Are Chavez and his politicians an issue of<br />
Desorden Publico?<br />
Horacio/Caplis: Yes, of course, some songs<br />
on the new album deal concretely with his<br />
political actions and its effects for every single<br />
citizen of Venezuela. Chavez polarizes, either<br />
you love him or you hate him. But, we want to<br />
produce music for everyone in Venezuela.<br />
And truly, his party and the opposition try to<br />
take us over. That’s a difficult tightrope walk<br />
because we are primarily musicians on the CD<br />
and on the stage.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: And in addition to that, we<br />
still wish you the best and a lot of success with<br />
‘Los Contrarios’.<br />
Frank Keil<br />
07
CHema Skndl!<br />
titelthemA SkA & DeSign vol. 4<br />
Tataaaaaaaaa! With CHema Skndl! we present<br />
you the number 4 of our ska & design series.<br />
And I am sure, you will also be impressed by<br />
this in Chicago living, mexican designer.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Could you please introduce<br />
yourself to the <strong>Rocking</strong> <strong>Steady</strong>! audience in<br />
maximum three sentences?<br />
CHema Skndl!: Hello, I am CHema Skandal!,<br />
graphic artist and illustrator, musician and<br />
music aficionado. Supporter of everything related<br />
to classic jamaican music and the peanut<br />
culture. 2tone lover!<br />
<strong>Rocking</strong> <strong>Steady</strong>!: How did you get involved<br />
with the ska scene and ska-bands, for which<br />
you designed stuff.<br />
CHema Skndl!: Well, as I was throwing the<br />
Tritón Sound System parties in MéxCity and I<br />
Jul/Aug<br />
2011<br />
had to promote them. By that time I was studying<br />
design at art school, so I joined these two<br />
paths: graphics and music. Afther that I started<br />
promoting some shows with friends from<br />
California and I was doing the posters for them<br />
as well. The rumour about my artwork spread<br />
and I started doing a lot of stuff related to<br />
music: record covers, posters, t-shirts, patches,<br />
stickers, etc.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Can you tell us some more<br />
about your link to ska music?<br />
CHema Skndl!: When I was a teenager I discovered<br />
this music through some South American<br />
bands, although I had no idea what kind<br />
of music they were playing. The music caught<br />
me and I started searching for more bands and<br />
the history about it, so I ended up buying and<br />
trading records from different countries. And<br />
also by writting letters with other people that<br />
had fanzines, because the internet wasn‘t popular<br />
or cheap then.<br />
My friend Octavio and I started the Tritón<br />
Soundsystem to spread the skinhead anthems<br />
and the real Ska sounds around México (there<br />
had been a misunderstanding about what Ska<br />
music is and how it sounds). After a while I kept<br />
running the sound system project alone, due<br />
to my friend‘s obsession of becoming a movie<br />
star. Now he is famous! As you can imagine I<br />
love Drummond‘s „Scandal“ and the „Ska Ska<br />
Skandal!“ german compilations. Skad‘ for life!<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Can you describe the connection<br />
between your graphic ideas or styles<br />
with the ska music? Is there a deeper sense or<br />
just an pictographic idea or what is responsible<br />
for the result, for your style for graphics promoting<br />
ska music?
Oh Wow!! It is really awesome! Thank you Gama!!...I am so proud<br />
of it and blessed that it was done...it will be my keepsake for years<br />
and then for my family. With my thanks, respect and love...Hope<br />
meet you one day.....Susan<br />
Chema is an incredible artist....everyone loves his work, it is so<br />
instantly recognisable and fresh. He captures something unique every time he<br />
paints...we said for years we would do something together....now we finally<br />
have! Who else out there mixes mexican wrestlers and jamaican rude boys<br />
with clip art aliens in a 50‘s/60‘s style??<br />
It was great to meet up in London recently for the Skafest, he‘s a real nice<br />
guy too.... (Steve Harrington | Intensified)<br />
09
CHema Skndl!: Well, I have been working<br />
with rubber stamping for a long time now. That<br />
„record-stamped“ graphic style influenced my<br />
sketches and drawings. Of course the connection<br />
comes from the music industry and the<br />
youth cultures surrounding it. But there is a polysemic<br />
discourse too, you can find social issues<br />
and cultural references, many times involving<br />
mockery in my artwork.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Please name a couple of<br />
bands you would love to work with/design for?<br />
CHema Skndl!: Bands I like right now are The<br />
Soulsteppers, The Lions, See Spot and bands<br />
that sound alike. The Pioneers, The Specials...<br />
and of course many original singers and musicians.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Which jobs in the skaworld<br />
have you liked the most?<br />
CHema Skndl!: Recent posters I‘ve enjoyed<br />
working on a lot are Roy Ellis‘ Chicago show<br />
and the L.A.‘s Reggae69 project. And last year I<br />
made some artwork for Pama International‘s last<br />
album, The Caroloregians and King Hammond.<br />
Another one was Intensified‘s 20th anniversary<br />
album for which I had total freedom to propose<br />
and the result was great. I think they liked it too.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Which of your works for the<br />
ska scene do you like most of all? Can you show<br />
us which and explain why?<br />
CHema Skndl!: Record covers are always a<br />
challenge but it‘s very satisfactory when you<br />
see the end results. As I said, Intensified‘s „Lunar<br />
City Groove“ was a really nice project. For that<br />
record I was asked to translate the mood of the<br />
last recording of the band from Kent: a moon<br />
party landscape full with different characters .<br />
Each character has it‘s own attitude and they<br />
look if they are having a good time.<br />
All the process for this project took around six<br />
months and was supervised by Steve Harrington<br />
himself. The packaging design had to be<br />
very special due to it‘s anniversary nature and<br />
the two-disc (CD+DVD) format.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Suppose you had to create<br />
a cover for the <strong>Rocking</strong> <strong>Steady</strong>! Magazine. What<br />
do you think should it look like?<br />
CHema Skndl: The first thing I would think<br />
about is the Rocksteady music era and it‘s<br />
evolution. You know, The Uniques, The Gaylads,<br />
The Paragons and all these obscure recordings<br />
made by Hopeton Lewis and Junior Soul. It<br />
would include Jamaican nature, a sand beach<br />
and... a cold jamaican beer!<br />
OW<br />
Mehr Informationen zu<br />
CHema Skndl!::<br />
www.chemaskandal.com
11<br />
www.myspace.com/chemaskandal<br />
www.facebook.com/chemaskandal
Cookie The Herbalist (CH)<br />
review like A tree (rootDown rec.)<br />
One Drop<br />
review<br />
Dubtari (DE)<br />
review<br />
The theme of the album „Like a Tree“ seems<br />
very earthy - and in that way, the CD starts. The<br />
second track shows that the diamond which<br />
was brought abroad by Rootdown still needs<br />
more of a finishing touch. While toasting, the<br />
voice sounds perfect, but in spite of the good<br />
production, the vocals could still be improved.<br />
Because of this, the songs featuring the toaster<br />
supported by female backing vocals attract<br />
better attention. With all of that said, the voice<br />
of Andrew Robinson is very striking and convincing<br />
in the opening track, „Hold On“. The band<br />
works well with Cookie and aids to emphasize<br />
his talent. The compositions are varied and<br />
multifarious - something between Gentleman,<br />
a bit of Nosliw and his own modern reggae<br />
the biggeSt reggAe one Drop AnthemS<br />
Jul/Aug<br />
2011<br />
„The Biggest Reggae One Drop Anthems 2011“<br />
became a high-quality soundtrack for the summer<br />
here. This official hit compilation produced<br />
by Christopher Chin consists of the latest 17<br />
songs from Tony Rebel and Romain Virgo, to<br />
Bunny Lee and Gentleman (from Germany). In<br />
terms of styles, this annual compilation from<br />
2011 covers a wide spectrum of Jamaican music<br />
and presents many successful foreign performers.<br />
The retro style cover wasn‘t necessary<br />
to attract potential consumers, as tracks like<br />
„Tempted To Touch“ by Busy Signal or „It Hard“ by<br />
DiverSity (DubtAri rec./SoulFire)<br />
Jul/Aug<br />
Jul/Aug<br />
2011<br />
The ensemble group Dubtari from Hamburg<br />
produces easy-listening summer ska. The name<br />
of the band is an allusion to the cult program<br />
„Daktari“ and the dub music style. The fifth<br />
album from these eight musicians is a bootleg<br />
recorded on November 13, 2010 at The Fabrik in<br />
Hamburg with the concise title: „Live in Altona“.<br />
It‘s a varied cross-section of the 12 year-history<br />
of the band. It begins with the instrumental<br />
song „Madrugada“ - a good choice to introduce<br />
the listener to a load of ska. Of course, classics<br />
like „Drogen“ or „Altona Kicks“ are not missing<br />
on the compilation or rather, at the concert.<br />
Reggae In<br />
Your Jeggae<br />
2011 sound. „Running Away“ is my personal favorite.<br />
It is a beautiful and relaxed reggae-cruiser with<br />
nice key-fills and an integrated showcase of the<br />
authentic toaster qualities of the debutant. „A<br />
Girl Like You“ is the only tune which I think could<br />
be a potential commercial hit. Following that<br />
song is „Move On“, which is also a great contemporary<br />
reggae track. After that, the album turns<br />
toward a dancing mood again. Even though I‘m<br />
not into it, these tracks could be interesting for<br />
dancehall fans. Interesting vibes, but definitely<br />
needs development.<br />
OW<br />
Queen Ifrica are definitely able to pull listeners<br />
in. On this compilation, dancehall is left out to<br />
a great extent. Instead, you will find acts like<br />
Vybz Kartel with authentic roots reggae vibes.<br />
Any of those out there who want to save on the<br />
airfare to Jamaica, should first try getting that<br />
Caribbean feeling with „The Biggest Reggae One<br />
Drop Anthems 2011“.<br />
Frank Keil<br />
This album features partially fast ska mixed with<br />
reggae and dub, additional punky-seeming<br />
lyrics sometimes in German, English or also in<br />
Spanish.<br />
The singer Marcophone‘s voice comes across<br />
