Red Door 33

RED DOOR 33
THE UNFORESEEABLE
FEATURING JORGE POSADA
SUMMER 2023
REDDOORMAGAZINE.COM
01

RED
ANDREW
SINGER
Farewell to poet,
artist, teacher
and cultural
organizer,
founder of Trafika
Europe.
26-27
SEQUENTIAL
CONDITIONS
New series by
Martin Andersen
18-21
02
SOUTHNORD
Open call for
Afro-Nordic
creators!
16-17

NATURE &
CULTURE
international
poetry Film
Festival
DATES
ANNOUNCED!
7
33
JORGE POSADA
FEATURED
ARTIST
8-15
PUUT library
and other Red
Door Gallery
events!
28-29
03

Founder & Director:
Elizabeth Torres
(Madam Neverstop)
Poetry Editor:
Pablo Saborío
Correspondents:
Melaine Knight
The Neon Rebel
Australia
Brandon Davis,
Germany / DK
Mario Z.Puglisi
Tanya Cosio
Mexico
Miller Almario
Red Visions
Colombia
Martin Andersen
Denmark
Kultivera
Sweden
Kirjan Talo / Bokens Hus
Finland
Cover & featured art by
Jorge Posada
TABLE OF CONTENTS:
EDITORIAL ........................................... 6-7
FEATURED ARTIST
JORGE POSADA ................................8-15
SOUTHNORD OPEN CALL.........16-17
SEQUENTIAL
CONDITIONS
By Martin Andersen ......................18-21
POETRY
TERENCE DEGNAN..............................22
SAMUEL PRINCE...................................23
DJ LEE......................................................24
JON WHITBREAD.................................25
A farewell to
ANDREW SINGER ..........................26-27
RED DOOR
presents.............................................28-29
The Appearance
of the Unpredictable
by TANYA COSIO............................30-31
RED DOOR MAGAZINE #33
Summer, 2023
Red Press, Copenhagen
ISBN: 978-87-94003-19-3
www.reddoormagazine.com
The Collages of
MARIJA IVETIC................................32-33
All rights reserved by the
corresponding authors.
04

SUBMIT CONTENT to
RED DOOR MAGAZINE:
Red Door Magazine releases digital & printed issues
quarterly with an emphasis on visual art and poetry.
This includes multimedia art, artistic research, essays
on projects, reports on festivals and activism, as well
as relevant media articles and documentation of the
activities by you and your network.
The magazine always features a poetry selection, prose,
and occasional interviews by established and emerging
artists, plus relevant upcoming events. We’re here to give
you a handful of essential pieces you can digest in one
sitting.
We’re currently seeking visual art, music, film reviews,
travel and media articles, poetry, fiction, and creative
nonfiction. Simultaneous submissions are always ok,
but if you have a piece accepted elsewhere, please let
us know by adding a note to your submission; we’re not
aiming for exclusivity - but relevant, quality content.
Please send your questions to reddoorny@gmail.com
________________________________________
File specifications: Your article may be a maximum of
two pages, and we accept a maximum of 3 poems per
submission. All languages are welcome but please include
English translations. Also include a small biography of up
to 5 lines about you. All this must be included as .doc files
or PDF. All images must be attached as .jpeg images in
a resolution of 1080 x 1080 px or its equivalent in format
so it can be used for print and hi-res for web. Please note
we currently accept poetry submissions only via our
submittable platform:
https://redpress.submittable.com/submit
ISSUE #34: ORGANISMS AND STRUCTURES
(FALL 2023)
LEARN MORE AT:
WWW.REDDOORMAGAZINE.COM
05

