ENGL 4010: Non-Representational Research Methods (SP23)
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<strong>Non</strong>-<strong>Representational</strong><br />
<strong>Research</strong> <strong>Methods</strong><br />
New media writing
signs/symbols<br />
Greek σύμβολον mark, token, ticket, ‘tessera’, < σύν sym- prefix + root of βολή , βόλος a throw
Farside, Gary Larson.
Chauvet Cave paintings.
But what truly distinguishes the non-representational<br />
Vannini<br />
research from others is a different orientation to the<br />
temporality of knowledge, for non-representationalists<br />
are much less interested in representing an empirical<br />
reality that has taken place before the act of<br />
representation than they are in enacting multiple and<br />
diverse potentials of what knowledge can become<br />
afterwards (12).
After<br />
Before<br />
After
esearch methods:<br />
procedures for<br />
collecting material
esearch strategies:<br />
procedures for the<br />
treatment of data
esearch<br />
methodologies: the<br />
bodies of knowledge<br />
that shape the above<br />
two
7 principles<br />
1. Life is movement<br />
2. Anti-biographical and pre-individual<br />
3. Practice, action and performance<br />
4. Relational materialism<br />
5. Animates rather than reports<br />
6. Affective capacities of bodies<br />
7. Ethics built on the craftsmanship of everyday life
1<br />
life is<br />
movement
Brian Brettschneider<br />
@Climatologist49:<br />
“Drone footage of ice<br />
moving through Turnagain<br />
Arm near Anchorage<br />
(Beluga Point in the<br />
distance). The drone is<br />
hovering. The tide<br />
current is moving at 4<br />
knots. Video is not sped<br />
up.”
2<br />
antibiographical<br />
[preindividual]
“Mould Time-lapse”<br />
The Great British<br />
Year: Episode 4
3<br />
practice, action,<br />
performance
Medium Design<br />
Q u a n t i t i e s ,<br />
expiration dates,<br />
cooking times, the<br />
mood and and hunger<br />
of the intended<br />
recipient, and<br />
thousands of other<br />
factors are thrown<br />
into the calculations<br />
until the cook<br />
arrives at a meal<br />
that is often<br />
mistakenly treated as<br />
a relatively simple<br />
outcome.<br />
Keller Easterling<br />
WGBH, “Happy<br />
Birthday Julia Child!<br />
A Rocking Tribute<br />
To A Cooking<br />
Legend.”
4<br />
relational<br />
materialism
Seeker, “Your Gut<br />
Microbes Are<br />
Controlling Your<br />
Mind, Here’s What<br />
You’ll Do For Them”
5<br />
animates rather than<br />
reports
@Ruben_Fro,<br />
“Dissolving Realities<br />
Vietnam #1.” “Slices of<br />
street life, captured with<br />
360 cameras in only a<br />
couple of seconds, and<br />
brought to life by a<br />
proprietary Unity shader<br />
in real time, specifically<br />
created to render point<br />
clouds in a cinematic<br />
and immersive way.”
6<br />
affective capacities<br />
of bodies
ozzzafly,<br />
“Surprised Kitty<br />
(Original)”
7<br />
ethics built on the<br />
craftsmanship of<br />
everyday life
Medium Design<br />
There might be messages that incite<br />
or calm, but without having to make<br />
declarations or organize<br />
confrontation, the designer might<br />
also operate like the parent with<br />
squabbling children. The parent does<br />
not try to parse the content of the<br />
argument but swiftly changes the<br />
disposition of the context. They<br />
lower the temperature of the room,<br />
move a chair into the light, increase<br />
the blood sugar of one child, or<br />
introduce a pet into the arms of<br />
another so that the chemistry of the<br />
room no longer induces or supports<br />
violence.<br />
The most resourceful, practical cooks know how to<br />
triangulate between the contents of their<br />
refrigerator, their pantry, and the food<br />
preferences of those for whom they wish to cook.<br />
Rather than cooking from a recipe, the mind clicks<br />
through hundreds of possible combinations between<br />
half a cup of milk that will only last one more<br />
day, two eggs, frozen peas, baking soda, cilantro<br />
leaves, hot sauce, a half stick of butter, a<br />
cheese rind, tomato paste, a tin of sardines, and<br />
two bananas. Quantities, expiration dates, cooking<br />
times, the mood and and hunger of the intended<br />
recipient, and thousands of other factors are<br />
thrown into the calculations until the cook<br />
arrives at a meal that is often mistakenly treated<br />
as a relatively simple outcome.<br />
Keller Easterling
There might be messages that incite or calm, but without having<br />
Easterling<br />
to make declarations or organize confrontation, the designer<br />
might also operate like the parent with squabbling children.<br />
The parent does not try to parse the content of the argument<br />
but swiftly changes the disposition of the context. They<br />
lower the temperature of the room, move a chair into the light,<br />
increase the blood sugar of one child, or introduce a pet into the<br />
arms of another so that the chemistry of the room no longer<br />
induces or supports violence.<br />
Medium Design
Vannini<br />
By animating lifeworlds non-representational research<br />
styles aim to enliven rather than report, to render rather<br />
than represent, to resonate rather than validate, to<br />
rupture and reimagine rather than to faithfully describe, to<br />
generate possibilities of encounter rather than<br />
construct representative ideal types (15).
This is what it means to live in the<br />
Latour<br />
Anthropocene: “sensitivity” is a term<br />
that is applied to all the actors capable<br />
of spreading their sensors a little<br />
farther and making others feel that<br />
the consequences of their actions<br />
are going to fall back on them, come<br />
to haunt them (Facing Gaia 141).
<strong>Non</strong>-<strong>Representational</strong><br />
<strong>Research</strong> <strong>Methods</strong><br />
New media writing