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CQ27_FINAL_SPREADS (1)

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book-sized cassette cases, all

laid facing outwards on skinny

little shelves. Forlornly poring

over the sleeve notes of endless

B-movies you’ve never heard

of and had no real interest in

watching, but determined not

to return home empty-handed

just because all six copies of

Battlestar Galactica had already

been rented out and were not

due back until Monday.

You’d select your movie by

picking the giant cassette box

off the shelf and taking it to

the counter where you would

present it, along with your

membership card, to a man (it

was always a man) who, after

an unfeasibly long search in

numerous oversized drawers,

located the right tape, popped

it in the case – pausing only

to record your rental on the

‘computer’ – and handed it over

for to you to carry home. Upon

getting home you inserted the

tape into a massive box-shaped

contraption (a video cassette

recorder or ‘VCR’) that was

almost as big as the television

itself. You would hit the play

button, and before retreating

to sit down (no remote control)

you’d await the start of the film,

though not before spending

several minutes twiddling with

the tracking knobs to try and

remove squiggly lines from the

screen. If you were unlucky

the tape might get chewed

up inside the player, making it

impossible to watch parts of

the movie without reeling past,

or worse still, the tape would

snap, causing you an awkward

conversation the next day with

the store staff and an extended

negotiation to avoid a £2 fine.

Renting movies was not that

expensive, but the purchase

of the consumer device to

play the movie at home was a

considerable investment. The

main conundrum of the day

was not so much which make of

player to invest in, but rather

which format. Alongside Sony’s

Betamax format, JVC launched

their Video Home System or

‘VHS’. Amongst others, Philips

also introduced a home video

cassette format, but VHS and

Betamax would go on to slug

it out for the then-lucrative

home video market. By today’s

standards, there was not a

great deal to choose from in

terms of the performance and

cost of these incompatible

formats, but in the end the

consumer made their choice

and the slightly less expensive

VHS format triumphed over

Betamax’s higher picture quality.

Despite its technical superiority,

Betamax became a byword for

failure and owners of the format

were ridiculed by smug VHS-ers

for wasting money by backing

the wrong horse. They also had

to fork out for a second machine

if they wanted to continue to

watch movies at home. Leading-

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