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The Oxford Book of Easy Flexible Anthems

The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs. Also available as a spiral-bound paperback.

The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.
Also available as a spiral-bound paperback.

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154<br />

Unis. (descant)<br />

Organ or Piano<br />

37. Litany to the Holy Spirit<br />

Robert Herrick<br />

(1591–1674)<br />

PETER HURFORD<br />

(b. 1930)<br />

VOICES<br />

Andante e semplice q = c.112<br />

° # ¢ & # 45 2 A ∑ ∑ . ∑<br />

< ‹ ><br />

5 A ˙œ ˙ œ<br />

{?# # 45 2 A<br />

°<br />

¢ &<br />

< ‹ ><br />

& # #<br />

˙œ œ ˙œ œ<br />

{<br />

œ ˙<br />

?# # ˙<br />

˙<br />

° #<br />

¢ & #<br />

< ‹ ><br />

In<br />

& # # œ<br />

˙<br />

œ œ œ ˙<br />

{?# # ˙<br />

˙<br />

ORGAN<br />

or<br />

PIANO<br />

4<br />

8<br />

for online perusal only<br />

& # # 4 2<br />

p<br />

(Man. or Ped.)<br />

œ œ .<br />

˙œ ˙ œ œœ œ œ œ œ<br />

œ˙<br />

˙ . ˙ ˙<br />

# # ∑ ∑ ∑ ∑<br />

v. 1: SOPRANOS & ALTOS unis. or SOLO<br />

v. 2: TUTTI unis.<br />

v. 3: SOPRANOS & TENORS unis.<br />

mp<br />

1.<br />

2. When<br />

3. When<br />

˙ ˙ ˙<br />

œ œ œ œ œ œ œ œ<br />

œ ˙. œ ˙ œ œ<br />

œ œ œ œ # œ œ<br />

˙ ˙ ˙ ˙<br />

œ ˙ œ œ. œ j œ œ<br />

the<br />

I<br />

the<br />

hour<br />

lie<br />

house<br />

<strong>of</strong> my<br />

with-in<br />

dothsigh<br />

dis -<br />

my<br />

and<br />

2<br />

4 ˙<br />

tress<br />

bed,<br />

weep,<br />

2<br />

œ œ œ œ<br />

˙<br />

œ ˙ œ œ œ<br />

4 ˙œ<br />

4<br />

œ œ ˙ œ˙ œ œ<br />

2<br />

˙ ˙ œ œ 4 ˙<br />

˙<br />

n˙<br />

v. 3: ALTOS & BASSES unis.<br />

4<br />

When<br />

Sick<br />

And<br />

˙<br />

4 œ ˙ œ<br />

˙<br />

˙<br />

œ<br />

temp -<br />

in<br />

the<br />

Solo or unison: sing throughout, moving to Other Voices from bar 17b<br />

Two-part: choose contrasting voices for the different phrases and/or verses, as appropriate<br />

Mixed voices: SATB may follow the suggested scoring indications<br />

© <strong>Oxford</strong> University Press 1958. This version © <strong>Oxford</strong> University Press 2017. Photocopying this copyright material<br />

is ILLEGAL.

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