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<strong>Gabriel</strong> <strong>Jackson</strong><br />
Choral Sampler -<br />
Secular <strong>leaflet</strong>s
<strong>Gabriel</strong> <strong>Jackson</strong> - <strong>choral</strong> <strong>sampler</strong><br />
Secular <strong>leaflet</strong>s<br />
Contents<br />
Secular Forces* page<br />
Am Abend SATB More info 3<br />
How do I love thee? SATB (divisi) More info 11<br />
I am the voice of the wind SATB (divisi) More info 19<br />
in the half-light of dusk SATB (divisi) More info 29<br />
Lux Mortuorum SATB (divisi) More info 40<br />
La Musique S Solo, SATB (divisi) More info 54<br />
Nightingale Fragments SATB (divisi) More info 77<br />
Not no faceless Angel SATB, cello & flute More info 92<br />
Our flags are wafting with hope and grief SATB (divisi) More info 121<br />
Ship with unfurled sails, A SATB (divisi) More info 130<br />
Song (I gaze upon you) SATB (divisi) More info 142<br />
Three Shakespeare Songs SATB More info 149<br />
To Music SATB (divisi) More info 171<br />
Voice of the Bard, The SATB (divisi) More info 178<br />
Winter heavens SATB (divisi) More info 194<br />
Yes, I am your angel SATB More info 215<br />
*unaccompanied unless otherwise stated
3<br />
Secular<br />
SATB<br />
a cappella<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Am Abend
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NEW<br />
HORIZONS<br />
11<br />
2<br />
Secular<br />
SATB (with divisions)<br />
unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
How do I love thee?
12<br />
to Benjamin Nicholas and Georgina Hildick-Smith on their Wedding Day<br />
How do I love thee?<br />
Elizabeth Barrett Browning (1806–61)<br />
SOPRANO<br />
Steady q = c.72<br />
f<br />
p<br />
° 3<br />
& 4 œ œ j œ œ œ œ œ ˙ œ œ U œ J J J ‰ j ˙ œ œ<br />
GABRIEL JACKSON<br />
How do I love thee? Let me count the ways.<br />
œ<br />
˙<br />
ALTO<br />
f<br />
3<br />
& 4 œ œ j œ<br />
œ œ œ ˙ œ U j<br />
œ ‰ j œ œ ˙<br />
œ ˙<br />
How do I love thee? Let me count the ways.<br />
p<br />
TENOR<br />
&<br />
‹<br />
3<br />
4<br />
f<br />
for online perusal only<br />
œ œ j œ œ œ œ œ J<br />
˙ œ œ U J ‰ œ j œ<br />
p<br />
œ j œ œ ˙<br />
How do I love thee? Let me count the ways.<br />
BASS<br />
f<br />
? 3 œ œ œ œ<br />
¢ 4 J œ œ ˙ œ U œ J J ‰ œ œ J<br />
How do I love thee? Let me count the ways.<br />
p<br />
˙ œ ˙<br />
7<br />
°<br />
&<br />
&<br />
mp<br />
œ Œ œ œ œ j œ œ j œ œ<br />
I<br />
mp<br />
I<br />
˙ œ ˙ œ<br />
love thee to the depth and breadth and height<br />
œ Œ œ ˙ œ œ œ œ j œ œ œ j œ œ ˙<br />
love thee to the depth and breadth and height<br />
œ<br />
œ<br />
mf<br />
mf<br />
œ<br />
J œ<br />
œ J<br />
œ<br />
My<br />
œ œ<br />
My<br />
&<br />
‹<br />
mp<br />
œ Œ œ œ j œ<br />
I love thee,<br />
‰ Œ<br />
∑ ∑ ∑ ∑<br />
?<br />
¢<br />
mp<br />
œ Œ œ œ j œ<br />
‰ Œ<br />
∑ ∑ ∑<br />
∑<br />
I<br />
love thee,<br />
Duration: 4 mins<br />
© Oxford University Press 2019<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
13<br />
13<br />
°<br />
&<br />
&<br />
&<br />
‹<br />
? ∑<br />
¢<br />
20<br />
°<br />
&<br />
&<br />
&<br />
‹<br />
?<br />
¢<br />
œ j œ<br />
p<br />
mp<br />
œ œ œ œ Œ<br />
œ ‰ Œ 3<br />
œ œ<br />
mp<br />
œ œ ‰ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
soul can reach, when feel-ing<br />
out of sight For the ends of be-ing<br />
and i -<br />
mp<br />
œ j œ œ j ‰<br />
œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
soul can reach, when feel-ing<br />
out of sight For the ends of be-ing<br />
and i -<br />
∑ Œ Œ<br />
mp<br />
œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
when feel-ing<br />
out of sight For the ends of be-ing<br />
and i -<br />
Œ Œ<br />
mp<br />
œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
when feel-ing<br />
out of sight For the ends of be-ing<br />
and i -<br />
p<br />
mp<br />
mf<br />
œ œ œ œ Œ<br />
œ œ œ j œ œ j œ œ œ J œ œ œ œ œ ˙<br />
œ<br />
- deal grace. I love thee to the le-vel<br />
of ev - ’ry day’s Most<br />
p<br />
mp<br />
mf<br />
œ œ œ œ Œ œ ˙ œ œ œ œ j œ œ œ œ j œ ˙ œ ˙ œ œ<br />
- deal grace. I love thee to the le - vel of ev - ’ry day’s Most<br />
p<br />
mp<br />
œ œ œ œ Œ œ œ j œ ‰ Œ ∑ ∑ ∑ ∑<br />
- deal grace. I love thee,<br />
- deal grace.<br />
for online perusal only<br />
I<br />
love thee,<br />
∑ ∑ ∑ ∑
14<br />
4<br />
27<br />
°<br />
&<br />
mp<br />
f<br />
mp<br />
p<br />
mp<br />
œ œ œ œ ‰ œ œ œ œ œ œ .<br />
œ . œ . œ . œ . œ .<br />
Œ ˙ œ Œ œ<br />
qui<br />
- et need,<br />
by<br />
sun<br />
and<br />
ca - a - a - a - an- dle- -light.<br />
I<br />
&<br />
mp<br />
œ j œ œ j œ œ œ<br />
qui - et need,<br />
f<br />
by<br />
sun<br />
mp<br />
‰ œ œ œ œ œ j œ . œ . œ . œ . œ . œ .<br />
Œ<br />
and<br />
ca - a - a - a - an- dle- -light.<br />
p<br />
mp<br />
˙ œ Œ œ<br />
I<br />
&<br />
‹<br />
∑<br />
f<br />
mp<br />
Œ Œ œ ˙ œ œ œ. œ . œ . œ . œ . œ .<br />
Œ ˙ œ Œ œ<br />
p<br />
mp<br />
by<br />
sun<br />
and<br />
for online perusal only<br />
ca - a - a - a - an- dle- -light.<br />
I<br />
? ∑<br />
¢<br />
f<br />
mp<br />
Œ Œ œ ˙ œ œ œ . œ . œ . œ . œ . œ . Œ ˙ œ Œ<br />
by sun and ca - a - a - a - an- dle- -light.<br />
p<br />
mp<br />
œ<br />
I<br />
33<br />
°<br />
&<br />
f<br />
œ j œ œ œ œ œ œœ œ œ œ J<br />
œ œ J ‰ œ œ œ œ œ œ ˙ œ Œ œ<br />
mp<br />
love thee free<br />
- - ly, as men strive for right; I<br />
&<br />
œ j œ<br />
love thee free<br />
f<br />
bœ<br />
œ œ œj œ œ j œœœ œ œ œ j ‰ œ œ œ œ œ œ ˙ œ Œ œ<br />
- ly,<br />
as men strive for right; I<br />
f<br />
& œ œ j œ œ œ bœ<br />
j œ œ ˙ nœ<br />
œ ‰ œ œ œ<br />
‹<br />
J J œ œ œ œ ˙ œ Œ œ<br />
love thee free<br />
mp<br />
mp<br />
- ly, as men strive for right; I<br />
?<br />
¢<br />
love thee free<br />
f<br />
˙ œ œbœ<br />
œ œ J ˙ œ œ J ‰ œ œ œ œ œ ˙ œ Œ<br />
- ly, as men strive for right; I<br />
mp<br />
œ
15<br />
5<br />
40<br />
°<br />
&<br />
love thee pure<br />
f<br />
œ j œ œ œ œ œ œ œ œ œ œ J<br />
œ œ J ‰ œ œ œ J<br />
œ<br />
mp<br />
- - ly, as they turn from praise.<br />
œ ˙ œ Œ œ<br />
f<br />
I<br />
&<br />
œ j œ<br />
love thee pure<br />
f<br />
bœ<br />
œ œ œj œ œ j œœ œ œ œ œ j ‰ œ œ œ j œ<br />
mp<br />
- ly,<br />
as they turn from praise.<br />
f<br />
& œ œ j œ œ œ bœ<br />
j œ œ ˙ nœ<br />
œ ‰ œ œ ˙œ œ<br />
‹<br />
J J J œ ˙ œ Œ œ<br />
love thee pure<br />
I<br />
mp<br />
- ly, as they turn from praise.<br />
œ ˙ œ Œ œ<br />
f<br />
I<br />
f<br />
for online perusal only<br />
?<br />
¢<br />
˙ œ œbœ<br />
love thee pure<br />
f<br />
œ œ J ˙ œ œ J ‰ œ œ ˙<br />
mp<br />
- ly, as they turn from praise.<br />
œ œ œ ˙ œ Œ œ<br />
f<br />
I<br />
47<br />
°<br />
&<br />
&<br />
œ œœ œ œ œ œ œ œ œ œ<br />
J J œ œ œ œ œ œ j œ j œ œ œ ˙ b ˙<br />
love thee with the pas - sion put to use In my old griefs,<br />
œ œ œ œ œ œ œ œ œœ j ˙<br />
œ œ<br />
œ œ j œ<br />
œ<br />
love thee with the pas - sion put to use In my old griefs,<br />
œ<br />
J<br />
mp<br />
mp<br />
œ œ j œ œ ˙ ˙˙<br />
œ œ œ<br />
&<br />
œ œ œ œ<br />
œ œœ<br />
J J œ œ j œ<br />
‹<br />
love thee with the pas sion<br />
mp<br />
œ œœ<br />
J œ œ j œ j œ j œ œ œ ˙ b˙<br />
- put to use In my old griefs,<br />
?<br />
¢<br />
mp<br />
œ œœ œ œ œ œ œ ˙ J œ œ œ œ j œ œ j œ œ ˙ ˙<br />
love thee with the pas - sion put to use In my old griefs,
16<br />
6<br />
54<br />
°<br />
&<br />
œ œ bœ<br />
˙ nœ<br />
mf<br />
and with my child - hood’s faith.<br />
& bœ<br />
œ œ ˙ nœ<br />
mf<br />
and with my child - hood’s faith.<br />
mf<br />
pp<br />
˙ œ Œ ˙<br />
œ œœ œœ œ œ ˙˙ œ œ ˙<br />
˙<br />
œ<br />
I<br />
pp<br />
I<br />
love thee with a love I seemed to<br />
love thee with a love I seemed to<br />
& œ bœ<br />
œ œ<br />
j œ œ j œ œ œ ˙ œ Œ œœ ˙ œ œ œ œ ˙ œ œ<br />
‹<br />
and with my child hood’s<br />
Œ<br />
œ ˙˙ œ œ œœ œ ˙ œœ œ ˙˙<br />
pp<br />
˙˙<br />
- faith.<br />
I<br />
love thee with a love I seemed to<br />
? bœ<br />
œ œ ˙<br />
¢<br />
œ ˙ œ Œ œ<br />
mf<br />
and with my child - hood’s faith.<br />
pp<br />
I<br />
˙ œ œ œ œ ˙ œ œ ˙<br />
love thee with a love I seemed to<br />
62<br />
°<br />
&<br />
˙˙ œ œœ ˙<br />
˙ <br />
for online perusal only<br />
ff<br />
œ Œ b b œ<br />
œ <br />
œ b<br />
œ<br />
œ œ <br />
J<br />
bœ<br />
b œ<br />
b<br />
œ œ<br />
œ<br />
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Brockley, September–October 2017
19<br />
Secular<br />
SATB (with divisions) unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
I am the voice of the wind
20<br />
CommissionedbyElizabethandChrisAtkinsoninmemoryoftheirdaughter,Geraldine<br />
Iamthevoiceofthewind<br />
GeraldineAtkinson<br />
GABRIELJACKSON<br />
SOPRANO<br />
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of the wind<br />
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*Enteronebyoneandrepeatadlib.(quiterapidlyanddelicately),independentlyofeachotherandtheconductor<br />
Duration:5<br />
FirstperformedbytheVasariSingers,directedbyJeremyBackhouse,atSt.Peters,EatonSquare,London,on7April2011<br />
©OxfordUniversityPress2011<br />
<strong>Gabriel</strong><strong>Jackson</strong>hasassertedhisrightundertheCopyright,DesignsandPatentsAct,1988,tobeidentifiedasComposerofthisWork.<br />
OXFORDUNIVERSITYPRESS,MUSICDEPARTMENT,GREATCLARENDONSTREET,OXFORDOX26DP<br />
PhotocopyingthiscopyrightmaterialisILLEGAL.
