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Restoration Conversations ISSUE 2,
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From the Editor As we conclude prep
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Above: Jazz band, Wanda Wulz, 1931,
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Above: ‘Fotografe!’ exhibition
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MADAME D’ORA (1881-1963) was a Vi
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Above: Marion Wulz in the dress by
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Above: Portrait of Julia Margaret C
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Above: Vivien and Merlin (sitters A
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Edith Arnaldi A ‘woman of the fut
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Above, left: Somalia, 1951, Edith A
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Futurist women appear to have taken
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24 Restoration Conversations • Au
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26 Restoration Conversations • Au
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28 Restoration Conversations • Au
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Enjoying the show: This page, left:
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32 Restoration Conversations • Au
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34 Restoration Conversations • Au
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Below: Donor Wayne McArdle shares f
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38 Restoration Conversations • Au
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Artemisia UpClose Many ways to see
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IN PROGRESS AT THE MUSEUM OCTOBER 2
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44 Restoration Conversations • Au
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A veiled issue The hows and whys be
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Left: Portrait of Robert Browning,
- Page 50 and 51: Below: Detail, The Last Judgment, S
- Page 52 and 53: PLANS AND PULLEYS Elizabeth Wicks,
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- Page 58 and 59: Above: Model of the facade of the S
- Page 60 and 61: Left: Biffoli-Sostegni Manuscript.
- Page 62 and 63: Over the course of 30 years, Musica
- Page 64 and 65: Left : Galileo Galilei: the Torre d
- Page 66 and 67: Above, top: Laurie Stras, centre, a
- Page 68 and 69: Death of a Duchess Historical ficti
- Page 70 and 71: Above: Casa Guidi, where the Browni
- Page 72 and 73: lockdown, when many of us experienc
- Page 74 and 75: ‘More Bill’, many Kennedys A sp
- Page 76 and 77: stand back, you can see it’s a mo
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- Page 80 and 81: Left: Paula Modersohn-Becker, Self-
- Page 82 and 83: Marianne Werefkin, Twins, 1909. Tem
- Page 84 and 85: Marianne Werefkin, The Contrasts, 1
- Page 86 and 87: Above, left: Gabriele Münter, Self
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- Page 92 and 93: Left: Director Elena Baistrocchi, (
- Page 94 and 95: Above and right: Some of the beauti
- Page 96 and 97: In phrase three, an artisan becomes
- Page 98 and 99: Grazie Mille As always, we are grat