in different ways from cawing to dirty, which<br />
forms a contrast to the empathetic voice of the<br />
front woman Quiandra. All in all, it doesn‘t ignite<br />
a spark - but nevertheless, it‘s a steady going<br />
album.<br />
Tim-Niklas Kubach
Dreadnut Inc (DE)<br />
review FirSt Drop (SoulFire ArtiStS)<br />
Ce`Cile (JM)<br />
review JAmAicAniZAtion (kingStone recorDS)<br />
The Mighty Sparrow (TT)<br />
review<br />
Dr. birD (17th north pArADe)<br />
Jul/Aug<br />
2011<br />
Dreadnut Inc. presents themselves as snazzy<br />
and offbeat, featuring a talented wind section<br />
on their first album. It isn‘t at all out of the question<br />
to award them with the title „Newcomer of<br />
the Year“. Even though this band from Münster/<br />
Paderborn has existed since 2004, the eight musicians<br />
only just released their first album. With<br />
„First Drop“, they start auspiciously with huge<br />
potential. The opener is a beautiful reggae track<br />
- like the feeling of summer for the ears.<br />
„Just a second before we explode. Let me be<br />
your five minute break before your real life<br />
starts,“ breathes the 25 year old singer and<br />
front man, Paul Jungeblodt, singing the second<br />
verse of the song „Ready to Rise“ - a great song<br />
Jul/Aug<br />
2011<br />
Ce`Cile presents 16 songs on her new album,<br />
„Jamaicanization“, and satisfies 100% right from<br />
the opening track: „Where You Want Me?“ - Right<br />
here and in that way, Ce`Cile‘, right here and in<br />
that way. It has a catchy reggae groove that is<br />
good to dance to, with a successful hook sung<br />
by a lovely voice. It follows similarly with „When<br />
You‘re Gone“, „Sweetness“, and especially „Touch<br />
Yourself“. The last track has a reggae groove that<br />
is true to the original style, and toasting by the<br />
singer as sweet as sugar. Right in the middle of<br />
the album is the ballad-like tune, „Ok Without<br />
You“. In „Hey“, Ce‘Cile features Agent Sasco, who<br />
adds more interesting toasting to the album.<br />
Jul/Aug<br />
2011<br />
The sublabel of VP Records compiled this whole<br />
package with a double-CD plus DVD. And of<br />
course, it has become a Soca Anthology. 30<br />
songs, showing the musical history of Trinidad,<br />
are sung by the exceptional artist Slinger Francisco<br />
who is promoted under names such as<br />
„Mighty Sparrow“ and the „King of the Calypso<br />
World“. His song „Jean & Dinah“, which he won<br />
an award for in 1956 at the Carnival Road, is<br />
probably his most famous and beloved calypso<br />
tune of all time and is also the opener of this<br />
compilation filled with awesome songs.<br />
There you find also other famous pieces like<br />
„Congo Man“, „Obeah Wedding“, „Sell the Pussy“,<br />
13<br />
that leaves you wanting more. The explosion<br />
follows only with the next few titles on the disc.<br />
„One Love“ - the fast-paced ska song - isn‘t an<br />
objectionable invitation to dance. The debut<br />
album, „First Drop“ is a successful outcome to<br />
the core, especially convincing because of the<br />
wind section. What has to be highlighted is<br />
Jungeblodt‘s voice: with his voice, it would be<br />
a tragedy not to play reggae and ska. Dreadnut<br />
Inc. - a band from which you will hear a lot in the<br />
future. They get a strong „buy“recommendation<br />
for their debut.<br />
Tim-Niklas Kubach<br />
The groove is excessively good to dance to. „Singing<br />
This Song“ is a dancehall smash. Also, „Woot<br />
Woot“, „Wicked & Wild“ and „Want More“<br />
are good to dance to, but they go beyond<br />
my tolerance limit for modern rhythms. Only<br />
„Exclusive“ brings me back in the right mood<br />
to relax with melodious sound. Incredible! This<br />
continues with the rest of the album. Conclusion:<br />
It‘s possible to produce modern reggae without<br />
overwriting the essence of this beautiful music<br />
beyond recognition. Pump up the volume,<br />
dance and have fun: „Nah Stress Over Man“! -<br />
„Upon The Dancefloor“<br />
OW<br />
„Tobago Girls“, „Mother‘s Love“, and „Ten To One“<br />
amongst some less familiar material. Great<br />
musicians and personalities of Trinidad are<br />
featured as well, including Alvin Daniells, Roy<br />
Cape, Diana Rhyner, Winston „Gypsy“ Peters, Ed<br />
Watson and Holly Betaudier. The guest artists<br />
shape the image of the musician, which dispels<br />
the any lasting doubts. The Mighty Sparrow is<br />
an exceptional artist who plays special music in<br />
a beautiful and perfect way. This is an excellent<br />
double-album with over 2 hours of DVD footage<br />
following Mighty Sparrow‘s life. Awesome!<br />
OW
The World of Ska<br />
ArounD the worlD ...<br />
titleStory<br />
Once again, we present some of the best<br />
bands of europe for you: The Valkyrians,<br />
whose new long player „Punkrocksteady“<br />
is out. The Magic Touch, the restless and<br />
prolific Rocksteady-Cats from Berlin/Leipzig,<br />
who also are working on new stuff those days.<br />
And we ve been at one of the great concerts<br />
of Babylove & The Van Dangos. Then we`ve<br />
got loads of reviews who really argue for<br />
good, good ska music.<br />
And the lots of new releases are still going<br />
on. All of real good quality. All over the world.<br />
From France, lots of news from Germany this<br />
Jul/Aug<br />
2011<br />
time, Finland with some more releases, Spain<br />
and also the anglo-american territories. And<br />
last but not least we`ve got news from South<br />
Africa - a really well ska punk record. And lots<br />
more....!<br />
www.thevalkyrians.com
The Valkyrians (FI)<br />
interview<br />
mADe in FinlAnD<br />
New stuff from Finland! Punkrock cover<br />
versions by the VALKYRIANS. A matter to talk<br />
with “Angster” and “Mr. Moonhead” about this<br />
lovely creation and plans for the next months.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: THE VALKYRIANS just<br />
released „Punkrocksteady“. Some of the tracks<br />
never have been better before i think. Who<br />
has got the idea to record this fine assortment<br />
of punkrock classics dressed up as rocksteady<br />
versions?<br />
Angster: While our first tours in Europe<br />
some people criticized us for playing too<br />
many cover songs. We never forgot that and<br />
decided now to make a pure cover album. We<br />
also used to play some gigs as The Vampyrians<br />
(horror reggae). Then we played for instance<br />
Misfits‘ song “Astrozombies”. But why punk<br />
covers? Because we have all been punkrockers<br />
when we were young. Letku-Leroy was<br />
a member of Ratsia, which was one of the<br />
first punk bands in Finland. We wanted to<br />
honour our early favourite bands, which have<br />
influenced us (besides reggae). And why rocksteady<br />
versions? Because we love rocksteady.<br />
Mr. Moonhead: We also played Devo´s<br />
“Mongoloid” as The Vampyrians. We have<br />
another side project called The Valkilmers,<br />
which is a naughty-reggae band. Music for<br />
adults, you know. I love cover songs. I love<br />
bands that make good covers: The Cramps,<br />
www.thevalkyrians.com<br />
Jul/Aug<br />
2011<br />
Rolling Stones, The Clash. In the early 60´s in<br />
Jamaica, people started to play RnB and soul<br />
covers and they invented Ska music. A cover is<br />
an homage to good music!<br />
<strong>Rocking</strong> <strong>Steady</strong>!: There are some rare<br />
cover tracks on the album. Is one of you guys<br />
especially responsible for the track list or is it a<br />
teamwork compilation?<br />
Angster: We all knew these songs before<br />
and we all have been fans of these bands. Of<br />
course there would have been lots of other<br />
songs (or bands), which could have been<br />
selected. But we are a democratic band,<br />
which means that the one who has the loudest<br />
voice, and who has more energy at the<br />
moment, will win. But I guess we all love these<br />
particular songs. And we didn‘t really choose<br />
the most obvious ones.<br />
Mr. Moonhead: All songs were arranged by<br />
The Valkyrians. Each one of us made a long<br />
list of punk-rock classics to play. Some songs<br />
we tried but nothing happened. Other songs<br />
just found their place quite fast. The songs<br />
that made it to the album are the ones that<br />
worked the best.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Tell me something about<br />
the collaboration with T.V. Smith who wrote<br />
the song „Gary Gillmore‘s Eyes“ **in the 1970s<br />
** which is also on your album.<br />
15<br />
Angster: We made a version of this song<br />
last year, and I used to sing it at our shows.<br />
Then we thought we should ask T.V. Smith<br />
to sing it. Our Finnish Record Company‘s<br />
big boss said that his friend knows him, and<br />
he could contact him. But when we were in<br />
Berlin last November, we accidentally met Mr<br />
T.V. Smith at Mutti‘s Bookings office. He also<br />
had a gig at the same day in Berlin. Then we<br />
asked him to record Gary Gilmore‘s eyes with<br />
us, and he said of course. In January he came<br />
to play in Helsinki and we recorded the song.<br />
Very cool guy<br />
Mr. Moonhead: Tim had not heard our version<br />
before he came to Helsinki. Our version<br />
is quite different to the original, the verses<br />
are shorter and even the chords are different.<br />
Tim sat down, listened, thought and sang the<br />
song in three takes. Just like that! He is a very<br />
down to earth guy. Really natural and easy going.<br />
It was great to meet him. Later we went<br />
to his show and had a few pints together.<br />
Angster: Actually the verses are longer in our<br />
arrangement, and we didn‘t drink only a few<br />
beer after the gig.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Expectedly this question<br />
- Did you already get any feedback from another<br />
of the original singers or authors?<br />
Angster: Not yet, I guess they have not<br />
heard of it yet. It would be great to see Glenn<br />
Danzig‘s reactions. Imagine, a reggae version<br />
of his song.<br />
Mr. Moonhead: In our last record we made<br />
a cover of Dead Kennedy´s “Too Drunk To<br />
Fuck”. Jello Biafra was in Helsinki not so long<br />
ago and I forgot to give him a copy of our<br />
single. I guess we have to wait for the record<br />
to come out to get some feedbacks.I can´t<br />
wait to meet Debby Harry!<br />
<strong>Rocking</strong> <strong>Steady</strong>!: I noticed that THE VALKY-<br />
RIANS will come back to Germany for some<br />
shows in november. Finally the question if you<br />
already played the new songs in Finland or<br />
somewhere else? How was the reaction of the<br />
audience?