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gone from this life my friend, I<br />
p<br />
mp<br />
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<br />
may be gone<br />
from this life my<br />
A.<br />
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<br />
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<br />
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<br />
<br />
<br />
<br />
T.<br />
B.<br />
<br />
gone from this life my friend, I<br />
p<br />
mp<br />
may be gone from this life my<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
gone from this life my friend, I may be gone<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
gone from this life my friend, I<br />
p<br />
p<br />
mp<br />
may be gone<br />
from this life my<br />
from this life my<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
S.<br />
71<br />
<br />
p<br />
<br />
<br />
<br />
friend,<br />
<br />
<br />
f<br />
mp<br />
<br />
<br />
<br />
But re mem<br />
ber I am not<br />
yet<br />
dead,<br />
re<br />
<br />
A.<br />
p<br />
<br />
<br />
<br />
<br />
friend,<br />
<br />
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But re mem<br />
ber I am not yet<br />
f<br />
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mp<br />
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re<br />
dead,<br />
<br />
<br />
T.<br />
p<br />
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friend,<br />
f<br />
mp<br />
<br />
<br />
B.<br />
p<br />
But re mem<br />
ber I am not yet<br />
f<br />
dead,<br />
re<br />
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<br />
<br />
<br />
<br />
<br />
friend,<br />
But re mem ber I am not yet dead,<br />
re<br />
mp<br />
<br />
<br />
<br />
S.<br />
A.<br />
T.<br />
B.<br />
76 mf<br />
mp<br />
poco rit.<br />
<br />
<br />
mem<br />
<br />
<br />
<br />
<br />
ber<br />
I am not<br />
mem<br />
<br />
<br />
ber<br />
I am not<br />
<br />
<br />
<br />
<br />
mf<br />
mf<br />
<br />
<br />
<br />
member<br />
I am not<br />
mf<br />
yet<br />
yet<br />
yet<br />
dead,<br />
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<br />
<br />
<br />
dead,<br />
mp<br />
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dead,<br />
mp<br />
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member<br />
I am not<br />
<br />
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yet<br />
dead,<br />
mp<br />
re<br />
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re<br />
re<br />
<br />
<br />
mem<br />
mem<br />
ber I am not yet<br />
<br />
<br />
ber I am not yet<br />
mem ber I am not yet<br />
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mem<br />
<br />
<br />
ber I am not yet
28<br />
S.<br />
A.<br />
T.<br />
B.<br />
82<br />
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<br />
A tempo<br />
p<br />
<br />
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<br />
dead..<br />
p<br />
<br />
dead..<br />
p<br />
<br />
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<br />
dead..<br />
p<br />
<br />
<br />
dead..<br />
p<br />
dead,<br />
re mem<br />
<br />
mp<br />
ber,<br />
p<br />
re mem<br />
Ah<br />
<br />
Ah<br />
Ah<br />
Ah<br />
<br />
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<br />
<br />
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p<br />
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dead,<br />
re mem<br />
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mp<br />
ber,<br />
p<br />
re mem<br />
<br />
mp<br />
ber,<br />
mp<br />
ber,<br />
p<br />
re<br />
p<br />
re<br />
<br />
mem<br />
<br />
<br />
mem<br />
<br />
<br />
mp<br />
ber,<br />
mp<br />
ber,<br />
p<br />
re <br />
p<br />
re <br />
9<br />
<br />
<br />
<br />
* <br />
<br />
pp<br />
<br />
S.<br />
for online perusal only<br />
*<br />
<br />
(Ah)<br />
pp<br />
<br />
*<br />
<br />
(Ah)<br />
pp<br />
<br />
A.<br />
T.<br />
*<br />
<br />
mp<br />
p<br />
<br />
<br />
<br />
(Ah)<br />
(Ah)<br />
pp<br />
<br />
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<br />
<br />
B.<br />
<br />
<br />
mem<br />
<br />
<br />
mem<br />
<br />
<br />
ber,<br />
mp<br />
ber,<br />
re <br />
p<br />
re<br />
<br />
mem<br />
mem<br />
<br />
<br />
ber...<br />
<br />
ber...<br />
<br />
<br />
<br />
<br />
*Attheconductorssignal,finishthebaryouaresingingandholdthelastnoteintothenextbar<br />
Brockley,NovemberDecember2010
29<br />
Secular<br />
SATB (with divisions) unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
in the half-light of dusk
30<br />
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for online perusal only
35<br />
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for online perusal only
36<br />
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for online perusal only
NEW<br />
HORIZONS<br />
40<br />
2<br />
Secular<br />
SATB (with divisions)<br />
a cappella<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Lux Mortuorum
41<br />
Richard George Elliott<br />
Commissioned by the Ionian Singers.<br />
To Timothy Salter and everyone in the Ionian Singers, with affection<br />
Lux Mortuorum<br />
GABRIEL JACKSON<br />
SOPRANO<br />
Brilliant q = 80–84<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
long<br />
<br />
<br />
<br />
<br />
ALTO<br />
TENOR<br />
LUX<br />
ff<br />
<br />
<br />
<br />
<br />
LUX<br />
ff<br />
<br />
<br />
<br />
<br />
MOR<br />
<br />
<br />
MOR<br />
<br />
<br />
- TU - O - RUM<br />
<br />
<br />
<br />
<br />
<br />
- TU - O - RUM<br />
<br />
<br />
<br />
<br />
<br />
<br />
long<br />
<br />
<br />
long<br />
<br />
<br />
<br />
<br />
<br />
<br />
BASS<br />
<br />
<br />
<br />
LUX<br />
ff<br />
<br />
LUX<br />
MOR<br />
<br />
MOR<br />
for online perusal only<br />
- TU - O - RUM<br />
<br />
- TU - O - RUM<br />
<br />
<br />
long<br />
<br />
<br />
<br />
<br />
Very slow and still q = 66–69<br />
7<br />
poco mp<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
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<br />
<br />
<br />
p poco sf poco sf<br />
Crys<br />
<br />
<br />
<br />
<br />
<br />
<br />
- tal points<br />
<br />
<br />
<br />
<br />
poco sf<br />
poco mp<br />
<br />
<br />
tug<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
tug<br />
<br />
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<br />
<br />
p<br />
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<br />
<br />
<br />
on<br />
<br />
<br />
on<br />
mill<br />
mill<br />
mill<br />
- - -<br />
- - -<br />
- - -<br />
<br />
<br />
<br />
<br />
Duration: 7'<br />
First performed by the Ionian Singers, directed by Timothy Salter, at St John’s, Smith Square, London, on 19 November<br />
1995. Lux Mortuorum is recorded by the Ionian Singers on USK 1224CD.<br />
Music © Oxford University Press 2006. Text © Richard George Elliott, used by permission. All rights reserved.<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
4<br />
42<br />
S.<br />
13<br />
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<br />
-<br />
<br />
<br />
-<br />
<br />
<br />
- -<br />
mp<br />
<br />
<br />
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46<br />
8<br />
2 S.<br />
SOLI<br />
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48<br />
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by<br />
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2 S.<br />
SOLI<br />
S.<br />
A.<br />
SOLO<br />
69<br />
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<br />
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A.<br />
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2 T.<br />
SOLI<br />
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SOLO<br />
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<br />
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<br />
<br />
75 mp<br />
S. <br />
A.<br />
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Mass<br />
mp<br />
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Mass<br />
mp<br />
Mass<br />
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T. <br />
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Mass<br />
mp<br />
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Mass<br />
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in<br />
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diance,<br />
mf <br />
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cha - os<br />
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cha - os<br />
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<br />
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<br />
<br />
<br />
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<br />
grace<br />
<br />
grace<br />
<br />
grace<br />
grace<br />
<br />
49<br />
for online perusal only<br />
grace<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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f<br />
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f<br />
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diance,<br />
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diance,<br />
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diance,<br />
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diance,<br />
mp<br />
mp<br />
mp<br />
mp<br />
mp<br />
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<br />
11
12<br />
50<br />
80<br />
<br />
<br />
S. <br />
mp<br />
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<br />
<br />
<br />
<br />
Jost<br />
<br />
<br />
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re<br />
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<br />
mf<br />
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<br />
<br />
grie- ving for<br />
p<br />
A. <br />
<br />
<br />
Jost - ling<br />
<br />
<br />
<br />
<br />
<br />
<br />
for re - ward,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
grie<br />
<br />
- ving for<br />
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<br />
<br />
<br />
<br />
T. <br />
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mp<br />
<br />
Jost<br />
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re<br />
<br />
<br />
<br />
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ward,<br />
<br />
mf<br />
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grie- ving for<br />
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<br />
<br />
<br />
B. <br />
<br />
<br />
mf<br />
<br />
grie<br />
<br />
- ving for<br />
86<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
e - me- rald life,<br />
<br />
mf<br />
<br />
mp<br />
poco sf<br />
<br />
<br />
<br />
Count<br />
<br />
<br />
poco sf<br />
- ing<br />
poco sf<br />
<br />
down<br />
mf<br />
poco sf<br />
<br />
<br />
<br />
birth<br />
<br />
as<br />
<br />
<br />
sight<br />
<br />
-<br />
<br />
<br />
<br />
<br />
ed<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
e - me- rald life,<br />
<br />
mf<br />
<br />
for online perusal only<br />
mp<br />
poco sf<br />
<br />
<br />
<br />
<br />
Count<br />
poco sf<br />
<br />
<br />
<br />
- ing<br />
poco sf<br />
<br />
<br />
down<br />
mf<br />
poco sf<br />
<br />
<br />
<br />
<br />
birth<br />
as<br />
<br />
sight<br />
<br />
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<br />
<br />
<br />
ed<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
e - me- rald life,<br />
<br />
mf<br />
<br />
mp<br />
poco sf<br />
<br />
<br />
Count<br />
<br />
<br />
poco sf<br />
- ing<br />
<br />
<br />
poco sf<br />
down<br />
<br />
mf<br />
poco sf<br />
<br />
<br />
birth<br />
<br />
as<br />
<br />
<br />
sight<br />
<br />
-<br />
<br />
<br />
<br />
<br />
ed<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
e - me- rald life,<br />
<br />
mf<br />
<br />
mp<br />
poco sf<br />
<br />
<br />
<br />
<br />
Count<br />
<br />
<br />
<br />
poco sf<br />
- ing<br />
<br />
<br />
<br />
poco sf<br />
down<br />
<br />
mf<br />
poco sf<br />
<br />
<br />
<br />
birth<br />
<br />
as<br />
<br />
sight<br />
<br />
<br />
<br />
- -
51<br />
13<br />
94<br />
<br />
<br />
mp crescendo<br />
<br />
stars,<br />
<br />
<br />
<br />
sight<br />
-<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
- - ed<br />
stars,<br />
S.<br />
<br />
mp crescendo<br />
<br />
stars,<br />
<br />
<br />
<br />
<br />
sight<br />
-<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
<br />
- - ed, sight<br />
-<br />
<br />
mp crescendo<br />
<br />
<br />
stars, sight<br />
<br />
<br />
-<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
<br />
- -<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
<br />
<br />
<br />
sight - ed,<br />
<br />
<br />
sight -<br />
A.<br />
<br />
mp crescendo<br />
<br />
stars, sight<br />
<br />
<br />
-<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
<br />
<br />
- -<br />
<br />
<br />
ed,<br />
for online perusal only<br />
<br />
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<br />
<br />
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sight - ed,<br />
<br />
sight -<br />
mp crescendo<br />
<br />
<br />
stars,<br />
<br />
<br />
sight<br />
<br />
<br />
-<br />
<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
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- -<br />
<br />
ed,<br />
<br />
<br />
<br />
<br />
<br />
sight - ed,<br />
<br />
T.<br />
mp crescendo<br />
<br />
<br />
stars,<br />
<br />
<br />
sight<br />
<br />
<br />
-<br />
<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
<br />
<br />
<br />
- -<br />
<br />
ed,<br />
<br />
<br />
<br />
<br />
<br />
sight - ed,<br />
<br />
<br />
sight -<br />
mp crescendo<br />
<br />
<br />
B.<br />
<br />
<br />
- ed,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sight<br />
-<br />
<br />
<br />
ed,<br />
<br />
<br />
<br />
sight<br />
<br />
<br />
-<br />
<br />
ed,<br />
<br />
<br />
sight -
52<br />
14<br />
101<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
ten.<br />
<br />
<br />
ff<br />
ten.<br />
<br />
<br />
<br />
<br />
Lu<br />
<br />
<br />
<br />
<br />
<br />
<br />
- - - - mi- nous souls<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
f<br />
<br />
<br />
<br />
<br />
<br />
-<br />
<br />
<br />
-<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ed,<br />
-<br />
sight<br />
<br />
<br />
-<br />
-<br />
ed,<br />
ed,<br />
<br />
ff<br />
ten.<br />
<br />
<br />
ff<br />
ten.<br />
<br />
<br />
<br />
<br />
<br />
-<br />
<br />
<br />
ed,<br />
ed,<br />
ff<br />
ten.<br />
<br />
<br />
ed,<br />
ff<br />
ten.<br />
<br />
<br />
ff<br />
ten.<br />
<br />
<br />
Lu<br />
<br />
<br />
Lu<br />
<br />
- - - - mi - nous souls<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Lu<br />
<br />
<br />
<br />
<br />
<br />
Lu<br />
<br />
<br />
<br />
Lu<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Lu<br />
<br />
- - - - mi - nous souls<br />
- - - - mi - nous souls<br />
- - - - mi - nous souls<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- - - - mi -nous<br />
souls<br />
- - - - mi -nous<br />
souls<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
f<br />
<br />
f<br />
f<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
S.<br />
A.<br />
T.<br />
B.<br />
106<br />
<br />
*<br />
<br />
<br />
<br />
of<br />
*<br />
<br />
of<br />
* <br />
of<br />
<br />
* <br />
of<br />
<br />
the<br />
<br />
the<br />
<br />
the<br />
<br />
the<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
dead.<br />
p<br />
dead.<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
dead.<br />
p<br />
<br />
dead.<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
<br />
poco a poco diminuendo<br />
<br />
<br />
<br />
<br />
<br />
poco a poco diminuendo<br />
<br />
<br />
<br />
poco a poco diminuendo<br />
<br />
<br />
<br />
<br />
poco a poco diminuendo<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
*stagger breathing from bar 106 to the end.
