The Trumpet Newspaper Issue 582 (October 19 - November 1 2022)
UN expert calls for end of attacks on persons with albinism.
UN expert calls for end of attacks on persons with albinism.
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Entertainment<br />
Yanna Momina - ‘Afar Ways’<br />
OCTOBER <strong>19</strong> - NOVEMBER 1 <strong>2022</strong><br />
<strong>The</strong><strong>Trumpet</strong><br />
Page9<br />
New album out now on Glitterbeat Records<br />
Yanna Momina’s ‘Afar Ways’<br />
was recorded live in a stilthut<br />
on the horn of Africa<br />
when Grammy-winning producer<br />
and author, Ian Brennan (Tinariwen,<br />
Zomba Prison Project, Ustad Saami)<br />
visited Djibouti in the spring of<br />
2018.<br />
<strong>The</strong> album is beautifully focused<br />
around Momina’s resonant vocals<br />
and the sparest of musical backings<br />
(acoustic guitar, handclaps,<br />
calabash).<br />
It is the 10th release in<br />
Glitterbeat’s acclaimed “Hidden<br />
Musics” series.<br />
Music is not something the rural<br />
Afar people “do for show,” Momina<br />
asserted. Since most have no<br />
television, it is done for their own<br />
amusement at night. Every night.<br />
As Yanna Momina and Brennan<br />
recorded, the tide came in and they<br />
ended-up surrounded by water.<br />
Throughout the album, the thatch hut<br />
audibly creaks and rocks in the<br />
waves.<br />
Yanna Momina - Afar Ways<br />
music. On the spot she brainstormed<br />
a septuagenarian rap for the ages,<br />
riding an imaginary bass-line for<br />
over ten minutes that could be felt,<br />
though not heard.<br />
<strong>The</strong>n, after a manic burst of tunes,<br />
Momina asked her band to set down<br />
their instruments and undertook an a<br />
cappella rendition of “My Family<br />
Won’t Let Me Marry the Man I Love<br />
(I Am Forced to Wed My Uncle),” a<br />
song that even the friends gathered<br />
had never heard before.<br />
It was followed by a wordlessness<br />
that made undeniably clear that the<br />
afternoon’s recording had concluded.<br />
Album teaser video:<br />
https://youtu.be/vUp5mExaSVM<br />
Track-listing:<br />
Every One Knows I Have Taken a<br />
Young Lover<br />
Afar Ways<br />
Honey Bee<br />
Ahiyole (“Clapping”)<br />
For My Husband<br />
Heya (Welcome)<br />
<strong>The</strong> Donkey Doesn’t Listen<br />
My Family Won’t Let Me Marry<br />
the Man I Love (I Am Forced to Wed<br />
My Uncle)<br />
Yanna Momina - lead vocals,<br />
percussion<br />
JP - rhythm guitar, vocals,<br />
percussion<br />
Hussan Jean - calabash,<br />
percussion, background vocals<br />
Andre Fanazara - lead guitar,<br />
background vocals, percussion, lead<br />
vocals on Heya (Welcome)<br />
All songs by Yanna Momina<br />
(except Track 6)<br />
Produced & engineered by Ian<br />
Brennan<br />
Mixed by Craig Parker Adams<br />
(Winslow Court Studio [Los<br />
Angeles])<br />
Photos & video by Marilena Delli<br />
(Executive Producer)<br />
Order the album via Bandcamp:<br />
https://yannamomina.bandcamp.co<br />
m/album/afar-ways<br />
Yanna Momina (photo by Marilena Umuhoza Delli<br />
Born in <strong>19</strong>48, Yanna was<br />
discovered while accompanied on a<br />
two-string shingle played with nails<br />
and a matchbox for maracas. She<br />
made a name in the region not just<br />
for her thrilling vibrato, but for being<br />
the rare Afar woman who writes her<br />
own songs.<br />
Brennan states, “Yanna has one of<br />
the most unique voices I’ve ever<br />
heard. She flirts with the edge of<br />
chaos without losing control of her<br />
idiosyncratic phrasing.”<br />
“We set-up to record in a stilthut”<br />
he adds as he describes the<br />
atmosphere of the recording session.<br />
“Moving at the speed of another<br />
culture, what first sounded like a call<br />
to prayer, was only conversation.<br />
And then we began. Momina was<br />
accompanied by a rotating cast of<br />
friends who passed around guitars<br />
and a calabash. <strong>The</strong>y freely offered<br />
up handclaps and background<br />
vocals...in service of the artist they<br />
addressed honorifically as ‘aunt.’”<br />
As an experiment, Brennan asked<br />
Momina to try speaking over some<br />
Yanna Momina (photo by Marilena Umuhoza Delli)