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Skånes Dansteater, Common Ground, program

Skånes Dansteaters föreställningsprogram för dansföreställningen Common Ground av koreografen Anouk van Dijk. Skånes Dansteater's performance program for the dance production 'Common Ground' by chroeographer Anouk van Dijk.

Skånes Dansteaters föreställningsprogram för dansföreställningen Common Ground av koreografen Anouk van Dijk.

Skånes Dansteater's performance program for the dance production 'Common Ground' by chroeographer Anouk van Dijk.

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Konstnärligt team / Creative team<br />

PAUL JACKSON<br />

Ljusdesign / Lighting design<br />

Paul har designat ljus för de flesta av Australiens ledande scenkonstbolag och<br />

har undervisat i design vid University of Melbourne, RMIT University och Victorian<br />

College of the Arts. Hans arbete har presenterats på festivaler och teatrar i<br />

USA, Asien, Europa och Storbritannien. Paul listades i australiska The Bulletin’s<br />

Smart 100 och var Gilbert Spottiswood Churchill Fellow 2007. Han var konstnärlig<br />

partner till Malthouse Theatre 2007-2013 och är för närvarande konstnärlig<br />

partner till Melbourne Theatre Company. Paul tilldelades ett stipendium från<br />

Australia Council for the Arts 2017. Han har tilldelats ett Helpmann Award, sju Green Room Awards,<br />

två Sydney Theatre Awards, fem Australian Production Design Guild Awards och ett Critics’ Award<br />

for Theatre i Skottland.<br />

Läs mer: pauljacksondesign.com.au<br />

MARG HORWELL<br />

Scenografi, kostymdesign / Set design, costume design<br />

Marg är en flerfaldigt prisbelönt designer för scenkonst. Marg har bland annat<br />

arbetat med The picture of Dorian Gray (Sydney Theatre Company/ Michael Cassel/Adam<br />

Kenwright), The Confessions (Alexander Zeldin Company/The National<br />

Theatre), The Strange case of Dr Jekyll and Mr Hyde (Sydney Theatre Company),<br />

The Dead City (Deutche Oper Am Rhein), The Happy End, Lorelei (Victorian Opera),<br />

The Marriage of Figaro, The Human Voice och The Call (Opera Queensland),<br />

Our Town (Theater Basel). Marg designade kostymer för The Resistible Rise of<br />

Arturo Ui och Lord of the Flies samt skapade scenografi och kostymer för How to Rule the World och<br />

The Lifespan of a Fact, för Sydney Theatre Company. Hon designade för Salome (English National<br />

Opera), Avalanche (Barbican Theatre), Leviathan (Circa) och den omslutande förställningen Because<br />

The Night (Malthouse Theatre).<br />

För Melbourne Theatre Company har Marg designat till föreställningarna Bernhardt/Hamlet, Escaped<br />

Alone and What If If Only, My Sister Jill, Girls And Boys, The Truth, Lilith The Jungle Girl (Mtc/Sisters<br />

Grimm), Sexual Misconduct of The Middle Classes, Marlin, Cock, The House Of Bernarda Alba, Birdland,<br />

Peddling, Constellations, Music.<br />

Paul has designed lighting for most of Australia’s leading arts companies and has lectured in design<br />

at the University of Melbourne, RMIT University and the Victorian College of the Arts. His work has<br />

featured in festivals and <strong>program</strong>mes in the United States, Asia, Europe and the UK. Paul was listed<br />

in The Bulletin’s Smart 100, and was the Gilbert Spottiswood Churchill Fellow for 2007. He was an<br />

Artistic Associate at Malthouse Theatre from 2007-2013 and is presently an Artistic Associate at<br />

Melbourne Theatre Company. Paul was awarded an Australia Council for the Arts Fellowship in 2017.<br />

He has received a Helpmann Award, seven Green Room Awards, two Sydney Theatre Awards, five<br />

Australian Production Design Guild Awards and a Critics’ Award for Theatre in Scotland.<br />

Read more: pauljacksondesign.com.au<br />

Under 2017 var Marg residenskonstnär på Malthouse Theatre och har designat Revolt. She Said. Revolt<br />

Again, The Testament Of Mary och The Real and Imagined History of The Elephant Man, Edward<br />

II, The Good Person of Szechuan (med The National Theatre of China), Bliss, Melancholia, Blasted,<br />

The Histrionic och Caravan för teaterkompaniet. Marg har belönats för sitt enastående arbete med<br />

tre Sydney Theatre Awards och elva Green Room Awards.<br />

Läs mer: marghorwell.com<br />

Marg is a multi-award-winning designer for live performance. Marg’s recent credits include; THE<br />

PICTURE OF DORIAN GRAY (Sydney Theatre Company/ Michael Cassel/Adam Kenwright), THE<br />

CONFESSIONS (Alexander Zeldin Company/The National Theatre), THE STRANGE CASE OF DR<br />

JEKYLL AND MR HYDE (Sydney Theatre Company), THE DEAD CITY (Deutche Oper Am Rhein),<br />

THE HAPPY END, LORELEI (Victorian Opera), THE MARRIAGE OF FIGARO, THE HUMAN VOICE and<br />

THE CALL (Opera Queensland), OUR TOWN (Theater Basel). Marg designed costumes for THE<br />

RESISTIBLE RISE OF ARTURO UI and LORD OF THE FLIES and designed set and costumes on HOW<br />

TO RULE THE WORLD and THE LIFESPAN OF A FACT, at Sydney Theatre Company. She designed<br />

SALOME (English National Opera), AVALANCHE (Barbican Theatre), LEVIATHAN (Circa), and the<br />

immersive production of BECAUSE THE NIGHT (Malthouse Theatre)<br />

For Melbourne Theatre Company Marg has designed BERNHARDT/HAMLET, ESCAPED ALONE and<br />

WHAT IF IF ONLY, MY SISTER JILL, GIRLS AND BOYS, THE TRUTH, LILITH THE JUNGLE GIRL (MTC/<br />

Sisters Grimm), SEXUAL MISCONDUCT OF THE MIDDLE CLASSES, MARLIN, COCK, THE HOUSE<br />

OF BERNARDA ALBA, BIRDLAND, PEDDLING, CONSTELLATIONS, MUSIC.<br />

In 2017, Marg was the Designer in Residence at Malthouse Theatre, and has designed REVOLT.<br />

SHE SAID. REVOLT AGAIN, THE TESTAMENT OF MARY, and THE REAL AND IMAGINED HISTORY OF<br />

THE ELEPHANT MAN, EDWARD II, THE GOOD PERSON OF SZECHUAN (with The National Theatre<br />

of China), BLISS, MELANCHOLIA, BLASTED, THE HISTRIONIC and CARAVAN for the company.<br />

Marg has been recognised for her outstanding work with three Sydney Theatre Awards and eleven<br />

Green Room Awards.<br />

Read more: marghorwell.com<br />

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