53<br />
ppp<br />
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15<br />
112<br />
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125<br />
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ppp<br />
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ppp<br />
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ppp<br />
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<br />
for online perusal only<br />
Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed by Halstan & Co. Ltd., Amersham, Bucks.<br />
Baron’s Court, May–June 1995
54<br />
Secular<br />
SATB and soprano soloist<br />
for online perusal only<br />
GABRIEL JACKSON<br />
La musique
55<br />
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for online perusal only
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for online perusal only
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77<br />
Secular<br />
SATB (with divisions) unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Nightingale Fragments
78<br />
Commissioned by Simon Casimir Wilson in loving memory and eternal admiration of Alessandra Wilson (née Zerbino) (1943–2007)<br />
Nightingale Fragments<br />
John Keats (1795–1821)<br />
GABRIEL JACKSON<br />
SOPRANO<br />
° 3<br />
& # # 4 œ<br />
Slow q = c.54<br />
f<br />
mp<br />
˙ œ œ ˙ ‰ œ j # œ nœ<br />
œ œ 4 ˙ Œ<br />
My heart aches, my heart<br />
aches,<br />
ALTO<br />
3<br />
& # # 4<br />
f<br />
œ ˙ œ # œ ˙ ‰ œ j œ j œ œ j œ 4 ˙<br />
mp<br />
Œ<br />
My<br />
heart aches, my<br />
heart<br />
aches,<br />
TENOR<br />
f<br />
# 3<br />
& # 4 œ<br />
‹<br />
My<br />
mp<br />
˙ œ œ ˙ ‰ œ j # œ<br />
j n#<br />
œœ œ j œ 4 ˙ Œ<br />
heart aches, my<br />
heart<br />
aches,<br />
BASS<br />
f<br />
mp<br />
?# 3 œ ˙ œ ¢ #<br />
œ ˙<br />
4<br />
‰ œ œ œ ˙ 4 ˙ J Œ<br />
My heart aches, my heart,<br />
5<br />
for online perusal only<br />
°<br />
3<br />
& # # ∑ 4 ∑ ∑<br />
p<br />
˙<br />
œ<br />
drow<br />
- -<br />
sy<br />
& # #<br />
p<br />
œ<br />
-<br />
and<br />
p<br />
#<br />
& # œœ<br />
- ‹<br />
and<br />
œ œ<br />
œœ<br />
‰<br />
œ<br />
-<br />
œ<br />
3<br />
4<br />
a drow - sy<br />
numb - ness<br />
œ ‰ œ -<br />
œ<br />
œ<br />
‰<br />
œ-<br />
3<br />
œ ‰ 4 œ -<br />
œ<br />
-<br />
œœ<br />
-<br />
œ œ<br />
œœ<br />
a drow - sy<br />
numb - ness<br />
‰<br />
œ- ‰<br />
œ- œ œ<br />
œ ‰ œ - ‰ œœ -<br />
œœ<br />
‰ Œ Œ<br />
œ ‰ Œ Œ<br />
p<br />
?#<br />
¢ # œ- œ<br />
and<br />
œ ‰ œ -<br />
œ œ ‰ 3 œ<br />
4<br />
- œ - œ<br />
œ ‰ œ- ‰ œ -<br />
œ<br />
a drow - sy<br />
numb - ness<br />
œ ‰ Œ Œ<br />
Duration: 10’<br />
First performed by the Vigala Singers, directed by Joy Hill, at St James’s Church, Piccadilly, London on 30 October 2017<br />
© Oxford University Press 2018<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
79<br />
4<br />
9<br />
°<br />
& # #<br />
3<br />
œ œ œ œ j 4 œ ‰ Ó Œ ˙ œ 4# œ œ ˙<br />
4<br />
& # #<br />
&<br />
‹<br />
# #<br />
numb<br />
?#<br />
¢ # ∑<br />
- ness<br />
pains My sense,<br />
∑<br />
∑<br />
4<br />
4<br />
4<br />
‰<br />
œ- œ œ<br />
pains My sense, as though of<br />
œœ<br />
-<br />
œœ<br />
3<br />
4<br />
3<br />
œ ‰ 4 œ -<br />
pains My sense, as though of<br />
œ- œ<br />
œ<br />
-<br />
œ ‰ œ -<br />
œ<br />
œ<br />
‰<br />
œ<br />
œ- ‰<br />
3<br />
œ ‰ œ<br />
4<br />
- œ - œ<br />
pains My sense, as though of<br />
œ<br />
-<br />
œ<br />
œ ‰ œ - ‰ œœ -<br />
œœ<br />
œ ‰ œ -<br />
œ œ ‰ œ- ‰ œ -<br />
œ<br />
‰<br />
œ<br />
œ-<br />
œ<br />
-<br />
œœ<br />
-<br />
‰<br />
œ œ<br />
œœ<br />
œ ‰<br />
œ ‰<br />
4<br />
4<br />
4<br />
13<br />
°<br />
& # # 4<br />
for online perusal only<br />
3<br />
˙ œ j ‰ Œ 4 ∑ 4 Œ<br />
p<br />
œ<br />
as<br />
œ j œ<br />
though of<br />
mf<br />
3<br />
4 œ œ J # œ œ <br />
hem - lock<br />
mf<br />
& # # 4 œ<br />
hem<br />
mf<br />
œ<br />
# œ ˙<br />
- lock<br />
I<br />
3<br />
4 œ<br />
# œ ‰<br />
#<br />
& #<br />
3<br />
4# œ œ œ ˙ 4 œ œ ‰ 4 œ œ<br />
‹<br />
- p<br />
p<br />
4<br />
œ<br />
-<br />
œ<br />
had drunk, hem<br />
œ<br />
‰ Ó<br />
mf<br />
3<br />
4 ˙<br />
mf<br />
lock<br />
3<br />
œ ‰ Ó 4 œj œ œ # œ<br />
-<br />
œ<br />
hem<br />
mf<br />
?# ¢ #<br />
œ<br />
4<br />
hem<br />
- lock<br />
I<br />
œ<br />
œ ˙ 3<br />
4 œ œ ‰ 4 œ -<br />
œ<br />
- lock<br />
I<br />
p<br />
had drunk, hem<br />
lock<br />
3<br />
œ ‰ Ó ˙ œ<br />
4<br />
had drunk, hem<br />
mf<br />
-<br />
-<br />
lock<br />
17<br />
°<br />
& # #<br />
& # #<br />
œ<br />
J<br />
nœ<br />
j<br />
# œ œ ˙˙ œœ œœ<br />
I had drunk, Or emp<br />
œ œ œ œ œ œ œ œ œ<br />
I drunk, Or emp<br />
#<br />
& # œ œ # œ<br />
j ˙ œ œ 2<br />
3 2<br />
œ 4 Œ œ œ œ # œ . 4# ˙ Œ 4nœ<br />
‹<br />
I had drunk, Or emp<br />
?# 2<br />
3<br />
¢ #<br />
œ œ œ 2<br />
J<br />
˙ œ œ 4 Œ<br />
œ<br />
œ œ œ œ. ˙<br />
4 Œ nœ<br />
4<br />
I had drunk, Or emp<br />
œœ<br />
œ<br />
2<br />
4<br />
2<br />
4<br />
Œ<br />
Œ<br />
mp<br />
3 2<br />
œ œ œ œ .<br />
4 ˙ Œ 4nœ<br />
mp<br />
3<br />
œ œ œ œ 4 . ˙<br />
mp<br />
mp<br />
- tied<br />
some dull<br />
Œ<br />
2<br />
4nœ<br />
- tied<br />
some dull<br />
- tied<br />
some dull<br />
- tied<br />
some dull<br />
œ<br />
œ<br />
œ<br />
œ
80<br />
5<br />
23<br />
°<br />
& # #<br />
p<br />
3<br />
œ œ œ 4 . ˙<br />
Œ<br />
4<br />
∑ 3<br />
4 ∑ ∑ ∑ b b b<br />
o<br />
-<br />
piate...<br />
& # #<br />
p<br />
3<br />
4<br />
œ œ # œ . # ˙<br />
Œ<br />
4<br />
œ<br />
‰<br />
nœ<br />
‰<br />
3<br />
4<br />
pp<br />
œ # œ ˙ ˙ œ j ‰ Œ Œ<br />
b b b<br />
¢<br />
o<br />
p<br />
- piate<br />
to the drains...<br />
pp<br />
# 3<br />
3<br />
& # œ œ # œ 4 4<br />
4<br />
‹<br />
. ˙ Œ œ ‰ nœ ‰ œ # œ ˙ ˙ œ j ‰ Œ Œ<br />
o - piate<br />
to the drains...<br />
p<br />
?# # œ œ œ 3<br />
3<br />
. 4 ˙ Œ 4 œ ‰ nœ ‰ 4 œ # œ ˙ ˙ œ j ‰ Œ Œ<br />
o<br />
pp<br />
b b b<br />
b b b<br />
- piate<br />
to the drains...<br />
29<br />
°<br />
& bb b<br />
Steady q = c.63<br />
mf<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ J J J J 4 ˙ ‰ œ œ œ J<br />
O<br />
for a draught of vin - - - - tage!<br />
O for a<br />
3<br />
4<br />
& bb b<br />
Œ ‰<br />
mf<br />
for online perusal only<br />
œ j œ œ œ œ j œ œ œ œ j œ œ 4 œ œ œ ‰<br />
œ j œ œ<br />
3<br />
4<br />
O<br />
for a draught of vin - - - tage!<br />
O for a<br />
&<br />
‹<br />
b b b<br />
mf<br />
œ<br />
J<br />
O<br />
œ œ œ œ œ œ œ œ œ œ J ˙ J 4 ‰ œ œ J<br />
for a draught of vin - - - tage!<br />
O for<br />
?<br />
¢ b b b ∑ ∑<br />
Œ<br />
Œ<br />
mf<br />
œ œ<br />
vin<br />
-<br />
˙<br />
4<br />
tage!<br />
Ó<br />
3<br />
4<br />
3<br />
4<br />
33<br />
°<br />
& bb b3<br />
4<br />
f<br />
œ œ œ œ œ J œ J œ œ œ œ œ œ œ œ J J J 4 ˙ ‰ œ œ œ<br />
J<br />
draught of vin - - - - - - tage!<br />
that hath been<br />
mf<br />
3<br />
4<br />
& bb b3<br />
4<br />
f<br />
œ œ j œ œ œ œ j œ œ œ œ j œ œ 4 œ œ œ ‰ œJ j œœœ<br />
mf<br />
œ<br />
3<br />
4<br />
draught<br />
of vin - - - - - - tage!<br />
that hath been<br />
& b b b3<br />
4<br />
‹<br />
f<br />
œ œ œ œ ˙ œ œ œ œ œ ˙<br />
J 4 Ó<br />
a draught of vin - - - tage!<br />
? 3<br />
¢ b b b 4 ∑ ∑<br />
f<br />
mf<br />
mf<br />
Œ Œ œ œ ˙<br />
4<br />
vin - tage!<br />
Ó<br />
3<br />
4<br />
3<br />
4
81<br />
6<br />
37<br />
° 3<br />
&b b b4<br />
f<br />
œ œ œJ œ œ œ œ œ œ œ J J œ œ œ œ 4 œ<br />
Cool’d<br />
a long age in the deep - delv - èd<br />
˙<br />
œœ<br />
3<br />
4<br />
f<br />
3<br />
&b b b4<br />
œ<br />
Cool’d<br />
œ j œ œ j œ œœ j œ œ<br />
3<br />
& b b b4<br />
∑ ∑ ∑<br />
‹<br />
œ 4 œ œ œ<br />
a long age in the deep - delv - èd<br />
œ<br />
4<br />
˙<br />
bœ<br />
mp<br />
Ó Œ ‰ œ j<br />
the<br />
3<br />
4<br />
3<br />
4<br />
? 3<br />
¢ b b b 4 ∑ ∑ ∑<br />
4<br />
mp<br />
Ó Œ ‰ œ J<br />
the<br />
3<br />
4<br />
41<br />
mp<br />
° 3<br />
& bb b4<br />
˙˙ œœ ‰ Œ Œ Œ œ œ œ œ J œ œ œ œ œ œ œ<br />
J<br />
earth...<br />
mp<br />
3<br />
& bb b4<br />
˙<br />
earth...<br />
deep<br />
mp<br />
for online perusal only<br />
- - delv - èd earth...<br />
? 3<br />
¢ b b b 4 œ œ ˙ ˙ œ ˙ œ j ‰<br />
deep - - delv - èd earth...<br />
œ<br />
‰ Œ<br />
p<br />
p<br />
∑<br />
p<br />
O<br />
f<br />
f<br />
O<br />
f<br />
O<br />
O<br />
for a beak - er full<br />
œ œ œ œ œ œ œ œ œ œ<br />
œ œ<br />
for a beak - er full of the<br />
& b b b3<br />
4 œ œ ˙ ˙ œ ˙ œ j ‰ ˙ œ œ œ œ œ œ œ œ<br />
‹<br />
for a beak - er full of the<br />
f<br />
œ œ œ œ œ œ œ œ œ œ œ<br />
for a beak - er of the<br />
46<br />
°<br />
& bb b<br />
& bb b<br />
œ œ œ œ œ ˙ 3<br />
J J 4 ‰ œ œ œ œ œ œ œ œ œ j œœ J 4 J œ J œ œ œ<br />
of the warm South! Full of the true, the blush - ful<br />
3<br />
œ œ œ œ œ œ 4 ˙ ‰ j œ œ œ 4 œ œ œ œ œ œ œ œ J œ j œ œ<br />
&<br />
‹<br />
b b b<br />
warm South! Full of the true, the blush - ful<br />
œ<br />
J<br />
œ œ œ 3<br />
J œ 4 ˙ Œ œ œ œ œ<br />
4<br />
œ<br />
œ œ œœ J<br />
œ œ<br />
œ<br />
j<br />
warm South! Full of the blush - - ful<br />
? 3<br />
¢ b b œ œ œ œ œ ˙ œ œ œ œ œ<br />
b 4 Œ<br />
œ<br />
4<br />
œ œ œ œ œ<br />
warm South! Full of the blush ful<br />
-
82<br />
7<br />
50<br />
°<br />
&b b b<br />
ff<br />
œ œ œ œ œ œ ˙<br />
4<br />
Hip<br />
‰ œ œ œ 3 œœœ J 4<br />
œ œ œ J J<br />
œ <br />
- po - crene, With bead<br />
f<br />
œ œ œ œ œ œ œ œ œ œ œ œ œœ<br />
- ed bub - bles wink-ing<br />
at<br />
4<br />
&b b b<br />
ff<br />
œ œ œ œ œ<br />
Hip<br />
ff<br />
? ¢ b b œ œ œ œ ˙<br />
b 4<br />
Hip<br />
œ 4 ˙ ‰ j<br />
œ<br />
J<br />
3<br />
4<br />
- po - crene, With bead<br />
& b b b<br />
œ œ œ œ œ œ ˙<br />
4 Ó<br />
‹<br />
Hip<br />
ff<br />
- po - crene,<br />
- po - crene,<br />
Ó<br />
œ œ<br />
3<br />
4<br />
3<br />
4<br />
f<br />
œ<br />
œ j œœ œ j œ œ œ œ œœ œ œ œœ œ œ œ œ œœ<br />
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at<br />
∑ ∑ ∑<br />
∑ ∑ ∑<br />
4<br />
4<br />
4<br />
55<br />
°<br />
& bb b4<br />
mp<br />
3<br />
œ œ ˙ ‰ œ j œ j œ œ œ 4 œ œ œj œ œ<br />
f<br />
œ œ j œ<br />
the<br />
brim,<br />
And<br />
pur- ple, pur - ple - stain - - - - èd<br />
& bb b4<br />
œ œ<br />
mp<br />
˙<br />
f<br />
‰ 3<br />
œ j œ j œ œ œ 4 œ # œ<br />
j nœ<br />
œ j œ œ j œ œ<br />
the<br />
brim,<br />
And<br />
for online perusal only<br />
pur- ple, pur - ple - stain - - - - - èd<br />
& b b b<br />
4<br />
‹<br />
mp<br />
Ó Œ ‰ œ 3<br />
J nœ œ J<br />
œ œ J 4nœ<br />
And<br />
pur<br />
f<br />
œ œ J nœ<br />
j œ<br />
œ bœ<br />
- ple, pur - ple - stain - - - - - èd<br />
mp<br />
? ¢ b b œ<br />
b 4 Ó Œ ‰ J<br />
And<br />
˙ œ œ œJ 3 œ œ œ œ<br />
4 J # œ œ nœ<br />
J<br />
pur<br />
f<br />
- - ple - stain - - - - - èd<br />
œ J<br />
59<br />
°<br />
& bb b<br />
p<br />
˙ ˙ œ j ‰ Œ Œ<br />
∑ ∑ ∑<br />
# #<br />
mouth;<br />
& bb b<br />
p<br />
˙ ˙ œ j ‰ Œ Œ<br />
∑ ∑ ∑<br />
# #<br />
mouth;<br />
&<br />
‹<br />
b b b<br />
p<br />
œ œ ˙ ˙ œ j ‰ Œ Œ<br />
∑ ∑ ∑<br />
# #<br />
mouth;<br />
p<br />
mf<br />
?<br />
¢ b b ˙ b Œ ‰ œ œ J œ œnœ œ œ j œ œ bœ<br />
œ nœ<br />
mouth;<br />
That<br />
I might drink, and leave the world un - seen...<br />
p<br />
bœ<br />
œ ˙<br />
# #
83<br />
8<br />
65<br />
°<br />
& # #<br />
Slow q = c.54<br />
∑<br />
4<br />
p<br />
œ<br />
˙<br />
f<br />
‰ j 3 j<br />
œ 4 œ -<br />
p<br />
œ œ œ ‰ Œ<br />
∑<br />
Dark - ling<br />
I li<br />
-<br />
sten:<br />
& # #<br />
∑<br />
4<br />
p<br />
œ<br />
˙<br />
f<br />
‰ 3<br />
j 4 j<br />
œ œ -<br />
p<br />
œ œ j ‰ Œ œ œ œœ j œ œœ<br />
mp<br />
p<br />
Dark - ling<br />
I li<br />
-<br />
sten:<br />
and, for ma<br />
- ny a<br />
&<br />
‹<br />
# #<br />
∑<br />
4<br />
p<br />
f<br />
œ ˙ ‰ 3<br />
œ j j<br />
4 œ -<br />
p<br />
œ œ j ‰ Œ œ œ œ j œ œ<br />
mp<br />
p<br />
Dark - ling<br />
I li<br />
-<br />
sten:<br />
and, for ma<br />
- ny a<br />
p<br />
?# 3<br />
¢ # Œ Œ ‰ œ œ ˙ J 4 ‰ œ œ<br />
4<br />
- J J<br />
Dark ling<br />
- I li<br />
f<br />
-<br />
sten:<br />
p<br />
œ œ J ‰ Œ œ œ œ J<br />
œ œ<br />
mp<br />
and, for ma<br />
p<br />
- ny a<br />
for online perusal only<br />
70<br />
°<br />
& # #<br />
mp<br />
Œ œ œ j 2 j<br />
4 œ -<br />
and,<br />
3 j<br />
œ 4 œ œ -<br />
2 3<br />
œ Œ œ œ j 4 œ œ œ 4 œ œ œ j<br />
for ma - ny a time I have been half in<br />
2<br />
& # #<br />
˙˙ 4<br />
mp<br />
3<br />
œ œ 4 œœ j œ œœ ˙˙<br />
#<br />
& # ˙ 2 3<br />
2 3<br />
4 œ œ 4 œ j œ œ ˙ 4 œ œ 4 œ j œ œ<br />
‹<br />
time, and, for ma ny<br />
time, and, for ma ny<br />
?# 2 3<br />
¢ #<br />
˙ 2 3<br />
4 œ œ œ œ œ ˙<br />
4<br />
4 œ œ œ œ œ<br />
J 4 J<br />
time, and, for ma ny<br />
time, and, for ma ny<br />
p<br />
2<br />
4<br />
3<br />
œ œ 4 œœ j œ œœ<br />
time, and, for ma - ny a time, and, for ma - ny a<br />
mp<br />
mp<br />
p<br />
- a<br />
p<br />
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mp<br />
mp<br />
mp<br />
p<br />
p<br />
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p<br />
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76<br />
°<br />
& # #<br />
mf<br />
œ œ œ œ 2 œ œ œ 3<br />
J J 4 J J 4 œ œ j œ œ œ J<br />
mp<br />
œ j œ<br />
p<br />
œ -<br />
j<br />
œ<br />
œ<br />
love<br />
with<br />
ease<br />
- - - - - - ful Death,<br />
& # #<br />
˙˙<br />
2<br />
4<br />
mp<br />
time, and, for ma<br />
3<br />
œ œ 4 œœ j ‰ Œ<br />
œ œœ ˙˙ œœ<br />
mp<br />
- ny<br />
a<br />
#<br />
& # ˙ 2 3<br />
4 œ œ 4 œ j œ œ ˙ œ ‰ Œ<br />
‹<br />
time, and, for ma<br />
time,<br />
mp<br />
?# 2 3<br />
¢ #<br />
˙<br />
4 œ œ œ œ œ ˙ œ<br />
4 J ‰ Œ<br />
time, and, for ma<br />
time,<br />
p<br />
p<br />
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a<br />
p<br />
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a<br />
time,
84<br />
9<br />
S.<br />
A.<br />
T.<br />
94<br />
°<br />
& # #<br />
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mp<br />
p<br />
œ ‰ Œ œ j œ œ œ œ œ J œ œ œ œ j<br />
Call’d him soft<br />
names<br />
in<br />
pp<br />
œ<br />
> œ œœœ œ œ œ œ œœœœ œ œ œ œ œœœœ œ œ œ œ œ œœœœ<br />
> > ><br />
Call’d<br />
pp<br />
him, call’d him, call’d him, call’d<br />
#<br />
& # œ > œ œœœ˙ œ œ œ œ œ > œ œœœœ œ œ > œ œœœœ œ œ œ<br />
‹<br />
Death,<br />
Call’d him, call’d him, call’d him,<br />
B.<br />
pp<br />
?#<br />
¢ # ˙ > œ œœœœ œ œ œ > œ œœœœ œ œ œ > œ œœœ œ œ œ œ<br />
Death,<br />
Call’d him, call’d him, call’d him,<br />
for online perusal only<br />
98<br />
°<br />
& # #<br />
ma<br />
mp<br />
œ<br />
J œ œ œ œ œ J<br />
œ œ œ J<br />
œ<br />
- - - - - ny a mus - - - -<br />
& # #<br />
œ œ œ œ ><br />
œ œœœ œ œ œ œ ><br />
œœœœ œ œ œ œ ><br />