Angster: We‘ve played a couple of these<br />
songs sometimes in the gigs. But in last two<br />
gigs in Finland we played more of them. People<br />
were very happy, some of them said that<br />
this is so unique and special. I think so too.<br />
Mr. Moonhead: Last fall, we had a show in<br />
Helsinki where we played all of these songs<br />
and more. We asked two very famous Finnish<br />
punk rockers to play with us. The show was<br />
sold out and the night was great. At the<br />
end of the last encore, Andy McCoy, from<br />
Hanoi Rocks, came to the stage and played<br />
“London Calling” completely out of his head.<br />
That moment became a legend - many music<br />
magazines wrote about it.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Well we‘re looking<br />
forward to listening „Punkrocksteady“ live on<br />
stage! Thank you and let‘s keep in contact to<br />
talk about your Heavy Metal album in a few<br />
months ;-) ok?*<br />
Angster: A splendid idea! Then we can start<br />
to talk about real money. At least in Finland<br />
heavy metal is the thing. Gotta talk with the<br />
www.facebook.com/kingstonize<br />
guys about it right away. In the mean time,<br />
let‘s rock(steady)!<br />
Mr. Moonhead: Heavy metal? Over my dead<br />
rotten body! See you Lars in Berlin. Let’s play<br />
some ping pong.<br />
Lars Kranenkamp<br />
Out Now! at <strong>Rocking</strong> Records<br />
www.rockingrecords.de
The Magic Touch (DE)<br />
tmt! they Are DynAmite!<br />
interview<br />
Without exaggeration you could say that The<br />
Magic Touch is the best rocksteady and early<br />
reggae band in Germany. The Magic Touch set<br />
standards in their country and it seems that<br />
they have become unstoppable. Between two<br />
albums, a large number of live shows and<br />
several brief tours as backing group of diverse<br />
leading jamaican singers, TMT stopped by<br />
briefly to our box.<br />
<strong>Rocking</strong> <strong>Steady</strong>!: You have been playing a lot<br />
of concerts, as well as tours backing up Roy<br />
Ellis and Susan Cadogan, coming soon with Pat<br />
Kelly. You are also working on your next studio<br />
album which will be published at the end of<br />
the year by GROVER. Honestly, are you still<br />
up for music?<br />
Magic Alex: Quite the reverse, we don’t have<br />
enough time for making music. The songs<br />
which will be on the new album, ‘Shocks of<br />
Lightning’ are again 9-12 months old, and<br />
there are lots of new songs and ideas as well.<br />
As for an overkill of music, that’s not possible.<br />
www.myspace.com/themagictouch6<br />
Jul/Aug<br />
2011<br />
<strong>Rocking</strong> <strong>Steady</strong>!: Your own shows are highly<br />
acclaimed, evidenced by a major quote by<br />
Wagner & Rivas during a concert of yours with<br />
the Aggrolites in Berlin – ‘Hell Yeah!’ . You developed<br />
relatively fast into a very popular backing<br />
band. You hear eulogies from Mr. Ellis and Ms.<br />
Cadogan which leave you speechless. What<br />
appeals you to backing?<br />
Magic Alex: Firstly, the Aggrolites say “Hell<br />
Yeah” very often ‚ day in, day out. In matters of<br />
the question: what is the big pleasure to play<br />
the Evergreens with Susan Cadogan or Roy<br />
Ellis? Appeal isn’t sufficient as description; it’s<br />
a prerogative for young musicians to perform<br />
live with people who have lifelong experiences<br />
on an impressive level. We go to great lengths<br />
to play the songs in a great way and beyond<br />
that we were lucky to quickly find a wavelength<br />
with the singers what allowed us to<br />
collaborate like a house on fire. In english and<br />
swiss german.<br />
17<br />
<strong>Rocking</strong> <strong>Steady</strong>!: For the mentioned new<br />
album, you quartered yourself again in the<br />
studio at the Lovelite in Berlin. One day, this<br />
could possibly become a place of worship for<br />
rocksteady fans. Besides a lot of other acts, The<br />
Slackers from New York recorded new material<br />
there again four weeks ago. What’s so outstanding<br />
about this studio?<br />
Magic Alex: It’s the head Jochen, Engineergenius,<br />
Relaxo-Johnny and in general, the<br />
individual, unique features inside that don’t<br />
compare to other studios. There is also a lot<br />
of junk (s. ‘Studio’) which belongs to him and<br />
which he can handle.<br />
<strong>Rocking</strong> <strong>Steady</strong>! Now, you will tour soon.<br />
Among other things, you will pay a visit to Italy,<br />
Hungary and Switzerland. What’s the plan for<br />
the rest of the year? We hear that the families<br />
of the single members of the band may grow?<br />
Will you shift down a gear or will you keep your<br />
work quota?<br />
Magic Alex: Of course, the bellies will grow<br />
but that’s not the point now. We will not shift<br />
down. We will play a lot for the Eastern German<br />
Lowlands and hopefully, finally for the north<br />
and east coast. We also have to go to Vienna.<br />
By the way, as postscript for the gushing praise:<br />
Ken Boothe would like to take us to Jamaica<br />
after cooperation in 2004. Ken, call us!<br />
<strong>Rocking</strong> <strong>Steady</strong>l! Thanks for the brief pit stop<br />
and we will meet up for the new album. All the<br />
best until then!<br />
Lars Kranenkamp
Babylove & The Van Dangos (DK)<br />
Swing & SwAy<br />
konZertbericht<br />
“Broken Bottles, Broken Hearts“ – The residue<br />
of a merry concert eve has rarely been put in a<br />
nutshell as it has with the beginning of the new<br />
album from ‘Babylove and The Van Dangos’.<br />
With ‘The Money & The Time’ the Danes present<br />
their third LP and are still filling the people with<br />
enthusiasm. In 2004, coming from the leftovers<br />
of the legendary ‘Furillo’, the Van Dangos played<br />
their selves to the top of the European ska<br />
and rocksteady ranks. With very young, but<br />
outstanding musicians they managed to fill the<br />
audience with enthusiasm with their exciting<br />
and fun live shows. Their European tour in the<br />
early summer makes it obvious: at the ‘FFT Freitagsclub’<br />
in Düsseldorf, only 50 people showed<br />
up, but the Danes displayed all of their skills on<br />
the stage in the theatre lobby.<br />
The evening started cozy with a new reggae<br />
song as the audience came in from the street.<br />
‘Friday Night, Saturday Night‘ tells about the<br />
Jul/Aug<br />
2011<br />
experiences of the band on tour. With a beat<br />
based on the guitar, they go again and again,<br />
fast forward until a drum break with the fanfare<br />
of the wind section, and leads into a new bend.<br />
The journey goes on to Copenhagen, the<br />
hometown of the band. They dedicated the<br />
song “Bath House” to a historical bath which<br />
was closed last year. The home-love of the<br />
Danes is presented also with the song: ‘So<br />
Long, Copenhagen’ off their second album,<br />
‘Lover Choice’ (2008). The reggae track is an<br />
awesome homage to the city which is based on<br />
the unique voice of Daniel Bromans. After their<br />
highly reviewed debut ‘Run Run Rudie’ (20<strong>05</strong>),<br />
the Van Dangos were supported top-flight on<br />
the second album: Coolie Ranx of The Toasters<br />
refined the song about the ‘Big Baboon’, a<br />
monkey, who sits in a white house, with some<br />
toasts in the middle. They also won over Doreen<br />
Shaffer for a duet. To have this classic female<br />
Foto: karen-Anja groeger<br />
Foto: karen-Anja groeger<br />
musician in the studio was an impressive<br />
event for the band. As singer Daniel ‘Babylove’<br />
Broman explained in Düsseldorf: ‘You would call<br />
it ‘Granny-porn’ in Germany’ he said slyly.<br />
The singer from Sweden proves himself in Düsseldorf<br />
to be a thoroughbred entertainer – not<br />
only with his humorous and nonsensical announcements<br />
and banter with the audience, it’s<br />
the general appearance of Broman. He moves<br />
his body in an apparently easy going manner to<br />
the rhythm of the music, one twist of the pelvis<br />
drives out the next. It’s crowned by a powerful<br />
voice which strikes the high and also the low<br />
notes perfectly and with which he sings parts<br />
of the songs without the accompaniment of his<br />
band, a capella. With it, he can rely totally on his<br />
colleagues of the band. Mikkel Szlavik on the<br />
drums plays powerful, but always with the right<br />
beats, which the rest of the band can get into.<br />
The concerts are more like jam sessions in a<br />
sense. Jakob Thomhav takes playing liberties on<br />
the guitar and also opens up the intro as Kristian<br />
Rinck-Henriksen (trombone) and Johann<br />
Bylling Lang (saxophone) scintillate as a twopart<br />
wind section. Often, they decide during<br />
the concert which of the both plays a solo. You<br />
can really see the pleasure of the band of playing<br />
together. Of course, they also revise their<br />
own songs happily. ‘Jump ‘N Swing ‘N Sway’ is<br />
