Ngā Tai Hurihuri

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Instrumentation Soprano Kaikaranga Percusion (4 Players) Percussion 1: bass drum, 4 tom toms (low-high), suspended cymbal Percussion 2: bass drum, 4 tom toms (low-high) Percussion 3: kick drum, 2 timbales, 2 bongos, tam-tam, temple block, maraca, suspended cymbal Percussion 4: marimba, 4 tom toms, China crash cymbal, 2 splash cymbals Performance notes Soprano and Kaikaranga The vocalists should be positioned antiphonally, rather than standing together. There are a number of possibilities for ways to do this which may depend on the size and layout of the performance venue. The kaikaranga part is not given in musical notation in the score. The text is included with the performance set, and indications are given in the score for where each section of the text is to begin. The performer is recommended to refer to the commercial recording of the work (on the CD Gareth Farr: Warriors from Pluto, Trust Records MMT2036) to hear how the part interacts with the soprano. Percussion The percussion stations should be situated in the order 4-1-2-3 from stage left to stage right. The stations for players 1 and 2 should be set up in a symetrical fashion (from left to right, player 1: toms high-low, bass drum; player 2: bass drum, toms low-high) to exploit the visual effect of the players appearing to mirror one anothers’ movements.
Percussion 1 Percussion 2 Percussion 3 Percussion 4 Soprano 1 NGA TAI HURIHURI FOR DEBORAH WAI KAPOHE Gareth Farr ÷ ÷ ÷ ÷ ? & ©»•¢ 4 p > œ 4 œ> 4 4 4 ©»•¢ 4 Bass Drum (yarn mallets) ‰ j ‰ j Œ ‰ j Œ ‰ j ‰ j Œ œ œ œ œ œ œ œ œ Bass Drum (yarn mallets) ‰ j Œ ‰ j Œ ‰ j Œ Œ œ œ œ œ œ œ œ p Maracap Temple ⇤ œ œ ‰ œ j Block ⇤ œ œ ‰ ‰ œ ⇤ œ œ ⇤ œ . œ. œ ⇤ œ œ ‰ œ ⇤ œ œ ‰ œ w J J J J b œœ œ œ œ œ œ œ b b b œ œ œœ œœ œœ œœ œœ b œ bœ œ œ œ œ œ œ œœ œ b œ œ œ œ œœ œ œ œœ œœ œœ œœ œœ b b œœ œœ œœ œœ œœ œœ b œ b b œ Tam tam ⇥ Karanga: E rere ra nga moemoea, Ki runga te moana, Tangihia nga putatara, I te rangi - te rangi Perc. 1 Perc. 2 Perc. 3 Perc. 4 Sop. 4 ÷ ÷ ÷ ÷ ? & b b ‰ j œ œ ‰ œ b bœ Œ ‰ j ‰ j Œ ‰ j Œ œ > œ > œ œ œ œ œ œ ‰ j Œ ‰ j Œ ‰ j Œ ‰ j œ œ> œ> œ œ œ œ œ j œ ⇤ œ . œ. œ ‰ œ ⇤ œ œ ‰ œ ⇤ œ œ ‰ ‰ œ ⇤ œ œ ⇤ œ . œ. œ J J J w J J œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ b œœ œœ œœ œœ œœ b b œ œ œœ œœ œœ œœ œœ b œ bœ œ œ œ œ œ œ œ œ œ œœ œœ œœ œœ œœ b œ b Nga <strong>Tai</strong> <strong>Hurihuri</strong> © Promethean Editions Ltd — Page 1
Page 1: GARETH FARR Nga Tai Hurihuri Sopran
Page 6 and 7: Perc. 1 7 ÷ ‰ j ‰ j œ œ Œ
Page 8 and 9: Perc. 1 Perc. 2 Perc. 3 Perc. 4 Sop
Page 16 and 17: Perc. 4 Sop. 82 & & w w . ˙ œ w w
Page 22 and 23: Perc. 1 Perc. 2 Perc. 3 127 ÷ ÷
Page 24 and 25: Perc. 1 Perc. 2 Perc. 3 140 ÷ œ^

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