œœœœ<br />
him, call’d him, call’d him, call’d<br />
#<br />
& # ˙ > œ œœœœ œ œ œ œ > œ œ œœ ˙ œ œ<br />
‹<br />
call’d him, call’d him,<br />
><br />
?#<br />
¢ # œ œ œœœ œ œ œ > œ œœœ ˙ œ œ œ > œ œœœœ œ œ > œ œ œ œ<br />
call’d him, call’d him, call’d him, call’d<br />
101<br />
°<br />
& # #<br />
p<br />
œ œ œ œ J J œ œ œ ‰ Œ Œ ∑ Œ ˙<br />
J<br />
p<br />
- - - èd rhyme,<br />
take,<br />
& # #<br />
œ œ œ œ ><br />
œœœœ œ œ ˙ œ œ ><br />
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‰ Œ Œ<br />
p<br />
˙<br />
him, call’d him, call’d him, take,<br />
#<br />
& # œ > œ œœœœ œ œ œ > œ œœœœ œ œ ˙ œ ‰ œ œ j œ œ ˙<br />
J<br />
‹<br />
call’d him, call’d him, To<br />
mf<br />
p<br />
?#<br />
¢ # œ œ œ œ > œ œœœœ œ œ œ ˙ J<br />
œ ‰ Œ Œ<br />
˙<br />
him, call’d him, take,<br />
take<br />
p
85<br />
10<br />
106<br />
°<br />
& # #<br />
∑<br />
Œ<br />
p<br />
p<br />
mp p<br />
˙<br />
∑ ∑ ˙˙ Œ œ œ œ<br />
œ œ Œ<br />
â<br />
ä<br />
air,<br />
my<br />
qui-et<br />
& # #<br />
∑<br />
Œ<br />
p<br />
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air,<br />
∑<br />
∑<br />
p<br />
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my<br />
Œ<br />
mp p<br />
œ œ œ<br />
qui-et<br />
Œ<br />
â<br />
ä<br />
&<br />
‹<br />
# #<br />
in<br />
mf<br />
?#<br />
¢ # ∑<br />
p<br />
œ œ œ œ œ œ œ œ j œ œ ˙ Œ œ œ j œ œ œ œ ˙ Œ œ œ œ Œ<br />
- to<br />
the air<br />
my qui-et<br />
breath,<br />
qui-et<br />
mp<br />
p<br />
p<br />
mp p<br />
˙<br />
Œ<br />
∑ ∑<br />
˙ ˙˙ Œ œ œ œ Œ<br />
air,<br />
my<br />
qui-et<br />
p<br />
mp<br />
p<br />
â<br />
ä<br />
â<br />
ä<br />
S.<br />
A.<br />
T.<br />
112<br />
°<br />
& # #<br />
3<br />
‰ œ 2 3<br />
J œ. œ . œ . œ . œ . œ . œ . œ<br />
4<br />
. œ . Œ œ œ œ œ œ<br />
4 J J J<br />
brea - ea-ea-ea-ea-ea-ea<br />
- ea - ea - eath;<br />
2 3<br />
& # 3<br />
# ‰ œ j œ . œ . œ . œ . œ . œ . œ . 4 œ . œ œ œ 4 œ j œ œ œ œ<br />
J J<br />
mf<br />
mf<br />
brea - ea-ea-ea-ea-ea-ea<br />
- ea - eath;<br />
2<br />
& # 3<br />
# ‰ j 4<br />
œ œ. œ . œ . œ . œ . œ . œ . œ œ<br />
Œ<br />
. .<br />
mf<br />
p<br />
pp<br />
3<br />
# 2 3<br />
& #<br />
*<br />
‰ œ J œ. œ . œ . œ . œ . œ . œ . œ<br />
4<br />
. œ . Œ ˙ œ<br />
œ<br />
4<br />
í<br />
jU<br />
œ<br />
‹<br />
brea ea - -ea-ea<br />
- ea - ea - eath,<br />
mf<br />
p<br />
pp<br />
# 3<br />
2 3<br />
& #<br />
*<br />
‰ œ j U<br />
œ 4 4<br />
í<br />
‹<br />
. œ . œ . œ . œ . œ . œ . œ œ . . Œ ˙ œ j œœ brea ea - -ea-ea<br />
- ea - ea - eath,<br />
p<br />
3<br />
4<br />
brea - ea-ea-ea-ea-ea-ea<br />
- ea - ea - eath,<br />
mf<br />
2<br />
& # 3<br />
# ‰ j 4<br />
œ œ. œ . œ . œ . œ . œ . œ . œ œ<br />
Œ<br />
. .<br />
brea - ea-ea-ea-ea-ea-ea<br />
- ea - ea - eath,<br />
- -ea-ea<br />
ea<br />
- -ea-ea<br />
ea<br />
for online perusal only<br />
mf<br />
p<br />
pp<br />
pp<br />
p<br />
pp<br />
*<br />
í<br />
˙ œ œ j œ œ j U<br />
œ œ œ œ œ<br />
p<br />
3<br />
4<br />
˙<br />
pp<br />
œ<br />
qui<br />
U Ó<br />
U Ó<br />
- et breath,<br />
*<br />
íœ j<br />
q<br />
breath,<br />
qui<br />
breath,<br />
e<br />
U<br />
œ œ œ œ œ<br />
- et breath,<br />
îÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
îÍÍÍÍÍÍÍÍ<br />
îÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
îÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
B.<br />
3<br />
?# 2 3<br />
*<br />
# ‰ œ œ. œ. œ. œ. œ. œ. œ.<br />
4 œ J . œ Œ 4 ˙ œ<br />
œ<br />
í<br />
jU<br />
œ .<br />
brea - ea-ea-ea-ea-ea-ea<br />
- ea - ea - eath,<br />
breath,<br />
mf<br />
p<br />
pp<br />
3<br />
?# 2 3<br />
*<br />
¢ # ‰ j œ œ. œ 4 4<br />
í<br />
. œ . œ . œ . œ . œ . œ .<br />
œ Œ . ˙ œ œ<br />
jœ U<br />
brea ea - -ea-ea<br />
- ea - ea - eath,<br />
- -ea-ea<br />
ea<br />
* Repeat ad lib., independently of the conductor and each other<br />
mf<br />
p<br />
pp<br />
breath,<br />
îÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
îÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
86<br />
SOLO<br />
SOP. 1<br />
SOLO<br />
SOP. 2<br />
SOLO<br />
SOP. 3<br />
11<br />
116<br />
°<br />
& # # U p mp<br />
∑ œ œ œ œ œ œ œ J J<br />
O.<br />
& # # U p mp<br />
∑ œ œ j œ œ œ œ œ j<br />
O.<br />
& # # U p mp<br />
∑ œ œ j œ œ œ œ œ j<br />
O.<br />
for online perusal only<br />
S.<br />
& # # ∑ U ∑ ∑<br />
& # # ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
A.<br />
& # # ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
SOLO<br />
TEN.<br />
&<br />
‹<br />
# #<br />
Spoken in natural speech rhythm<br />
I have two luxuries to brood over in my walks, your Loveliness and the hour of my death. ∑ ∑<br />
&<br />
‹<br />
# #ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
T.<br />
&<br />
‹<br />
# #ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
?# #ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
B.<br />
?#<br />
¢ #ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
87<br />
12<br />
The conductor should give the altos, tenors and basses a signal that their current repetition should be the last<br />
119<br />
°<br />
& # #<br />
& # #<br />
p<br />
Ä<br />
p mp mf<br />
U<br />
œœ œ ‰ Ó<br />
ì<br />
œ œ œ œ œ œ œ œ J 4<br />
œ œ<br />
p<br />
U<br />
œœ œ ‰ Ó<br />
ì œ œ j œ œ œ<br />
4 œ œ œ œœ<br />
O.<br />
p mp mf<br />
O.<br />
3<br />
4<br />
3<br />
4<br />
p mp mf<br />
U Ó & # # p œœ œ ‰ ì œ œ j œ œ 4 œ œ œ œ œ œ<br />
O.<br />
3<br />
4<br />
& # #<br />
∑<br />
for online perusal only<br />
U Ó ∑ 4 ∑<br />
3<br />
4<br />
& # *<br />
# ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
4<br />
œ ˙ œ j ‰<br />
(-eath;)<br />
3<br />
4ä<br />
& # *<br />
# ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
œ 4 ˙ œ j ‰<br />
(-eath;)<br />
#<br />
& # ∑ O that I could have possession of them both in the same minute. ì ∑ 4 ∑<br />
‹<br />
3<br />
4â<br />
3<br />
4<br />
#<br />
& #<br />
*<br />
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
‹<br />
œ ˙ œ<br />
4 J ‰<br />
(-eath;)<br />
3<br />
4ä<br />
#<br />
& #<br />
*<br />
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
‹<br />
œ 4 ˙ œ j ‰<br />
(-eath;)<br />
3<br />
4â<br />
?# #<br />
*<br />
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
œ 4 ˙ œ J<br />
‰<br />
(-eath;)<br />
3<br />
4ä<br />
?#<br />
*<br />
¢ # ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
* At the conductor’s signal, finish the bar you are singing and hold the last note to the barline<br />
œ 4 ˙ œ j ‰<br />
(-eath;)<br />
3<br />
4â
88<br />
13<br />
SOLO<br />
SOP. 1<br />
123<br />
° 3<br />
3<br />
3<br />
& # # œ<br />
4 ‰ Œ 4 ∑ 4 ∑ 4 ∑ 4 ∑ ∑<br />
4<br />
SOLO<br />
SOP. 2<br />
3<br />
3<br />
3<br />
& # # œ<br />
4 ‰ Œ 4 ∑ 4 ∑ 4 ∑ 4 ∑ ∑<br />
4<br />
SOLO<br />
SOP. 3<br />
3<br />
3<br />
3<br />
& # # 4 œ ‰ Œ 4 ∑ 4 ∑ 4 ∑ 4 ∑ ∑<br />
4<br />
S.<br />
3<br />
3<br />
& # # 4 ∑ 4 ∑ 4 ∑<br />
4<br />
mp<br />
mf<br />
mp<br />
Ó œ œ j 3 œ- œ œ<br />
4 œ œ ‰ Œ<br />
4<br />
Rich<br />
to<br />
die<br />
now,<br />
A.<br />
3<br />
& # # 4<br />
mp<br />
3<br />
œ œ œ j 4 œ j œ œ œ j 4 œ j œ œ 4 œ œ œ œ j ‰ Œ<br />
Now<br />
for online perusal only<br />
mf<br />
more than ev-er<br />
seems it rich<br />
mp<br />
to die,<br />
3<br />
4<br />
∑<br />
mp<br />
œ œ œ j<br />
now<br />
more<br />
than<br />
4<br />
T.<br />
B.<br />
mp<br />
# 3<br />
3<br />
3<br />
& # œ œ ˙ œ œ œ ˙ œ œ œ ˙ œ<br />
4 4<br />
4 J 4 J ‰ Œ 4 ∑ œ œ ˙<br />
‹<br />
Ev<br />
-er,<br />
ev -er,<br />
ev -er.<br />
mp<br />
?# 3 œ œ ˙ œ bœ<br />
œ ˙ 3 œ œ œ ˙ œ<br />
¢ # 4 4<br />
4 J 4 J ‰ Œ<br />
Ev<br />
-er,<br />
ev -er,<br />
ev -er.<br />
3<br />
4<br />
∑<br />
mp<br />
Ev-er,<br />
œ œ ˙<br />
mp<br />
Ev-er,<br />
4<br />
4<br />
S.<br />
129<br />
°<br />
& # # 3<br />
4 ∑ 4 ∑<br />
4<br />
mp<br />
Ó œ œ 3 œ - œ œ J 4 œ œ 4 n œ Œ ‰ bœ<br />
nœ<br />
J<br />
rich<br />
to<br />
mf<br />
die,<br />
To cease u-pon<br />
the<br />
œ<br />
A.<br />
& # #<br />
4<br />
mf<br />
œ j œ 3<br />
3<br />
œ œ j 4bœ<br />
j œ œ 4 œ œ œ œ j ‰ Œ 4 Œ Œ<br />
ev-er<br />
seems it rich<br />
mp<br />
to die,<br />
mf<br />
œ œ 4 œ Œ ‰ œ j œ œ<br />
To<br />
cease<br />
u-pon<br />
the<br />
T.<br />
#<br />
& #<br />
4<br />
‹<br />
œ œ œ ˙ 3 œ œ œ ˙ œ 3<br />
4 J 4 J ‰ Œ 4 Œ Œ œ œ 4bœœ<br />
Œ ‰ œ œ J bœ<br />
ev - er,<br />
ev - er.<br />
To<br />
mf<br />
cease<br />
u-pon<br />
the<br />
B.<br />
?# œ bœ<br />
œ ˙ 3 œ œ œ ˙ œ 3<br />
¢ # 4<br />
4 J 4 J ‰ Œ 4 Œ Œ œ œ<br />
4 Œ ‰<br />
œbœ<br />
J<br />
ev er,<br />
cease<br />
- ev - er.<br />
To<br />
mf<br />
œ<br />
u-pon<br />
the
89<br />
14<br />
134<br />
°<br />
3<br />
3<br />
& # p<br />
# bœ<br />
j œ œ œ 4 œ œ j œ œ 4 œ ‰ Ó 4 œ œ œ œ œ œ œœœœ œ œ j œ œ<br />
?#<br />
¢ # œ<br />
mid<br />
mf<br />
mid-night<br />
with no pain,<br />
p<br />
accel.<br />
mp<br />
bœ œ j 3<br />
3<br />
œ 4 œ œ j œ nœ<br />
4 œ ‰ Ó ˙ œ j<br />
4<br />
œ œ œ œ œ<br />
While<br />
thou art pour - - ing forth thy<br />
3<br />
3<br />
& # #<br />
œ œ j œ j œ œ j 4 ˙ 4 ˙ œ 4<br />
œ œ œ œ j ‰ Œ ‰ œ j œœ œ œ j<br />
mid<br />
p<br />
#<br />
& # nœ<br />
J ‹<br />
mid<br />
p<br />
mf<br />
- night with no pain,<br />
mf<br />
-night<br />
with no pain,<br />
œ<br />
mf<br />
3<br />
3<br />
œ œ j 4 ˙ 4 œ ‰ Ó ˙ œ<br />
4<br />
œ œ œ œ œ<br />
J<br />
- night with no pain,<br />
mp<br />
mp<br />
While<br />
mp<br />
While<br />
Thou art pour - ing<br />
thou art pour - ing<br />
thou art pour - ing<br />
for online perusal only<br />
139<br />
°<br />
& # #<br />
mf<br />
œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ<br />
& # #<br />
soul,<br />
œ œ<br />
œ j<br />
œ<br />
J<br />
œœ œ<br />
while<br />
mf<br />
forth thy soul, while<br />
mf<br />
œ<br />
thou art pour - - ing forth thy soul a - broad,<br />
œ˙<br />
œ œ œ œ j œ œ œ<br />
j œ <br />
J<br />
œ<br />
thou art pour - ing forth thy soul<br />
#<br />
& # œ j œ œ j œ œ ˙ œ j œ œ œ œ j œ œ œ œ j œ œ<br />
‹<br />
forth thy soul, while<br />
œ j<br />
œ<br />
J<br />
œœ<br />
œ<br />
œ<br />
thou art pour - ing forth thy soul<br />
?#<br />
¢ # œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ<br />
J J J J J<br />
forth thy soul, while<br />
143<br />
f<br />
°<br />
& # # œ œ œ œ œ œ œ ‰ œ œ œ J<br />
mf<br />
4<br />
thou art pour - ing forth thy soul<br />
Urgent q = c.72<br />
ff<br />
œ<br />
rall.<br />
œ œ œ œ œ œ 3 œœ j 4 œ<br />
J œ œ j<br />
4<br />
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thy soul<br />
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In such an ec<br />
- - - - - - - -<br />
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90<br />
148<br />
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Slow q = c.54<br />
fff<br />
œ œ œ œ œ œ œ œ w<br />
b b b<br />
15<br />
3<br />
4<br />
- - - - - - - - - sta - sy!...<br />
3<br />
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j œ<br />
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b b b<br />
3<br />
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3<br />
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Steady q = c.63<br />
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91<br />
16<br />
S.<br />
164<br />
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&<br />
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¢ b b . œ . œ . œ . œ . œ . mp<br />
mf<br />
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J<br />
wa a - - a - a-king<br />
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170<br />
°<br />
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pp<br />
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wa-a<br />
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dream?<br />
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NH224 Nightingale Fragments JACKSON<br />
for online perusal only<br />
A.<br />
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B.<br />
& bb b4<br />
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p<br />
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do I wake or sleep, do I wake or<br />
p<br />
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p<br />
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4<br />
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sleep,<br />
do<br />
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∑<br />
sleep,<br />
do I wake or sleep?<br />
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¢ b b b ∑ ∑ ∑ ∑ ∑<br />
pp<br />
Œ ‰ j<br />
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sleep?<br />
Brockley, July 2016–August 2017
92<br />
Secular<br />
SATB, cello, and flute<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Not no faceless Angel
93<br />
Tanya Lake (b.1987)<br />
"To Joy and all her fantastic singers and players, from their biggest fan"<br />
Commissioned by the Royal College of Music Junior Department for Joy Hill and the Junior Department Chamber Choir<br />
with funds provided by the Friends of RCMJD and the Wrest Park Music Club<br />
SOPRANO<br />
Steady q = c.60<br />
Not no faceless Angel<br />
GABRIEL JACKSON<br />
<br />
<br />
ALTO<br />
<br />
<br />
TENOR<br />
<br />
<br />
BASS<br />
<br />
VIOLONCELLO<br />
<br />
for online perusal only<br />
Steady q = c.60<br />
jeté<br />
<br />
<br />
<br />
II<br />
<br />
<br />
f<br />
mp<br />
3<br />
<br />
<br />
<br />
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mf<br />
<br />
S.<br />
A.<br />
T.<br />
4<br />
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p<br />
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<br />
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-<br />
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A no - ther<br />
pho<br />
p<br />
-<br />
no - ther<br />
pho<br />
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3<br />
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on a shelf<br />
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on a<br />
- to - graph to put shelf<br />
<br />
<br />
<br />
3<br />
B.<br />
Vc.<br />
<br />
<br />
<br />
p<br />
jeté<br />
<br />
<br />
<br />
II<br />
<br />
<br />
First performed by the Royal College of Music Junior Department Chamber Choir with Theo Balkwill (violoncello) and Suzie Thorn (oboe), directed by Joy<br />
Hill, at Holy Trinity Church, South Kensington on June 11th 2005.<br />
Not no faceless Angel is recorded by Polyphony, directed by Stephen Layton, on Hyperion CDA67708<br />
Music © Oxford University Press 2009. Text © Tanya Lake. Reproduced by permission of the Author.<br />