EDITORIAL
Dear worldthreaders,
This issue of Red Door celebrates
the unforeseeable, and how
artists interpret these constant
flux of information and need for
adaptability in their creative work.
Jorge Posada, our featured artist,
is a Colombian-American creator
with extensive international
experience, whose work I have
had the pleasure of celebrating
and growing alongside with, since
I was a child… so you can imagine
how excited I am to introduce
him to you. Due to Red Door’s
14th anniversary coming up this
September, we will be hosting a
celebration and magazine launch,
along with the artist and myself,
in New York, so please email
me at reddoorny@gmail.com if
you would like to receive more
information.
You can meet us at the end
of August in Finland: First in
Helsinki as part of IMMART’s
ARTIVAL event taking place at
Nordic Culture Point’s library
in collaboration with Globe Art
Point… and in Turku, as part of
Kirjan Talo’s cultural agenda.
Additionally, several exciting
opportunities. The Poetic
Phonotheque has partnered
with SouthNord, a Nordic
organization that aims to visibilize
Afro-Nordic voices, based in
Stockholm, Sweden, and we’re
currently hosting an open call for
audiovisual content to screen at
an event in October.
Red Door magazine #35 is
also currently accepting poetry
submissions until Oct 8th via
Submittable at https://redpress.
submittable.com/submit
And Red Press will soon be
announcing the selected
poems and visual artists for its
upcoming Nature & Culture
Poetry anthology… as well as an
upcoming anthology of poetry in
translation in collaboration with
Versopolis.
So you see, we’ve been busy.
Submerged in poetry, visual arts,
good ideas. As always, I’ll take
advantage of this moment to
remind you that all of Red Door’s
activities are self-funded, and that
your support is fundamental for our
continued service to the arts. So
please, consider joining Patreon
for a monthly subscription, at an
amount of your choice, to receive
magazines, book, art, and other
benefits:
www.patreon.com/
madamneverstop
Looking forward to reporting
on these and other activities. To
poetry and beyond!
Madam Neverstop.
06

07

FEATURED ARTIST
Jorge Posada is a painter, sculptor, printmaker
and photographer who lives and works in New
York. Posada has earned awards from prominent
institutions including the Museum of Contemporary
Art in Bogota, Colombia and the Atlantic Center for
the Arts in Daytona, Florida. He was awarded a six year
scholarship at the Lower East Side Print Shop and an
Honorable Mention at Expresiones Hispanas Art tour
USA. His artwork was showcased on Channel 13 in the
documentary The New Immigrants. In 2004, Posada
created a 1.500 sq ft mural titled Homage to the Arts as
part of the renovation of the Ritz Theater in Elizabeth,
New Jersey.
His art has evolved into a less realistic depiction of
the human figure: a cross between figuration and
abstraction. He masters a mixed-media of charcoal,
acrylic and oil on canvas to create his compositions by
building up carefully placed transparencies of color.
Posada works in series which address the human form
in a dynamic and constant flux.
Currently Posada divides his time between USA,
Europe and Colombia to study the masters he admires
and to exhibit his artwork. Posada’s work is in mayor
private and public collections in the USA, Europe,
Japan and Latin America and has been published in
numerous art books.
08
JORGE POSADA
LEFT: EMBRASING THE SHADOW
RIGHT: THE ERECTION OF THE CROSS I

09

010

DIPTYCH OF FALLING BODIES -
JORGE POSADA
011

012

JORGE POSADA - RUBENS VII
013

As a visual artist I am not interested in proposing an organized discourse within my artwork. It is
not my intention to establish a narrative to tell stories since I am not a writer. I prefer to establish a
visual dialog that ideally creates a communion of feelings between the public and my work. I think
is important to allow the viewer to find new ways of interpretation, discover new visual angles and
emotional connections that usually escape my own initial intention.
Since the beginning of my career the human figure has had a very important role in my work.
Sometimes I depict the body in a realistic manner others only as a blurry suggestion of a human
form, but always with the same intrinsic intention of exploring its qualities as a vehicle of formal
expression. I intent to establish a relationship of feelings and emotions between the public and
my work. My artwork evolved into a less realistic depiction of the human figure: a cross between
figuration and abstraction which addresses the human spirit in a dynamic and constant flux.
014

