Red Door 33
RED DOOR MAGAZINE #33 www.reddoormagazine.com FEATURED ARTIST JORGE POSADA ................................8-15 SOUTHNORD OPEN CALL.........16-17 SEQUENTIAL CONDITIONS By Martin Andersen ......................18-21 POETRY TERENCE DEGNAN..............................22 SAMUEL PRINCE...................................23 DJ LEE......................................................24 JON WHITBREAD.................................25 A farewell to ANDREW SINGER ..........................26-27 RED DOOR presents.............................................28-29 The Appearance of the Unpredictable by TANYA COSIO............................30-31 The Collages of MARIJA IVETIC................................32-33
RED DOOR MAGAZINE #33
www.reddoormagazine.com
FEATURED ARTIST
JORGE POSADA ................................8-15
SOUTHNORD OPEN CALL.........16-17
SEQUENTIAL
CONDITIONS
By Martin Andersen ......................18-21
POETRY
TERENCE DEGNAN..............................22
SAMUEL PRINCE...................................23
DJ LEE......................................................24
JON WHITBREAD.................................25
A farewell to
ANDREW SINGER ..........................26-27
RED DOOR
presents.............................................28-29
The Appearance
of the Unpredictable
by TANYA COSIO............................30-31
The Collages of
MARIJA IVETIC................................32-33
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As a visual artist I am not interested in proposing an organized discourse within my artwork. It is<br />
not my intention to establish a narrative to tell stories since I am not a writer. I prefer to establish a<br />
visual dialog that ideally creates a communion of feelings between the public and my work. I think<br />
is important to allow the viewer to find new ways of interpretation, discover new visual angles and<br />
emotional connections that usually escape my own initial intention.<br />
Since the beginning of my career the human figure has had a very important role in my work.<br />
Sometimes I depict the body in a realistic manner others only as a blurry suggestion of a human<br />
form, but always with the same intrinsic intention of exploring its qualities as a vehicle of formal<br />
expression. I intent to establish a relationship of feelings and emotions between the public and<br />
my work. My artwork evolved into a less realistic depiction of the human figure: a cross between<br />
figuration and abstraction which addresses the human spirit in a dynamic and constant flux.<br />
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