<strong>Gabriel</strong> <strong>Jackson</strong> has asserted his right under the Copyright, Designs and Patents Act, 1998, to be identified as Composer of this Work.<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.<br />
3<br />
3<br />
<br />
Duration: 9'
94<br />
2<br />
S.<br />
7<br />
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mp<br />
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3<br />
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17<br />
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Vc.<br />
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vib. ord.<br />
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p<br />
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senza vib.<br />
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p
96<br />
4<br />
SOP.<br />
SOLO<br />
20<br />
With more movement q = c.72<br />
<br />
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With more movement q = c.72
97<br />
SOP.<br />
SOLO<br />
S.<br />
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SOLO<br />
A.<br />
TEN.<br />
SOLO<br />
T.<br />
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98<br />
6<br />
SOP.<br />
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for online perusal only
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102<br />
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p
103<br />
SOP.<br />
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Vc.<br />
With more movement q = c.72<br />
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11<br />
With more movement q = c.72<br />
mf<br />
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for online perusal only
104<br />
12<br />
SOP.<br />
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child<br />
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in<br />
my<br />
dreams,<br />
you<br />
are<br />
here,<br />
ALTO<br />
SOLO<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
mp<br />
(mp)<br />
<br />
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in<br />
- ing me<br />
just like<br />
a<br />
child,<br />
my<br />
A.<br />
<br />
mp<br />
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child<br />
<br />
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<br />
<br />
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<br />
my<br />
p sub.<br />
<br />
dreams,<br />
<br />
you<br />
<br />
are<br />
<br />
here,<br />
<br />
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TEN.<br />
SOLO<br />
<br />
<br />
<br />
<br />
<br />
mp<br />
<br />
3<br />
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<br />
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Hold - ing me<br />
just<br />
like<br />
a<br />
T.<br />
mp<br />
<br />
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child<br />
for online perusal only<br />
<br />
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p sub.<br />
<br />
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<br />
<br />
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<br />
And<br />
in<br />
my<br />
dreams,<br />
you<br />
are<br />
here,<br />
B.<br />
<br />
mp<br />
<br />
child<br />
<br />
<br />
And<br />
<br />
<br />
<br />
in<br />
<br />
my<br />
<br />
p sub.<br />
<br />
dreams,<br />
<br />
you<br />
<br />
are<br />
<br />
here,<br />
<br />
<br />
<br />
Vc.<br />
<br />
<br />
<br />
3<br />
<br />
mp
105<br />
SOP.<br />
SOLO<br />
S.<br />
ALTO<br />
SOLO<br />
A.<br />
TEN.<br />
SOLO<br />
T.<br />
BASS<br />
SOLO<br />
B.<br />
Vc.<br />
13<br />
72<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
3<br />
<br />
f<br />
<br />
3<br />
<br />
<br />
<br />
child,<br />
in my dreams you are here,<br />
in my dreams<br />
cresc.<br />
<br />
<br />
<br />
<br />
<br />
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<br />
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<br />
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f<br />
<br />
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in my dreams you are not<br />
no face - less an - gel,<br />
<br />
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<br />
<br />
f<br />
<br />
3<br />
<br />
dreams, you are here,<br />
in my dreams<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
cresc.<br />
<br />
<br />
<br />
<br />
f<br />
<br />
in my dreams you are not<br />
no face - less an - gel,<br />
mf<br />
f<br />
3<br />
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3<br />
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child,<br />
in my dreams you are here,<br />
in my dreams<br />
cresc.<br />
f<br />
<br />
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<br />
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in my dreams you are not<br />
no face - less an - gel,<br />
<br />
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mp<br />
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3<br />
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in my dreams you are here,<br />
in my dreams<br />
cresc.<br />
f<br />
<br />
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<br />
<br />
<br />
<br />
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in my dreams you are not<br />
no face - less an - gel,<br />
<br />
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<br />
3<br />
<br />
3<br />
<br />
<br />
mf<br />
f<br />
for online perusal only
106<br />
14<br />
SOP.<br />
SOLO<br />
77<br />
<br />
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3<br />
<br />
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p<br />
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you<br />
are<br />
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face<br />
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gel,<br />
S.<br />
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<br />
p<br />
<br />
no<br />
<br />
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face<br />
<br />
<br />
<br />
<br />
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<br />
gel,<br />
<br />
<br />
(whispered)<br />
3<br />
<br />
<br />
<br />
you are not no<br />
<br />
face - less<br />
ALTO<br />
SOLO<br />
<br />
<br />
you<br />
3<br />
<br />
<br />
are<br />
<br />
not<br />
<br />
no<br />
<br />
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p<br />
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3<br />
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TEN.<br />
SOLO<br />
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3<br />
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p<br />
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gel,<br />
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3<br />
<br />
you<br />
<br />
are<br />
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not no<br />
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BASS<br />
SOLO<br />
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3<br />
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p <br />
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gel,<br />
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<br />
3<br />
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Vc.<br />
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p<br />
p
107<br />
SOP.<br />
SOLO<br />
S.<br />
ALTO<br />
SOLO<br />
A.<br />
TEN.<br />
SOLO<br />
T.<br />
BASS<br />
SOLO<br />
B.<br />
Vc.<br />
rall.<br />
81<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
rall.<br />
<br />
<br />
<br />
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<br />
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<br />
an - gel.<br />
<br />
<br />
less<br />
an - gel.<br />
<br />
<br />
3<br />
<br />
-less<br />
an -<br />
<br />
gel.<br />
<br />
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<br />
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3<br />
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for online perusal only<br />
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<br />
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mf<br />
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p<br />
f<br />
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<br />
<br />
<br />
<br />
15
108<br />
16<br />
84<br />
<br />
<br />
<br />
<br />
Very still q = c.60<br />
pp sempre<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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Let<br />
me<br />
sleep,<br />
Let<br />
me<br />
sleep,<br />
S.<br />
<br />
<br />
<br />
<br />
pp sempre<br />
<br />
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<br />
<br />
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Let<br />
me<br />
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me<br />
sleep,<br />
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me<br />
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pp sempre<br />
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me<br />
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pp sempre<br />
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me<br />
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Oh,<br />
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let<br />
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me<br />
<br />
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pp sempre<br />
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Let<br />
me<br />
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me<br />
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T.<br />
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for online perusal only<br />
pp sempre<br />
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Let<br />
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me<br />
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pp sempre<br />
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me<br />
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me<br />
sleep,<br />
B.<br />
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pp sempre<br />
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Let<br />
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me<br />
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me<br />
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sleep,<br />
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let<br />
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me<br />
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Vc.<br />
<br />
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<br />
Very still q = c.60<br />
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<br />
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<br />
pp<br />
<br />
<br />
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p
109<br />
90<br />
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Let<br />
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me<br />
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p<br />
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<br />
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dreams,<br />
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mp<br />
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you're<br />
17<br />
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S.<br />
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me<br />
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me<br />
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me<br />
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p <br />
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sleep<br />
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Vc.<br />
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p<br />
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pp
110<br />
18<br />
S.<br />
96<br />
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Oh,<br />
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Vc.<br />
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3<br />
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mp<br />
pp<br />
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S.<br />
100<br />
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live<br />
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mp<br />
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night.<br />
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pp<br />
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For<br />
A.<br />
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to<br />
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mp<br />
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night.<br />
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p<br />
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For<br />
pp<br />
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night.<br />
pp<br />
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112<br />
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6<br />
<br />
<br />
<br />
f<br />
<br />
S.<br />
<br />
<br />
<br />
if I took<br />
sfp<br />
<br />
p<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
the stars<br />
that<br />
shine<br />
in<br />
A.<br />
sfp<br />
<br />
<br />
if I took the stars<br />
<br />
p<br />
<br />
that<br />
<br />
<br />
<br />
shine<br />
<br />
mf<br />
<br />
in<br />
<br />
T.<br />
<br />
<br />
<br />
<br />
<br />
if I took<br />
sfp<br />
<br />
p<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
the stars<br />
that<br />
shine<br />
in<br />
B.<br />
sfp<br />
<br />
<br />
<br />
<br />
if I took<br />
the stars<br />
<br />
p <br />
that<br />
mf<br />
<br />
shine<br />
<br />
<br />
in<br />
<br />
<br />
Fl.<br />
156<br />
<br />
<br />
<br />
<br />
3<br />
<br />
mf<br />
f<br />
S.<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
for online perusal only<br />
<br />
<br />
them to the skies<br />
p<br />
<br />
<br />
your<br />
eyes<br />
And<br />
threw<br />
A.<br />
<br />
<br />
your<br />
<br />
<br />
eyes<br />
<br />
f<br />
<br />
<br />
<br />
<br />
And threw them to the skies<br />
<br />
p<br />
<br />
<br />
T.<br />
<br />
<br />
<br />
f<br />
<br />
<br />
<br />
p sub.<br />
<br />
<br />
<br />
<br />
<br />
your<br />
eyes<br />
And<br />
threw<br />
them...<br />
skies<br />
B.<br />
<br />
<br />
<br />
your<br />
<br />
eyes<br />
<br />
f<br />
<br />
<br />
And<br />
<br />
<br />
skies<br />
threw...<br />
p sub.