JORGE POSADA
EXODUS SERIES
THE RUN
015

016
OPEN CALL

Tapestry by Muriel Makhathini called “Morgon sång”
017

018

019

020

021

POETRY
Driving home
to a place where my parents still// clung to an American hope// I pull the car over// write
a bad haiku about the little urn// my kid brother gave me// to give to my aunt// so she
can spread my father’s ashes// over their parents’ graves// I don’t check the canister//
to see if there are remnants of him// inside// I call the haiku// Schrödinger’s Dad// laugh
a bit// in the cold spring air// So many of these breaks// from being tethered to a body//
have to do with layered traditions// Your skeleton is at the bottom of a pile// of coats//
in a spare bedroom// in some kin’s queer home// your spirit// is pacing its attic// while
the elders drink whiskey and talk of the newly departed’s// rawest moments in the sun//
Or what you imagine your spirit to be// the cobbled memories clasping the left hand of
intent// like that old church rhyme// about steeples// The last time you were here//the
old man was paying for dinner on the rivers’ edge// and pointing out the bridge where
he and his friends would practice their jackknives// the same brother, then, looking hard
down the banks and squinting// to see those joyful children —dares in their throats;
adrenaline pooling in their reservoirs— How does anyone keep inside the time they are
in// when these stories take crowbars to our presence// birds are everywhere// They are
electrified by instinct// but I like to believe it’s intuition// When I put my portion of dad
in the bird-feed// it was an invitation to follow me to memories he couldn’t be privy to,
otherwise// There are birds the color of prom dresses// white as lake effect// There’s this
one Argentinian theropod I’ve been birding// ever since I stumbled upon its existence//
Who knows if one has ever graced Rochester// which is where I’m from// where boys
become swans// midair// and, gasping for breath, become boys again
Terence Degnan is the author of three books. His most recent, “I Can
Wonder Anything” was published in March (2023). He lives in Brooklyn
with his wife and daughter.
022

The Next World Jolt: A Predictive Testimony
I’ll think this can’t be happening.
I’ll refuse to believe it’s happening.
It’ll be the randomness of the day.
A date hitherto divested of meaning.
I’ll keep saying ‘but we took precautions.’
I’ll keep saying ‘but we had protections.’
I’ll post-rationalise.
I’ll say, in a way, I detected its imminence.
I’ll claim I felt its nag, heard its hum.
Everything common to us violated.
*
Rumours will start as rustles and build to rumbles:
Purge all microchips consult catastrophe manual
the docile roll of a cow’s eye ozone layer wilting to tea bag fineness
rolling coverage of TV static
electric pylons pole-axed
parchment dermis of riverbeds resources dwindle to a thimble.
All closed: airports tunnels essential stores
All closed: bridges seaports major roads.
*
I’ll be at the movies.
Nationwide newsflash cuts off the trailers.
I’ll be at the office.
Lower the blinds, form a huddle.
I’ll be at school.
Keep away from the windows.
They’ll tell us to run and not look back.
Phone lines will be bombarded.
They’ll tell us to run and don’t look at the sky.
Networks will haemorrhage.
They’ll tell us to run, holding hands in threes.
Halls given over to makeshift morgues.
They’ll tell us to run and pick up the fallers.
Scare tactics and useful alarmists.
They’ll perform a head count as we face the wall.
Majorettes of the apocalypse.
*
Nothing will seem explainable. We’ll lose the surety our parents felt.
You’ll know it’s bad, when every channel switches to coverage.
Except the shopping channels – I’ll always remember that, still flaunting:
mother of pearl, teardrop pendants, smoothie makers,
hibachis, anti-aging masks, figaro chains,
lavender diffusers, chakra beads, multi-function shavers.
Samuel Prince’s debut collection, Ulterior Atmospheres, was published in 2020 by Live Canon.
His work has recently appeared in Acumen, The Broken Spine, Pedestal and Spelt. He lives in
Norfolk (UK).
023

POETRY
Idaho Lake Fragments
1.
Swallow’s nest wedged in the hawthorn, woven with pine needles—
lodgepole, white, ponderosa—and thickened earth. You are not a cradle
or a bedroom but like a bedroom cradle you shelter, rock. Bring me the
protection of clay.
2.
Eagle, wings ruffling the rain drenched air. Bald head a splash of light
above Spring Lake. You are not a mood, but like a mood you darken and
brighten and fade. There, then gone. There. Gone over the tree-lined hills.
Acquaint me with transience.
3.
Snag. Are those ponderosa limbs twisting from your torso? The deep
green has moved into the crevices of your puzzled bark. Your gray head
snapped and rutted. You are not an aging woman but like some ancient
grandmother you are striking, stricken, snagged. Standing, still. Offer your
branched wisdom.
4.
Campfire: cracked red mudrocks cradle your imperfect head. Charred
logs crisscross old coals. Flames gone days, or maybe weeks. You are not
her body, but like my mother whose limbs I held as she crossed over, your
flame still is in its vanishing. Kindle me.
5.
Cattails—carnival corndogs, fairgoers crowding the shoreline. Swamped
family, springtime pelts warming your oblong heads as you age into summer.
You are not wands or wizards but like a wizard wand you can bend
perception—be gentle with your whispering change.
DJ Lee is a writer, scholar, artist, and regents professor of English at
Washington State University. She has published over forty essays and
prose poems, the memoir Remote: Finding Home in the Bitterroots
(Oregon State 2020), and eight scholarly books, including The Land
Speaks (Oxford 2017).
**Previously published in The Bayan Review, Issue 15, Summer ´23
024

