James Whitbourn - Zahr Al-Khayal
for soprano and full orchestra James Whitbourn has a worldwide reputation for writing very personal yet accessible and highly communicative choral music, and these qualities are amply on display in this striking work for Soprano solo and orchestra. The text is largely a modern translation of passionate lines found on an Egyptian papyrus of c.1275 BCE, and the musical response is intense and colourful, with limpid melodies to the fore and underpinned by vivid orchestration. 9780193566361
for soprano and full orchestra
James Whitbourn has a worldwide reputation for writing very personal yet accessible and highly communicative choral music, and these qualities are amply on display in this striking work for Soprano solo and orchestra. The text is largely a modern translation of passionate lines found on an Egyptian papyrus of c.1275 BCE, and the musical response is intense and colourful, with limpid melodies to the fore and underpinned by vivid orchestration.
9780193566361
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8<br />
Fl. 1 & 2<br />
Ob. 1 & 2<br />
46<br />
°<br />
& # # ∑ ∑ ∑<br />
& # #<br />
(a 2)<br />
w<br />
ord.<br />
˙<br />
˙ <br />
mp<br />
mp<br />
œ œ<br />
w<br />
w<br />
D<br />
Passionato q = 68<br />
w<br />
w<br />
4<br />
f<br />
∑ ∑ # ˙ œ œ j ˙ œ 4 w<br />
∑ ∑ ∑<br />
f<br />
∑ ∑ ∑<br />
Cl. 1 & 2<br />
(Bb)<br />
& # # # # ∑ ∑<br />
a 2<br />
Ó Œ œ # œ œ œœ œ # œ œ ˙ œ w<br />
mf<br />
4<br />
7 3<br />
f<br />
mf<br />
∑<br />
Ó<br />
1><br />
‰ œ œ œ # œ œœœ œ ‰ œ # œ ˙Ó<br />
><br />
∑<br />
œ Œ Ó<br />
p<br />
Bsn.<br />
? # ¢ # ∑ ∑ Ó 4<br />
∑<br />
w<br />
˙ b˙<br />
Œ Ó Ó<br />
˙ ˙ # ˙<br />
# ˙ œ<br />
mp f mf<br />
p<br />
Hn. 1 & 2<br />
(F)<br />
°<br />
&<br />
(a 2)<br />
˙ Ó ∑ ∑ # ˙<br />
4<br />
∑<br />
# ˙ ˙ # ˙ # w<br />
# w<br />
mp f mf<br />
Ó<br />
# ˙<br />
p<br />
Hn. 3 & 4<br />
(F)<br />
&<br />
(a 2)<br />
Œ # ˙ w ∑ Ó<br />
# ˙ bn˙<br />
mp<br />
4<br />
# ˙ # w<br />
# w<br />
a 2<br />
f<br />
mf<br />
∑<br />
Ó<br />
# ˙<br />
p<br />
Tpt.<br />
(C)<br />
& # # ∑ ∑ ∑ Ó # ˙ ˙ 4 ˙ Ó<br />
∑ ∑ ∑<br />
˙<br />
mp<br />
f<br />
Tpt.<br />
(Bb)<br />
& # # # # ∑ ∑ ∑<br />
Solo<br />
# ˙ œ œ ˙ œ w ˙<br />
J 4<br />
# œ œ ˙ Ó<br />
mf f ff mf<br />
∑<br />
Tbn. 1 & 2<br />
B. Tbn.<br />
? # # ∑ ∑ ∑ Ó # ˙ bn˙<br />
nn˙<br />
4 # w ##<br />
˙ Ó<br />
∑ ∑<br />
mp f mf<br />
? # ¢ # ∑ ∑ Ó ˙ b˙<br />
4<br />
Ó<br />
∑ ∑<br />
˙ ˙ # ˙ ˙<br />
w<br />
p f mf<br />
Sistra<br />
African/<br />
Egyptian<br />
Drum<br />
Mar.<br />
Hp.<br />
°<br />
/<br />
æw æw æw<br />
æw æw 4<br />
æ˙<br />
Ó<br />
∑ ∑ ∑<br />
¢ / ∑ ∑ ∑ ∑ ∑<br />
& # #<br />
{<br />
p<br />
# ˙ ˙<br />
3 3 3<br />
& # # ∑ ? ∑ ∑ &<br />
{<br />
pp<br />
˙<br />
˙<br />
# ˙<br />
˙<br />
˙<br />
˙<br />
#˙<br />
f<br />
f<br />
∑ ∑ 4 ∑ ∑ ∑ ∑<br />
? # # ∑ ∑ ∑ ∑ ∑ 4 ∑ ∑ ∑ ∑<br />
4<br />
ww ww ww ww ww ww ww ww bww<br />
? # # Ó<br />
˙˙ ˙˙<br />
4<br />
w w w w w w w w bw<br />
“‘<br />
> 6 > 6 Ÿ~~~~~~~~~~~~~~~~~ ><br />
4 œœœœœœœœœœœœ˙ œ j ‰ Œ Ó<br />
f<br />
∑<br />
∑<br />
mp<br />
Ó œœ œ<br />
œ œ œ œ œ w<br />
∑<br />
Ó Œ ‰ œ œ<br />
S. Solo<br />
& # #<br />
3<br />
3<br />
˙ Ó œ œ ˙ -<br />
∑ 4 ∑ ∑ ∑<br />
œ œ œ# œ ˙ w Œ œ œ # œ œ œ<br />
when I am in your arms. My de -<br />
Vln. I<br />
°<br />
& # #<br />
# ˙ ˙ # ˙˙ ˙˙ ˙˙<br />
˙<br />
ww<br />
w<br />
D<br />
Passionato q = 68<br />
unis.<br />
w<br />
4<br />
f<br />
w<br />
mf<br />
Ó<br />
Œ<br />
œ ˙ ˙<br />
p<br />
Vln. II<br />
& # #<br />
˙<br />
div.<br />
˙<br />
for online perusal only<br />
˙ ˙ ˙ #<br />
˙˙<br />
w ww<br />
w w<br />
4<br />
unis.<br />
f<br />
mf<br />
Ó<br />
Œ<br />
œ ˙ ˙<br />
p<br />
Vla.<br />
B # #<br />
unis.<br />
w<br />
∑<br />
∑ ˙ # ˙ ˙ ˙ 4 w<br />
div.<br />
f mf p<br />
æ<br />
# w<br />
# w<br />
w<br />
Vcl.<br />
unis. div.<br />
? # # ˙ œ<br />
4<br />
˙ œ œ<br />
J<br />
˙ ˙ ˙ œ<br />
˙ œ<br />
œ œ<br />
J<br />
˙ œ œ<br />
J<br />
˙ œ œ<br />
J<br />
˙ ˙<br />
œ # w<br />
# #w<br />
œ<br />
J<br />
f mf p<br />
æ w<br />
# # w<br />
Db.<br />
unis.<br />
? # ¢ # ˙ ˙<br />
œ ˙ œ œ w ˙ œ œ w ˙ œ œ˙ ˙ ˙ œ œ w ˙ œ 4 w<br />
f mf p<br />
# w<br />
w w
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