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Village Raw - ISSUE 4

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The fourth issue of Village Raw magazine includes: THE PYTHONS, A JABBERWOCKY, AND ME - Valerie Charlton on creatures, courses and the need to fail. A LEAP INTO THE UNKNOWN - Artist and dancer Jo Cork’s work with film. SATURN RETURNS - Yazmyn Hendrix - an a cappella artist who sees her music. THE NEXT MEAL - Local initiatives to help the homeless. A NEW ERA FOR HORNSEY TOWN HALL - Looking to the future. A TRUE INDEPENDENT - The Phoenix Cinema is one of the oldest independents in the UK. SECRETS OF A PERSIAN KITCHEN - A collection of recipes has been brewing in Atoosa Sepehr’s home. A TALE OF TWO DISTILLERIES - A look at two local gin-makers bringing mother’s ruin home again. BEYOND THE AISLES - The problem of farm-level food waste. VILLAGE ESSAY - The importance of local government. VILLAGE GREEN - The Guerrilla Gardeners of Palace Gates. AND MORE… Village Raw is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below.

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The fourth issue of Village Raw magazine includes:

THE PYTHONS, A JABBERWOCKY, AND ME - Valerie Charlton on creatures, courses and the need to fail.
A LEAP INTO THE UNKNOWN - Artist and dancer Jo Cork’s work with film.
SATURN RETURNS - Yazmyn Hendrix - an a cappella artist who sees her music.
THE NEXT MEAL - Local initiatives to help the homeless.
A NEW ERA FOR HORNSEY TOWN HALL - Looking to the future.
A TRUE INDEPENDENT - The Phoenix Cinema is one of the oldest independents in the UK.
SECRETS OF A PERSIAN KITCHEN - A collection of recipes has been brewing in Atoosa Sepehr’s home.
A TALE OF TWO DISTILLERIES - A look at two local gin-makers bringing mother’s ruin home again.
BEYOND THE AISLES - The problem of farm-level food waste.
VILLAGE ESSAY - The importance of local government.
VILLAGE GREEN - The Guerrilla Gardeners of Palace Gates.
AND MORE…

Village Raw is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below.

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VILLAGE SOUNDS RAW<br />

you’ll be sitting trying to think of a name<br />

but you’re just seeing this pink cloud with<br />

orange slashes in it – I can see the name,<br />

but I don’t know it.<br />

What does my voice look like?<br />

It looks like narrow tubes of autumn colours,<br />

not just one colour… It’s quite dark,<br />

not because I think you’re dark, but perhaps<br />

because you have brunette hair –<br />

it’s somehow representative of what you<br />

look like too. Every word is a slightly different<br />

thing and intonation changes how<br />

it looks.<br />

SATURN<br />

RETURNS<br />

Yazmyn Hendrix is an<br />

a capella artist who uses<br />

her voice and a loop<br />

station to create textured<br />

musical environments.<br />

After several years living<br />

in Brighton, she recently<br />

returned to Hornsey, where<br />

she was brought up. Her<br />

first single, Stay With Me,<br />

was released in November.<br />

Interview by Luciane Pisani.<br />

Photo by David Reeve.<br />

Why music?<br />

You know when you feel like you have a<br />

purpose? Music’s mine – that’s how I feel<br />

about it. Also, my parents are musical. I<br />

tried to find an instrument that was right<br />

for me and I finally found the trumpet,<br />

but really I always wanted to sing but<br />

never had the confidence. I’d been writing<br />

songs my whole life, but never sang in<br />

front of anyone.<br />

What are your influences?<br />

I’m influenced by a lot of different music.<br />

I love jazz, I love blues, gospel, folk and<br />

pop. Everything I do is quite soulful. I like<br />

to make something which is easy enough<br />

to listen to and follow.<br />

How do you write?<br />

I write in a lot of different ways. I could<br />

get out my loop station and just kind of<br />

vibe off it – it’s on the spot, it’s instant.<br />

Sometimes I do things like listen to a conversation<br />

on the bus, listen to the rhythm<br />

of the words… But improvisation is probably<br />

my favourite way.<br />

How did you find out you experience<br />

things differently?<br />

When I was about 19 I was at a friend’s<br />

house – we were watching this video and<br />

I said, “Oh, it looks like this song.” They<br />

said, “What do you mean, ‘It looks like<br />

this song’? It looks like the video for that<br />

song?” And I said, “No, it looks like that<br />

song.” That was how I discovered it – my<br />

friend knew what synesthesia was and I<br />

was like, “Oh my God, this is a thing!”<br />

What does it mean to be synesthetic?<br />

The definition is a crossing of the senses<br />

– and, to me, it just means that some<br />

things are blended into one kind of sense<br />

rather than being two separate ones.<br />

That’s just the experience that I have –<br />

everyone’s experience as a synesthete<br />

is different. And it can be really useful –<br />

like I can remember phone numbers and<br />

I can remember names, usually. Although<br />

sometimes it’s really annoying, because<br />

Name a song that’s important to you.<br />

Grateful by Hezekiah Walker. It’s a gospel<br />

song and I usually start my day with it. It<br />

always looks the same – waves of voices<br />

which are mainly green, but there’s also<br />

hot pink. It goes up in harmony, and different<br />

parts come in – they do the low<br />

part and then they do the high part. Visually<br />

it’s really interesting because spatially<br />

it’s all around me. It’s like another<br />

dimension. If I close my eyes it’s more<br />

prominent, and music has more clarity<br />

than speech – it’s more present. If I’m at<br />

home in my room and I listen to a song,<br />

it’s very much filling my head.<br />

Where are you now with your music?<br />

This is a super exciting point in my career.<br />

I’m releasing an EP next year called<br />

Saturn Returns. It’s about life, death, my<br />

inner self, and my outer universe. From<br />

the day you’re born it takes roughly 27<br />

to 30 years for Saturn to return. There’s<br />

all different kinds of astrological ideas<br />

about what this means, but perhaps it’s<br />

a point where you can reassess things if<br />

you want to make a change in your life.<br />

The track Stay With Me is a conversation<br />

with my inner child. I’m also doing collaborations<br />

with Adam at The Boathouse<br />

Studio – an awesome studio in the middle<br />

of nowhere, the middle of nature – and<br />

we have some exciting things coming up.<br />

I also have a five-track collaborative EP<br />

coming out with a Brighton-based rapper/piano<br />

player called Mrisi. •<br />

You can find out more about Yazmyn via her<br />

website and various social media channels:<br />

www.yazmynhendrix.com<br />

Yazmyn recorded a live version of Stay With Me,<br />

which you can view at: www.villageraw.com/yazmyn<br />

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