Hollowman Goes To The Beach
Hollowman fills up with gold again to get
From one side of the day to the other intact
Negotiates its architecture with some bravado
Thwarted as usual during his rickety rickshaws
Doomedfutileoverambitioushalfhearted
Poorlyexecutedovertakingmanoeuvre
By worrying that as soon as he stops worrying
The Bad Thing will come because he does
Sustain all existence after all.
His glass of chai is getting cold, the universe is growing old
And crab and crow will be there at the end
While whirling eagles whinny like tiny Pegasi and
Scuttling crustaceans will always signify
Tsunami to him now. Young yogis at sunset?
Drowning on ketamine. The sea itself?
Death, death. His cruel mind-claws
Pinch him with the thought of his own children
Old on a hot world but luckily the crabs
Scavenge this carrion that he scatters on the sand
And anyway their golden tunnels are inside him
Jon Whitbread is an artist working and living in Brixton, South London.
025

ANDREW
SINGER
Farewell to a poet and fiction
writer, literary editor and translator,
essayist and reviewer, pen-andink
artist and university instructor...
WORLDTHREADER and founder of
026
We dedicate this issue to the memory of our
friend and collaborator Andrew Singer, poet
and founder of Trafika Europe.
Here is the official statement from Trafika
Europe:
“Andrew graced us all with his writing, art,
and his love of literature. He began Trafika
Europe in 2014 after living and working in
Europe as an educator and cultural journalist.
Since then, he has curated a community
of authors, translators, and likeminded
individuals to share European literature in
English translation. We intend on continuing
the project to continue Andrew’s legacy
and we appreciate any patience as many
of us transition into new roles with new
responsibilities. Andrew graced us all with
his writing, art, and his love of literature. He
began Trafika Europe in 2014 after living
and working in Europe as an educator and
cultural journalist. Since then, he has curated
a community of authors, translators, and
likeminded individuals to share European
literature in English translation. We intend on
continuing the project to continue Andrew’s
legacy and we appreciate any patience as
many of us transition into new roles with new
responsibilities.”
Although we never met in person, I had been
poetically conspiring with Andrew for over 3
years, through the podcast, which aired on
Trafika Europe Radio, and through the Poetic
Phonotheque, which now contains his voice
as part of its collection, as well as a selection of
poetry films by Trafika Europe of other poets,
and lastly, of course, through experimental
poetry, with an unaccomplished dream of
collaborating with my music and his works.
Something in the heart slowly shatters every
time one of our worldthreaders goes, but I am
comforted in knowing that his hard work, his
efforts to connect our communities, and his
love for poetry and audiovisual experiences
will keep on shining in the hearts of all of us
who crossed paths with him.
Andrew, it has been a pleasure weaving
projects and ideas with you.
Listen to Andrew’s full Red Transmissions
episode here:
https://redtransmissions.libsyn.com/trafikaeurope-research
-Madam Neverstop.
Right: Cat at a window by Andrew Singer.

027

RED DOOR GALLERY PRESENTS:
A combination of photography exhibition and
installation, Karl Larsson is our current guest artist,
visiting us from Gothenburg, and bringing along his
fantastic project PUUT. An artist’ books library, where
he collaborates with various artists and poets, as well
as includes his own photography work, to create
limited edition art books... all available in his library.
How does it work? Well, once you arrive to the gallery
you can sign up for your very own library card, and
take advantage of PUUT’s take over by borrowing
books as often as you choose.
The typewriter? It’s our way of pushing this project
forward, ensuring that those “late return notices” look
as beautiful as all his other creations.
August 7 - 12 at Red Door Copenhagen.
028

