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PINK PAVILION 2022

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WOUNDS ARE<br />

FOREVER<br />

(Self-portrait as National Poet)<br />

BY SIVAN BEN YISHAI<br />

“National poet of whom, exactly?” Sivan asks. “The title<br />

hints to this discourse of the Israeli, Palestinian, German<br />

Bermuda triangle, where many valuable, important<br />

discourses are sinking and disappearing. National poet<br />

of whom, exactly?” she repeats. “In English you have no<br />

name nor word for the place where one was born, holding<br />

all the emotional aspects of what it means to have been<br />

born in one place.”<br />

PHOTO: CHRISTIAN KLEINER<br />

Originally from Tel-Aviv and currently residing in Germany,<br />

Theater Director and Playwright Sivan Ben Yishai has a<br />

transnational story and a desire to find “the genome of<br />

questions” through her writing. Originally focusing on<br />

directing, it was a connection with writing once she allowed<br />

her voice to manifest itself, becoming a prolific writer soon<br />

after. Her plays have been shown at the Deutsches Theater<br />

Berlin, Maxim Gorki Theater Berlin and Theater Lübeck,<br />

among others. A fragment of Wounds Are Forever is<br />

presented as part of Pink Pavilion Festival.<br />

“In this play, I have a protagonist whom I call after my own<br />

name, Sivan Ben Yishai, and she calls in her, as we do,<br />

immigrants... holding several discourses in a way that could<br />

throw a very interesting light into political and national<br />

discourses that we are witnessing all the time, without<br />

being intellectually exhausting. Being an immigrant is to<br />

have all these perspectives and identities clashing and<br />

colliding withing ourselves.”<br />

Playwright: Sivan Ben Yishai (TY/ISR)<br />

Director: Helle Rossing<br />

Performers: Lila Nobel, Tina Gylling Mort<br />

Maria Cordsen & Ernesto Piga Carbone<br />

Translator: Mathias Raaby Ravn<br />

8

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