prefaced with a rhythm-and-blues intro, while<br />
‘But I Love You’ contrasts the acoustic version on<br />
the first album and is played as a lively dance<br />
track.<br />
For ‘Babylove And The Van Dangos’ there is<br />
more here than just music and partying. Besides<br />
love and heartsickness, the lyrics are also about<br />
politics. On the first album they denounce the<br />
‘Politrixians’ and the people who submit them-
selves to the despotism of society and<br />
political correctness. On ‘The Money & The<br />
Time’, they don’t mince words. The cheerful<br />
rocksteady tune ‘Still Out There’ also balances<br />
an account with the brown mob, who present<br />
themselves in a civil slate, but still stand for the<br />
same inhumane opinions. The band clearly<br />
wants to make people think, and not just with<br />
what is printed in their liner notes in lieu of<br />
lyrics. It boils down to what they say in ‘Friday<br />
Night, Saturday Night’ – “It’s not just entertainment…”<br />
Florian Surek<br />
Ska-punk from South Africa? A few won’t believe<br />
it, but for other people it’s old hat. After all,<br />
Hog Hoggidy Hog, the band from Cape Town,<br />
has toured for 14 years and has a huge community<br />
of fans outside of South Africa. Now,<br />
they present their sixth album ‘Method To<br />
Madness’ in Europe and they will not by any<br />
means hold back on our stages. HHH’s socalled<br />
‘Pork Rock’ is a merciless mix of ska/punk<br />
with African musical influences. They throw it<br />
back at us that it puts the boat out. In contrast<br />
to a lot of different bands that have bigger<br />
success overseas, they became icons in their<br />
home country first and are seeking that same<br />
recognition throughout Europe.<br />
OW<br />
<strong>Rocking</strong> <strong>Steady</strong> presents:<br />
Ellwood (US)<br />
europAtour<br />
‘Ellwood’ is a prominent new side project<br />
coming to Germany with their debut album<br />
released on Fat Wreck in September, called<br />
‘Lost in Transition’. Chuck Robertson and<br />
Todd Rosenberg from the Mad Caddies<br />
together with Dustin Lanker and Graham<br />
Palmer will present us reggae and ska in the<br />
style of Sublime and the Long Beach Dub<br />
Allstars. We also have a review of the album<br />
and an interview from the tour for you next<br />
time. We don’t want to miss the show and<br />
want to ask the guys from California about<br />
the purpose and goal of this project!!! We<br />
will see you at the concert! (TOUR HAS BEEN<br />
POSTPONED UNTIL NOVEMBER/DECEMBER)<br />
Hog Hoggidy Hog (ZA)<br />
rough & tough<br />
europAtour<br />
06.08. SL-MCT/ Trbovlje<br />
07.08. SL-O.F.A.K. Stunf/ Ormož<br />
08.08. SL-Trnfest/Ljlubljana<br />
09.08. SL-Kamfest/Kamnik<br />
13.08. SL-Crnfest/Crnomelj<br />
14.08. SL-Punk Rock Holiday/Crnomelj<br />
17.08. SL-Zmaj ma mlade/Postojna<br />
18.08. DE-Bierg.Groggensee/Ehingen<br />
20.08. DE-Hemperium/Ulm<br />
21.08. DE-JUZI Göttingen<br />
24.08. DE-Halle VL/Halle<br />
26.08. DE-Duncker Club/Berlin<br />
27.08. DE-JZ Ostbunker/Osnabrück<br />
OW<br />
Jul/Aug<br />
2011<br />
cAliForniA Sun<br />
19<br />
Jul/Aug<br />
2011<br />
16.09. DE-Stattbahnhof/Schweinfurt<br />
17.09. DE-Essigfabrik/Köln<br />
18.09. DE-Markthalle/Hamburg<br />
19.09. DE-Chez Heinz/Hannover<br />
20.09. DE-Lovelite/Berlin<br />
22.09. AT-Arena/Wien<br />
23.09. DE-Goldmarks/Stuttgart<br />
24.09. CH-Sommercasion/Basel<br />
25.09. DE-Club Vaudeville/Lindau<br />
27.09. NE-Melkweeg/Amsterdam<br />
28.09. BE-Oostende/OHK<br />
29.09. UK-Academy Islington/London<br />
30.09. UK-Rock City/Nottingham<br />
01.10. UK-Club Alter Ego/Manchester<br />
02.10. UK-The Croft/Bristol
65 Mines Street (FR)<br />
review 65 mineS Street (proDuctionS impoSSible recorDS)<br />
In terms of style, the French guys of 65 Mines<br />
Street from Franche -Comté/Audincourt have<br />
signed themselves off on a mix of the finest<br />
punky reggae & ska music since 2009. Anyone<br />
who associates bands like The Specials, The<br />
Aggrolites, 8°6 Crew, The Slackers or Jim Murple<br />
Memorial with it, is definitely right. The album<br />
features 17 tracks, as well as a bonus video<br />
track. The sextet around singer John Lewis and<br />
organist Mista Purple (who also plays with the<br />
currently breaking band Two Tone Club) have<br />
gained some workmates in the studio who<br />
have given the final touches to the original<br />
The Pepper Pots (ES)<br />
review trAin to your lover (blAck pepper corp.)<br />
Ellwood (US)<br />
review loSt in trAnSition (FAt wreck)<br />
Jul/Aug<br />
2011<br />
Jul/Aug<br />
2011<br />
Until their third album „NOW!“ (2009), the<br />
Catalan Big Band managed to do a perfect mix<br />
of old-school soul and Jamaican music. On the<br />
current CD, „Train To Your Love“, the stylistic direction<br />
has changed after the change of instrumentation<br />
of the three singers (Aya Sima came<br />
for Merce Munné). All 12 songs from „Can‘t Let<br />
Him Go“ and „Dreams of Coming Back“ to „Gladden<br />
Your Soul“ dominate over American soul of<br />
the Motown era. Logically, the ten members of<br />
the band have invited American sound engineer<br />
Bob Ohlsson, who had great success working<br />
at Motown Records from 1965 to 1972, to their<br />
own studio. The collaboration on „Train to Your<br />
Lover“ works out well because the participative<br />
Jul/Aug<br />
2011<br />
This small gem has a playtime of 31 minutes,<br />
recorded in the mood of the holidays with a<br />
dash of lovesickness, and featuring beautiful melodies.<br />
I don‘t have to say much about the voice<br />
of Chuck Robertson.<br />
A good voice is a good voice. The new songs<br />
aren‘t necessarily varied, but very unique. To<br />
justify the hype, one would have to see the<br />
band perform live. I‘m anxious to see what the<br />
four Americans can do to turn 31 minutes of<br />
music into a full concert. There must be more<br />
than nine songs which are polished by the sun<br />
and sung in a melancholic groovy style but are<br />
very beautifully recorded and sung well. The<br />
influences of rap, funk, pop and rock are clear<br />
compositions/arrangements of „65 Mines Street<br />
vs. Kentish Town Road“ and „Brand New Spring“.<br />
The only cover on the album, „Stuck in the<br />
Middle With You“ (Steeler‘s Wheel), fits smoothly<br />
into the conclusive and enjoyable concept of<br />
the band<br />
Frank Keil<br />
singers and musicians operate with the highest<br />
musical quality. The entire sum of it is a classic<br />
sound of the Sixties which will lead the band<br />
from Barcelona to guest performances around<br />
the world as of June 2011. Of course, everyone<br />
will be anxious now about what will come out<br />
of their next project - a record featuring American<br />
singer Eli „Paperboy“ Reed..<br />
Frank Keil<br />
on this album. The contextual focusing on love<br />
stories plays an essential role. You can imagine<br />
how it should sound live, amongst others played<br />
by musicians like the Mad Caddies. On disc it‘s a<br />
very beautiful listen-along album which asserts<br />
itself as very catchy. Despite not having any<br />
highlights, it is a constantly enjoyable album.<br />
The breakout song, „Sunshine Garden“ could be<br />
a candidate for bigger success of the project. At<br />
the very least, this CD has ended up in the CD<br />
player more than once - a definite good sign!<br />
OW
Ratatouille (DE)<br />
review<br />
SeArch For golD (eigenvertrieb)<br />
The Broilers (DE)<br />
review SAntA muerte (people like you rec. )<br />
Jul/Aug<br />
2011<br />
This album by the offbeat disco supergroup<br />
Ratatouille, isn‘t much of a dance album by any<br />
means. It‘s hard to get truly into move with this<br />
album. Everything is very smooth: definitely not<br />
an album to break out and dance to, but rather<br />
one to sit and listen to. By the way, it‘s perfect.<br />
The CD has a vinyl style and is packed in a<br />
digipack. That‘s not anything new - but it always<br />
looks good. Ratatouille presents smooth ska<br />
with almost breathing vocals. It‘s fun to listen to<br />
the guys from Bochum, who have been around<br />
since 2003, and tap your feet to the music - but<br />
that‘s the highest of high. The style of Ratatouille<br />
could be described as a little pop-influenced, for<br />
Jul/Aug<br />
2011<br />
The Broilers were founded as an oi and punk<br />
band in Düsseldorf back in 1994 by singer/guitarist<br />
Sammy Amara and drummer Andi Brügge.<br />
Over time, they have developed themselves and<br />
show how far they‘ve come on their new album<br />
„Santa Muerte“. The new titles produced by<br />
Vincent Sorg that include the standard-setting<br />
energetic opener „Harter Weg (Go!)“, are musically<br />
enjoyable and complex. The most recent<br />
change in the group‘s formation was in 2004,<br />
and now they have continued to evolve. Due<br />
to the „family of four wind section“ influences<br />
from ska and reggae, The Broilers come back<br />