RED DOOR GALLERY CALENDAR
The PUUT library and Red Door
invite you to a small festival! Enjoy
the Saturday with readings from
poets and experimental music.
Participating artists:
Lalo Barrubia, Kim Elfving, Jonas
Svensson, Johan Holmlund,
Christer Boberg, Aleisa Ribalta
Guzmán, Två män i en dambob,
Joakim Becker, Pablo Saborío,
Magnus Grehn (more TBA)
August 12 at Red Door
Copenhagen.
OF FLESH AND EDGES
These works look into the process
of (dis)identification through which
the body distances itself from
the language and categorization
that has been assigned to it. Zara
Asgher and Laura Hasanen are
visual artists and art educators
based in Helsinki, Finland.
August 18 - 25 at Red Door
Copenhagen.
Dreamy images, evocative stories,
memories, inner journeys.
Red Door opens the doors to
the pop-up exhibit and book
presentation by Italian artist
Ughetta Dalimonti.
Sept 1 - 2 at Red Door
Copenhagen.
VIEW POINT presents paintings
that play with the divergent
positions of the observer and
the observed. Some motifs show
actual places, maybe touristic
spots we might have visited. Others
depict faces and eyes that gaze
into nothingness or look directly at
the viewer.
SEPT 23 - 30 at Red Door
Copenhagen.
029

The Appearance
of the Unpredictable
030
In Mexico there is a phenomenon that
can be summarized in Peso Pluma. The
intellectual world shrieked and society
mobilized. Our ignorance and our
devotion to drugs and money were laid
bare. My first impulse was to condemn...
the second, to listen to the songs and,
little by little, to understand the rivers from
which this boy drew water. He was born
in Jalisco, his maternal family comes from
Culiacán.
Then I remembered the first meetings of
poets and intellectuals in which I saw with
amazement the drugs. This guy openly
promotes narcoculture and consumption...
Is consuming them while reading
Baudelaire or E. M. Cioran different from
doing it while singing a corrido? Maybe
the body does not generate dependence
if they are used while reading philosophy
or poetry, but what kind of deals have
to happen to make the crystal more
affordable or to take a gram to the nose?
You know what the price is and how much
blood has to flow.
The cult to money and frivolity is an old
deal among the societies of capitalist
criminal consumption. What is curious
is that we find it unpredictable. We are
astonished that the majority of the world
chants this music. They refuse to look at
the plants they have painstakingly sown
and cultivated.
Peso Pluma reached the global number
one spot on Spotify. They have tried to
silence it: a boy from Coahuila committed
suicide because his stepfather would not
allow him to listen to corridos belicones
in this country of the disappeared, of
surgeries of buttocks and tits...
The main consumers of these operations
are the so-called buchonas, who are the
companions of the distributors... men
and women who had no choice but to
migrate “to the other side” or starve to
death. And how can the cartel owners not
become heroes if they have been the only
alternative to “get their families or entire
towns out of poverty”?

In a country where the distribution of
wealth is ignominious, where corruption is
the bottle with which the offspring are fed
from birth to death, where opportunities
sound farther away than dying... Of course
they risk living by the skin of their teeth;
let’s say they have no choice in a world
where everyone wants to be accepted,
and dreams of validation.
In Mexico, 40% of the population does
not have the minimum resources to feed
itself. Studying without eating does not
sound attractive. The reading index in
Mexico ranks 107th out of 108, according
to UNESCO. Books or reading devices are
not accessible; on the other hand, high
caliber weapons sound more attractive.
Feminicides, the patriarchal phenomenon
in this country, is redundant: there is no
need to mention the visible. The cult
of drugs, of money, of easy fame, is a
worldwide phenomenon.
A 23 year old boy is convicted for singing
misogynistic lyrics promoting drug
distribution and consumption. Either this
is a very hypocritical world or it is time to
see what we are doing with this world.
TANYA COSÍO
Jalisco, México, 2023
031

THE COLLAGES OF MARIJA IVETIC
“We are a collage of our
interests, our influences,
our inspirations, all the
fragmentary impressions
we’ve collected by being
alive and awake to the
world. Who we “are” is
simply a finely curated
catalog of those.”
-Maria Popova
Collages with American pin-up
girls from the 1950s visiting the
masterpieces of visual artists - some
of the finest works of world art over
the millennia.
I think it’s fun to put these together
as the contrast they are and play with
words/idioms in multiple languages
to support the narrative/message of
each image.
032
With a twist of humor, irony, feelings,
truth, atmosphere, exclamation and
sometimes the bizarre .... - which
ends in an expression that might also
speak to you. Working with collage
offers the opportunity to use different
fragments from a reality that we
know - but put together in new and
surprising ways.
For many years I have been
fascinated by collages and the visual
art technique behind them. For all
these years, I have slowly made it a
habit to collect paper materials and
have a huge collection.
I work as a school pedagogue
and I have worked with many
forms of creative expression. I have
always been interested in recycling
and collage is a great way to put
something familiar together in an
unexpected and strange meeting
that can give a new reality.

