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The Trumpet Newspaper Issue 582 (October 19 - November 1 2022)

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Entertainment<br />

Yanna Momina - ‘Afar Ways’<br />

OCTOBER <strong>19</strong> - NOVEMBER 1 <strong>2022</strong><br />

<strong>The</strong><strong>Trumpet</strong><br />

Page9<br />

New album out now on Glitterbeat Records<br />

Yanna Momina’s ‘Afar Ways’<br />

was recorded live in a stilthut<br />

on the horn of Africa<br />

when Grammy-winning producer<br />

and author, Ian Brennan (Tinariwen,<br />

Zomba Prison Project, Ustad Saami)<br />

visited Djibouti in the spring of<br />

2018.<br />

<strong>The</strong> album is beautifully focused<br />

around Momina’s resonant vocals<br />

and the sparest of musical backings<br />

(acoustic guitar, handclaps,<br />

calabash).<br />

It is the 10th release in<br />

Glitterbeat’s acclaimed “Hidden<br />

Musics” series.<br />

Music is not something the rural<br />

Afar people “do for show,” Momina<br />

asserted. Since most have no<br />

television, it is done for their own<br />

amusement at night. Every night.<br />

As Yanna Momina and Brennan<br />

recorded, the tide came in and they<br />

ended-up surrounded by water.<br />

Throughout the album, the thatch hut<br />

audibly creaks and rocks in the<br />

waves.<br />

Yanna Momina - Afar Ways<br />

music. On the spot she brainstormed<br />

a septuagenarian rap for the ages,<br />

riding an imaginary bass-line for<br />

over ten minutes that could be felt,<br />

though not heard.<br />

<strong>The</strong>n, after a manic burst of tunes,<br />

Momina asked her band to set down<br />

their instruments and undertook an a<br />

cappella rendition of “My Family<br />

Won’t Let Me Marry the Man I Love<br />

(I Am Forced to Wed My Uncle),” a<br />

song that even the friends gathered<br />

had never heard before.<br />

It was followed by a wordlessness<br />

that made undeniably clear that the<br />

afternoon’s recording had concluded.<br />

Album teaser video:<br />

https://youtu.be/vUp5mExaSVM<br />

Track-listing:<br />

Every One Knows I Have Taken a<br />

Young Lover<br />

Afar Ways<br />

Honey Bee<br />

Ahiyole (“Clapping”)<br />

For My Husband<br />

Heya (Welcome)<br />

<strong>The</strong> Donkey Doesn’t Listen<br />

My Family Won’t Let Me Marry<br />

the Man I Love (I Am Forced to Wed<br />

My Uncle)<br />

Yanna Momina - lead vocals,<br />

percussion<br />

JP - rhythm guitar, vocals,<br />

percussion<br />

Hussan Jean - calabash,<br />

percussion, background vocals<br />

Andre Fanazara - lead guitar,<br />

background vocals, percussion, lead<br />

vocals on Heya (Welcome)<br />

All songs by Yanna Momina<br />

(except Track 6)<br />

Produced & engineered by Ian<br />

Brennan<br />

Mixed by Craig Parker Adams<br />

(Winslow Court Studio [Los<br />

Angeles])<br />

Photos & video by Marilena Delli<br />

(Executive Producer)<br />

Order the album via Bandcamp:<br />

https://yannamomina.bandcamp.co<br />

m/album/afar-ways<br />

Yanna Momina (photo by Marilena Umuhoza Delli<br />

Born in <strong>19</strong>48, Yanna was<br />

discovered while accompanied on a<br />

two-string shingle played with nails<br />

and a matchbox for maracas. She<br />

made a name in the region not just<br />

for her thrilling vibrato, but for being<br />

the rare Afar woman who writes her<br />

own songs.<br />

Brennan states, “Yanna has one of<br />

the most unique voices I’ve ever<br />

heard. She flirts with the edge of<br />

chaos without losing control of her<br />

idiosyncratic phrasing.”<br />

“We set-up to record in a stilthut”<br />

he adds as he describes the<br />

atmosphere of the recording session.<br />

“Moving at the speed of another<br />

culture, what first sounded like a call<br />

to prayer, was only conversation.<br />

And then we began. Momina was<br />

accompanied by a rotating cast of<br />

friends who passed around guitars<br />

and a calabash. <strong>The</strong>y freely offered<br />

up handclaps and background<br />

vocals...in service of the artist they<br />

addressed honorifically as ‘aunt.’”<br />

As an experiment, Brennan asked<br />

Momina to try speaking over some<br />

Yanna Momina (photo by Marilena Umuhoza Delli)

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