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2024 43rd Season of the Thomas Edison Film Festival Program

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JURY’S<br />

CITATION AWARDS<br />

Our Males and Females – Narrative<br />

11 min. by Ahmad Alyaseer, Amman, Jordan<br />

A fa<strong>the</strong>r and mo<strong>the</strong>r are faced with <strong>the</strong> painful task <strong>of</strong> washing and shrouding<br />

<strong>the</strong>ir deceased transgender daughter. Shrouding is an Islamic religious practice<br />

that is deemed obligatory to carry out upon death. But when no one agrees to<br />

wash her and shame falls onto <strong>the</strong> family, how far is <strong>the</strong> fa<strong>the</strong>r willing to go<br />

to make sure his “son” is washed?<br />

JURY’S<br />

CITATION AWARDS<br />

Pilipala – Animation<br />

1 min. by Yinan Liang, Jersey City, NJ, USA<br />

An animated short inspired by <strong>the</strong> annual Spring <strong>Festival</strong> in China. Spring<br />

festival is a traditional Chinese festival with thousands <strong>of</strong> years <strong>of</strong> history.<br />

The filmmaker’s idea is to convey a strong feeling <strong>of</strong> happiness and joy to <strong>the</strong><br />

audience.<br />

Pacifier – Experimental<br />

5 min. by Xiaoxuan Han, Beijing, China<br />

“I invited six people <strong>of</strong> different ages to talk about <strong>the</strong>ir fears, and <strong>the</strong>n tried<br />

to comfort <strong>the</strong>m with pacifiers. People outside <strong>the</strong> cradle seem to no longer<br />

need pacifiers. Faced with a more complex world, <strong>the</strong>y have learned to make<br />

<strong>the</strong>ir own pacifiers.”<br />

Reversal – Experimental<br />

6 min. by Diane Nerwen, Brooklyn, NY, USA<br />

“Reversal” combines images and sounds from movies released or broadcast<br />

in 1973, <strong>the</strong> year <strong>the</strong> Supreme Court decided Roe v Wade. In <strong>the</strong> strange new<br />

reality ushered in by <strong>the</strong> Dobbs decision, <strong>the</strong> slogan “We won’t go back” is<br />

recalled with bitter irony. This collage piece evokes <strong>the</strong> spectre <strong>of</strong> regression<br />

and repression that has followed <strong>the</strong> Court’s decision.<br />

62 www.TE<strong>Film</strong>Fest.org<br />

©<strong>2024</strong> The <strong>Thomas</strong> A. <strong>Edison</strong> Media Arts Consortium, Inc., All rights reserved. 63

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