03.03.2023 Views

Gorringe's Spring Fine Sale 14th March 2023

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

118<br />

117<br />

Lot 118<br />

A Chinese enamelled porcelain hexagonal<br />

jardiniere, Qianlong period (1736-95), the upper<br />

section with archaistic scrollwork panels on a cellular<br />

flowerhead ground, within cellular lavender ground borders<br />

decorated with flowers, the apron stand moulded and<br />

enamelled in blue with archaistic scrollwork, on six ruyi head<br />

shaped feet, remnants of ink inscription to base, 17.5cm high,<br />

23.5cm wide<br />

£400 - 600<br />

Lot 119<br />

119<br />

A Chinese Imperial blue glazed ritual offering vessel and cover, gui,<br />

moulded Qianlong seal mark and of the period (1736-95), modelled<br />

on a bronze grain receptacle of the Eastern Zhou dynasty, of oblong form, moulded<br />

in low relief with bands of archaic motifs, flanked by a pair of elephant-head loop<br />

handles, the cover with a more vivid blue glaze moulded with an archaistic chilong<br />

amid clouds, with four butterfly wing-shaped finials which act as supports when<br />

upturned, relief moulded zhuanshu script seal marks to the underside of the vessel<br />

and the cover ‘Da Qing Qianlong Nianzhi’, 28.5cm wide, one finial broken.<br />

115<br />

This gui would have been part of an altar set used in state rituals held in the first lunar<br />

month of the year, during which the emperor made offerings to heaven at the Altar<br />

for Bountiful Harvest (Qigutan), part of the Temple of Heaven in Beijing and would<br />

have comprised also a pair of dou, fu and xing-shaped vessels. Similarly composed sets<br />

with archaistic designs would have been made in claire de lune, yellow and red glazes<br />

for ritual use in the Altars of the Moon, Earth and Sun, respectively. For a related set<br />

of the Qianlong period but in clair-de-lune glaze from the Palace Museum, Beijing, see<br />

E.S. Rawski and J. Rawson, eds., China: The Three Emperors 1662-1795, London, 2005,<br />

pp.125 and 396-397, pls.34-37, where it is noted that the archaistic shape of these<br />

sets was not designed until 1748, when the Qianlong emperor ordered the Grand<br />

Secretaries to consult classical texts when designing objects, and insisted that he<br />

approve their designs before manufacturing could begin. The objects were illustrated<br />

and described in The Illustrated Regulations for Ceremonial Paraphernalia of the<br />

Qing Dynasty (Huangchao liqi tushi). Compare an identical vessel with cover in the<br />

Metropolitan Museum of Art, Fletcher Fund, 1925, Accession Number: 25.143.1.<br />

£2,000 - 3,000

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!