The Oxford Book of Easy Flexible Anthems
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs. Also available as a spiral-bound paperback.
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.
Also available as a spiral-bound paperback.
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212<br />
Voices 1 (2) (3) (4)<br />
(Keyboard)<br />
52. Praise God, from<br />
whom all blessings flow<br />
All praise, Eternal Son, to thee<br />
Thomas Ken (1637–1711)<br />
Charles C<strong>of</strong>fin (1676–1749)*<br />
THOMAS TALLIS (c.1505 – 85)<br />
arr. Alan Bullard<br />
for online perusal only<br />
VOICES<br />
ORGAN<br />
or<br />
PIANO<br />
° #<br />
¢ &<br />
< ‹ ><br />
{<br />
& #<br />
?#<br />
Steady and sustained q = c.88<br />
4<br />
TUTTI unis.<br />
Œ ∑ Ó Œ œ œ œ œ œ<br />
4 œ œ œ<br />
f<br />
œ œ œ<br />
œ<br />
4 œ œ œ œ œ œ œ œ<br />
œ˙<br />
f<br />
Praise<br />
All<br />
God, from whom all<br />
praise, e - ter - nal<br />
œ œ˙ œ<br />
œ<br />
˙<br />
˙<br />
˙˙ ˙œ œ<br />
œ<br />
4<br />
° #<br />
¢ &<br />
< ‹ ><br />
{<br />
& #<br />
?#<br />
bless<br />
Son,<br />
(Ped.)<br />
œ œ œ œ œ œ œ œ œ œ œ<br />
œ<br />
œ<br />
- ings flow;<br />
to thee<br />
œ<br />
œ<br />
Praise<br />
Whose<br />
him,<br />
ad -<br />
all<br />
vent<br />
œ œ œ œ<br />
œ œ<br />
œ<br />
œ˙<br />
œ<br />
crea<br />
sets<br />
œ<br />
- tures here<br />
thy peo -<br />
œ<br />
œ<br />
be<br />
ple<br />
œ<br />
œ œ ˙œ œ ˙<br />
œ<br />
œ<br />
- low; Praise<br />
free; Whom<br />
œ<br />
œ<br />
7<br />
° #<br />
¢ &<br />
< ‹ ><br />
{<br />
& #<br />
?#<br />
œ œ œ œ œ œ œ œ œ œ œ œ<br />
him<br />
with<br />
œ<br />
a - bove, ye<br />
the Fa - ther,<br />
œ<br />
œ<br />
˙œ œ œ<br />
œ<br />
heav’n - ly host;<br />
we a - dore,<br />
œ<br />
œ<br />
œ œ<br />
œ<br />
œ<br />
Praise<br />
And<br />
Fa -<br />
Spi -<br />
ther,<br />
rit<br />
œ œ œ œ<br />
Son,<br />
blest<br />
œ<br />
and<br />
for<br />
œ œ<br />
œ<br />
œ œ œ œ œ œ œ<br />
â<br />
ä<br />
* <strong>The</strong> text in italics is provided as an alternative, for use during Advent.<br />
<strong>The</strong> parts may be allocated in any way to the available voices:<br />
Solo or unison: sing Voice 1; Two-part: Voices 1 and 2; Three-part: Voices 1, 2, and 3; Four-part: all four voices<br />
<strong>The</strong> accompaniment can be omitted, however many parts are being sung—start on the last beat <strong>of</strong> bar 2 or <strong>of</strong> bar 10.<br />
© <strong>Oxford</strong> University Press 2017. Photocopying this copyright material is ILLEGAL.
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