Autumn/Winter 2022
Restoration Conversations is a digital magazine spotlighting the achievements of women in history and today. We produce two issues a year: Spring/Summer and Fall/Winter
Restoration Conversations is a digital magazine spotlighting the achievements of women in history and today. We produce two issues a year: Spring/Summer and Fall/Winter
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Above: The ‘Pictorialism’ section at ‘Fotografe’. Photos by Julia Margaret Cameron, authored from 1865 to 1870, Alinari Archives, Florence, (Image: Olga Makarova).<br />
Cindy Sherman… Her biography is fascinating;<br />
she received her first camera later in life in 1863<br />
– as a 48-year-old woman, not a young girl, and<br />
she became famous almost immediately. She<br />
exhibited in the Victoria and Albert Museum<br />
in 1865 – then called the South Kensington<br />
Museum – which purchased 80 of her prints,<br />
as one of the museum’s first acquisitions. In<br />
fact, for two years, her photography studio was<br />
actually inside the Museum!<br />
A GAME OF ‘WHO’S WHO?’<br />
Madame d’Ora’s 1926 portrait, Madame<br />
Schiaparelli, featuring Roman fashion designer<br />
Elsa Schiaparelli and her dog, epitomises the<br />
typical cannons of the period, which were still<br />
significantly influenced by Pictorialism. She is<br />
almost blurred… only her gaze is in focus. This<br />
technique gives the picture a timeless quality.<br />
Schiaparelli (1890–1973) was a rival of Coco Chanel<br />
and she took the fashion world by storm, in the<br />
inter-war period, with her surrealist creations<br />
[and the invention of the shade ‘shocking pink’ in<br />
1937, a colour borrowed, years later, for Marilyn’s<br />
strapless number in Gentleman Prefer Blondes.<br />
Despite her sedate appearance in Madame<br />
D’Ora’s photograph, Schiaparelli, created cuttingedge,<br />
mostly surrealist garments and accessories,<br />
<strong>Autumn</strong> / <strong>Winter</strong> <strong>2022</strong> • Restoration Conversations 9