119<br />
Fl.<br />
159<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
27<br />
<br />
mf<br />
mp<br />
S.<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
p<br />
<br />
<br />
Then<br />
we'd<br />
all<br />
fall<br />
in<br />
love<br />
with<br />
night,<br />
A.<br />
<br />
<br />
p<br />
<br />
Then<br />
<br />
we'd<br />
<br />
all<br />
<br />
fall<br />
<br />
in<br />
<br />
<br />
mf<br />
<br />
love<br />
p<br />
<br />
with<br />
<br />
<br />
night,<br />
T.<br />
<br />
<br />
<br />
<br />
p<br />
<br />
Then<br />
<br />
we'd<br />
<br />
all<br />
<br />
fall<br />
<br />
in<br />
<br />
<br />
mf<br />
<br />
love<br />
p<br />
<br />
with<br />
<br />
night,<br />
B.<br />
<br />
<br />
<br />
p <br />
Then<br />
<br />
we'd<br />
<br />
all<br />
<br />
fall<br />
<br />
in<br />
<br />
<br />
mf<br />
<br />
love<br />
p<br />
<br />
with<br />
<br />
night,<br />
<br />
Fl.<br />
163<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
mf<br />
SOP.<br />
SOLO<br />
for online perusal only<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
We'd<br />
all<br />
fall<br />
in<br />
S.<br />
<br />
mp<br />
<br />
We'd<br />
<br />
all<br />
<br />
<br />
fall<br />
<br />
in<br />
mf<br />
<br />
love<br />
<br />
with<br />
A.<br />
<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
We'd<br />
all<br />
fall<br />
in<br />
love<br />
with<br />
T.<br />
<br />
<br />
<br />
mp<br />
<br />
We'd<br />
<br />
all<br />
<br />
<br />
fall<br />
<br />
in<br />
mf<br />
<br />
love<br />
<br />
with<br />
B.<br />
<br />
<br />
mp<br />
<br />
We'd<br />
<br />
<br />
all<br />
<br />
<br />
fall<br />
<br />
in<br />
mf<br />
<br />
love<br />
<br />
with
120<br />
28<br />
Fl.<br />
167<br />
<br />
5<br />
<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp<br />
<br />
SOP.<br />
SOLO<br />
<br />
<br />
f<br />
<br />
3<br />
<br />
<br />
<br />
<br />
love<br />
with<br />
night,<br />
S.<br />
<br />
mp<br />
<br />
night,<br />
A.<br />
<br />
<br />
mp<br />
<br />
night,<br />
<br />
<br />
p<br />
<br />
in<br />
<br />
love<br />
T.<br />
<br />
<br />
<br />
mp<br />
<br />
p<br />
<br />
<br />
night,<br />
in<br />
love<br />
B.<br />
<br />
<br />
for online perusal only<br />
mp<br />
<br />
night,<br />
p<br />
<br />
in<br />
<br />
love<br />
<br />
Fl.<br />
170<br />
<br />
S.<br />
A.<br />
<br />
<br />
<br />
mf<br />
<br />
(whispered)<br />
<br />
We'd<br />
<br />
all<br />
3<br />
<br />
fall<br />
<br />
in<br />
<br />
love<br />
<br />
with<br />
<br />
night.<br />
pp<br />
<br />
<br />
<br />
with<br />
night.<br />
T.<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
pp <br />
with<br />
night.<br />
B.<br />
<br />
<br />
mf<br />
<br />
with<br />
pp<br />
<br />
night.<br />
Brockley<br />
February–March 2005
121<br />
Secular<br />
SATB unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Our flags are wafting in hope and grief
122<br />
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for online perusal only
NEW<br />
HORIZONS<br />
130<br />
2<br />
Secular<br />
SATB (with divisions)<br />
a cappella<br />
for online perusal only<br />
GABRIEL JACKSON<br />
A ship with unfurled sails
131<br />
Commissioned by Joy Hill and the Vigala Singers, with funds provided by the RVW Trust<br />
and a generous donation from the Welbourn family<br />
A ship with unfurled sails<br />
Doris Kareva (b. 1958)<br />
trans. Eric Dickens<br />
GABRIEL JACKSON<br />
SOPRANO<br />
ALTO 1<br />
ALTO 2<br />
TENOR<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Slow and lilting q = c.52<br />
p<br />
ah<br />
p<br />
3<br />
ah<br />
<br />
3 3 3<br />
sim.<br />
ah ah ah<br />
3 3 sim.<br />
ah<br />
ah<br />
ah<br />
p<br />
<br />
A<br />
ship with un - furled<br />
<br />
<br />
ah ah ah ah ah ah ah ah<br />
<br />
<br />
<br />
ah ah ah ah ah ah ah ah<br />
<br />
for online perusal only<br />
5<br />
<br />
BASS<br />
<br />
<br />
<br />
<br />
<br />
mp<br />
sails<br />
my shore’s<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah ah ah ah<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah ah ah ah<br />
<br />
<br />
<br />
<br />
p<br />
3 3 3<br />
<br />
<br />
<br />
<br />
<br />
<br />
ah ah ah<br />
p 3 3 3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ah ah ah<br />
<br />
Duration: 6'<br />
First performed by the Vigala Singers, directed by Joy Hill, at the Klara Kyrka, Stockholm, on 15 August 2009.<br />
Text by Doris Kareva © Verb 2009. Reproduced by permission.<br />
Music: © Oxford University Press 2010<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
9<br />
<br />
p<br />
<br />
ap - proach - ing.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah ah ah<br />
<br />
<br />
<br />
13<br />
<br />
<br />
mp<br />
mp<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah ah ah<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
ah<br />
p<br />
ah<br />
p<br />
<br />
<br />
I<br />
3 3 3<br />
3<br />
<br />
<br />
<br />
mp<br />
sense,<br />
mp<br />
sim.<br />
ah ah ah<br />
ah<br />
3<br />
ah<br />
p<br />
I<br />
3<br />
mp<br />
sim.<br />
ah<br />
mp<br />
sense,<br />
3<br />
<br />
p<br />
pp<br />
p<br />
pp<br />
p<br />
mp<br />
3 3 3<br />
<br />
ah<br />
ah ah<br />
p<br />
mp<br />
3 3<br />
3<br />
<br />
<br />
ah<br />
ah ah<br />
p<br />
<br />
I feel it<br />
p<br />
ah ah ah ah ah ah ah ah<br />
p<br />
ah ah ah ah ah ah ah ah<br />
p<br />
3<br />
<br />
I feel it<br />
ah<br />
p 3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
132<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
ah
133<br />
4<br />
18<br />
<br />
<br />
<br />
mp<br />
<br />
<br />
<br />
stand<br />
there, my back per - spir - ing.<br />
p<br />
mp<br />
<br />
<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah<br />
p<br />
<br />
mp<br />
<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah<br />
<br />
<br />
<br />
3 3<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
ah ah stand there, my back per- stand, my<br />
p<br />
p<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
3 3<br />
<br />
<br />
<br />
<br />
mp<br />
ah ah ah<br />
<br />
<br />
<br />
22<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp<br />
<br />
<br />
stand<br />
mp<br />
stand<br />
p<br />
p 3<br />
there, my back per-spir<br />
- ing.<br />
ah<br />
<br />
<br />
p<br />
there, my back per-spir<br />
- ing.<br />
ah<br />
<br />
<br />
<br />
p<br />
<br />
<br />
3<br />
mp<br />
<br />
<br />
<br />
<br />
back<br />
per - spir - ing.<br />
p
134<br />
5<br />
27<br />
<br />
<br />
p<br />
<br />
<br />
<br />
A<br />
mf<br />
ship with ho<br />
- ly sails<br />
p<br />
3 3 3 3 3 3 mf<br />
p 3 3<br />
<br />
ah ah ah ah ah ah<br />
<br />
ho<br />
-<br />
ly<br />
ah<br />
ah<br />
3<br />
3<br />
3<br />
<br />
<br />
ah<br />
3<br />
3<br />
3<br />
mf<br />
p<br />
3<br />
3<br />
<br />
<br />
<br />
ah<br />
ah<br />
ah<br />
ah<br />
ah<br />
ho<br />
-<br />
ly<br />
ah<br />
ah<br />
<br />
<br />
<br />
p<br />
<br />
<br />
A<br />
mf<br />
ship with ho<br />
- ly sails<br />
p<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
p<br />
A<br />
mf<br />
<br />
<br />
<br />
ship with ho<br />
- ly sails<br />
p<br />
31<br />
<br />
<br />
<br />
p<br />
mp<br />
<br />
<br />
<br />
<br />
sail<br />
- ing, sail<br />
- - ing un-<br />
der<br />
3 3 3<br />
sim.<br />
<br />
<br />
<br />
<br />
ah ah ah ah ah ah ah ah ah ah ah ah<br />
3 3 3 sim.<br />
<br />
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<br />
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137<br />
52<br />
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for online perusal only<br />
S. 1<br />
S. 2<br />
A. 1<br />
76<br />
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p gentle<br />
3 3<br />
sim.<br />
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ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah<br />
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11<br />
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141<br />
12<br />
S.<br />
A. 1<br />
A. 2<br />
T.<br />
86<br />
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for online perusal only<br />
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Brockley, July–August 2009<br />
Processed in England by Enigma Music Production Services, Amersham, Bucks.
NEW<br />
HORIZONS<br />
142<br />
2<br />
Secular<br />
SATB (with divisions)<br />
a cappella<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Song (I gaze upon you)
Paul Eluard (1895–1952)<br />
from Marine<br />
tr. Gilbert Bowen<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
for<br />
rehearsal<br />
only<br />
143<br />
this piece was written for the wedding of Mark Wilde and<br />
Imogen Wright and was first performed by the choir of St George’s Chapel, Windsor,<br />
directed by Jonathan Rees-Williams, on 1st June 1996<br />
Song (I gaze upon you)<br />
Glowing, intimate i = 54<br />
Vbbb 34 Š<br />
p poco<br />
Š. - Še Š. Š 38Š. 24Š. u<br />
f<br />
Š Š Š Š 34<br />
I gaze u - pon you and the sun<br />
p poco -<br />
Vbbb 34 Š Š. ŠeŠ. Š 38Š. 24Š.e Š f Š. Š u ŠŠ Š Š<br />
- f<br />
34<br />
I gaze u - pon you and the sun<br />
Vbbb<br />
[<br />
34 Š<br />
p poco<br />
Š. - Š f Š. Š 38Š. 24Š. u<br />
f<br />
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I gaze u - pon you and the sun<br />
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poco<br />
-<br />
f u Š Š ‰ 34<br />
for online perusal only<br />
I gaze u - pon you and the sun<br />
Glowing, intimate i = 54<br />
V bbb 34 Š Š. ŠŠ Še Š. Š 38 Š. 24 Šẹ u Š ŠŠ<br />
ŠŠ<br />
Š 34<br />
{ B bbb 34 Š p poco<br />
Š. Š f Š. Š 38 Š. 24 Š. f u Š ŠŠ<br />
‰ Š Š<br />
34<br />
Vbbb34 Š. Š. ‰. 24Š. t 34 ‰ Š Š 24 Š<br />
6<br />
p Š 58Š. Š 4<br />
grows large Soon it will o - ver - whelm our<br />
Vbbb34 24Š. t p<br />
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grows large Soon it will o - ver - whelm our<br />
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24 Š Š<br />
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grows large Soon it will o - ver - whelm our<br />
bbb 34 Š. ŠŠ. ‰. 24 Š. t 34 ‰ Š ŠŠ 24 Š Š 58 Š. ŠŠŠ 4<br />
{ B bbb 34 ŠŠ. Š Š Š . ‰. 24 Š. t 34 ‰ p<br />
Š Š 24 Š Š Š 58 Š . Š<br />
4<br />
This edition offprinted 2010 from Weddings for Choirs: 40 perfect SATB pieces (978–0–19–353265–6).<br />
Text © Calder Publications Ltd. Reproduced by permission.<br />
Music © Oxford University Press 2002.<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />
p<br />
GABRIEL JACKSON<br />
Printed in Great Britain
144<br />
12<br />
Vbbb4 4 ˆ 34 Š r t. mp<br />
Š 38Š Še Š-<br />
Š Š 24Š Š Š Š<br />
day A - wake with heart and co -<br />
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f Š Š 24<br />
bad dreams A - wake that I may<br />
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34Š r t. mp<br />
Š 38Š Š Še 58 Še “ f f Š Š 24<br />
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bad dreams A - wake that I may<br />
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bad dreams A - wake that I may<br />
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bad dreams A - wake that I<br />
V bbb 24 =b‰ 4 ˆŠ ‰.<br />
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bo-dy that waits to fol - low you<br />
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bo-dy waits to fol - low you<br />
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24 ŠŠ<br />
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p sub.<br />
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you a life of love<br />
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you a life of love A bo -<br />
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you a life of love bo -<br />
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A life of love<br />
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4‰. Š<br />
24‰ ‰<br />
38Š. 34‰. Š ‰ ‰.<br />
p<br />
148<br />
for online perusal only<br />
life of love<br />
Vbbb58 [<br />
r. Š 4Š Š ‰ Š 24Š. Še 38Š. 34‰. ‰.<br />
A life of love<br />
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life of love<br />
V bbb 58 r. Š 4 Š‰. Š ‰ Š<br />
24 ‰ Š. Še 38 Š. 34 ‰. Š ‰ ‰ .<br />
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7<br />
Music origination by Barnes Music Engraving Ltd., East Sussex<br />
Printed in Great Britan by Halstan & Co. Ltd., Amersham, Bucks.<br />
Baron’s Court<br />
23 April–2 May 1996
NEW<br />
HORIZONS<br />
149<br />
<br />
Secular<br />
SATB unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Three Shakespeare Songs
150<br />
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171<br />
Secular<br />
SATB unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
To Music
172<br />
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173<br />
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174<br />
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176<br />
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177<br />
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178<br />
Secular<br />
SATB (with divisions) unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
The Voice of the Bard
179<br />
Commissioned by the BBC for the BBC Radio 3 Choir of the Year for 2006, Chantage<br />
The Voice of the Bard<br />
William Blake (1757-1827)<br />
GABRIEL JACKSON<br />
SOPRANO<br />
ALTO<br />
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OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.<br />
<br />
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the<br />
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Duration: 6'<br />
First performed by Chantage, directed by James Davey, at the British Composer Awards on 5 December 2007 in Glaziers Hall, London<br />
© 2007 Oxford University Press<br />
<strong>Gabriel</strong> <strong>Jackson</strong> has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Composer of this Work.<br />
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107<br />
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Night<br />
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mf<br />
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worn,<br />
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189<br />
SOLO<br />
SOP.<br />
S.<br />
A.<br />
T.<br />
B.<br />
SOLO<br />
SOP.<br />
S.<br />
SOLO<br />
ALTO<br />
A.<br />
T.<br />
B.<br />
11<br />
113<br />
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190<br />
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SOP.<br />
123<br />
Steady q = c.60<br />
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SOLO<br />
SOP.<br />
S.<br />
SOLO<br />
ALTO<br />
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TEN.<br />
T.<br />
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BASS<br />
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147 poco rall.<br />
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of<br />
of day,<br />
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day,<br />
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day,<br />
mf<br />
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break<br />
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of<br />
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day,<br />
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mf<br />
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break<br />
mf<br />
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day,<br />
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- ea-eakof day,<br />
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of<br />
day,<br />
f<br />
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brea(k) ea<br />
3 3<br />
f<br />
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of<br />
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of<br />
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day,<br />
f <br />
brea(k) - ea ea-<br />
3 3<br />
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the break<br />
of day."<br />
<br />
<br />
ff<br />
- ea-eakof day,<br />
<br />
<br />
<br />
day,<br />
f <br />
<br />
brea(k) - ea ea-<br />
3 3<br />
f<br />
<br />
the break<br />
ff<br />
<br />
<br />
day."<br />
<br />
of day."<br />
<br />
f<br />
<br />
<br />
- ea-eakof day,<br />
f<br />
<br />
<br />
the break<br />
<br />
<br />
day."<br />
<br />
of day."<br />
ff<br />
<br />
<br />
day."<br />
<br />
<br />
ff <br />
<br />
<br />
<br />
the break<br />
day."<br />
<br />
<br />
of day."<br />
Brockley, 8-29 October 2007
194<br />
Secular<br />
SATB (with divisions) unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Winter heavens
195<br />
CommissionedbyBBCRadio3fortheBBCSingers<br />
Winter heavens<br />
George Meredith (1828–1909)<br />
GABRIEL JACKSON<br />
Slowq=c.60<br />
SOPRANO<br />
3<br />
4<br />
sffp<br />
mf:p<br />
mp<br />
5<br />
Sharp<br />
is the night,<br />
but<br />
sta(r) a a a a<br />
ALTO<br />
3<br />
4<br />
sffp<br />
mf:p<br />
mp<br />
5<br />
TENOR<br />
3<br />
4<br />
Sharp<br />
sffp<br />
is the night,<br />
mf:p<br />
but<br />
sta(r) a a a a<br />
Sharp<br />
is the night,<br />
BASS<br />
3<br />
4<br />
sffp<br />
mf:p<br />
Sharp<br />
is the night,<br />
accel.<br />
5<br />
fp<br />
mf p<br />
3 3<br />
3<br />
3<br />
mf<br />
p<br />
ars<br />
with<br />
frost<br />
a li i i ive<br />
fp<br />
mf p<br />
for online perusal only<br />
3 3 3 3<br />
mf<br />
p<br />
ars<br />
with<br />
frost<br />
a li i i ive<br />
f<br />
p<br />
mf<br />
stars,<br />
a<br />
f<br />
p<br />
mf<br />
stars,<br />
a<br />
FirstperformedbytheBBCSingers,directedbyStephenCleobury,atStPauls,Knightsbridge,London,on16December2011<br />
Duration:6<br />
© Oxford University Press 2012<br />
<strong>Gabriel</strong> <strong>Jackson</strong> has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Composer of this Work.<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.