<strong>Rocking</strong>steady - Shirtshop<br />
ska / Reggae / rocksteady fashion<br />
Exclusive Shirtdesigns<br />
of selected<br />
Ska-/ Reggae artists<br />
around the world.<br />
21<br />
the majority of songs feature pop elements, like<br />
the opening track, „Search for Gold‘. But perhaps,<br />
it‘s „Part of the Plan/Part of the Strategy“, as they<br />
say in the last song on the album. Highlights of<br />
the second studio album of this ska band from<br />
Bochum are definitely „Southcity Moon“ and<br />
„Jammin‘ Soul“.<br />
Tim-Niklas Kubach<br />
with these added influences, making sure to<br />
not forget about the classical elements. Music<br />
and lyrics from the pen of Sammy cover a wide<br />
spectrum, as in „In Ein Paar Jahren“ or<br />
„33 RPM“. These tracks are absolutely qualified<br />
to be big hits. The songs from „Santa Muerte“ are<br />
definitely suitable for singing along with at a live<br />
performance and were probably played at Rock<br />
in Concert Festival in Waldstadion Weismain. The<br />
Broilers appear to be prepping for the JKP deal<br />
for the Germany Tour in autumn.<br />
Frank Keil
Skaprifischer (DE)<br />
review<br />
FriScher ASpik<br />
Mr. Freak Ska (CAT)<br />
review SkA cASolA (emporDá Son)<br />
Jul/Aug<br />
2011<br />
Due to the name of the band and the title of<br />
the album you could believe, that this is more<br />
of a ‚to pass the time project‘ of some eastern<br />
german musicians with a strong sense of humor.<br />
But with the first listening I‘m overtaken by<br />
this likable, round piece of black vinyl. The mix<br />
of the chosen covers and the original compositions,<br />
sung in four different languages (German,<br />
English, French and Italian), provide a small, yet<br />
nice offer to travel in a discarded ska-train that<br />
knows to call on the still untapped places of the<br />
music landscape. You hear Adriano Celentano<br />
packed in a ska-can. His humor is translated into<br />
our favorite genre. This and many other covers<br />
are performed successfully by the guys from<br />
Mr. Freak Ska - published on Empordà Son?<br />
Whom?! We should all be excited and open<br />
our ears to this. Spain, more precisely Catalonia,<br />
is chock-full of new projects and at the same<br />
time - new labels. It makes our heart beat faster,<br />
especially, because the first publication,“Ska<br />
Casola“ from Mr. Freak Ska, is a very nice album<br />
in a remarkable and little known language. No,<br />
it‘s not Russian, nor is it Hungarian or Polish, or<br />
even Romanian, or Finnish - the album is sung in<br />
Catalan. Even though initially, it‘s hard for some<br />
to understand, it‘s a very suitable language to<br />
sing with and is a very welcome alternative.<br />
Dresden. They perform Serge Gainsbourg as<br />
well as Lennon and McCartney, the Pointer Sisters,<br />
Helge Schneider and Allen Touissant. In the<br />
same way, the choice to do this on vinyl is fancy,<br />
eye-catching, and enjoyable. Mixed with their<br />
own, just as well varied compositions, this is a<br />
successful and complete work of art which will<br />
probably be a rare record in the ska community.<br />
What a pity! Perhaps Skaprifischer will do us a<br />
favor after (hopefully) many performances and<br />
put another album out on vinyl!<br />
Another good thing to note - the download<br />
code for digital use of this album is delivered<br />
automatically free of cost. Good Thinking!<br />
Jul/Aug<br />
2011 The album has a nice groove at the beginning<br />
Check our multimedia-pdf<br />
OW<br />
which continues through the whole thing.<br />
The vocals are enjoyable throughout all of the<br />
compositions, with a choice of some interesting<br />
cover versions (especially the Catalan version of<br />
Roger Miller‘s „King Of The Road“). Generally, the<br />
total musical interplay is great. With 17 songs<br />
and a duration of almost 50 minutes, the album<br />
seems almost like a never ending story, albeit<br />
entertaining. The song „Tal Farás Tal Trobrarás“<br />
totally rocks. Check it out, as this is certainly my<br />
next suggestion for the ‚Ska Album of the Year“.<br />
OW
Los Granadians (ES) VINYLSINGLE<br />
review por mucho Que pASen loS AnoS (liQuiDAtor recorDS)<br />
Jul/Aug<br />
2011<br />
The sextet from Madrid has recorded again!<br />
Almost immediately after their previous EP<br />
„New York City“ was released, the Spanish guys<br />
were busy once again. And this time, they are<br />
in the mood for love. This is not a love song? Of<br />
course, it is a love song. It‘s titled unmistakably<br />
and appropriate: „Por Mucho Que Pasen Los<br />
Anos“. Los Granadians are looking through rosecolored<br />
glasses. Who‘d have thunk it or rather<br />
who wouldn‘t have thunk it? There is an instrumental<br />
version for interplanetary relationships<br />
on the B-side, but with a lot of organ. If there<br />
really are creatures in outer space, they will be<br />
addicted to this sound.<br />
OW<br />
23<br />
Aweseome Jamaican R&B, Ska, Jazz, Soul, Mento,<br />
Calypso & Reggae from paris<br />
Sa. 01.10.2011<br />
Das Bett<br />
<strong>Rocking</strong> <strong>Steady</strong> presents:<br />
Swing and Sway<br />
Numero 2<br />
Swing & Sway bamberg geht in die zweite runde. und auch diesmal<br />
ist ein ausgewähltes, internationales DJ-line up mit von der partie. Am<br />
Freitag gibt es zum grand opening eine band der extraklasse: the one<br />
Droppers aus italien. Da lohnt sich der Ausflug in die schönste Stadt unseres<br />
landes doch gleich mehrfach! und noch eins oben drauf. Für alle die,<br />
die es vor einigen monaten nicht ins kino geschafft haben: Samstag wird<br />
die fabelhafte rocksteady-Dokumentation „rocksteady - the roots of<br />
reggae“ im lokalen programmkino extra für den weekender abgespult.<br />
Zu gast und für Fragen offen wird der regisseur Stascha bader sein.<br />
welcome to the second edition of Swing & Sway. we‘re still knee-deep<br />
in organisational work, but feel brave enough to promise a premium life<br />
band on friday: the one Droppers from italy! on saturday we‘ve arranged<br />
for top class international DJs for your dancing pleasure! before the nighter<br />
kicks off, the rock <strong>Steady</strong> docu „rocksteady - the roots of reggae“ will<br />
be screened and we are happy to have the director, Stascha bader, with<br />
us who will introduce his work and is pleased to answer all your questions<br />
after the screening. now all you have to do is book your accomodation in<br />
lovely bamberg.<br />
DJs confirmed so far:<br />
heiko treasure Sounds & Dan the man (hamburg)<br />
Dr. Dreler (osnabrück)<br />
goegel (Ska & reggaeshirts)<br />
brick top (rude Attack - ch)<br />
texas ranger (london - uk)<br />
bazza (Straighten up! club - cAt)<br />
Schmidt-<br />
str. 12,<br />
Frankfurt
Karikatura (US)<br />
review<br />
muZon (ep)<br />
Jul/Aug<br />
2011<br />
This album consists of five songs by this band<br />
from Brooklyn, New York. So small, we almost<br />
would have forgotten, but listening was a lot of<br />
fun. „Muzon“ is a remarkable and uncategorizable<br />
effort from Karikatura. The singer is a true<br />
pleasure, the musicians play their solos in brilliant<br />
ways, and the musical talent level is high.<br />
The arrangements are special and varied. You<br />
could even consider the album offbeat, with<br />
Karikatura‘s mix of styles. The clarinet is incredible<br />
and the music gets an Eastern European<br />
ethnic influence. The music presents us with<br />
very beautifully played acoustic guitar, sneaky<br />
Less Than Jake (US)<br />
review greetingS From leSS thAn JAke (e.p.)<br />
Go, go, go! This EP has a lot of guitar, powerful<br />
drums and some fill-ins on the wind section<br />
here and there. The voice is high and light, the<br />
sound is blazing and massive. That is classic Less<br />
Than Jake, the way we know the quintet who<br />
banded together at the university in Florida.<br />
Their style is a staple of the commercially<br />
popular ska-punk sound made famous by the<br />
likes of Green Day, Rancid, and so on. There are<br />
a lot of fans who want exactly this kind of music<br />
and nothing else. But unfortunately, I can‘t<br />
hop on that bandwagon. The actual creation<br />
shows that the music gets a raw deal, what with<br />
the tempo and noise. On the plus side, these<br />
Hog Hoggidy Hog (ZA)<br />
review methoD to mADneSS (Southern pulSe)<br />
Hog Hoggidy Hog is the most successful ska<br />
punk band from South Africa. The band was<br />
founded in Cape Town in 1995 with singer<br />
George Bacon. Initially, the Hogs opted as a<br />
quintet stylistically for ska, punk, trash, jazz, doo<br />
wop and traditional African sounds. In 1998 the<br />
members expanded by adding a trumpet and<br />
trombone and the sound was developed in the<br />
direction of „Pork Rock“ or „Hogcore“. That‘s how<br />
the band and the fans call it. With all due force,<br />
the South African guys always stay optimistic<br />
