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FILM REVIEWS<br />
COUNTRY GOLD<br />
Mickey Reece<br />
“This bit of absurdism doesn’t seem remotely out of place in<br />
Reece’s filmmaking <strong>—</strong> just look at the way last year’s haunting<br />
and inventive Agnes shifts gears halfway through from a spooky<br />
exorcism movie into something altogether more thoughtful <strong>—</strong><br />
and he deploys it as the perfect weapon to force Troyal to<br />
examine the legacy he thinks he’s building, not just as a musician<br />
but as a husband and a father. He’s also made to reckon with his<br />
healthy ego; it quickly becomes clear that he’s a sincerely<br />
vulnerable guy, especially when that ego is attacked, as in an<br />
early scene in which Jones chastises him for ordering a<br />
well-done steak.” <strong>—</strong> MATT LYNCH<br />
DIRECTOR: Mickey Reece; CAST: Laurie Cummings, Cate Jones,<br />
Ben Hall; DISTRIBUTOR: Cinedigm/Fandor; STREAMING: March<br />
16; RUNTIME: 1 hr. 24 min.<br />
SELF-PORTRAIT<br />
Joële Walinga<br />
“It takes a few minutes to get acclimated to the constant stream<br />
of images; some suggest liminal spaces devoid of human figures,<br />
while others are teeming with people. Lush landscapes are<br />
paired with extreme close-ups of claustrophobic interiors. Some<br />
images are almost purely abstract, as the digital cameras<br />
struggle to record raindrops or snow flurries and instead register<br />
them as pixelated flecks of light. There’s also the progression of<br />
Walinga’s approximation of color grading; the film begins in<br />
winter, and accordingly each scene features snow or ice and cool<br />
tones. As we move into spring, and then summer, the images<br />
become warmer, each scene bathed in natural light.” <strong>—</strong> DANIEL<br />
GORMAN<br />
DIRECTOR: Joële Walinga; CAST: ; DISTRIBUTOR: MUBI;<br />
STREAMING: March 17; RUNTIME: 1 hr. 7 min.<br />
31<br />
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