196<br />
2<br />
8<br />
Atempo<br />
mp<br />
mf<br />
mp<br />
3 3 3 3<br />
mf<br />
5<br />
mp<br />
Lea ea ea ea ea ea ea ea ea<br />
eap,<br />
lea<br />
ea<br />
ea ea ea ea<br />
ea ea ea ea<br />
ea<br />
ea ea ea ea ea<br />
mp<br />
mf<br />
5<br />
mp<br />
3 3<br />
3<br />
3<br />
Lea<br />
ea ea ea ea ea ea<br />
ea<br />
ea ea ea ea ea ea ea ea eap, lea ea ea ea ea ea ea ea ea<br />
p<br />
live<br />
p<br />
for online perusal only<br />
live<br />
12<br />
mf<br />
p<br />
S.<br />
eap<br />
mf<br />
o the rim of earth a cross the dome.<br />
p<br />
eap<br />
mf<br />
o the rim of earth a cross the dome.<br />
p<br />
A.<br />
eap<br />
mf<br />
o the rim of earth a cross the dome.<br />
p<br />
eap<br />
mf<br />
o the rim of earth a cross the dome.<br />
p<br />
T.<br />
Leap<br />
mf<br />
o the rim of earth a cross the dome.<br />
p<br />
Leap<br />
mf<br />
o the rim of earth a cross the, the dome.<br />
p<br />
B.<br />
Leap<br />
mf<br />
o the earth a cross the dome.<br />
p<br />
Leap<br />
o the rim of earth a cross the, the dome.
197<br />
16<br />
SOLO<br />
mp wild<br />
3<br />
It<br />
is<br />
anight<br />
SOLO<br />
mp wild<br />
It<br />
is<br />
a night<br />
T.<br />
SOLO<br />
mp wild<br />
5<br />
for online perusal only<br />
It<br />
is a night to<br />
SOLO<br />
mp wild<br />
It<br />
is a night<br />
SOLO<br />
mp wild<br />
It<br />
is a night<br />
SOLO<br />
mp wild<br />
5<br />
It<br />
is<br />
anight<br />
B.<br />
SOLO<br />
mp wild<br />
It<br />
is<br />
anight<br />
SOLO<br />
mp wild<br />
is<br />
anight
198<br />
4<br />
19<br />
mf<br />
mp<br />
to make the hea vens,<br />
hea<br />
mf<br />
mp<br />
to make the hea<br />
vens,<br />
hea<br />
mf<br />
mp<br />
for online perusal only<br />
make the hea<br />
vens our home<br />
5<br />
mf<br />
mp<br />
3 3 3<br />
to make the hea<br />
vens,<br />
hea<br />
mp<br />
to<br />
make<br />
the<br />
mp<br />
to<br />
make<br />
the<br />
mf<br />
mp<br />
3<br />
to<br />
make the hea vens<br />
mf<br />
5<br />
mp<br />
hea<br />
vens
199<br />
5<br />
22<br />
mf<br />
3 3<br />
p<br />
vens our home<br />
mf<br />
p<br />
vens our home<br />
mp<br />
for online perusal only<br />
More<br />
than the<br />
mf<br />
p<br />
vens our home<br />
mf<br />
p<br />
hea<br />
vens our home<br />
mf<br />
p<br />
hea<br />
vens our home<br />
mf<br />
5<br />
p<br />
our<br />
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200<br />
6<br />
25<br />
mp<br />
3<br />
More<br />
than the nest<br />
mp<br />
3 3<br />
More<br />
than the nest where<br />
for online perusal only<br />
nest, more than the nest,<br />
mp<br />
3<br />
More<br />
than the nest<br />
mp<br />
More<br />
than the nest,<br />
mp<br />
More<br />
than the nest, nest<br />
mp<br />
3<br />
More than<br />
the nest<br />
mp<br />
3<br />
mp<br />
More<br />
than the nest, the<br />
nest,
201<br />
7<br />
28<br />
mf<br />
where<br />
to a pace we strive, we strive.<br />
mf<br />
5<br />
to<br />
we<br />
strive.<br />
mf<br />
3 3<br />
for online perusal only<br />
a pace we strive.<br />
mf<br />
3 3 3<br />
where<br />
to a pace we strive, a pace we strive.<br />
mf<br />
5<br />
a<br />
pace we strive.<br />
mf<br />
3 3<br />
5<br />
where to a pace we strive.<br />
mf<br />
where<br />
to we strive.<br />
mf<br />
5 5<br />
a<br />
pace we strive.
202<br />
8<br />
31 p<br />
mf<br />
Lengths<br />
down<br />
p<br />
mf<br />
mp<br />
Lengths<br />
down<br />
p<br />
for online perusal only<br />
p<br />
p<br />
mf<br />
Lengths,<br />
p<br />
mf<br />
Lengths<br />
down<br />
mf<br />
Lengths<br />
mf<br />
Lengths
203<br />
9<br />
34<br />
mp<br />
mf<br />
mp<br />
mf<br />
each<br />
r<br />
tree,<br />
r<br />
mf<br />
mp<br />
mf<br />
our<br />
road<br />
seems<br />
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mp<br />
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road<br />
seems<br />
a<br />
hive,<br />
mf<br />
mp<br />
for online perusal only<br />
mf<br />
our<br />
road<br />
seems<br />
a<br />
road,<br />
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road,<br />
road,<br />
hive,<br />
our road, a hive,
204<br />
10<br />
37<br />
p<br />
mp<br />
p<br />
mp<br />
p<br />
mp<br />
tree,<br />
In swarms,<br />
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p<br />
mp<br />
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5 5<br />
mp<br />
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p<br />
mp<br />
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In<br />
swarms out rush<br />
ing,<br />
out<br />
p<br />
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for online perusal only<br />
mp<br />
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5<br />
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205<br />
40<br />
3<br />
3<br />
f<br />
11<br />
rush ing from the gold<br />
en,<br />
f<br />
3 3<br />
swarms out rush ing from the gold<br />
en,<br />
5<br />
f<br />
for online perusal only<br />
out rush ing from the gold<br />
en,<br />
f<br />
rush ing from the gold<br />
en,<br />
3 3<br />
f<br />
swarms out rush ing from the gold<br />
en,<br />
mp<br />
5 5 3<br />
f<br />
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en,<br />
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en,<br />
3<br />
f<br />
ing, swarms out rush ing from the gold<br />
en,
206<br />
12<br />
43<br />
p<br />
S.<br />
They<br />
wa<br />
A.<br />
for online perusal only<br />
p<br />
gold en comb.<br />
p<br />
gold en comb.<br />
T.<br />
p<br />
gold en comb.<br />
p<br />
gold en comb.<br />
p<br />
gold en comb.<br />
p<br />
B.<br />
gold en comb.<br />
p<br />
gold en comb.<br />
p<br />
gold en comb.
207<br />
13<br />
46<br />
S.<br />
ken waves of thoughts, they wa ken waves of<br />
p<br />
p<br />
Theywa ken waves of thoughts,<br />
A.<br />
wa<br />
p<br />
ken, wa ken, wa<br />
wa<br />
TUTTI<br />
ken, wa ken,<br />
p<br />
T.<br />
TUTTI<br />
wa<br />
for online perusal only<br />
ken,<br />
p<br />
wa<br />
TUTTI<br />
wa<br />
ken,<br />
B.<br />
49<br />
thoughts, they wa ken waves that<br />
they wa ken waves of thoughts that<br />
3<br />
3<br />
ken, waves that wa ken,<br />
waves that wa ken, wa ken waves<br />
3<br />
ken,<br />
waves<br />
mp<br />
wa ken that<br />
3<br />
wa<br />
ken, wa ken, that
208<br />
14<br />
51<br />
f<br />
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6 6 6<br />
mf<br />
p<br />
burst<br />
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mp<br />
foam:<br />
6<br />
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mf<br />
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55<br />
p<br />
3<br />
mp<br />
3 3<br />
3 3<br />
S.<br />
mf:p<br />
throb<br />
mf:p<br />
for online perusal only<br />
in<br />
me,<br />
the dead<br />
mf:p mf mp<br />
3 3 3<br />
3 3<br />
A.<br />
throb<br />
mf:p<br />
mf:p<br />
in<br />
me,<br />
mf:p<br />
the dead<br />
mf:p mf mp<br />
3 3 3<br />
3 3<br />
throb,<br />
throb<br />
in<br />
me,<br />
the dead<br />
mp<br />
3 3 3 3 3<br />
T.<br />
throb in me,<br />
the dead<br />
mp<br />
3 3<br />
3<br />
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B.<br />
throb in me,<br />
the dead
209<br />
S.<br />
58<br />
ff<br />
15<br />
4<br />
re<br />
vive.<br />
A.<br />
ff<br />
4<br />
re<br />
vive.<br />
ff<br />
T.<br />
4<br />
re<br />
vive.<br />
ff<br />
B.<br />
4<br />
re<br />
for online perusal only<br />
vive.<br />
61<br />
Alileslowerq=c.52<br />
p sempre<br />
4<br />
4<br />
Yon<br />
5<br />
4<br />
5<br />
4<br />
3<br />
4<br />
3<br />
4<br />
5<br />
4<br />
man tle clothes us: there, past mor tal breath,<br />
p sempre<br />
5<br />
4<br />
3<br />
4<br />
3<br />
4<br />
4<br />
4<br />
p sempre<br />
Yon<br />
5<br />
4<br />
5<br />
4<br />
man tle clothes us: there, past mor tal breath,<br />
p sempre<br />
3<br />
4<br />
3<br />
4<br />
5<br />
4<br />
man tle clothes us: there, past mor tal breath,<br />
5<br />
4<br />
man tle clothes us: there, past mor tal breath,<br />
3<br />
4<br />
3<br />
4<br />
67<br />
4<br />
3<br />
4<br />
4<br />
3 3<br />
3<br />
4<br />
Life gli stens on the ri<br />
ver of the death.<br />
4<br />
3<br />
4<br />
4<br />
3<br />
3<br />
3<br />
4<br />
3<br />
3<br />
Life gli stens on the ri<br />
ver of the death.<br />
4<br />
4<br />
3<br />
4<br />
3<br />
4<br />
4<br />
Life gli stens on the ri<br />
4<br />
3 3<br />
3<br />
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Life gli stens on the ri ver of the death.<br />
3<br />
4
210<br />
16<br />
S.<br />
73<br />
4<br />
mp<br />
esh<br />
and<br />
dust,<br />
p<br />
4<br />
mp<br />
p<br />
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p<br />
A.<br />
It<br />
4<br />
folds<br />
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p<br />
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p<br />
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mp<br />
it<br />
p<br />
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It<br />
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it<br />
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T.<br />
4<br />
It folds us, it folds us,<br />
B.<br />
4<br />
It folds us, it folds us,<br />
77<br />
3<br />
4<br />
esh and dust; and<br />
2<br />
4<br />
f<br />
4<br />
have we knelt,<br />
mp<br />
p<br />
for online perusal only<br />
3<br />
4<br />
mp<br />
p<br />
2<br />
4<br />
4<br />
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2<br />
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mp<br />
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it folds us,<br />
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Or<br />
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mp<br />
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it folds us,<br />
knelt,<br />
Or
211<br />
17<br />
81<br />
p<br />
or<br />
3<br />
4<br />
eyed as kine the springs Of ra diance,<br />
3<br />
4<br />
p<br />
or<br />
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3<br />
4<br />
p<br />
or<br />
eyed the ra<br />
3<br />
4<br />
p<br />
for online perusal only<br />
ne ver knelt, or<br />
eyed the ra<br />
3<br />
4<br />
p<br />
ne ver knelt, or<br />
eyed the ra<br />
84<br />
pocoapococrescendo<br />
S.<br />
or<br />
eyed<br />
pocoapococrescendo<br />
as kine the springs Of ra diance, or<br />
or<br />
eyed<br />
as kine the springs Of ra diance,<br />
pocoapococrescendo<br />
A.<br />
diance,<br />
or<br />
pocoapococrescendo<br />
eyed the ra diance,<br />
diance,<br />
or<br />
eyed the ra diance,<br />
pocoapococrescendo<br />
T.<br />
diance,<br />
or<br />
eyed the ra diance,<br />
pocoapococrescendo<br />
B.<br />
diance,<br />
or<br />
eyed the ra diance,
212<br />
18<br />
87<br />
accel.<br />
eyed as kine the springsOf ra diance, the<br />
f<br />
Fasterq=c.60<br />
4<br />
ra diance, the<br />
S.<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the<br />
for online perusal only<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the<br />
A.<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the<br />
T.<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the<br />
B.<br />
or eyed as kine the ra diance, the<br />
f<br />
4<br />
ra diance, the
213<br />
91<br />
ff<br />
19<br />
ra diance, the ra<br />
diance, the ra<br />
ff<br />
ra diance, the ra<br />
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for online perusal only<br />
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214<br />
20<br />
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97<br />
Alileslowerq=c.52<br />
5<br />
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pp<br />
p<br />
for online perusal only<br />
4<br />
rall.<br />
3<br />
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5<br />
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soul’s<br />
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ha<br />