and with a wink, humorous in their lyrics.<br />
Their sixth album contains 14 titles, and from<br />
the opener „Scene Police“ to „John And Phillip‘s<br />
drums and more poppy baselines. Is everything<br />
elaborated on purpose or is it all instinctual? It‘s<br />
hard to say, but if it‘s the latter, that‘s great! It‘s<br />
very hard to describe this music, but easier to<br />
evaluate it. Awesome.<br />
OW<br />
Jul/Aug<br />
2011 Californian guys provide a lot of melodies. All<br />
Jul/Aug<br />
Free Audio Track<br />
Check our multimedia-pdf<br />
in all, it sounds like an escape, like a trailer for a<br />
new high-speed-train or the induction of a float<br />
of jets, if I can be totally honest. Less Than Jake<br />
plays nothing different than before and will go<br />
on with it in the future. It will be less inventive,<br />
less musical, but in exchange, fast, melodic and<br />
once more - fast. Their fans will love the album,<br />
although it‘s a bit short. If they can widen their<br />
fan community with it, remains to be seen. My<br />
record player is fed up. Over!<br />
OW<br />
2011 Song“, manages to easily and honestly balance<br />
between mainstream and alternative posture.<br />
„Method to Madness“ was recorded in Cape<br />
Town with the great producer Theo Crous.<br />
Hog Hoggidy Hog can prove themselves live,<br />
even on big stages, as they demonstrated with<br />
NOFX, Mad Caddies and Lagwagon. And with<br />
their third European tour in August, they will be<br />
in competition with the other Anglo-American<br />
role models.<br />
Frank Keil
New Town Kings (GB)<br />
review m.o.J.o. (bomber muSic ltD.)<br />
The Valkyrians (FI)<br />
review punkrockSteADy (StupiDo & pork pie)<br />
Pinatubo Bay (DE)<br />
review no one below - no one Above<br />
Jul/Aug<br />
2011<br />
A new hope for the future from the United<br />
Kingdom has come with „M.O.J.O“, New Town<br />
Kings‘ second album. The nine musicians from<br />
Colchester, Essex play a kind of traditional 3rd<br />
wave ska, and for the most part, several voices<br />
which sounds great. They play their set with<br />
a spring-in tempo and very poppy melodies.<br />
It‘s good to listen to and it is very catchy, but<br />
nothing really new. The recordings are very<br />
rough, which could appeal to some and feature<br />
a lot of live energy for the tape, but a proper producer<br />
would have pushed the album quite a bit<br />
better. Some of the compositions are very good,<br />
though. „Games That People Play“, „Stop“ and<br />
„News Stand“, for example have what it takes<br />
Jul/Aug<br />
2011<br />
Punkrock cover songs? Who needs it? Pretty<br />
damn sure you need it! The Valkyrians have a<br />
resolution. The album has all of it! With ‘Nasty<br />
Nasty’ you get the usual party-stomper which<br />
runs perfect side-by-side with the bittersweet<br />
melancholy heard in ‘Astro-Zombies’, and even<br />
with a load of darkness like in ‘Babylon’s Burning’.<br />
However, the direction of style on ‘PUNKROCK-<br />
STEADY’ has all of it. It’s a nice choice, which gets<br />
along without the typical overused popular<br />
songs which serve in general as cover songs. It is<br />
roughly interpreted and awesomely produced.<br />
‘Mongoloid’ or ‘Another Girl, Another Planet’ get<br />
optimized and sound better than before – for<br />
Jul/Aug<br />
2011<br />
Pinatubo Bay from Tübingen score again, as<br />
expected, with their second album, „No One<br />
Below - No One Above“. It is an album full of<br />
good tracks from rocksteady and reggae to soul.<br />
„All Because of You“ is a nice first track which<br />
will hopefully be transformed into a live-intro<br />
for future concerts. „Last Call“, a song from their<br />
last record, is recorded in a powerful and new<br />
rocksteady style and it fits perfect.<br />
Additionally, there is an easy-going track, „Lonely<br />
Not Alone“, which is full of soul. All in all, they<br />
don‘t avoid a mix of styles. „Take Over“ sounds<br />
very dirty and reminds me of The Beatdown<br />
from Montreal, which should be interpreted<br />
as an open compliment. Although the album<br />
has consistently great vocals, „Gare De Les“ is a<br />
25<br />
to become ska classics. „Round and Round“ is<br />
a direct hit. Other songs are fill-ins like „String<br />
Along“, and „New Town Hop“ with the Latin wind<br />
section arrangements and the leftovers of the<br />
album. The guys from England are reminiscent<br />
stylistically of The Stingers or also a bit of the<br />
Hepcat, whereby, they have a lot of rivals in their<br />
chosen musical environment. But, the band is<br />
still young and the ambitions are huge. With<br />
a bit of luck, they could become something<br />
successful. Keep your fingers crossed and watch<br />
them live, as this should be the strength of the<br />
band.<br />
OW<br />
my unassuming auditory canal. Organ and<br />
guitar on this album are hard to outbid with<br />
tightness and singer Angster varies brilliant<br />
with his voice what only could be better shown<br />
by the Punkrock legend T.V.Smith and his once<br />
written ‘Gary Gilmores’s Eyes’. With ‘Breakdown’,<br />
‘Mongoloid’, ‘Another Girl, Another Planet’ and<br />
‘Borstal Breakout’ there is only one thing left<br />
to say: the album is awesome, is produced by<br />
Stupido & Pork Pie which make it a success!<br />
Lars Kranenkamp<br />
Free Audio Track<br />
Check our multimedia-pdf<br />
real highlight, being completely instrumental<br />
(the organ sounds a bit like Deep Purple). When<br />
Daniel ‚Babylove‘ Broman also takes the mic in<br />
the final minutes, it makes the album perfect.<br />
Finally, you get „The Wall, No More!“, a smashing<br />
dub track. Pinatubo Bay - hopefully you will be<br />
able to see them live all over the world. For this<br />
album - my compliment!<br />
Lars Kranenkamp
Union Street (FI)<br />
review<br />
thiS iS union Street (ep)<br />
Jul/Aug<br />
2011<br />
This EP has been resting on my desk for some<br />
time. I have no idea why I had forgotten about<br />
it, as this band surely doesn‘t deserve to be<br />
forgotten! The five guys from Finland have<br />
recorded a very good EP, showcasing some<br />
very poppy 3rd wave ska with a fresh and really<br />
good female voice. The necessary drive is there<br />
as well as some very catchy melodies. You<br />
can‘t ask for more from the first record of a still<br />
young band. „City Lights“ reminds me of good<br />
Brit-pop bands. Perhaps it‘s something between<br />
Echobelly, The Caine and Lemonbabies. It‘s a<br />
very beautiful track, the arrangement varied, and<br />
has, in spite of the poppy sound, a rough touch<br />
V.A. - Now That`s Walt I Call Music (GB)<br />
review wAlt JAbSco recorDingS<br />
Jul/Aug<br />
2011<br />
Walt Jabsco has sent an EP. What should I say?<br />
That‘s true „Lunar City Groove“. „Don‘t Give<br />
Up Your Day Job“ from The Olive Branch, we<br />
have praised to the skies. You will have a lot of<br />
fun with the following tracks of the EP. The EP<br />
provides attitudes of spacey, easy-going, trashy,<br />
multifarious, open-hearted, electronic, Spartan<br />
and many more; but always in a positive way.<br />
The exceptional case of the EP is definitely<br />
„King of The Mad Man (from The Monotones)“. It<br />
sounds like a power station that plays oi music.<br />
Who dares wins!<br />
OW<br />
Drewvis (GB)<br />
review DeSpoSAble pleASureS & meAningFul purSuitS (Do the Dog)<br />
Jul/Aug<br />
The title hits the bull‘s-eye. Drewvis gives us<br />
abundant joy which you can hear in every note.<br />
They take their music seriously. But that seems<br />
necessary, if they dare to take up the cause for<br />
‚Acoustic Ska‘. And with their style of playing<br />
ska music, you would not miss anything. Not at<br />
all! This album contains a lot of popular sound.<br />
As if Belle & Sebastian reinvented ska music, or<br />
the great-grandchildren of the Beatles played<br />
contemporary, beautiful ska. A Scottish band<br />
with a similar name „Travis“ has gained some<br />
fame. Even though they found their way into the<br />
Britpop-community very graceful, balanced and<br />
youthful, I would wish that Drewvis rough up<br />
Free Audio Track<br />
Check our multimedia-pdf<br />
for wanting to get up and dance. „Last Exit“ is<br />
my favorite. It sounds like pop ska with qualities<br />
similar to The Hotknives. It has an up tempo with<br />
a good melody, befitting the rank of the refrain.<br />
„Dystopia“ sounds a bit like Madness, but has<br />
the successful fills of the guitar in surf style to<br />
add an original twist. Last, but not least is „Best<br />
Night“. It ties in with the previous songs and also<br />
has very catchy and popular melodies which are<br />
combined with up-tempo off-beats and a load<br />
of guitar. Very good! I wanna hear more of it!<br />
OW<br />
Free Audio Track<br />
Check our multimedia-pdf<br />
Be always up to date<br />
sign the<br />
2011 the ska community and are successful with it far<br />
