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ENGL 4010: Non-Representational Research Methods (SP23)

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<strong>Non</strong>-<strong>Representational</strong><br />

<strong>Research</strong> <strong>Methods</strong><br />

New media writing


signs/symbols<br />

Greek σύμβολον mark, token, ticket, ‘tessera’, < σύν sym- prefix + root of βολή , βόλος a throw


Farside, Gary Larson.


Chauvet Cave paintings.


But what truly distinguishes the non-representational<br />

Vannini<br />

research from others is a different orientation to the<br />

temporality of knowledge, for non-representationalists<br />

are much less interested in representing an empirical<br />

reality that has taken place before the act of<br />

representation than they are in enacting multiple and<br />

diverse potentials of what knowledge can become<br />

afterwards (12).


After<br />

Before<br />

After


esearch methods:<br />

procedures for<br />

collecting material


esearch strategies:<br />

procedures for the<br />

treatment of data


esearch<br />

methodologies: the<br />

bodies of knowledge<br />

that shape the above<br />

two


7 principles<br />

1. Life is movement<br />

2. Anti-biographical and pre-individual<br />

3. Practice, action and performance<br />

4. Relational materialism<br />

5. Animates rather than reports<br />

6. Affective capacities of bodies<br />

7. Ethics built on the craftsmanship of everyday life


1<br />

life is<br />

movement


Brian Brettschneider<br />

@Climatologist49:<br />

“Drone footage of ice<br />

moving through Turnagain<br />

Arm near Anchorage<br />

(Beluga Point in the<br />

distance). The drone is<br />

hovering. The tide<br />

current is moving at 4<br />

knots. Video is not sped<br />

up.”


2<br />

antibiographical<br />

[preindividual]


“Mould Time-lapse”<br />

The Great British<br />

Year: Episode 4


3<br />

practice, action,<br />

performance


Medium Design<br />

Q u a n t i t i e s ,<br />

expiration dates,<br />

cooking times, the<br />

mood and and hunger<br />

of the intended<br />

recipient, and<br />

thousands of other<br />

factors are thrown<br />

into the calculations<br />

until the cook<br />

arrives at a meal<br />

that is often<br />

mistakenly treated as<br />

a relatively simple<br />

outcome.<br />

Keller Easterling<br />

WGBH, “Happy<br />

Birthday Julia Child!<br />

A Rocking Tribute<br />

To A Cooking<br />

Legend.”


4<br />

relational<br />

materialism


Seeker, “Your Gut<br />

Microbes Are<br />

Controlling Your<br />

Mind, Here’s What<br />

You’ll Do For Them”


5<br />

animates rather than<br />

reports


@Ruben_Fro,<br />

“Dissolving Realities<br />

Vietnam #1.” “Slices of<br />

street life, captured with<br />

360 cameras in only a<br />

couple of seconds, and<br />

brought to life by a<br />

proprietary Unity shader<br />

in real time, specifically<br />

created to render point<br />

clouds in a cinematic<br />

and immersive way.”


6<br />

affective capacities<br />

of bodies


ozzzafly,<br />

“Surprised Kitty<br />

(Original)”


7<br />

ethics built on the<br />

craftsmanship of<br />

everyday life


Medium Design<br />

There might be messages that incite<br />

or calm, but without having to make<br />

declarations or organize<br />

confrontation, the designer might<br />

also operate like the parent with<br />

squabbling children. The parent does<br />

not try to parse the content of the<br />

argument but swiftly changes the<br />

disposition of the context. They<br />

lower the temperature of the room,<br />

move a chair into the light, increase<br />

the blood sugar of one child, or<br />

introduce a pet into the arms of<br />

another so that the chemistry of the<br />

room no longer induces or supports<br />

violence.<br />

The most resourceful, practical cooks know how to<br />

triangulate between the contents of their<br />

refrigerator, their pantry, and the food<br />

preferences of those for whom they wish to cook.<br />

Rather than cooking from a recipe, the mind clicks<br />

through hundreds of possible combinations between<br />

half a cup of milk that will only last one more<br />

day, two eggs, frozen peas, baking soda, cilantro<br />

leaves, hot sauce, a half stick of butter, a<br />

cheese rind, tomato paste, a tin of sardines, and<br />

two bananas. Quantities, expiration dates, cooking<br />

times, the mood and and hunger of the intended<br />

recipient, and thousands of other factors are<br />

thrown into the calculations until the cook<br />

arrives at a meal that is often mistakenly treated<br />

as a relatively simple outcome.<br />

Keller Easterling


There might be messages that incite or calm, but without having<br />

Easterling<br />

to make declarations or organize confrontation, the designer<br />

might also operate like the parent with squabbling children.<br />

The parent does not try to parse the content of the argument<br />

but swiftly changes the disposition of the context. They<br />

lower the temperature of the room, move a chair into the light,<br />

increase the blood sugar of one child, or introduce a pet into the<br />

arms of another so that the chemistry of the room no longer<br />

induces or supports violence.<br />

Medium Design


Vannini<br />

By animating lifeworlds non-representational research<br />

styles aim to enliven rather than report, to render rather<br />

than represent, to resonate rather than validate, to<br />

rupture and reimagine rather than to faithfully describe, to<br />

generate possibilities of encounter rather than<br />

construct representative ideal types (15).


This is what it means to live in the<br />

Latour<br />

Anthropocene: “sensitivity” is a term<br />

that is applied to all the actors capable<br />

of spreading their sensors a little<br />

farther and making others feel that<br />

the consequences of their actions<br />

are going to fall back on them, come<br />

to haunt them (Facing Gaia 141).


<strong>Non</strong>-<strong>Representational</strong><br />

<strong>Research</strong> <strong>Methods</strong><br />

New media writing

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