The Oxford Book of Easy Flexible Anthems
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs. Also available as a spiral-bound paperback.
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.
Also available as a spiral-bound paperback.
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166<br />
S A (T) B<br />
Organ or Piano<br />
for Canon Andrew Hindley<br />
41. My Peace<br />
I Give Unto You<br />
Ge<strong>of</strong>frey Studdert Kennedy<br />
(1883 –1939)<br />
JAMES DAVY<br />
(b. 1980)<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
ORGAN<br />
or<br />
PIANO<br />
°<br />
& # 4 ∑ ∑<br />
?# ¢ 4 ∑ ∑ ∑ ∑ ∑<br />
{<br />
Andantino q = c.88<br />
Andantino q = c.88<br />
(Solo 8')<br />
sempre legato 3<br />
SOPRANOS & ALTOS unis.<br />
∑ ∑<br />
Bless -ed<br />
are the<br />
& # 4 œ œ ˙ œ œ œ -œ œ ˙. œ w ˙ œ j ‰ Œ<br />
mp<br />
?# 4 ∑ ∑ ∑ ∑ ∑<br />
mf<br />
œ ˙ œ œ<br />
for online perusal only<br />
S./A.<br />
6<br />
°<br />
¢ & # 3<br />
œ. œ j ˙ œ œ œ œ œ œ œ œ. ‰ œ ˙ œ œ œ œ œ œ œ<br />
eyes that see the things that you have seen, Bless-ed<br />
are the feet that walk the<br />
& #<br />
{<br />
(Sw. 8')<br />
w ˙<br />
p<br />
˙<br />
˙<br />
w<br />
˙<br />
play the small notes only when necessary to support the voices<br />
˙˙<br />
?# ∑ ∑ ∑ ∑ ∑<br />
œ.<br />
œ.<br />
‰ w ˙ ˙ ẇ ˙<br />
°<br />
¢ & # 3<br />
mp<br />
œ<br />
œ œ œ œ œ. œ j œ œ ˙. œ ˙. Œ ∑<br />
ways where you have been, the ways where you have been.<br />
& # ˙<br />
w<br />
˙<br />
˙w œ œ w˙ ˙ ẇ ˙ w˙ ˙<br />
{<br />
11<br />
?# ∑<br />
mp<br />
˙ œ œ w œ ˙ œ<br />
(Man.)<br />
w<br />
Ó<br />
Œ<br />
œ<br />
(Ped.)<br />
Mixed voices: SAB or SATB. If the tenor part is omitted, all men should sing from the bass part, choosing the small notes<br />
in bars 31–5, 41–4, and 47<br />
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