The Oxford Book of Easy Flexible Anthems
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs. Also available as a spiral-bound paperback.
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.
Also available as a spiral-bound paperback.
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215<br />
S (A) (T) (B)<br />
Organ or Piano<br />
H. W. Baker (1821–77)<br />
53. Rejoice today<br />
with one accord<br />
Melody attr. Martin Luther (1529)<br />
arr. DAVID WILLCOCKS (1919 –2015)<br />
ORGAN<br />
or<br />
PIANO<br />
&<br />
{<br />
?<br />
Maestoso h = c.72<br />
4 2<br />
4 2<br />
-˙ ˙- ˙- U<br />
œ œ ˙ œ œ ˙ ˙ ˙ ˙ ˙ ˙ œ œ œ œ ˙ ˙<br />
f<br />
-˙ ˙- ˙-<br />
œ œ ˙ œ œ ˙ ˙ ˙ ˙ ˙ ˙ œ œ œ œ ˙ ˙<br />
u<br />
(Man.)<br />
ORG./PNO<br />
(4)<br />
°<br />
&<br />
?<br />
¢<br />
SOPRANO<br />
f<br />
U<br />
. ˙ ˙ ˙ œ œ ˙ œ œ ˙ ˙ ˙œ œ ˙. ˙ œ ˙ œ˙ œ œ œ ˙ ˙<br />
ALTO<br />
1. Re - joice to - day with<br />
Re - joice and praise our<br />
TENOR<br />
one ac - cord, Sing<br />
might - y Lord, Whose<br />
˙ ˙ ˙ œ œ ˙ œ œ ˙ ˙<br />
.<br />
œ˙ œ<br />
f<br />
BASS<br />
out<br />
arm<br />
œ œ<br />
˙<br />
˙˙<br />
with ex - ul<br />
hath brought sal<br />
-<br />
-<br />
ta<br />
va<br />
-<br />
-<br />
tion;<br />
tion;<br />
œ œ˙ œ<br />
˙œ œ˙ œ ˙˙<br />
˙<br />
u<br />
.<br />
.<br />
(8)<br />
°<br />
&<br />
˙<br />
for online perusal only<br />
˙ ˙œ œ ˙ # ˙œ œ w .<br />
œ œ œ œ ˙<br />
˙<br />
˙˙<br />
˙œ œ ˙˙<br />
˙<br />
w.<br />
w.<br />
˙<br />
œ œ<br />
?<br />
¢<br />
His<br />
works <strong>of</strong> love pro<br />
˙œ œ ˙œ<br />
˙<br />
œ œ<br />
œ ˙œ œ ˙˙<br />
- claim <strong>The</strong> great - ness <strong>of</strong> his name; for<br />
˙. œ ˙<br />
w.<br />
˙<br />
˙<br />
œ œ œ<br />
˙ ˙œ œ œ˙ ˙ œ w.<br />
w.<br />
˙<br />
Solo or unison: v. 1: sing Soprano (at any octave); v. 2: sing Unison Voices; v. 3: sing Other Voices<br />
Two-part: SA, with some voices singing the unison melody in v. 2<br />
Mixed voices: SAT, with some voices singing the unison melody in v. 2, SAB, or SATB<br />
Where no separate keyboard part is shown, double the voices except where marked.<br />
© <strong>Oxford</strong> University Press 1995. This version © <strong>Oxford</strong> University Press 2017. Photocopying this copyright material<br />
is ILLEGAL.
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