The Oxford Book of Easy Flexible Anthems
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs. Also available as a spiral-bound paperback.
The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.
Also available as a spiral-bound paperback.
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194 O wondrous sight, O vision fair<br />
57<br />
°<br />
& b b œ œ œ œ ˙ ˙ œ ˙ œ ˙<br />
< ‹ ><br />
voice from out the cloud Pro<br />
¢ & b b<br />
< ‹ ><br />
& bb<br />
{<br />
? b b<br />
64<br />
cresc.<br />
(Ped.)<br />
- claims his on ly<br />
œ œ ˙ ˙.<br />
- Son a - loud.<br />
œ œ œ œ ˙ ˙ œ ˙ œ ˙ œ œ ˙ ˙.<br />
cresc.<br />
f<br />
œ˙ œ œ œ˙ ˙ œ ˙œ œ œ ˙œ<br />
n<br />
œ œ ˙˙ œ ˙. œ ˙ œ nœ<br />
f<br />
mf<br />
cresc.<br />
˙œ œ œ œ ˙ ˙˙<br />
œ<br />
œ<br />
œ˙ œ œ œ œ œ œ<br />
œ ˙˙˙<br />
˙˙<br />
œ. ˙ œ j œ œ ˙œ. nœ<br />
J œ œ ˙œ œ œ œ<br />
œ œ<br />
˙œ œ œ œ<br />
œ œ<br />
&b b - - - - - -<br />
{<br />
? b b n ˙<br />
œ ˙ œ œ œ œ œ b˙.<br />
œ ˙ ˙˙ œ œ<br />
- - - - -<br />
f<br />
œ œ ˙œ œ nœ<br />
œ<br />
˙<br />
œ<br />
œ<br />
for online perusal only<br />
SOPRANOS (& TENORS)*<br />
69<br />
°<br />
& b b mf<br />
Œ Œ œ ˙ œ ˙ œ œ ˙ ˙ œ œ œ œ<br />
< ‹ ><br />
&<br />
< ‹ ><br />
?<br />
¢ b b<br />
& bb -<br />
{<br />
4. With<br />
shi<br />
- ning face and bright ar - ray Christ deigns to<br />
ALTOS (& BASSES)*<br />
b b mf<br />
Œ Œ<br />
œ ˙ œ ˙ œ œ œ œ ˙ œ œ œ œ<br />
4. With<br />
shi<br />
- ning face and bright ar - ray Christ deigns to<br />
TENORS (opt)*<br />
& b b mf<br />
Œ Œ œ ˙ œ ˙ œ œ œ œ œ œ œ œ œ œ<br />
‹<br />
4. With<br />
BASSES (opt.)*<br />
mf<br />
Œ<br />
Œ<br />
4. With<br />
shi<br />
shi<br />
- ning face and bright ar - ray Christ deigns to<br />
œ ˙ œ ˙ œ œ œ œ ˙ œ œ œ nœ<br />
- ning face and bright ar - ray Christ deigns to<br />
˙ œ ˙œ œ œ œ œ<br />
˙ œ œ ˙œ œ ˙˙<br />
optional if all four parts are sung<br />
? b b ˙œ œ œ œ œ ˙˙. œ ˙ œ œ<br />
n<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ œ œ œ<br />
œ˙ œ<br />
œ œ<br />
œ<br />
œ<br />
œ<br />
œ<br />
* Smaller SATB choirs may continue to double sopranos/tenors and altos/basses from bar 69 to the end, disregarding the<br />
separate tenor and bass parts. For TB only performances, continue to sing SA.
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