p<br />
ven to have felt.<br />
4<br />
3<br />
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pp<br />
A.<br />
pp<br />
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And<br />
5<br />
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this is the soul’s ha<br />
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4<br />
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And<br />
this is the soul’s ha<br />
ven.<br />
Brockley,October–November2011
215<br />
Secular<br />
SATB unaccompanied<br />
for online perusal only<br />
GABRIEL JACKSON<br />
Yes, I am your angel
216<br />
Commissioned by The Crossing and Donald Nally, conductor.<br />
The commissioning of the Jeff Quartets by The Crossing was made possible by the support of the Ann Stookey Fund for New Music.<br />
Kārlis Vērdiņš (b. 1979)<br />
Trans. Ieva Lešinska<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
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¿<br />
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Yes,<br />
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Yes,<br />
Steady q = c.63<br />
spoken<br />
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spoken<br />
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Yes,<br />
spoken<br />
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3<br />
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¿<br />
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Yes,<br />
spoken<br />
mf<br />
Yes, I am your angel<br />
mf<br />
mp<br />
GABRIEL JACKSON<br />
‰<br />
5 2 5<br />
œ j œ œ j œ œ j œ j ‰ 8 ∑ 4 œ j œ œ J 8<br />
I am your an - gel,<br />
hea - ven to -<br />
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‰<br />
5 2 5<br />
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I am your an - gel,<br />
dri - ven out of hea - ven to -<br />
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mf mp<br />
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‰ Œ Œ<br />
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- gel,<br />
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for online perusal only<br />
5<br />
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ap - ple passed<br />
so<br />
First performed by The Crossing, directed by Donald Nally, at the Presbyterian Church of Chestnut Hill, PA, on 8 July 2016.<br />
Duration: 4 mins<br />
Music © Oxford University Press 2019.<br />
Text © Kārlis Vērdiņš 2001. English translation by Ieva Lešinska © 2015. Used by permission.<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
217<br />
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3<br />
2<br />
œ j 8 œ œ œ j œ œ œ 4 œ œ œ œ ‰ œ œ œ œ œ œ œ<br />
An<br />
3<br />
8<br />
3<br />
8<br />
an<br />
mp<br />
- gel be - hind ev -’ry<br />
coun - ter to - night, aren’t their smiles<br />
mp<br />
mf<br />
œ œ œ œ œ œ 2<br />
J 4 œ œ œ œ ‰ œ œ œ œ œ œ œ<br />
mf<br />
an<br />
- gel be - hind ev -’ry<br />
coun - ter to - night, aren’t their smiles<br />
mp<br />
œ œ œ œ œ œ J 2 œ œ œ œ<br />
4<br />
mf<br />
an<br />
- gel be - hind ev -’ry<br />
coun - ter to - night, aren’t their smiles,<br />
‰<br />
mf<br />
mf<br />
œ œ œ ˙<br />
broad-er<br />
than the<br />
broad-er<br />
than the
220<br />
6<br />
76<br />
°<br />
&b b b<br />
&b b b<br />
mp<br />
œ<br />
3 2 3<br />
J œ œ œ ‰ J œ j œ œ œ œ œ j ‰ œ œ 8 œ - œ œ 4 œ œ œ 8 œ œ œ<br />
con-tract<br />
re - quires; the<br />
œ j œ œ j œ ‰<br />
con-tract<br />
re - quires; the<br />
p<br />
?<br />
¢ b b<br />
˙ œ œ<br />
b ‰ J<br />
the<br />
p<br />
shift is o - ver,<br />
in a flut-ter<br />
of wings<br />
shift,<br />
mp<br />
3 2 3<br />
œ œ<br />
8<br />
œ œ 4 8<br />
- œ œ œ œ œ œ œ<br />
in<br />
a<br />
œ œ 3 œ 2 3<br />
8<br />
- œ œ ˙ œ<br />
4 8<br />
mf<br />
mf<br />
flut-ter<br />
of wings<br />
they take off to their<br />
they take off to their<br />
3 2 3<br />
& b b b<br />
œ<br />
J œ œ œ J ‰ œ ˙ œ ‰ œ œ J J 8 œ œ œ 4 ˙ 8 œ<br />
‹<br />
-<br />
con-tract<br />
re - quires; the<br />
œ j ˙ œ j ‰<br />
p<br />
shift,<br />
˙ œ J ‰<br />
shift,<br />
mp<br />
in<br />
mp<br />
in<br />
a<br />
a<br />
mf<br />
flut-ter<br />
of wings,<br />
mf<br />
flut-ter<br />
of wings,<br />
83 rit.<br />
°<br />
& bb b<br />
œ œ - œ 2<br />
4 œ Œ<br />
half-emp-ty<br />
rooms:<br />
3<br />
8<br />
∑ 2<br />
4 ∑ ∑ ∑ ∑<br />
2<br />
& bb b œ œ - œ 4 œ Œ<br />
half-emp-ty<br />
rooms:<br />
3<br />
8<br />
∑ 2<br />
4 ∑ ∑ ∑<br />
mf<br />
œ<br />
cool<br />
5 8<br />
5 8<br />
5 8<br />
5 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
œ j œ<br />
cradl-ing<br />
p<br />
& b b b œ 2 3 2<br />
4 œ ‰ œ j 8 œ j œ 4 œ ‰ œ j œ œ œ œ j œ ‰ œ œ œ J ‹<br />
a<br />
p<br />
nak - ed bulb, a<br />
? 2 3<br />
¢ b b œ œ 2<br />
b 4 ‰ œ<br />
8 œ J J œ 4 œ ‰ œ œ J œ œ œ j œ ‰<br />
a nak ed<br />
mp<br />
mp<br />
- bulb, a<br />
mf<br />
stove in the cor- ner, cool<br />
mf<br />
stove in the cor- ner, cool<br />
cradl-ing<br />
cradl-ing<br />
90<br />
°<br />
& bb b2<br />
4<br />
a tempo<br />
f<br />
for online perusal only<br />
œ œ J<br />
œ<br />
Œ ‰ œ j 3 œ 2 œ œ 3<br />
3<br />
8 4 œ ‰ 4 œ œ œ 8 œ<br />
2<br />
4<br />
∑<br />
a<br />
kiss on that sweet, curl - y - haired head.<br />
& bb b2<br />
4 œ ‰<br />
& b b b2<br />
4<br />
‹<br />
hands,<br />
f<br />
3 2<br />
œ j 8 œ 4 œ œ œ ‰<br />
a<br />
œ ‰ œ 3 œ 2 œ 3<br />
3 2<br />
8 4 œ œ ‰ J 4 œ œ œ 8 œ 4 Œ ‰ nœ<br />
j<br />
hands,<br />
f<br />
a<br />
3<br />
4<br />
3<br />
œ œ œ<br />
8<br />
œ<br />
kiss on that sweet, curl - y - haired head. The<br />
kiss on that sweet, curl - y - haired head. The<br />
2<br />
4<br />
Œ ‰<br />
mp<br />
nœ<br />
j<br />
mp<br />
? 2<br />
¢ b b<br />
œ œ<br />
b 4 ‰ J<br />
hands, a<br />
f<br />
3<br />
8<br />
œ œ<br />
2 œ œ<br />
4<br />
‰ 3 œ œ 3 2<br />
4 œ 8 œ 4 Œ ‰ nœ<br />
J<br />
kiss on that sweet, curl - y - haired head. The<br />
mp
221<br />
7<br />
97<br />
°<br />
3<br />
3<br />
&b b b ∑ ∑ 4 ∑ 8 ∑ ∑<br />
&b b b<br />
nœ<br />
nœ<br />
3 3<br />
3<br />
3<br />
3<br />
4<br />
œ # œ œ # œ<br />
j nœ<br />
œ œ œ œ j # œ<br />
gent be - hind you is bu - sy<br />
3 3<br />
3<br />
count-ing<br />
his mo - ney.<br />
3<br />
3<br />
& b b b nœ<br />
œ œ œ œ nœ<br />
j œ œ œ œ 4nœ<br />
j œ Œ œ œ 8 nœ<br />
‹<br />
gent be - hind you is bu - sy<br />
count-ing<br />
his mo - ney.<br />
3 3<br />
3<br />
3<br />
? 3<br />
¢ b b nœ<br />
œ œ œ œ nœ<br />
œ œ œ œ b 4nœ<br />
œ J J<br />
Œ<br />
gent be - hind you is bu - sy<br />
-<br />
count-ing<br />
his mo ney.<br />
3<br />
Œ<br />
œ<br />
3<br />
8<br />
nœ<br />
œ # œ<br />
j # œ nœ<br />
He’ll buy all the plums and ba<br />
nœ<br />
j<br />
He’ll buy all the plums and ba<br />
nœ<br />
œ 3# œ # œ<br />
8 nœ<br />
œ J œ<br />
He’ll buy all the plums and ba<br />
œ<br />
nœ<br />
œ œ<br />
-<br />
-<br />
-<br />
102<br />
mf<br />
f<br />
° 2<br />
5 2 3 5 3<br />
& bb b ∑ 4 ‰ 8 4 8 ∑<br />
nœ<br />
j œ # œ # œ nœ<br />
œ Œ 8 Œ ‰<br />
œ œ<br />
nœ<br />
# œ<br />
J 4<br />
he’ll buy the su - per-mar-ket<br />
per - haps,<br />
he’ll<br />
mf<br />
mp<br />
f<br />
2<br />
5 2 3 5 3<br />
& bb b<br />
œ j 4 ‰<br />
# œ œ j 8 4 ‰<br />
œ # œ œ œ # œ œ 8 8 4<br />
nœ<br />
nœ<br />
œ j nœ<br />
# œ nœ<br />
œ j ‰ nœ<br />
j<br />
# œ<br />
-na<br />
- nas, he’ll buy the su - per-mar-ket<br />
per - haps, and I’ll be in - clud- ed; he’ll<br />
& b b mf<br />
mp<br />
f<br />
bnœ<br />
j œ 2<br />
5 2 3 5 3<br />
4 ‰ nœ<br />
j nœ<br />
œ 8 nœ<br />
œ œ # œ œ 4 # œ ‰ nœ<br />
j 8 nœ<br />
œ œ 8 nœ<br />
j œ ‰ nœ<br />
J 4<br />
‹<br />
-na<br />
- nas, he’ll buy the su - per-mar-ket<br />
per - haps, and I’ll be in - clud- ed; he’ll<br />
mp<br />
f<br />
? 2<br />
5 2 3 5 3<br />
¢ b b nœ<br />
œ b J 4 ∑ 8 ∑ 4 Œ ‰ # œ<br />
# œ<br />
8 nœ<br />
œ œ J 8 nœ<br />
œ J<br />
‰ J 4<br />
na<br />
- - nas,<br />
for online perusal only<br />
and<br />
I’ll be in - clud- ed; he’ll<br />
108<br />
°<br />
& bb b3<br />
4# œ- œ - œ nœ<br />
# œ-<br />
nœ<br />
j<br />
nœ<br />
n œ - ‰ # œ- œ # œ-<br />
J nœ<br />
set me on a shelf be - hind glass, dust me off with a<br />
nœ<br />
5 8<br />
5 8<br />
5 8<br />
5 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
& bb b3<br />
4 nœ-<br />
œ - œ œ nœ -<br />
set me on a shelf be - hind glass, dust me off with a<br />
set me on a shelf be - hind glass, dust me off with a<br />
œ-<br />
?<br />
# œ<br />
3<br />
¢ b b - nœ<br />
œ œ - # œ nœ<br />
# œ -<br />
b 4<br />
J<br />
set me on a shelf be hind<br />
# œ<br />
j œ n œ -<br />
‰ nœ j - œ nœ -<br />
& b b b3<br />
nœ-<br />
œ<br />
4<br />
- œ œ nœ - œ œ n œ -<br />
J ‰ nœ - œ nœ -<br />
J<br />
‹<br />
‰<br />
œ-<br />
J<br />
# œ nœ -<br />
# œ # œ<br />
# œ œ<br />
nœ<br />
- glass, dust me off with a<br />
œ
222<br />
8<br />
113<br />
° 3 5 3 3<br />
&b b mp<br />
b8<br />
nœ-<br />
# œ 8 n œ 8 ∑<br />
J -<br />
‰ # œ œ<br />
4 œ- j # œ nœ<br />
# œ # œ œ j œ<br />
horse - hair brush, po - lish hea - ven with a strip of plush.<br />
3 5 3 3<br />
&b b mp<br />
b8<br />
n 8 8 ∑ 4 œ-<br />
j ‰<br />
œ œ -<br />
nœ<br />
œ nœ j - œ nœ<br />
œ nœ<br />
nœ<br />
j nœ<br />
horse - hair brush, po - lish hea - ven with a strip of plush.<br />
3 5 3 3<br />
& b b mp<br />
b8# œ- nœ<br />
8 n œ - ‰ œ<br />
8 ∑<br />
J # œ # œ j 4<br />
‹<br />
- nœ<br />
œ œ nœ<br />
œ j # œ<br />
horse - hair brush, po - lish hea - ven with a strip of plush.<br />
mp<br />
? 3 5 3 3<br />
¢ b b # œ- œ # œ b 8<br />
-<br />
J 8 ‰<br />
nœ<br />
œ nœ-<br />
8 ∑<br />
J # œ œ œ œ # œ<br />
j nœ<br />
4<br />
horse hair<br />
- with a strip of plush.<br />
- brush, po - lish hea ven<br />
NH225 Yes, I am your angel JACKSON<br />
119<br />
p<br />
° 3<br />
& bb b4<br />
œ-<br />
? 3<br />
¢ b b b 4 œ<br />
-<br />
Stop<br />
123<br />
Stop<br />
p<br />
3<br />
& bb b4<br />
œ-<br />
Stop<br />
p<br />
& b b b3<br />
4<br />
‹<br />
œ-<br />
Stop<br />
p<br />
rit.<br />
mp<br />
for online perusal only<br />
mf<br />
œ- œ - ‰ œ 2 J 4 œ - œ Œ<br />
shout- ing, stop<br />
mf<br />
2<br />
œ<br />
- œ ‰ - œ j 4 œ -<br />
œ<br />
shout- ing, stop<br />
mf<br />
accel.<br />
pp<br />
3<br />
8 nœ<br />
j ‰<br />
brag-ging.<br />
Quick,<br />
brag-ging.<br />
Quick,<br />
take the<br />
3 3<br />
3<br />
3<br />
8 nœ<br />
j ‰ œ œ 4<br />
# œ œ œ nœ<br />
œ œ œ œ ‰<br />
œ- œ - ‰ œ j 2 3<br />
3<br />
4 œ - œ Œ 8 nœ<br />
‰ œ œ J 4 # œ nœ<br />
œ œ œ œ œ œ ‰<br />
shout- ing, stop<br />
mf<br />
œ- œ - 3 3<br />
‰ œ J<br />
2 3<br />
3<br />
4 œ - œ Œ # œ<br />
8 J ‰ œ œ # œ # œ œ œ œ œ œ œ<br />
4<br />
‰<br />
shout- ing, stop<br />
Œ<br />
a tempo<br />
mf<br />
°<br />
& bb 3<br />
3<br />
b3<br />
5 2<br />
8 nœ<br />
œ bœ<br />
œ j œ 8 œ Œ 4 œ- ‰<br />
œ- œ œ œ œ<br />
‰<br />
ask to be ta - ken home; don’t fret,<br />
write a po - em.<br />
p<br />
mf<br />
p<br />
& bb 3<br />
3<br />
b3<br />
5 2<br />
8<br />
8 Œ 4 ‰<br />
‰<br />
nœ œ œ œ<br />
œ- œ<br />
ask to,<br />
don’t fret,<br />
-<br />
œ œ œ œ<br />
write a po - em.<br />
& b b p<br />
mf<br />
p<br />
3<br />
3<br />
b3<br />
5 2<br />
8 bœ œ œ 8 œ Œ 4 œ - œ ‰<br />
‹<br />
-<br />
œ œ œ œ ‰<br />
ask to,<br />
don’t fret,<br />
write a po - em.<br />
p<br />
mf<br />
p<br />
3<br />
3<br />
? 3<br />
5 2<br />
¢ b b bœ œ œ œ<br />
b 8<br />
8 Œ œ - 4 œ ‰ œ œ œ œ ‰<br />
-<br />
ask to,<br />
don’t fret,<br />
write a po - em.<br />
pp<br />
pp<br />
brag-ging.<br />
Quick,<br />
pp<br />
brag-ging.<br />
Quick,<br />
œ œ<br />
take the<br />
take the<br />
take the<br />
3<br />
4<br />
œ nœ<br />
3 3<br />
œ # œ œ œ œ œ ‰<br />
cu-cum-bers<br />
out of your pock-<br />
ets,<br />
cu-cum-bers<br />
out of your pock-<br />
ets,<br />
3 3<br />
cu-cum-bers<br />
out of your pock-<br />
ets,<br />
cu-cum-bers<br />
out of your pock-<br />
ets,<br />
p<br />
3<br />
8<br />
3<br />
8<br />
3<br />
8<br />
3<br />
8<br />
Brockley, April–May 2016
February 2023<br />
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