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Artwork Gallery – Magazine Issue 3. Color vibe

Intro from editor: Summer is a time of bright colors, emotions, and impressions. But each person is an individual and has a personal perception! We offer you to look at the participant artists and see for yourself. In this issue, you have collected unusual areas of work where there is both lightness and sadness, a mixture of traditional materials, digital work ... but not only a white surface serves as "canvases" for our artists - these are the walls of houses, everyday clothes, a sculpture that fits on the palm. Read and find sources of inspiration or your like-minded people on the pages of this magazine. Soak up the mood of different cultures and views, put down this magazine, and create something of your own - in your own colors and medium! Interviews: ■ Katya Taylor | Port of Culture ■ Olesia Tkachenko ■ Ruta Jansone ■ Marianna Nerozna ■ Ana Jošović Represented artists: Eva Alvor, Kateryna Bortsova, Karina Danylchuk, Valentina Diena, Joseph Dulin- Didonato, Wendy Guagenti, Parastoo Haddadi, Liza Illichmann, Molood Jannesari, Baharak Jourabchi, Yulia Kapustynska, Oleksandra Kulikovska, Yuliia Lyshanets, Juyi Mao, Mina Mehdizadeh Fard, Fernanda Morales Tovar, Maryna Mural, Olena Ponomarova, Parnian Pourmovahed, Saharrococo, Mahsa Se, Shabnam Sharghi Ahvazi, Margarita Stepanova, Olena Stremouchova, Tina Striuk, Olha Trikolich, Olena Yemelianova, Yeonhye Park Front cover artist Mahsa Se @mahsase__art

Intro from editor:
Summer is a time of bright colors, emotions, and impressions. But each person is an individual and has a personal perception!

We offer you to look at the participant artists and see for yourself. In this issue, you have collected unusual areas of work where there is both lightness and sadness, a mixture of traditional materials, digital work ... but not only a white surface serves as "canvases" for our artists - these are the walls of houses, everyday clothes, a sculpture that fits on the palm.

Read and find sources of inspiration or your like-minded people on the pages of this magazine. Soak up the mood of different cultures and views, put down this magazine, and create something of your own - in your own colors and medium!

Interviews:
■ Katya Taylor | Port of Culture
■ Olesia Tkachenko
■ Ruta Jansone
■ Marianna Nerozna
■ Ana Jošović

Represented artists:
Eva Alvor, Kateryna Bortsova, Karina Danylchuk, Valentina Diena, Joseph Dulin- Didonato, Wendy Guagenti, Parastoo Haddadi, Liza Illichmann, Molood Jannesari, Baharak Jourabchi, Yulia Kapustynska, Oleksandra Kulikovska, Yuliia Lyshanets, Juyi Mao, Mina Mehdizadeh Fard, Fernanda Morales Tovar, Maryna Mural, Olena Ponomarova, Parnian Pourmovahed, Saharrococo, Mahsa Se, Shabnam Sharghi Ahvazi, Margarita Stepanova, Olena Stremouchova, Tina Striuk, Olha Trikolich, Olena Yemelianova, Yeonhye Park

Front cover artist Mahsa Se @mahsase__art

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After graduating in 2019, you actively explored other mediums. Tell us about your<br />

search?<br />

In my search for a personal style, within<br />

digital media, I noticed how much the<br />

digital logic of “quick and efficient” filling<br />

of the white background layer can harm<br />

the artist’s development and generally the<br />

whole art process. It erases the breath of<br />

life of the initial characteristic of the sketch.<br />

An endless struggle between what I have<br />

learned for years (from the traditional) and<br />

“how to make a digital illustration” videos.<br />

The approaches are often contradictory and<br />

I had to find a common solution. I needed<br />

to learn how to draw all over again. On the<br />

other hand, I have always had the same love<br />

for stylized drawing, namely, cartoon styles.<br />

I was torn between experience, interest, the<br />

flow of the future and the audience demand.<br />

Especially with the recent AI development <strong>–</strong><br />

when a perfectly good picture can be made<br />

with one click.<br />

All this made me return to traditional painting.<br />

After 4 years of exploring the digital<br />

world, I came back to paint as I would before<br />

on my canvas, the way I was taught. Due<br />

to the whole AI situation, I started filming<br />

the process of creating my works, because<br />

I wanted to protect myself and prove their<br />

origin.<br />

Now, you are actively engaged in digital illustration. What inspired you to create<br />

a vintage series? What theme do you discover?<br />

I have always been enchanted by vintage<br />

aesthetics. To portray sexiness, grandeur,<br />

glamour, and elegance, I often use vintage<br />

themes. Their sexipile is almost like poetry.<br />

I have a sample of that era in the top layer<br />

of the picture, shown through poses, facial<br />

expressions, and fashion aesthetics.<br />

“<br />

Fashion changes over time, but beauty will<br />

never go out of style, because beauty is a<br />

need of the human soul.<br />

In today’s social networks, beauty overshadowing<br />

is more prevalent than ever before.<br />

Apart from the increasingly frequent plastic<br />

aesthetic procedures, there are filters and<br />

excellent make-up artists who completely<br />

change the constitution of the face, so this<br />

often gives girls a plastic and “unattainable”<br />

type of beauty, although, in the background<br />

of all this, we have many problems on a<br />

global level.<br />

Burlesque has moved to everyone’s phone,<br />

and we can see it at any time of the day.<br />

One reel can show footage of an ecological<br />

disaster and how we should be aware of the<br />

way we treat our environment, and the next<br />

reel is a sensual dance of a girl with lots of<br />

skin on display. Guess which reel the majority<br />

will watch till the end?<br />

<strong>Artwork</strong> <strong>Gallery</strong> <strong>Magazine</strong> |<br />

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