beyond this. It clearly sounds like they will play<br />
music forever. It‘s a reason to be glad, to celebrate<br />
and to write. I want more of it, not only for a<br />
friendly campfire party with ska music, no, - we<br />
want to see the band in small pubs, lounge bars,<br />
crowded halls and at all sorts of festivals. There<br />
are no hints. Buy the CD! There isn‘t a blank and<br />
all songs are audiolicious.<br />
OW
V.A. - Ska In Your Head (ES)<br />
review Sombrero club Zine<br />
Moon (US)<br />
review the lAnDing<br />
The Dub n Tuff Allstars (GB)<br />
review<br />
5 trAck ep (promo)<br />
PROMO<br />
Jul/Aug<br />
2011<br />
One Country, ten bands, 19 songs: „Ska In Your<br />
Head“. The device and the sampler are carefully<br />
matched. This album from the Sombrero Club<br />
Zine unites some of the most well known Spanish<br />
bands on one beautiful disc where you will<br />
hear some ska, mostly in the traditional style, but<br />
with some other facets. The Penguins‘ self-titled<br />
EP had already been released to positive reviews<br />
several weeks ago. Two songs from that album<br />
appear on this compilation. In addition, you<br />
will hear:Briatore as well as Akatz, my favorites<br />
from South-Western Europe, Soweto, Majaicans,<br />
Sally Brown, La Familia Torelli, GuaitaIs, and The<br />
Upsttemians, who just recorded a new album.<br />
All in all, you hear a lot of organ and generally,<br />
Jul/Aug<br />
2011<br />
Whether the moon landing was real or fake, it is<br />
still a secret to all. What we do know, is that the<br />
band Moon has published an album with the<br />
name „The Landing“. What is also true is that the<br />
two two-tone figures on the cover should have<br />
danced after the landing on the moon. What<br />
about an astronaut could be really surprised:<br />
‚WTF?‘<br />
The album isn‘t a miracle yet, expressed extremely<br />
with words. Let‘s say, the first step has been<br />
made. What we hear is a continuous ska beat<br />
with very poppy arranged bass and vocals that<br />
almost sounds like it would be found in the popular<br />
music section, but is better off without a<br />
doubt. The melodies are also very nice, but all in<br />
all, the band still needs to condense themselves<br />
Jul/Aug<br />
2011<br />
The band from Soul Bay, U.K. presents five tracks<br />
and adds their name to the list of good ska and<br />
reggae bands. The opener, „She‘s Got Soul“<br />
sounds likable - old-school - a ska track which is<br />
heard many times in the graceful outfit of The<br />
Dub n Tuff Allstars. With „Tief“ follows beats and<br />
toastings, heavy on reggae. Then the appeal<br />
- „Take It Easy“. The vintage-style is especially enjoyable<br />
in this song, reminiscent of the sounds<br />
of the early years of ska music. With „Really <strong>Rocking</strong>“,<br />
the sextet approach early reggae sounds<br />
and decorate them with a bit of dub. „No More<br />
War“ is left in a calm, kindly cordial sector of our<br />
27<br />
all modernists should be glad about this CD,<br />
especially, about Briatore where the influences<br />
are most distinctive.<br />
On this album, you will hear more than one<br />
reggae guitar. The melodies are often informed<br />
by diverse vintage-sounds, the vocals, by part,<br />
singing. The album goes swimmingly. No reason<br />
to stop it. It‘s a thoroughly successful work. I only<br />
say it unwillingly, but the German community<br />
finds themselves in a difficult position now, having<br />
to measure up to such a great nation-wide<br />
ska sampler like this.<br />
OW<br />
rhythmically. Perhaps they should play stronger,<br />
otherwise it sounds very dreamy and rhythmically<br />
reserved. It would be fitting for a popular<br />
music project, but for the ska community it<br />
seems very risky. It sounds similar to The Beatles<br />
(it really does sound like it) smoking weed and<br />
playing with offbeats.<br />
Please don‘t get me wrong - it shows the existing<br />
potential of the band. They will develop and<br />
have to make a decision, in matters of style and<br />
especially in matters of music. Check out Ringo<br />
Ska, guys, because then you will know what I<br />
think and what you should change.<br />
Then the next album will be really good!<br />
OW<br />
favorite genre. All in all, it‘s a welcome lookingback<br />
orientation for a new band. While there<br />
is still a lot of room left - in matters of vocals,<br />
instruments and rhythm. Hopefully, the band<br />
will stay together and will grow with their talent<br />
- then they would become an interesting act.<br />
OW
Walt Jabsco Recordings (GB)<br />
titleStory<br />
The giveaway EP from Walt Jabsco lasts 21<br />
minutes and 54 seconds, which they make exceptionally<br />
tempting to us by offering for free.<br />
Anyone who still hesitates to get to know this<br />
young English Label is totally hopeless. Walt<br />
Jabsco, the mastermind of this small, exceptional<br />
label got the chance to work on a lot of<br />
different music. No less than 2Tone, Upsetter<br />
or Treasure Isle - labels he considers as role<br />
models. He named his label after the famous<br />
Two Tone little man, Walt Jabsco, who advanced<br />
probably as the most famous icon of the<br />
ska community in the era of the 2Tone label.<br />
It’s less known that the smart-dressed rude<br />
boy on the pictures can be attributed to Jamaican<br />
artists like The Wailers and Peter Tosh<br />
(who, for example, pose in exactly this way for<br />
the picture on the covers of ‘The Wailing<br />
Wailers’ or ‘The Toughest’.<br />
now thAt`S wAlt i cAll muSic!<br />
Jul/Aug<br />
2011<br />
In my opinion, it’s an appropriate choice<br />
for a person who searches from old school<br />
Jamaica to contemporary ska music for a very<br />
special<br />
new sound that takes a leaf out of the 2Tone<br />
book. And with a good look at his current<br />
releases, one thing becomes definitely clear.<br />
It’s less about a retro-vinyl label that dedicates<br />
itself to the traditional sound of the<br />
forefathers of the genre. It’s more about the<br />
standard of the label profiles for which Walt<br />
shoots now. He went in the right way. His<br />
portfolio convinces, surprises, amazes, astonishes<br />
and it’s a lot of fun. What we noticed immediately<br />
with his release ‘Skafusion’ goes for<br />
the whole current catalogue: ‘If there would<br />
be an avant-garde in ska, then we would find<br />
it especially with Walt Jabsco Recordings and<br />
namely with all its consequences.’<br />
OW<br />
Walt Jabsco Recordings (GB)<br />
„... Walt Jabsco Recordings is a record label which was<br />
created after the model of such brilliant cult labels like<br />
2Tone, Upsetter, Treasure Isle, Harry J’s and others from<br />
the 60s and 70s. The goal at Walt Jabsco is to create<br />
publications of selected ska music and also some dub &<br />
reggae tunes. The first publication ‘Walt Jabsco… The Return<br />
Of’ has been met with a solid response and was stylized<br />
as a classic fast. At first, it was planned as a totally<br />
digital label, but after enjoying great popularity, they<br />
also offer CDs now. The next step will be to add vinyl to<br />
the mix. By the end of this summer, they will publish a<br />
brand new album: ‘Rock dis Shot‘ by Isotope X featuring<br />
Horace Panter (Specials) & Noel Davies (Selecter)`.“
Walt Jabsco started as a pure digital label,<br />
but soon starts to release cds and vinyl:<br />
Walt Jabsco...The Return Of<br />
(CD & Digital)<br />
Walt Rides Again<br />
(CD & Digital)<br />
Ska Fusion - The Olive Branch<br />
(CD & Digital)<br />
Politcal Jesters - The Olive Branch<br />
(CD-Single & Digital)<br />
The Liquidizer - The Liquidizer<br />
(Single & Digital)<br />
Now That`s Walt... I Call Music<br />
(Free-EP)<br />
We are leaving the future -<br />
The Downsetters<br />
Loosen Up - The Big Boss Review<br />
(soon available on CD)<br />
More informations:<br />
waltjabscorecordings.blogspot.com/<br />
www.myspace.com/waltjabscorecordings<br />
29<br />
www.waltjabscorecordings.co.uk
<strong>Rocking</strong> <strong>Steady</strong>! Zapping<br />
ArounD the globe<br />
newS & hintS<br />
Folkestone Skarbour Festival 2011<br />
FeStivAl FolkeStone goeS SkA<br />
John Sims himself is one of the masterminds<br />
of the young, international Folkestone Skabour<br />
Festivals, which takes place on the first weekend<br />
of september 2011 for the second time. Besides<br />
great headliner they booked fine acts from all<br />
over europe. So the lineup of the jamaican music<br />
festival promises a big variety of styles:<br />
:<br />
folkestoneskabourfestival.co.uk/<br />
This Is Ska 2012<br />
FeStivAl wASSerburg roSSlAu 2012<br />
After the festival is before the festival. That’s<br />
decided for a long time for most visitors of one<br />
of the most important ska festivals in Europe.<br />
And it is purported that 2012’s date is very welltimed<br />
by the organizer so that we can make this<br />
