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costumed animals. Others (correctly) believed they were surgically assembled hybrids. But Dr. Black

himself claimed they were newly discovered life forms. From the fall 1891 issue of Chicago Journal

of Science:

A man, scientist or not, who can manipulate nature through vivisection or any

means to this end does not practice science but instead knows it––and possesses a

power that no man should wield, for this work no man should have wrought.

—William J. Getty, M.D., F.R.S.C.

(Professor of Surgery in the Anatomy Department of the

University of Medical Science, New York)

Some of the performers in the Human Renaissance were Dr. Black’s patients from Ward C; others

were patients he’d met during his travels with the American Carnival. All their conditions were

extreme. One young man was said to have had leg transplants; he bore the limbs of a much taller man

with a darker complexion. Another patient was a formerly conjoined twin, a seventeen-year-old girl

named Rose. Her surgical procedure was so elaborate that it involved a new heart, lung, kidney,

spleen, and arm. The girl’s parents said that Black had even made her prettier than before. Her twin

sister had died during the surgery.

To the malformed, the sick, or the diseased, Dr. Black had become something of a folk hero. He

was ridiculed in the mainstream scientific community but revered by many, especially those afflicted

with unusual illnesses. Black wrote this quip to the Chicago Journal of Science:

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