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Autumn/Winter 2022

Restoration Conversations is a digital magazine spotlighting the achievements of women in history and today. We produce two issues a year: Spring/Summer and Fall/Winter

Restoration Conversations is a digital magazine spotlighting the achievements of women in history and today. We produce two issues a year: Spring/Summer and Fall/Winter

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Above: The ‘Pictorialism’ section at ‘Fotografe’. Photos by Julia Margaret Cameron, authored from 1865 to 1870, Alinari Archives, Florence, (Image: Olga Makarova).<br />

Cindy Sherman… Her biography is fascinating;<br />

she received her first camera later in life in 1863<br />

– as a 48-year-old woman, not a young girl, and<br />

she became famous almost immediately. She<br />

exhibited in the Victoria and Albert Museum<br />

in 1865 – then called the South Kensington<br />

Museum – which purchased 80 of her prints,<br />

as one of the museum’s first acquisitions. In<br />

fact, for two years, her photography studio was<br />

actually inside the Museum!<br />

A GAME OF ‘WHO’S WHO?’<br />

Madame d’Ora’s 1926 portrait, Madame<br />

Schiaparelli, featuring Roman fashion designer<br />

Elsa Schiaparelli and her dog, epitomises the<br />

typical cannons of the period, which were still<br />

significantly influenced by Pictorialism. She is<br />

almost blurred… only her gaze is in focus. This<br />

technique gives the picture a timeless quality.<br />

Schiaparelli (1890–1973) was a rival of Coco Chanel<br />

and she took the fashion world by storm, in the<br />

inter-war period, with her surrealist creations<br />

[and the invention of the shade ‘shocking pink’ in<br />

1937, a colour borrowed, years later, for Marilyn’s<br />

strapless number in Gentleman Prefer Blondes.<br />

Despite her sedate appearance in Madame<br />

D’Ora’s photograph, Schiaparelli, created cuttingedge,<br />

mostly surrealist garments and accessories,<br />

<strong>Autumn</strong> / <strong>Winter</strong> <strong>2022</strong> • Restoration Conversations 9

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