033

The Red Door
Network:
034
Red Door Magazine is a quarterly Arts &
Culture publication meant to document
the work of creators everywhere, as
well as facilitate new conversations on
important matters for our communities
in a local and international way, through
the linking of themes, collaborations,
interviews and hybrid events that can
expand the reach of independent voices
and remarkable projects. Red Door
counts with the help of correspondents
in Australia, Mexico, the US and Denmark.
Red Door also functions as a gallery
and independent space in order to serve
as a platform for the same purposes.
In expanding its reach, Red Door also
counts with:
-A podcast called the Red
Transmissions, where creatives,
activists and cultural organizers share
their process, projects and initiatives.
-A Poetic Phonotheque, which serves
as an online collection of poetry in many
languages in the voice of its authors,
created to break the barriers of distance
and facilitate free access to poetry in
households around the world.
-An independent print project called Red
Press, which focuses on the publication
of poetry (and illustration) in translation.
Bilingual books, handmade, limited
edition books.
-The Red Door Gallery located in
the cultural hub of Copenhagen on
Møllegade, Nørrebro, where talks,
workshops, exhibitions, performances
and other events are often on the
calendar, as well as limited edition
books and prints, original art,
miniature books and other art related
products, often with a focus on poetry.
See them also on the online shop:
www.reddoormagazine.com/shop
The Partners:
Litteraturcentrum KVU:
Litteraturcentrum KVU is an
international literary initiative we often
promote as a league of publishers in
Scandinavia. Red Door is published
through this collaboration.
Kultivera operates international cultural
programs that are physical, social and
creative; that stimulates and inspires both
the artists and the local community. It is
the organization in charge of the Tranås
Fringe Festival and their curriculum of
activities can be seen on the issues of
the Red Door Magazine.
Write4Word: Is a West Wales community
organization with a focus on language
arts. Its director, Dominic Williams, is a
frequent correspondent of Red Door.
La Libélula Vaga: is a spanish literary
magazine published in Sweden
documenting the work of poets all
over the planet, as well as encouraging
translations, talks and other
collaborations.
Keith FM: is a Berlin-based community
radio. Red Transmissions Podcast airs
on the 1st Thursday of each month at
15, the 3rd Sunday of each month at 12,
and the last Thursday of each month at
3am (for the early birds or those in other
timezones).
Trafika Europe Research: seeks to help
renew the role of literature in nudging
along the European conversation
in culture, This is done through a
bookshop, a journal, and a radio, where
Red Transmissions Podcast is also on
rotation, as well as a selection of its poets
/ musicians.
IMMART is a DK-based non -profit
organisation that strongly believes in
the power of social and professional
networks.
Southnord seeks to help renew the role
of literature and diversify representation
of minorities in the Nordic Region.

There are beautiful things happening
due to the collaborations, partnerships,
ideas and new projects that arise from the
conversations started in these pages and
through the other Red Door initiatives,
such as the podcast, which has already
celebrated over 30 interviews, or the
phonotheque, which counts with the
voices of over 100 poets around the world...
all of this, including the digital version of
the magazine, are free to ensure access to
information wherever you are in the planet.
However, these projects are indeed time
consuming and not free, especially since
it is necessary to pay to remove the ads so
that you are not distracted and can have
a fully immersive artistic experience when
enjoying this magazine and the RED DOOR
website.
Eternal gratitude to the current patrons of
this magazine:
Andreas Frostholm, Michael Favala
Goldman, Dominic Williams, Nanda Arias,
Juan Pablo Salas, Sergio Guzman, Malene
Boeck Thorborg, Juana M. Ramos, Melanie
Perry, Ulla Hansen, Crox Pow, Jaider Torres,
Valeria Schapira, Dharma Agustina, Melissa
Albers, Anders Hansen, David S. Miller, and
you, who are reading this.
There’s costs for hosting and printing
and domains and publishing... and
for now, ONE certain way to show
your support directly: PATREON.
WIth a membership starting at 3 EU a
month, yo too can ensure these projects
keep existing. What’s more, now Patreon
allows for one yearly payment, if you’re
not into monthly fees. So, what do ya say?
Wanna help keep making this happen?
www.patreon.com/madamneverstop
Love and poetry always,
Madam Neverstop
035

RED DOOR MAGAZINE
THE UNFORESEEABLE
SUMMER 2023
036
WWW.REDDOORMAGAZINE.COM