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InRO Weekly — Volume 1, Issue 11

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FILM REVIEWS<br />

COUNTRY GOLD<br />

Mickey Reece<br />

“This bit of absurdism doesn’t seem remotely out of place in<br />

Reece’s filmmaking <strong>—</strong> just look at the way last year’s haunting<br />

and inventive Agnes shifts gears halfway through from a spooky<br />

exorcism movie into something altogether more thoughtful <strong>—</strong><br />

and he deploys it as the perfect weapon to force Troyal to<br />

examine the legacy he thinks he’s building, not just as a musician<br />

but as a husband and a father. He’s also made to reckon with his<br />

healthy ego; it quickly becomes clear that he’s a sincerely<br />

vulnerable guy, especially when that ego is attacked, as in an<br />

early scene in which Jones chastises him for ordering a<br />

well-done steak.” <strong>—</strong> MATT LYNCH<br />

DIRECTOR: Mickey Reece; CAST: Laurie Cummings, Cate Jones,<br />

Ben Hall; DISTRIBUTOR: Cinedigm/Fandor; STREAMING: March<br />

16; RUNTIME: 1 hr. 24 min.<br />

SELF-PORTRAIT<br />

Joële Walinga<br />

“It takes a few minutes to get acclimated to the constant stream<br />

of images; some suggest liminal spaces devoid of human figures,<br />

while others are teeming with people. Lush landscapes are<br />

paired with extreme close-ups of claustrophobic interiors. Some<br />

images are almost purely abstract, as the digital cameras<br />

struggle to record raindrops or snow flurries and instead register<br />

them as pixelated flecks of light. There’s also the progression of<br />

Walinga’s approximation of color grading; the film begins in<br />

winter, and accordingly each scene features snow or ice and cool<br />

tones. As we move into spring, and then summer, the images<br />

become warmer, each scene bathed in natural light.” <strong>—</strong> DANIEL<br />

GORMAN<br />

DIRECTOR: Joële Walinga; CAST: ; DISTRIBUTOR: MUBI;<br />

STREAMING: March 17; RUNTIME: 1 hr. 7 min.<br />

31<br />

16

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