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Hong Kong Photographs,Yau Leung

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<strong>Hong</strong> <strong>Kong</strong> <strong>Photographs</strong>,<br />

<strong>Yau</strong> <strong>Leung</strong><br />

from the collection of<br />

Lee Ka-sing and Holly Lee


<strong>Hong</strong> <strong>Kong</strong> <strong>Photographs</strong>,<br />

<strong>Yau</strong> <strong>Leung</strong><br />

from the collection of<br />

Lee Ka-sing and Holly Lee


<strong>Hong</strong> <strong>Kong</strong> <strong>Photographs</strong>, <strong>Yau</strong> <strong>Leung</strong><br />

from the collection of Lee Ka-sing and Holly Lee<br />

First published in Canada by OCEAN POUNDS<br />

April, 2023<br />

ISBN: 978-1-989845-62-2<br />

Library and Archives Canada Cataloguing in<br />

Publication<br />

Photography, <strong>Hong</strong> <strong>Kong</strong><br />

Title -<br />

<strong>Hong</strong> <strong>Kong</strong> <strong>Photographs</strong>, <strong>Yau</strong> <strong>Leung</strong><br />

from the collection of Lee Ka-sing and Holly Lee<br />

Copyright ©2023 OCEAN POUNDS<br />

Individual Copyrights belongs to the Artist<br />

All Rights Reserved<br />

For information about permission<br />

to reproduce selections from this book,<br />

write to mail@oceanpounds.com<br />

Design by DOUBLE DOUBLE studio<br />

Enquire OCEAN POUNDS the availability of<br />

photographs published in this book<br />

mail@oceanpounds.com<br />

Published by OCEAN POUNDS<br />

50 Gladstone Avenue, Toronto,<br />

Ontario, Canada M6J 3K6<br />

www.oceanpounds.com


Two Women (Gloucester Road, 1961) •<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

Taken on Gloucester Road, Wanchai, an area in the red light district bristling with bars and restaurants<br />

frequented by expatriates and seamen in the U.S. navy.<br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Edition, edition 16/20, signed on verso


<strong>Hong</strong> <strong>Kong</strong> Festival (Statue Square, <strong>Hong</strong> <strong>Kong</strong> & Shanghai Bank, 1969)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

Crowds turned out by the hundreds in the first <strong>Hong</strong> <strong>Kong</strong> Festival in 1969. Two more <strong>Hong</strong><br />

<strong>Kong</strong> festivals were subsequently held, in 1971 and 1973.<br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 2/100, signed on verso


Celebration (Wong Tai Sin Resettlement Estate, 1965)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

Edition 1/100, signed on verso


Blissful Downpour after a long drought (Castle Peak Road, Shamshuipo, 1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

<strong>Hong</strong> <strong>Kong</strong> was hit by a severe drought in 1963-4, during which water supply was restricted to<br />

4 hours per 4 days. These boys were rapt to see the pouring rain and rushed to embrace the free<br />

shower.<br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Train Junction (Ma Liu Shui, 1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

signed on verso


Smiling Faces (Rooftop school, Wong Tai Sin, 1965)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Car Park (1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

signed and titled on verso


King <strong>Kong</strong> (Shaw Movie Town, 1974)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Edition, edition 12/20, signed on verso


The Bank of China Building (1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


The <strong>Hong</strong> <strong>Kong</strong> Bank Building (1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Des Voeux Road Central, near Western Market (1964)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Tramway (Hennessy Road, Wan Chai 1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Connaught Road Central (1964)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Private Cars and Public Bus (Castle Peak Road, 1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Memorial Day Ceremony (Central 1968)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Harbour View of Victoria Peak, left (60s) •<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 4/100, signed on verso


Harbour View of Victoria Peak, right (60s) •<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Say Cheese! (Wan Chai 1966)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Classic automobile 171 (Shaw Movie town 1971)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Fishermen’s Squatters in Cheung Chau (1961)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Chinese Maid in Central Market (1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 8/100, signed on verso


On The Road with a Lantern (Thompson Road 1961)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 1/100, signed on verso


Sidewalk Photo Service (1963)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Selection, edition 4/100, signed on verso


Snatching the Crackers in Bun Festival (Cheung Chau 1966)<br />

by <strong>Yau</strong> <strong>Leung</strong><br />

8x10 inch, gelatin silver photograph printed in the nineties<br />

OP Edition, edition 05/20, signed on verso


<strong>Yau</strong> <strong>Leung</strong> 邱 良 (1941-1997)<br />

<strong>Yau</strong> <strong>Leung</strong> was born in <strong>Hong</strong> <strong>Kong</strong>. He is<br />

one of the most significant and accomplished<br />

documentary photographers in the city. Working<br />

in a style inspired by Henri Cartier-Bresson and<br />

Robert Frank, he captured the very essence of<br />

the City through evocative images - its bustling<br />

streets, people and activities frozen in pivotal<br />

moments. <strong>Yau</strong> <strong>Leung</strong> worked as a photographer<br />

for studios in his earlier days, and later as editor<br />

for photography magazines, helping to promote<br />

the work of others. Through his busy life, <strong>Yau</strong> had<br />

not ceased to be an active photographer, he kept<br />

pursuing his lifelong project of documenting <strong>Hong</strong><br />

<strong>Kong</strong>, until his accidental death in 1997. His body<br />

of work, indisputably forms the most important and<br />

fascinating social documentary of people living in<br />

<strong>Hong</strong> <strong>Kong</strong> from the 1960s to the 1990s. <strong>Yau</strong> has<br />

several monographs published: 60s/70s Image of<br />

<strong>Hong</strong> <strong>Kong</strong> (1992); 60s/90s Growing Up in <strong>Hong</strong><br />

<strong>Kong</strong> (1994); Photo <strong>Hong</strong> <strong>Kong</strong> 1950s-1970s<br />

(1996); City Vibrance: <strong>Hong</strong> <strong>Kong</strong> 1940s-1990s<br />

(1997); Images of <strong>Hong</strong> <strong>Kong</strong> 1960s-1970s<br />

(1999).

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