Autumn/Winter 2022

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Above: Jazz band, Wanda Wulz, 1931, Alinari Archives, Florence. 6 Restoration Conversations • Autumn / Winter 2022
From S hakespeare to Schiaparelli Highlights from the RC broadcast on ‘Fotografe!’ During our autumn episode of Restoration Conversations, live-streamed on location from Florence’s Villa Bardini, Walter Guadagnini, cocurator of the exhibition Fotografe! Women photographers, Alinari Archives to Contemporary Perspectives, shared insights on the show’s protagonists. Here is Walter’s take on three Dcreative women and their time. Autumn / Winter 2022 • Restoration Conversations 7
Page 1 and 2: Restoration Conversations ISSUE 2,
Page 3: From the Editor As we conclude prep
Page 8 and 9: Above: ‘Fotografe!’ exhibition
Page 10 and 11: MADAME D’ORA (1881-1963) was a Vi
Page 12 and 13: Above: Marion Wulz in the dress by
Page 14 and 15: Above: Portrait of Julia Margaret C
Page 16 and 17: Above: Vivien and Merlin (sitters A
Page 18 and 19: Edith Arnaldi A ‘woman of the fut
Page 20 and 21: Above, left: Somalia, 1951, Edith A
Page 22 and 23: Futurist women appear to have taken
Page 24 and 25: 24 Restoration Conversations • Au
Page 30 and 31: Enjoying the show: This page, left:
Page 36 and 37: Below: Donor Wayne McArdle shares f
Page 40 and 41: Artemisia UpClose Many ways to see
Page 42 and 43: IN PROGRESS AT THE MUSEUM OCTOBER 2
Page 46 and 47: A veiled issue The hows and whys be
Page 48 and 49: Left: Portrait of Robert Browning,
Page 50 and 51: Below: Detail, The Last Judgment, S
Page 52 and 53: PLANS AND PULLEYS Elizabeth Wicks,
Page 56 and 57:
56 Restoration Conversations • Au
Page 58 and 59:
Above: Model of the facade of the S
Page 60 and 61:
Left: Biffoli-Sostegni Manuscript.
Page 62 and 63:
Over the course of 30 years, Musica
Page 64 and 65:
Left : Galileo Galilei: the Torre d
Page 66 and 67:
Above, top: Laurie Stras, centre, a
Page 68 and 69:
Death of a Duchess Historical ficti
Page 70 and 71:
Above: Casa Guidi, where the Browni
Page 72 and 73:
lockdown, when many of us experienc
Page 74 and 75:
‘More Bill’, many Kennedys A sp
Page 76 and 77:
stand back, you can see it’s a mo
Page 78 and 79:
Page 80 and 81:
Left: Paula Modersohn-Becker, Self-
Page 82 and 83:
Marianne Werefkin, Twins, 1909. Tem
Page 84 and 85:
Marianne Werefkin, The Contrasts, 1
Page 86 and 87:
Above, left: Gabriele Münter, Self
Page 88 and 89:
Page 90 and 91:
Page 92 and 93:
Left: Director Elena Baistrocchi, (
Page 94 and 95:
Above and right: Some of the beauti
Page 96 and 97:
In phrase three, an artisan becomes
Page 98 and 99:
Grazie Mille As always, we are grat
Page 100:
100 Restoration Conversations • A
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Autumn/Winter 2022

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