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The Oxford Book of Easy Flexible Anthems

The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs. Also available as a spiral-bound paperback.

The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.
Also available as a spiral-bound paperback.

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117<br />

Voices 1 (2)<br />

Organ or Piano<br />

26. Glory to the Lamb<br />

Isaac Watts<br />

(c.1674–1748), altd<br />

DAVID BLACKWELL<br />

(b. 1961)<br />

VOICES<br />

Joyfully q = c.116<br />

° 3<br />

¢ & b 4 ∑ ∑ . ∑ ∑<br />

< ‹ ><br />

ORGAN<br />

or<br />

PIANO<br />

{<br />

&b<br />

3 œ œ œ<br />

4 ˙ œ œ œ<br />

f<br />

3<br />

? ˙ b 4<br />

(Man.)<br />

œ<br />

œ œ œ ˙œ œ<br />

˙˙. ˙<br />

.<br />

.<br />

for online perusal only<br />

˙. œ œ œ œ œ œ ˙.<br />

œ<br />

˙˙<br />

œ<br />

. ˙˙.<br />

˙<br />

5<br />

°<br />

¢ & b<br />

< ‹ ><br />

&b<br />

{<br />

TUTTI unis.<br />

mf<br />

1. Come<br />

2. ‘Wor<br />

˙ œ œ ˙ œ ˙ œ ˙ œ<br />

mf<br />

let us<br />

- thy the<br />

join<br />

Lamb<br />

? b<br />

˙ œ<br />

˙<br />

˙˙<br />

(Ped.)<br />

our<br />

that<br />

cheer<br />

died,’<br />

œ˙<br />

œ œ œ œ œ œ œ œ œ œ<br />

œ<br />

œ˙<br />

œ<br />

˙<br />

- ful songs<br />

they cry,<br />

œ œ œ œ<br />

˙<br />

œ<br />

˙<br />

˙.<br />

with<br />

‘to<br />

œ<br />

œ<br />

9<br />

°<br />

¢ & b<br />

< ‹ ><br />

&b<br />

{<br />

an<br />

be<br />

- -<br />

gels<br />

ex<br />

-<br />

cresc.<br />

˙ œ œ œ œ ˙. ˙ œ<br />

round<br />

alt<br />

cresc.<br />

-<br />

the<br />

ed<br />

œ œ œ œ œ ˙.<br />

œ œ œ œ<br />

throne;<br />

thus;’<br />

f<br />

? ˙ œ b<br />

˙˙ œ ˙.<br />

˙. ˙˙<br />

œ<br />

œ<br />

˙.<br />

œ œ œ œ ˙˙<br />

f<br />

ten<br />

and<br />

œ<br />

Solo or unison: vv. 1–3: sing Tutti and Voice 1; v. 4: sing Other Voices<br />

Two-part and Mixed voices: follow the Voice 1 and 2 indications, choosing any suitable contrasting voices<br />

© <strong>Oxford</strong> University Press 2017. Photocopying this copyright material is ILLEGAL.

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