weekend a special event. We will do that, but<br />
first – we also want to know what will await us<br />
in 2012 at the Wasserburg in Rosslau.<br />
We can expect great Jamaican acts as well as<br />
established bands worthy of consideration, who<br />
haven’t been in Rosslau for a long time. Whether<br />
they will take up with some unknown or if they<br />
will opt for a newcomer still remains. But that<br />
wouldn’t be anything new.<br />
2011 had a wicked lineup, and we are awaiting<br />
to hear from Jörg and Franze about 2012’s,<br />
which will hopefully fill us with enthusiasm<br />
again and keep us going until we get to Ross-<br />
Jul/Aug<br />
2011<br />
Jul/Aug<br />
2011<br />
Friday:<br />
The Coolers, Hey Rudi, Skabilly Rebels with<br />
Roddy Radiation, The Selecter, The Beat<br />
sowie The Chambers und Semi Skinned auf der<br />
Nebenbühne.<br />
Saturday.<br />
Hey Rudi, The Real Bad Habbits, Freddy Loco &<br />
His Gordos Ska Band, Easy Snappers, TootnSka-<br />
Jul/Aug<br />
2011<br />
lau. Everything should be in place by December.<br />
Then we will also print a festival journal that will<br />
cover all of the participating bands.<br />
OW<br />
men, Les Skalopes, Sidewalk Doctors, The Skanx<br />
und The Dualers sowie abermals The Coolers<br />
Sunday:<br />
The Cover Ups, The Blaster Master, The Popes Of<br />
Chilltown, The Estimators, The Skatonics
Taubersteady!<br />
FeStivAl SkA beim tAubertAl-open Air<br />
Bigger festivals that get a decent portion of ska<br />
on the stage become hard to find here in these<br />
parts. It’s a great thing that some of the most<br />
pleasant festivals still bring ska acts on stage<br />
and have not been robbed of performers in that<br />
style. We would love to see more ska acts from<br />
organizers of these larger festivals.<br />
12. bis 14. August<br />
16. Internationales Taubertal-Festival<br />
The Taubertal-Festival in Rothenburg o.d.T.<br />
established itself all over Germany for a long<br />
time and will be sold out one year after the<br />
anniversary. More than 30 000 guests come<br />
to the Eiswiese every year. In 2011, headliners<br />
included Rise Against, Iggy & The Stooges, Bullet<br />
For My Valentine, Pendulum, Dropkick Murphys<br />
and Die Fantastischen Vier. In addition, plenty of<br />
up and coming artists performed in the popular<br />
European Emergenza Newcomer Festival from<br />
Jul/Aug<br />
2011<br />
Friday until Sunday. These included various ska,<br />
rocksteady & reggae acts like Talco, The Locos<br />
and La Vela Puerca. Talco, the left-wing ska/punk<br />
band formed in 2000 around the singer/guitar<br />
player Dema from Venedig, and is a fixed<br />
opener on the festival-stages in Europe. His very<br />
dancy music is influenced heavily by Italian folk<br />
music, patchanka and Balkan beats. Ska P-singer<br />
Pipi has a second band with The Locos, who are<br />
second to none of the Taubertal-favorites in the<br />
matter of energy, skills and show. Impulsive ska/<br />
punk, virtuosic wind section and full entertainment<br />
are assurred. Dancing and partying is also<br />
the theme with La Vela Puerca from Uruguay,<br />
who fill up stadiums in their home country<br />
and are no strangers to the European stage.<br />
Although the influences of ska have given<br />
way to more rock, their performances with the<br />
‘Normalmente Anormal’-tour will definitely be<br />
a highlight in the valley where a huge peaceful<br />
31<br />
party happens in the middle of primal nature<br />
and lasts for years. ‘Sounds for Nature’ shows<br />
ways and opportunities for saving the nature<br />
and environment without compromising the<br />
fun factor. Moreover, there is a large but not<br />
overdone/over-priced supporting program.<br />
Information and tickets here:<br />
www.taubertal-festival.de<br />
Frank Keil
Reggae Hit L.A. - Story of Moises<br />
Story perSonAl view on the l.A. Scene<br />
In L.A. It all starts with a wave of punkrock. I grew<br />
up in San Fernando Valley, where I`ve been influenced<br />
since I was young. First from the punk<br />
rock movement, but also from the oi scene.<br />
Yet in summer before I went to highschool i<br />
caught attention of this brilliant and cerishable<br />
culture. The skinhead scene in L.A. is big and<br />
multifarious. And even if not all feel conntected<br />
to each other, each and every one lives this<br />
music and cultur with the same big passion.<br />
I was into heavy reggae and ska before some<br />
older skins of my town picked me up to go to<br />
the ska- and reggae-allnighters. The scene was<br />
and still is very active. All emphasize their look<br />
and style, are into Button Down Ben Shermans<br />
and their slickly Loafer or Doc Martens. The ska<br />
and reggae music was akquired euphorically<br />
by the crowd. Within the L.A. reggae club scene<br />
you can find all styles: Mods, Rude Boys and also<br />
Punks. Reggae, Ska, Northern Soul, Rocksteady<br />
and 60s Sound is played regularly. The most popular<br />
partys are „Hotshot Sound System“, „Angel<br />
Never Buy The Sun<br />
Freemium billy brAgg - brAnD new Song<br />
Hands up Rupert Murdoch. BIlly Bragg shoots<br />
with free songs against the international Imperium.<br />
He indicts media, politics and police. as<br />
they won`t escape from the eavesdrop-scandal<br />
around the british yelloe press paper „News Of<br />
The World“, which extends itsself to „The Sun“<br />
yet. His adequate protest, for which we know<br />
him well, underlines the necessity of borders<br />
for each and every information procurement as<br />
well as he complains the over-the-top handling<br />
of it.<br />
To remind of peoples power he recalls the succesful<br />
restistance of the liverpool people, which<br />
boycot „The Sun“ since there article about the<br />
Hilsborough-disaster: „Scousers never buy the<br />
sun!“<br />
Jul/Aug<br />
2011<br />
City Soul Club“, „Soulside“, „Trojan Lounge“, „The<br />
Long Beach Sound Society“ and „Intensified“. As<br />
well a the „Rocksteady Lounge“, known for its<br />
young and stylish guests while focused on rocksteady.<br />
Soulside also is host of the Soul Invasion<br />
Rally once a year. At its travels and parties with<br />
reggae, soul and ska, you can meet good old<br />
friends in a friendly atmosphere and have some<br />
unforgettable moments. So you should visit<br />
one of these clubs whenever you are in my city.<br />
Leave your politics at home and better use your<br />
dancing shoes. Everybody is welcome.<br />
Since ebay changes the possibilities we`ve<br />
chosen the traditional look and have got used<br />
to wear the british brands like Fred Perry or Ben<br />
Sherman, instead of the american hardcore<br />
version, which is still very popular for some american<br />
skins. For our cloth there is just one shop<br />
over here. It`s called „Posers“. They sponsor some<br />
of our events. He is about 20 years old. Just the<br />
owner changed once or twice.<br />
(Moi from SFV., U.S.A.)<br />
Jul/Aug<br />
2011<br />
If citicism could be so easy everytime! And while<br />
it`s not a hit, the song he has done therefore, it<br />
is more of a really fast artistical reaction towards<br />
the contemporary politics and especially the<br />
power of the media. And why should our reality<br />
not depend on such activities more and more.<br />
Must not be the objective way, but in this case,<br />
it`s meant more than true. I won`t assume that<br />
in case of a yellow press of this size anymore<br />
nowadays!<br />
‚Never Buy The Sun‘ - Billy Bragg (words and music B.<br />
Bragg 2011) copyright control<br />
Recorded 11th July 2011 at Mike Hallett Studio, Weymouth,<br />
Dorset<br />
Billy Bragg - acoustic guitar and vocals<br />
Tom Hughes - piano and organ<br />
Chris Lonergan - bass guitar<br />
Ady Milward - drums and percussion<br />
Recorded, engineered and mixed by Mike Hallett<br />
All pulled together at the drop of a hat by Adrian Collis of<br />
Thoroughbred Music<br />
Download auf www.billybragg.co.uk.<br />
The download is not a question of taste, but a<br />
political statement. So go on!<br />
OW
<strong>Rocking</strong> <strong>Steady</strong> TV!<br />
viDeoS beSt oF SkAviDS!!!<br />
Dr. Jau meets Fabiani | Mad World<br />
Check our multimedia-pdf<br />
Prince Perry | Whatever You Can Get Away With<br />
Check our multimedia-pdf<br />
ROCKING STEADY TV!<br />
THE NEWEST SHORTCUTS, VIDS AND INTERVIEWS NOW ON:<br />
tv.rockingsteady.de<br />
Jul/Aug<br />
2011<br />
TV.ROCKINGSTEADY.DE MORE SKA, MORE REGGAE, MORE MUSIC!<br />
33
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... rocking SteADy! eZine #6<br />
Interviews: THe Pioneers, The Dualers,<br />
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***<br />
Ska & Design Vol. 5 - Arthur Allblack<br />
***<br />
tons of Reviews<br />
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labelportraite PoP-A-TOP Records<br />
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Jul/Aug<br />
2011<br />
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